Schooltree | Heterotopia A Metaphysical/Paranormal Rock Opera – Album Review August 2017
Label: Independent/Unsigned Release Year: 2017 Country: USA Genre: Paranormal/Progressive Rock
Band Members – Current
Lainey Schooltree – Lead Vocals/Keyboards/Creator Tom Collins – Drums Peter Danilchuk – Synth’s/Organ Ryan Schartzel – Bass Sam Crawford – Lead & Rhythm Guitar’s
Band Members – Album Recording Personnel
Lainey Schootree – Vocals/Pianos/Synths Brendan Burns – Guitar’s Derek Van Wormer – Bass Tom/Tod/Tad Collins – Drums Peter Danilchuk – Organs/Synths Peter Moore – Nylon Guitar/Additional Vocals/Keyboards/Programming
CD 1 Overture Rocksinger The Big Slide Cat Centipede The Abyss Radio Walk You Through Edge of a Dream The Leitmaiden The Legend of Enantiodromia Specter Lyfe
CD 2 Dead Girl Turning into the Strange The Edge Annihilate Power of the Ghost You and I Into Tomorrow The River Bottom of the River Enantiodromia Awakens Zombie Connection Keep Your Head Day of the Rogue Utopia
* Writers Note* I want to apologize to Lainey Schooltree for this review taking so very long. It was not intentional. Hopefully the review below will validate me.
Ever since the middle 1990’s the Urban Fantasygenre has taken the literary world by storm. Novels such as The Mortal Instruments by Cassandra Clare,Twilight Trilogy by Stephanie Myer, Nightworld/Vampire Diaries by L. J. Smith, Vampire Academy/Frostbite by Rachel Meade, etc .. Most of the very successful Urban Fantasynovels go on to become either ‘Television Series’ or ‘Hollywood Blockbusters’. Now the Urban Fantasy genre has grown tentacles into the world of the traditional progressive rock opera.
Lainey Schooltree becomes one of the very many successful women to shatter the typical ‘male stereotype’ and create her own ‘Urban Fantasy’, however this is set to the traditional progressive rock opera. Her new project Schooltree Heterotopia is a melodic adventure of absolute paranormal and metaphysical proportions. Most progressive rock or metal opera’s have dealt with subjects as science fiction, world history, comatose people, or people with disabilities, end of the world scenario’s , etc .. Schooltree’s Heterotopia deals with the classic cliche or subject “Be careful what you wish for, you just might get it.”
Schooltree’s Heterotopia comes in the tradition of The Who’s Tommy & Quadrophenia,Meatloaf’s Bat Out Of Hell Trilogy on the Rock Opera end. On the conceptual end it comes in the tradition of Yes’ Tales From Topographic Oceans, Pain Of Salvation’s BE & In The Passing Light Of Day with some psychedelic structures reminiscent of The Doors and Jefferson Airplane.
There are six distinct and very different characters involved in the story and visual Lainey Schooltree has painted on this exquisite tapestry. There is the Greek Chorus – Narrator, Suzi – Our Hero, Zombuzi – Zombie Suzi, Metanoia, Shadows and Enantiodromia. Much like the ‘Urban Fantasy’ novels and films, these characters also have their own significance within Schooltree’s Heterotopia. The landscape of the project is well over 100 minutes and two CD’s worth of music that totally and completely seamlessly transition beautifully from track to track.
CD 1 – ACT 1
Overture opens up the album almost in the way a soundtrack or score would open a movie and/or film. It leaves a lot to the imagination and increases the anticipation opening up the epic opera. This is also a track loaded with various symphonic and progressive rock elements. The keyboard and guitar stringed section also adds a layer of distinct orchestration that gives the project a very unique sound.
Rocksinger & The Big Slide displays a very dark side of the main character Suzi. Lainey Schooltree really does a great job both lyrically and instrumentally showing the listener the true desperation Suzi has reached as to how far she will go to obtain her dream. Lainey Schooltree being the only vocalist on the album also allows for depths of various emotions to come forward in the narrative of the story.
Much like Alice In Wonderland,Lainey Schooltree incorporates a centipede like creature in this modern day urban fantasy, paranormal rock opera, however it is a Cat Centipede. The instrumental half of this track certainly lends a great picture on the screen of the theater of the mind. The band does a great job here building towards a climax, a transition. They do this through the incorporation of various progressive and psychedelic elements. Suzi the main character follows this abnormal creature into The Abyss.
With The Abyss the band utilize very heavy psychedelic elements in the intro leading in. The blend of vocals and psychedelic elements certainly create a otherworldly and strange journey into the progressive psychedelic harmonies. The drums also lend a firm melodic and rhythmic melody as well.
Radio starts off exactly like the title suggests. There is a heavy effect of a actual radio tuning in and out. When the vocals kick in the story narrative holds fast to the objective of storytelling. Lainey Schooltree’s vocals and the instrumental in radio are almost within the alternative rock parameters. The vocal harmonies and instrumental harmonies together remind me a lot of Dolores O’Riordan of The Cranberries meets Christina Booth of Magenta. Radio is one of two very well written transitional tracks the next being Walk You Through.
Walk You Through is more of a straight up rock song. The vocal harmonies certainly allow the rhythm section to be front and center playing off of one another. This track is very guitar driven and bass/drum rhythm section driven. Both of those elements allow for the psychedelic style vocals to serve as a beacon of light in Walk You Through.
