Los Angeles – The legendary UK psychedelic anarchists return with a fantastic new album led by founding Fairy Paul Rudolph! Rudolph is joined by former Hawkwind bassist Alan Davey and original Motörhead drummer Lucas Fox, who not only created a killer rhythm section for the album but added a bit of sizzling biker-rock to the mix!
Another Pink Fairies/Motörhead member, Larry Wallis, was with the band in spirit as they churned out an excellent version of his tune “Old Enuff To Know Better!”
“I’d say this journey started with Nik Turner introducing me to Cleopatra Records. I was asked about the possibility of recording an LP under the Pink Fairies banner and thought – this would be a lot of fun. Get a few people together, turn the amps up to 10 and let ‘er rip.
Larry Wallis wanted to be involved and Matt at Cleopatra suggested Alan Davey on bass and Lucas Fox on drums. It seemed like a good match considering the Hawkwind and Motorhead connections. Both Alan and I had been in Hawkwind and Larry and Lucas in the original Motorhead. We were all mates with Lemmy as well and the creative energy flowed as soon as we got to the studio in Austin.
All of this helped by Jurgen Engler of Die Kruups behind the desk with Eric the engineer.
So here it is – a spontaneous collaboration of ideas recorded mostly live. Thank you for listening.
Peace and Love” – Paul Rudolph
Pink Fairies Resident Reptiles will be released on Purple Pyramid Records on August 24th and will be available on both CD and gorgeous pink vinyl in a printed inner sleeve!
1. Resident Reptile
2. Old Enuff To Know Better
3. Your Cover Is Blown
5. Lone Wolf
6. Whipping Boy
7. Monkey Chatter
Pre-order the CD: https://cleorecs.com/store/shop/pink-fairies-resident-reptiles-cd/
Pre-order the vinyl: https://cleorecs.com/store/shop/pink-fairies-resident-reptiles-limited-edition-pink-lp/
Pre-order the digital: https://itunes.apple.com/us/album/resident-reptiles/1417466168
CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
Three CDs featuring over three and a half hours of material performed during the band’s five nights residency at Teatro Metropolitan, Mexico City in July 2017 & audio extras!
King Crimson Mexico 2017 – photo by David Singleton
This 3CD/1Blu-Ray set features over three and a half hours of material performed during King Crimson’s five-night residency at Teatro Metropolitan, Mexico City in July 2017 plus audio extras. The Blu-Ray contains over two hours of multi-camera HD recorded footage, the audio soundtrack in 24/48 LPCM, hi-res stereo and 5.1 DTS HD-MA (with ‘picture off’ mode allowing the music to be heard independently in lossless audio).
Meltdown in Mexico includes, for the first time with this line-up, audio recordings of “Breathless,” “Discipline,” “Moonchild” and Tony and Jeremy’s nightly Cadenza improvs. Mixed by King Crimson member Bill Rieflin from full multi-track recordings
King Crimson is a band that continues to defy conventional expectations. As listeners to last year’s rush-released official bootleg from June 2017 recorded in Chicago discovered, this band gets better by the year. Given the amount of rehearsals, practicing, constantly expanding repertoire base (nearly six hours’ worth of material ready to select from on any given night), wealth of experience among musicians, technicians/sound crew, more comfortable traveling arrangements, better PA systems/mixing desks & the fact that the band is playing, for the most part, in purpose-built theatres rather than the more imaginatively named but sonically challenged venues that hosted rock gigs in previous decades, this should come as no surprise. But it does. Perhaps it’s still part of the Rock ‘n’ Roll myth – the “hope I die before I get old” thought process that seems forever associated with rock music that’s proved so difficult to alter. Whatever the reason, the concept of a band maturing, re-inventing itself and being able to present music from a lengthy history in recognizable but ever-changing ways, still with a same sense of wonder as if it were newly-written, remains, if not unique, certainly notable.
A few weeks after the Chicago concert, the first part of 2017’s tour reached its final destination – five nights of concerts in Mexico City. All of the concerts were recorded and filmed with a view to issuing a definitive document of Crimson live in 2017 and Meltdown is the result of that process. With over two hours of HD filmed performance and three hours of audio, Meltdown offers a comprehensive overview of a band at the very peak of its performing ability.
King Crimson’s Meltdown in Mexico will be released on September 28th and will be distributed by Amped Distribution.
Pre-order from: Inner Knot (US) https://shop.schizoidshop.com/featured-items-c12.aspx
For more information: www.dgmlive.com
“Playing with Tone was one of the most illuminating musical experiences of my career. Yes, he’s that good.” – Graham Parker
NYC – The singing sustain of multiple razor-edged electric guitars, the monster rock backbeat of Jethro Tull drummer Doane Perry and The Moonlight Sonata? Yes, This mash-up is the concept behind Tone Masseve’s album “Amp L’étude.” Classical pieces? Yes, but these are not the dry, conventional versions we’ve all heard before. The album vividly brings these compositions to life with a new and powerful sound.
Tone said, “In my childhood, I was exposed to many different musical styles and genres. Although I am really a blues player, I also love the music of Bach, Beethoven, Tchaikovsky, Schubert, Chopin and Debussy. I wanted to play their classical pieces with a rock sound and attitude.” He used the feedback, bends, shakes, falls and dives of his guitar heroes; Jeff Beck, Jimi Hendrix, early Eric Clapton, Robert Fripp, Brian May, Joe Satriani and George Harrison to do just that.
Tone’s dynamic playing combined with Doane’s great rock feel, give this music of the masters an entirely new presentation. Some of the sound and production techniques of this record are drawn from famous rock tracks such as; “Whiter Shade of Pale,” “The Hill of the Skull,” “God Save the Queen,” “Wind on Water,” “She’s so Heavy” & “Girl,” and, “1983… (A Merman I Should Turn to Be).”
Every now and then a brilliant and fully developed artist arrives on the scene. Such is the case of Tone Masseve’s enigmatic emergence out of the shadows. His sonic identity, unique voice and concept and his blending of seemingly disparate styles simply amazed and surprised me. Tone’s inspired and highly original take on some of the most hallowed and iconic classical music ever composed is eloquently orchestrated, passionately and precisely executed and a wholly satisfying aural experience! I believe any of the great composers represented would be honored and thrilled to hear their music so creatively reimagined and lovingly brought to life within such a modern and innovative context.
One of the most powerful elements in his music is the thick, sonorous and clear voice which he elicits from his “Guitorchestra”. Speaking as one who participated in this exciting project, I found the rich harmonic blend and counterpoint combined with the strength and subtlety of his parts, compelling and utterly inspiring to play off of … and was astonished to think so much of this was coming through the head, hands and heart of a single musician. And I never even met him. I don’t know how he did it but that is one of the delightful musical riddles which does not need solving.
Joyful, biting, menacing, muscular, melancholy and euphoric are apt descriptions which are summoned to mind when I listen to his music. All of those elements provided a powerful catalyst for my own contributions. I am honored to have worked with this gifted artist and to have been a part of such an original musical adventure … and I would like to think the mysterious and hugely talented Tone Massive