Edge of a Dream starts out with a deep piano stringed section that serves as a melancholic melody. It is this melancholic approach that conveys the correct emotion of Suzi now Zombie Suzi to have a heavy dose of the blues since she is now exiled out on the streets from her home. The alternative to our main character Suzi, now as Zombie-Suzi faces her first real conundrum when she encounters Metanoia ‘The Leitmaiden’. Metanoia informs her that the longer she stays in ‘TheGarden of The Architype’ the more at risk she is in returning home and securing her human earthly form again. Lainey Schooltree depicts this perfectly with layers upon layers of psychedelic elements. This is met with various keyboard progressions blended beautifully with psychedelic vocal passages.
These atmospheres would continue through the rest of Act 1 or CD 1. The Legend Of Enantiodromia & Spectre Lyfe continue the psychedelia vibe. The psychedelic elements are that of more of a 1960’s style blended beautifully with 1990’s alternative rock elements. This is very rare in progressive rock and allows the entire story to really rest in the metaphysical and paranormal word Lainey Schooltree is conveying both melodically and harmoniously. Think Grace Slick Jefferson Airplane meets Delores O’Riordan meets Yes & Genesis. The vocals are warm and the instrumental portion allows the vocals and story to breathe through eloquently. The guitar solo’s shine through as well.
CD 2 – Act 2
The second half of this double conceptual metaphysical/paranormal rock opera starts off with a epiphany or transition if you will. This is where Zombie-Suzi has her first confrontation with three ghosts who taunt the hell out of her for her ‘ghostly’ condition. Ghosts who speak a curse over her to be dead thus the title of Dead Girl becomes appropriate here. Dead Girl opens up with a deep smooth rhythm section that is closely accompanied by the vocals that lyrically come out of the narrative of the three ghosts who taunt Zombie-Suzy.
Metanoia once again reaches out to Suzy- Spectre and lets her know that there is a way to adapt to her new condition. She teaches Suzy that she can bend her new condition and shape it by her will. She teaches Suzy that she can use all this strange to her advantage thus the title of the next track, Turning Into The Strange.Lainey Schooletree once again uses heavy psychedelic elements vocally and lyrically that are met with some very fluent hard rock elements in and out of the chord progressions. The band does very good work lyrically and instrumentally to articulate the story in such a matter.
Perplexed by her ‘Ghostly‘ self, Suzi begins to really take inventory on her path and progress in life both in her physical human form and her supernatural ‘Ghostly’ form. Initially unsure where she is going and even how to get there, Suzi once again is visited by what seems to be her only friend now Metanoia. After Metanoia weighs both the pros and cons of her ‘Ghostly’ form, Suzi finally gets a moment of clarity as to what path and how she must progress forward. This is all covered over the period duration of the songs The Edge Annihilate and Power Of The Ghost. It is during these two songs Suzi has some real introspection of her life. The instrumental and lyrical approach nails this down very well.
You & I sees Suzi in a confrontation with her Zombie body over taking a trip down by the river. This is only further irritated by the returning ‘Cat Centipede’ from the beginning of the journey who Suzi barely recognizes anymore. Against her better judgement Suzi follows the ‘Cat Centipede’ down to the river where trouble awaits Into Tomorrow. The instrumental portion remains on point with all the heavy psychedelic effects to portray Suzi into a otherworldly situation. The psychedelic element is now met with a thick and heavy neo progressive element as well.
The River & Bottom Of The River sees Suzi seduced by a sirens song to the river’s edge. Suzi knows full well to keep her resolve intact to be reunited with her physical earthly form she must jump all the way into the river. It has to be deliberate or else Suzi will fall into the river’s abyss and drown. These tracks are once again very heavy on the atmospheric effects of keyboards. Those effects serve as a heavy paranormal aesthetic throughout both of the tracks. The vocals are very heavy on the psychedelic elements as well. This allows a paranormal vibe to breathe here.
Beyond the “wall,” Suzi finds and awakens Enantiodromia, and asks her to take her fair hand and make her whole again. But awakened Enantiodromia is changed from her former self; looking around at the darkness arisen during her slumber, she is the black-handed reaper now, bringing balance to the land once more, now by using her black hand to annihilate that which does not belong in this world, and attempts to begin with Suzi. Suzi pleads with her to stop, explaining she is only half of what she’s supposed to be, telling Enantiodromia of her quest though endless night outside of time to wake her. “I am not a shadow, just a girl; an exiled soul in the wrong world.” Enantiodromia tells her that she’s been in this world too long and is no longer just a girl; she cannot return her home. But as repayment for awakening Enantiodromia, she allows Suzi the chance to go back to take control of her zombie body, and return as one to her, at which point she’ll take them both together to the next place. (Enantiodromia Awakens). That is achieved instrumentally through the staple psychedelic atmospheres both instrumentally and vocally.
Zombie Connection, Keep Your Head, Day Of The Rogue all see Suzi able to control her earthly body, zombie body all with her mind there is a reconciliation of sorts going on here even if it is not what Suzi imagined. The piano classically driven instrumental section really allow the lyrical side to breathe through so the listener can easily learn Suzi’s fate as she goes out in a ‘Blaze Of Glory’.
Utopia sees Suzi having achieved mastery in both worlds, Suzi is able to use her mind to grow her body from her head like a seed in the air downward to the ground. NeoSuzi glimpses what utopia could be for the first time, as something that can never be possessed, but experienced. The instrumental section beautifully wraps this story all up in a very coherent matter for the listener.
I did enjoy this journey. In a world of another dimension we can all find ourselves yearning and craving acceptance willing to do everything including mortgaging our own soul to obtain our ultimate goal. Suzi is a reminder of the absolute lengths we will go through to attempt our own Utopia. Lainey Schooltree certainly articulated this story beautifully on both lyrical and instrumental fronts.
Where some people usually enlist multiple vocalists to play parts of various characters and even multiple musicians, Lainey Schooltree enlisted a specific core both in studio and with a active band situation, thus to two different lineups in the rider of this review. Lainey Schooltree created a product that can be easily adapted to the live stage within reason. When listening to Schooltree’s Heterotopia think more The Who’s Tommy or Meatloaf’s Bat Out Of Hell trilogy as far as Rock Opera’s are concerned. I can not wait for Lainey Schooltree’s next adventure for us. After much deliberation I have given Schooltree’s Heterotopia a strong 5/5.
The Second Brightest Star is a companion album to the Folklore (2016) and Grimspound (2017) releases and features over 40 minutes of new songs and instrumentals alongside music from the Folklore and Grimspound albums presented in extended formats. With the exception of Brooklands and London Plane which were recorded at 24/48 and have therefore been up-sampled for this release to 24/96, all audio is at studio master 24/96 hi-resolution. The Bandcamp download includes a complimentary PDF of the album booklet including lyrics and the stories behind the songs.
The Second Brightest Star Track Listing
1. The Second Brightest Star 07:17
2. Haymaking 03:23
3. Skylon 06:44
4. London Stone 02:01
5. The Passing Widow 05:33
6. The Leaden Stour 07:19
7. Terra Australis Incognita 04:16
8. Brooklands sequence 17:33
9. London Plane sequence 13:14 10. The Gentlemen’s Reprise 03:03
About Big Big Train
Big Big Train are an English progressive rock band formed in Bournemouth in 1990. The current line-up consists of Nick D’Virgilio (drums), Dave Gregory (guitars), Rachel Hall (violin), David Longdon (vocals, flute, keyboards and guitars), Danny Manners (keyboards and bass), Andy Poole (guitars, bass and keyboards), Rikard Sjöblom (keyboards and guitars) and Gregory Spawton (bass, guitars and keyboards). Until 2009, the band were mostly as a studio project band headed by Spawton and Poole with changing line-ups and guest musicians. They have released eleven studio albums and three EPs.
After starting out as an independent band, Big Big Train were signed to Giant Electric Pea from 1993 to 1998 and distributed their releases through their own website. Since their sixth album The Underfall Yard, which received critical acclaim from the progressive rock community, a more stable lineup has been established, and the band performed their first live concerts in 17 years at Kings Place, London, in August 2015. The gigs were voted Event Of The Year by the readers of Prog magazine. Stone & Steel, a Blu-ray featuring the 2014 rehearsals at Real World Studios and four of the songs performed at Kings Place, was released on 21 March 2016. Big Big Train were the winners of the Breakthrough Award at the Progressive Music Awards held at Kew Gardens, London on 3 September 2013, and have been nominated in several other categories in recent years. The band’s latest studio albums, Grimspound and The Second Brightest Star, were released April and June 2017 respectively.
Ayreon | The Source | Album Review & Featured Album Of Week For April 23-30
Label: Mascot Label Group Release Year : 2017 Country: The Netherlands/International Genre: Progressive Metal/Rock Opera/Genre Transcending
Band Members/Original Cast
Arjen Anthony Lucassen – Electric and Acoustic Guitars/Bass Guitar/Mandolin/Synthesizers, Hammond/Solina Strings/All Other Instruments
Ed Wabry – Drums
Original Cast Members/Vocalists
Editorial Note – The People of Forever are Alphans Alpha until they get to Planet Y where they get the title ‘Forever’ !
James Labrie – Dream Theater- As ‘The Historian’ Tommy Giles Rogers – Between The Buried And Me – As ‘The Chemist’ Simone Simons – Epica -As ‘The Counselor’ Mike Mills – Toehider – As ‘T-H1’ Floor Jansen – Nightwish – As ‘The Biologist’ Hansi Kursch – Blind Guardian – As ‘The Astronomer’ Tobis Sammet – Avantasia/Edguy – As ‘The Captain’ Michael Eriksen – Circus Maximus – As ‘The Diplomat’ Nils K Rue – Pagans Mind – As ‘The Prophet’ Zaher Zorgati – Myrath – As ‘The Preacher’ Tommy Karevik – Kamelot – As ‘The Opposition Leader’ Russel Allen – SymphonyX – As ‘The President’ Will Shaw – Heir Apparent’ Wilmer Waarbroek, Jan Willem Ketelaars, and Lisette van den Berg – Scarlet Stories as ‘The Ship’s Crew’ You … Insert Name Here … as ‘The Audience’
Joost van den Broek – ex-After Forever/ex Sun Caged – Grand Piano and Electric Piano Mark Kelly – Marillion – Synthesizer Solo Maaike Peterse – Kingfisher Sky – Cello Paul Gilbert – RacerX/Mr. Big – Guitar Solo Guthrie Govan – The Aristocrats/ex-Asia – Guitar Solo Marcel Coenen – Sun Caged – Guitar Solo Ed Warby – Ayreon/Gorefest/Star One- Drums Ben Mathot – Violin Jeroen Goossens – ex-Pater Moeskroen – Flute/Wind instruments
Lori Linstruth – Photo Stills/Ajren Lucassen & Ayreon Cast
Wayne Joyner – Lyric Videos for Everybody Dies and Star Of Sirrah
Track listing/ Album Anatomy CD 1
Chronicle 1: The ‘Frame’ – 22:22 1. ‘The Day That the World Breaks Down” James LaBrie, Tommy Karevik, Tommy Rogers, Simone Simons, Nils K. Rue, Tobias Sammet, Hansi Kürsch, Mike Mills, 2. “Sea of Machines” Rogers, Eriksen, Rue, Simons, Sammet, Allen 3.”Everybody Dies” Mills, Karevik, Rogers, Allen, Kürsch, Eriksen, Sammet, Jansen
Chronicle 2: The Aligning of the Ten – 21:45 4.”Star of Sirrah” LaBrie, Allen, Kürsch, Sammet, Rue, Rogers, Eriksen, Jansen 5.”All That Was” Simons, Jansen, LaBrie, Eriksen 6.”Run! Apocalypse! Run!” Karevik, Kürsch, Mills, Allen, Jansen, Sammet, Rue, LaBrie 7. “Condemned to Live” LaBrie, Rogers, Eriksen, Simons, Karevik, Jansen CD 2 Chronicle 3: The Transmigration -22:33 1.”Aquatic Race” LaBrie, Sammet, Karevik, Eriksen, Allen, Simons, Rogers, 2.”The Dream Dissolves” Simons, Jansen, Eriksen, Rue 3.”Deathcry of a Race” Allen, Sammet, Jansen, Karevik, Zaher Zorgati, Simons 4.”Into the Ocean” Allen, Mills, Eriksen, Kürsch, Sammet, Karevik, Rue
Chronicle 4: The Rebirth – 21:53 5.”Bay of Dreams” LaBrie, Rogers, Mills, Eriksen, Rue 6.”Planet Y is Alive!” Karevik, Allen, Kürsch, Mills, Sammet, Jansen 7. “The Source Will Flow” Rogers, LaBrie, Simons 8. “Journey to Forever” Sammet, Eriksen, Kürsch 9. “The Human Compulsion” Simons, LaBrie, Rogers, Eriksen, Allen, Rue, Sammet, Kürsch, Karevik, Jansen 10. “March of the Machines” Mills
When I was making ‘Star Wars,’ I wasn’t restrained by any kind of science. I simply said, ‘I’m going to create a world that’s fun and interesting, makes sense, and seems to have a reality to it.’
A film is – or should be – more like music than like fiction. It should be a progression of moods and feelings. The theme, what’s behind the emotion, the meaning, all that comes later.
Imagination will often carry us to worlds that never were. But without it we go nowhere.
My Introduction To The Genius Arjen A Lucassen & Ayreon.
I can remember back in the 2000 shortly after the turn of the new century I strolled into Diamond Head Records with some serious spending money. I was primarily focused on buying music by bands or artists I had never heard of before. I remember picking up Zero Hour’s self titled debut, Explorers Club Age Of Impact,Pain Of Salvation’s One Hour By Concrete Lake, Perfect Element Part 1, Entropia. I was really after Arena’s The Visitor and Pride albums.
As I was flipping the CD’s in the bin for Arena I came across two CD’s from Ayreon. They were both in The Universal Migrator series, Part 1 The Dream Sequencer and Part 2 Flight Of The Migrator. I noticed the utter mass of talent that was on both parts to the Universal Migrator. My curiosity nailed me and I had to go find out what this was. I went home listened to them both in one sitting inside a headset. It not only blew the hell out of my mind, it also converted me into a fan of Arjen Lucassen’s work as a collective. From there I returned back to the record store 2 days later and bought The Final Experiment, Actual Fantasy and Into The Electric Castle.I went down the Yellow Brick Road, Across The Rainbow Bridge, Through The Wormhole and have never returned since.
2017 The Present
Now it is 2017 and Arjen Lucassen has no signs of slowing down as he has returned for his 8th installment with another epic Progressive Rock & Metal Opera, Ayreon The Source. I am continually amazed and impressed of the rosters of talent that Ajren Lucassen is able to recruit for the Ayreon albums. Once again he has managed to recruit the who is who within the progressive rock, progressive metal and even symphonic and power metal communities. With Arjen on this run as far as vocalists are James LaBrie – Dream Theater as ‘The Historian‘, Tommy Karevik – Kamelot/Seventh Wonder as ‘The Opposition Leader’, Tommy Rogers – Between the Buried and Me as ‘The Chemist’ Simone Simons – Epica as ‘The Counselor’, Nils K. Rue – Pagan’s Mind as ‘The Prophet’ ,Tobias Sammet – Edguy/Avantasia as ‘The Captain’ , Hansi Kürsch – Blind Guardian as ‘The Astronomer’ ,Mike Mills – Toehider as ‘TH-1’ Russell Allen – Symphony X as ‘The President’ , Michael Eriksen – Circus Maximus as ‘The Diplomat’ Floor Jansen – Nightwish/ex-After Forever/ex-ReVamp as ‘The Biologist’ Will Shaw – Heir Apparent’ Wilmer Waarbroek, Jan Willem Ketelaars, and Lisette van den Berg – Scarlet Stories as ‘The Ship’s Crew’ , Zaher Zorgati – Myrath as ‘The Preacher’.
To really understand Ayreon’s The Source one should listen to The Final Experiment 1994, Into The Electric Castle 1998 , The Universal Migrator Parts 1&2 and 01011001 2008, as the story line arcs across all those past Ayreon albums. The main emphasis mainly being on 01011001 in 2008. Much like in the Star Wars Series where Episodes 4 A NEW HOPE, 5 THE EMPIRE STRIKES BACK & 6 RETURN OF THE JEDI , were all released before their respective prequels EPISODE I THE PHANTOM MENACE, STAR WARS: EPISODE II ATTACK OF THE CLONES and STAR WARS: EPISODE III REVENGE OF THE SITHso were Ayreon’s The Final Experiment 1994, Into The Electric Castle 1998 , The Universal Migrator Parts 1&2 and 01011001 2008 were all released before Ayreon’s The Source as it is a prequel of the story of the people of ‘Forever’ Planet Yand how the story was before the events of 01011001 took place.
The story Through technological advancement, ‘Forever’, a race of aquatic beings living on Planet Y, has found the secret of longevity. They have advanced to the point that they have become completely dependent on machines and are losing their emotions. A passing comet on a collision course with Planet Earth provides the opportunity to revitalize their race; ‘Forever’ harness the comet to carry their DNA to a new home on Earth. When the comet and Earth collide, the cataclysmic impact exterminates the dinosaurs (the Fifth Extinction), but from the ashes of destruction, humans arise. At first, the experiment with seeded DNA seems successful: through the humans ‘Forever’ vicariously relive the emotions they experienced before the age of machines. In order to help mankind overcome their physical ailments and mental limitations, ‘Forever’ speeds up human evolution. But the result is tragic: people develop a similar technological dependency with their emotions waning just like ‘Forever’ and moral development not keeping pace with their capacity to invent. ‘Forever’ must find a way to save mankind from its imminent self-destruction… or should they?
With Ayreon’s The Source you find some familiar faces that have already participated on previous Ayreon albums such as Ed Warby – Drums, who is basically another band member as much as its creator Arjen Lucassen himself. You also have some Ayreon Alumnireturning James LaBrie – Dream Theater as ‘The Historian’, Tommy Karevik – Kamelot/Seventh Wonder as ‘The Opposition Leader, Hansi Kürsch – Blind Guardian – As ‘The Astronomer’ ,Mike Mills – Toehider as ‘TH-1‘ Russell Allen – Symphony X as ‘The President’, Floor Jansen – Nightwish/ex-After Forever/ex-ReVamp as ‘The Biologist’, Simone Simons – Epica as ‘The Counselor’, and Wilmer Waarbroek – Guide Vocalist for Ayreon’s The Theory Of Everything 2013 and part of ‘Ships Crew’ on The Source.
The new talent added to the ever growing Ayreon franchise roster are Tommy Rogers – Between the Buried and Me as ‘The Chemist’ , Nils K. Rue – Pagan’s Mind as ‘The Prophet’ ,Tobias Sammet – Edguy/Avantasia as ‘The Captain’, Michael Eriksen – Circus Maximus as ‘The Diplomat’, Will Shaw – Heir Apparent’, Jan Willem Ketelaars, and Lisette van den Berg – Scarlet Stories as ‘The Ship’s Crew’ , Zaher Zorgati – Myrath as ‘The Preacher’. Some of the newer instrumentalists Arjen Lucassen recruit for The Source are as follows, Paul Gilbert – RacerX/Mr. Big – Guitars, Mark Kelly -Marillion – Synthesizer Solo, Maaike Peterse – Kingfisher Sky – Cello, and Guthrie Govan – The Aristocrats/ ex-Asia – Guitar Solo.
Arjen Lucassen really has a very esteemed business model and a reputation of such prominence where he can invite people back to Ayreon while bringing newer talent aboard with every Ayreon album. This is a true testament of the extraordinary character and distinguished personal and professional reputation Arjen Lucassen has built for himself over 30 years in the business. With all the talent Arjen Lucassen is able to recruit the economy of such a business model is uncanny. Arjen Lucassen practically and unintentionally has been able to introduce the world to bands they may or may not of heard of due to some talent that appears on a Ayreon project. I am one of them people that was introduced to bands or newer bands through my purchase of a Ayreon album alone.
With Ayreon The Source the listener not only gets a true prequel to prior Ayreon story lines you also have a story that even those new to the Progressive Rock/Metal concept album and Progressive Rock/Metal Opera can easily follow with the booklet provided. Like his last Ayreon album The Theory Of Everything where there were four parts broken up into 20+ minute segments, The Source is broke up in very similar fashion. This time he has broken the album into Four Chronicles, Chronicle 1: The ‘Frame’, Chronicle 2: The Aligning of the Ten, Chronicle 3: The Transmigration and Chronicle 4: The Rebirth. This really sets up a very fluid and easy to comprehend and envision the story like a motion picture movie on the screen in the theater of the mind of the listener. Ayreon’s The Source clocks in at almost 90 minutes. It will require a small bit of time to really enjoy it. If possible I totally suggest using the lyrics within the booklet provided on all its release formats, versions or options whatever you buy. Now a little track by track analysis of Ayreon’s The Source.
Track listing/ Album Anatomy
Chronicle 1: The ‘Frame’ – 22:22
1. ‘The Day That the World Breaks Down”
James LaBrie, Tommy Karevik, Tommy Rogers, Simone Simons, Nils K. Rue, Tobias Sammet, Hansi Kürsch, Mike Mills,
In his signature sound Arjen Lucassen quickly creates that distinctive and unique sound that separates him from others who do rock/metal opera concept albums. Within that filter he creates a very sense of urgency with the atmosphere he is creating for the listener and his characters within the production. It appears darkness has enveloped the population of the ‘Forever’people. In a very warmth voice James Labrie – Dream Theater- As ‘The Historian’ in a very quiet yet polite way sets up a heavy layered dark atmosphere. Soon after the track takes a very heavy guitar driven up tempo chord progression and Tommy Karevik – Kamelot – As ‘The Opposition Leader’ comes in with what appears as a scathing and scolding indictment towards his fellow people of ‘Forever’.
Arjen then changes the chord progressions and time signatures instrumentally to where they will be in perfect harmony with the concern and worry of Tommy Giles Rogers – Between The Buried And Me – As ‘The Chemist’ and Simone Simons – Epica -As ‘The Counselor‘ as they start to reconcile with their plight and current circumstances. Now the people of ‘Forever’ must prepare for a new home planet where they can preserve their way of life civilly,economically religiously and human life itself. Nils K. Rue – Pagan’s Mind as ‘The Prophet’ ,Tobias Sammet – Edguy/Avantasia as ‘The Captain’, each provide confirmation as well as insight. The music is in perfect harmony with the emotions of every character involved. Tobias Sammet – Edguy/Avantasia as ‘The Captain’ , Hansi Kürsch – Blind Guardian as ‘The Astronomer’ ,Mike Mills – Toehider as ‘TH-1’ all begin work on the how to solve the impending apocalypse to come. As the science community of ‘The Captain’, ‘The Chemist’ , ‘The Astronomer’,and Floor Jansen – Nightwish/ex-After Forever/ex-ReVamp as ‘The Biologist’ start work on the exit strategy to leave their current world before disaster strikes, Russell Allen – Symphony X as ‘The President’ and Michael Eriksen – Circus Maximus as ‘The Diplomat’ have a talk. ‘The President’now consumed in guilt over the impending crisis begins to real beat himself up. ‘The Diplomat’ steps in to try to both calm ‘The President’down from his guilt and appeal to his humanity. Instrumentally during this time Arjen has almost a bluesy, psychedelic atmosphere he has planted in the background of the dialogue between ‘The President’and ‘The Diplomat’. This bluesy psychedelic atmosphere is very much like Amazing Flight from Into The Electric Castle in 1998.
This opens up in a heavily folk laden intro. Soon it takes a very folk ethereal turn where ‘The Chemist’enters in and in the traditional Ayreon mold gets the double vocal harmony treatment. This makes the opening passage fuller and warmer. ‘The Diplomat’ – Eriksenstarts to experience many issues around him. His vocal is very warm and extremely articulate in harmony with the instrumental portion which has heavy elements of the flute. ‘The Prophet’ – Ruekeeps having visions and with a very gentle yet high range continues to forewarn the people of what he is seeing. These visions are very similar to those that Ayreon, the blind minstrel, was finally able to see back in the 6th century on Ayreon’s The Final Experiment back in 1995, that was also broken into 4 Act’s as well.
Act I The receiver of the telepathic messages is Ayreon, a blind minstrel living in 6th century Britain. He’s lived his life in darkness from the day he was born, but one fateful day everything changes — Ayreon can see images. The minstrel believes these visions are sent to him by the Lords of Time. Unaware of how much time there is left before earth is destroyed Ayreon sets out to tell the tale of earth’s demise singing songs of wars, natural disaster, and computer technology. The terrifying tales frighten the villagers who run him out of town.
Much of this track has elements of Ayreon’s The Human Equation/The Theory Of Everything and 01011001 meaning their are some slower melodic mellow areas that build towards heavier more powerful melodic harmonies. Arjen is really good at dropping the tone instrumentally and allowing his guest vocalists breathe and give their own life and character to the very character they are portraying on every track. This track is both a perfect example of that and perfect example of allowing the vocalist to breathe and relationship building with his guest vocalists and musicians. There are many more examples of this to come on the album.
This track concludes Chronicle 1 ‘The Frame’. This part of the story takes on a more power progressive metal sound with the faster up tempo of power blended with the progressive intricate chord progression and time changes. ‘TH 1’ the computer mainframe or artificial intelligence begins to really accurately analyze and convey just how horrible the situation really is for the people of ‘Forever’. Soon the people of ‘Forever’ come to terms and begin to accept the situation and working towards the solution of survival , yet some start to cynically express their utter doubt such as ‘The Opposition Leader’and ‘The Chemist’. ‘The President’even becomes cynical. In this track you can really notice that Arjen Lucassen had Tommy Rogers – Bewtween The Buried And Me as ‘The Chemist’ in mind. Arjen wrote that character to express rage and utter anger and Tommy Rogers supplied the guttural growls to provide for that anger and emotion in ‘The Chemist’. However through all the cynical anger, rage, and fear ‘The Diplomat’ still attempt to try and reason with the people. There is a bit more keyboard passages on a otherwise very heavy and guitar driven Ayreon album. A heavy album that still stays on point with clean and melodic harmonies.
Now for those who are lifetime Ayreon fans and followers you are probably asking yourself where is the typical unknown talent that Arjen recruits? The talent that never gets a chance. Some of you expected a vocalist or perhaps a musician. I believe Arjen went a entirely different route. He gave a video making the honour and privilege to create and edit a lyric video for Star of Sirrah here. Wayne Joyner of Atlanta, Georgia USA created a fantastic video for this track. He in fact is Art Director for Prog/Power USA. Therefore for this reason I have decided to withhold my typical commentary on the track and allow this ‘Unknown Talent’to shine through the video he made for this Ayreon song.
Starts out as a very psychedelic folk track. It is also a symphonic metal dream come true with Simone Simons and Floor Jansen in perfect harmony for the first time on Ayreon. This track picks up some heaviness towards the 2:00 mark. It then drops and another beautiful duet between Simons and Jansen appears again. The various progressive changes in the guitar solos allow the listener to stay on point with the concept.
This particular track really starts off with a blistering opening passage inside the instrumental portion. The instrumental is written and done in such away that it thoroughly give the song a serious sense of urgency. The people of ‘Forever;’ are in a panic at this point. The sense of urgency created in the instrumental is certainly magnified 8 fold with the 8 vocalists on this particular track. Panic, sense of urgency, state of emergency are all eloquently articulated in every vocalist and character they are portraying. This is definitely one of the quicker tracks on The Source. There are a few breaks were it drops but those are not long at all. The fast pace of this track can be equated to The Universal Migrator – Part 2 Flight Of The Migrator where it was the heavier half and Part 1 The Dream Sequencer was the more experimental folky and atmospheric half.
7. “Condemned to Live”
LaBrie, Rogers, Eriksen, Simons, Karevik, Jansen
Slowly starts out with a deep well executed rhythm section that keeps building layers upon layers with various keyboards, deep rhythm section of a semi acoustic guitar will a electric guitar in time and on point in harmony. The vocals are full of warmth that convey fear, disbelief and guilt. The track builds and builds where it eventually has heavy explosions of guitar stringed sections meshed in harmony with rhythm section. The vocals are more ethereal at this point and Arjen Lucassen remains on point with his unique Ayreon cinematic signature sound. This is the last track on CD 1/Side B if you buy the vinyl ,that appropriately closes out the first half of the journey through The Source.
Starts off as a isolated vocal harmony almost A Capella. Soon a deep rhythm section takes the track in a very groove laden direction. There is a dynamic exchange between both ‘The Historian’ and ‘The Captain’will the underlying rhythm section. Then ‘The Opposition Leader’ begins his rhetoric over again with a very drum laden background beat. This is also at the point both instrumentally and lyrically were the people of ‘Forever’begin their epic odyssey to their new home planet. It is at this time lyrically that the people of ‘Forever’ begin to reconcile they will need a change of habits.This narrative continues with a harmonic dialogue between ‘The Biologist’and ‘The Astronomer’. The instrumental portion of this track hold the lyric narrative very accountable emotionally, mentally and spiritually. This is also the first time we hear ‘The Ships Crew’ mini choir of Will Shaw – Heir Apparent’ Wilmer Waarbroek, Jan Willem Ketelaars, and Lisette van den Berg – Scarlet Stories.
2.”The Dream Dissolves”
Simons, Jansen, Eriksen, Rue
Starts out with a synth sound effect created by Arjen himself. He like playing with various synth effects on all his work. Soon the violin comes in with the synth sound effects and the drums. It all creates a really psychedelic atmosphere. There is something of real depth and beauty about the feminine emotion Simone Simons – ‘The Counselor and Floor Jansen – ‘The Biologist’ that really speaks to the soul and heart and the story really takes a very emotional turn here. The track gets heavier with a thick rhythm section before going back to the smooth atmospheric keyboard passage. The track picks up and displays very deep rhythm tones. Mike Eriksen – ‘The Diplomat’ and Nils K Rue – ‘The Prophet’ bring a masculine emotion to balance the track. The guitar solo here is insanely atmospheric in nature.
This explodes out of the gate with a powerful and heavy flute that is soon joined with a powerful bass/drum/rhythm guitar rhythmic section. All these melodic forces at once are a immediate wall of sound of sheer heaviness. Soon the track drops to a acoustic chord progression where ‘The President’ address the people of ‘Forever’.Russell Allen has always been a great vocalist of character and emotion throughout his times of participation on Ayreon and this is another confirmation of that. Soon the people of ‘Forever’ begin to enter the vicinity of their new planetary home. The instrumental portions take on a very cosmic space metal element familiar with the Ayreon franchise. The dialogue takes on a cooperative narrative. This is also the first appearance of Zaher Zorgati – Myrath – As ‘The Preacher’. I really liked the way Arjen allowed Zaher Zorgati to sing in his native Arabic, it added another layer of depth and brought something new to the Ayreon franchise. Both Simone Simons and Floor Jansen execute their respective soprano qualities on here as well.
4.”Into the Ocean”
Allen, Mills, Eriksen, Kürsch, Sammet, Karevik, Rue
This comes in very smoothly from Deathcry of a Race with a heavy metal bluesy style much like a Deep Purple Mark 2 sound especially Space Truckin’. The Hammond style keyboard and deep rhythm section are a match made perfectly for all the vocalists involved. For vocalists such as Russell Allen and Mike Mills. The very instrumental sound also allows the listener to see Mike Eriksen, Hansi Kursch, Tobias Sammet, Tommy Karevik and Nils K Rue on a another melodic dimension that they would not otherwise hear in their respective bands Circus Maximus, Blind Guardian, Avantasia/Edguy, Kamelot or Pagan’s Mind. Arjen Lucassen seriously channels Ritchie Blackmore on many levels here. The Hammond Organ in the spirit of the late great Jon Lord, is the unsung hero on a instrumental level.
Chronicle 4: The Rebirth – 21:53
5.”Bay of Dreams”
LaBrie, Rogers, Mills, Eriksen, Rue
Starts out with a very electronica element much like Arjen Lucassen executed on Ayreon’s Actual Fantasy album in 1996. They keyboard atmospheres blend gracefully with the warm vocals of James Labrie and Tommy Roger’sdouble tracked vocals. The people of ‘Forever’ make their final descent to their new Liquid Home. The track soon picks up on the heaviness and we hear Mike Mills, Mike Eriksen and Nils K Rue all in their respective vocal elements.
6.”Planet Y is Alive!”
Karevik, Allen, Kürsch, Mills, Sammet, Jansen
This starts out with a very heavy lush Hammond atmospheric synth with a perfectly complimentary rhythm section to match it. This is very heavy on the drums and this is where the utter depth of Ed Wabry comes into play. The People of ‘Forever’ begin to really take inventory of their new home on Planet Y. They begin to explore what they can use or can not use to sustain life on their new home. Hansi Kursch’s emotional proclamations really shine on this track. The isolated guitar solo is a thing of beauty and really adds another atmospheric payer to the song and album in general. The calm and additionally heavy atmosphere’s both respectfully allow ‘The Capatain’ – Tobias Sammet and ‘The Biologist’ – Floor Jansen to breathe and articulate to the listener their view of the new world.
7. “The Source Will Flow”
Rogers, LaBrie, Simons
Starts off with a very oceanic liquid effect along with graceful keyboards passage. Tommy Roger’s – ‘The Chemist’ has some really warm clean vocals that set up ‘The Historian’ – James Labrie with grace. The beautiful vocals of ‘The Counselor’ – Simone Simons really are spot on with the main narrative.
8. “Journey to Forever”
Sammet, Eriksen, Kürsch
In the very elegant A Capella style ‘The Ships Crew’Will Shaw – Heir Apparent’ Wilmer Waarbroek, Jan Willem Ketelaars, and Lisette van den Berg – Scarlet Stories really set the table for the melodic and harmonious feast to follow. ‘The Ships Crew’ also show a beautiful sign of optimism towards their new home Planet Y. Soon a lush acoustic guitar comes in and the cooperative dialogue between the ‘The Captain’ and ‘The Diplomat’ really display for the first time in a while a spirit of union, a spirit of community and affirmation.
The second to the last track has a very profound signature present on all Ayreon albums. This signature being a multi vocalist epilogue or finish. It is a way to both display all the vocalists again and like a Rock Opera on a stage serves as the ‘Curtain Call’ and ‘Final Bow’ to ‘The Audience’ You .
10. “March of the Machines”
Much in the tradition of The Final Experiment, Actual Fanatasy, Into The Electric Castle, The Universal Migrator, The Human Equation and 0101101,Arjen Lucassen utilizes ‘TH 1’– Mike Mills to a very futuristic finish to the journey that is Ayreon’s The Source.
There is no doubt whatsoever that for the last 25 years Arjen Lucassen has been the ‘Undisputed King’ of the Rock/Metal Opera.Arjen Lucassen is the modern day George Lucas/Isaac Asimov/Carl Sagan/Stanley Kubrick/ meets Bach/Beethoven/Pete Townsend and Ritchie Blackmore set to music, melody, vision and imagination. Ayreon’s The Source is also one of the most tangible conceptual rock/metal albums in the last 25 years. Whether you are a lifetime fan of Ayreon or a newer fan of Ayreon, The Source is a excellent introduction to the newer listener and a solid validation to the lifetime fan. I give this a 6/5 stars and it is easily the front-runner/contender for my Album of The Year 2017 list.
About Kalisantrope In Italian
I Kalisantrope nascono nel 2013, dalle menti di Alex Carsetti (batteria), Noemi Bolis (basso) e Davide Freguglia (tastiere). Dopo aver coverizzato i grandi classici del prog e del rock decidono di focalizzarsi sulla produzione di inediti. Nel dicembre del 2014 viene pubblicato “Anatomy of the World”, primo lavoro strumentale del gruppo, interamente autoprodotto e autofinanziato. Nel Gennaio del 2015 inziano a presentarlo live nelle zone di Milano e Varese. Nel mese di Aprile “Anatomy of the World” viene presentato ufficialmente all’Arci di Villa Cortese (MI). La primavera e l’estate del 2015 e del 2016 vedono i tre musicisti impegnati in festival di ogni genere: dalla manifestazione “Non Solo Rock” a milano, all’evento benefico del Rock n’ roll Arena di Romagnano Sesia (NO), fino al Grave Party di Gaggiano. In questi due anni il gruppo ha aperto i concerti di due gruppi di fama internazionale, i Silver Key e gli Unreal City. Ai live estivi del 2016 sono stati presentati 3 nuovi brani che faranno parte del primo full-length album, intitolato “Brinicle”, che uscira` nei primi mesi del 2017. “Anatomy of the World” secondo la critica e` un ep con forti richiami all’eta` dorata del prog e con elementi psichedelici e jazz. Caratteristica dell’album e` quella di avere sonorità` molto dark, accompagnate da tematiche altrettanto oscure e negative e da un’ispirazione di carattere storico, scientifico e letterario.
About Kalisantrope in English
Kalisantrope are born in 2013 thanks to Alex Carsetti (drums), Noemi Bolis (bass guitar) and Davide Freguglia (keyboards). After having played classical rock and prog covers, they decided to focus themselves on original material. In December 2014 they released “Anatomy of the World”, their first instrumental work, completely self-produced and self-financed. During 2015 and 2016 the group exhibited in different gigs and festivals in Milan and started to be the support act of two internationally known band: Silver Key and Unreal City. In the last concerts of the “Anatomy of the World Tour” they played some songs which are part of their first full-lenght album entitled Brinicle, officially released on March 25th 2017.
According to critics, “Anatomy of the World” is characterized by classical prog elements and a psychedelic/jazz sound. The themes are dark and come from history, literature and science.
Kalisantrope’s first full-length album, released on March 25th 2017. Bass guitar: Noemi Bolis
Drums: Alex Carsetti
Keyboards: Davide Freguglia
Recorded, mixed, mastered by Alex Carsetti at Carsius Lab
Artwork: Oliviero Spinelli
Cynity – Who Am I – All Songs written and performed by: Chris Grundmann
Karsten Frohn: Lyrics and Vocals on Blacklisted
Robert Lutz: Lyrics and Vocals on BloodSnowMurder & Haunting Melody
Andreas Grundmann: Lyrics and Vocals on Lion’s Cage
Markus Schley: Lyrics and Vocals on Mechanical Dolphin
Sebastian Busacker: Lead Guitars on Lion’s Cage & Haunting Melody
Robert Polikarpow: Lead Guitar on The Secret Of Rusty Things
Christian “Eule” Eulig: Lead Guitar on Mechanical Dolphin
Released January 29, 2017
“Music has always been a vocation for Chris Grundmann. Ever since his childhood days as a piano student, he has heard the call. During his days as ivory-tinkler extraordinaire for German prog metal band Freaks On The Roof, he significantly influenced the outfit’s direction. Equipped with exquisite songwriting skills, remarkable talent as a performer, and a producer’s ear, Chris always succeeds in meshing complex and catchy structures into appealing songs.
Cynity, his solo project, expresses all of that – and much more. The songs are a mixture of Chris’s pop sensibilities and progressive roots that showcase a broad range of talents and variety of styles at the same time. Each of them a distinctive sonic tapestry, they interweave melody, heaviness, and intricate rhythms into an accessible and intriguing whole.”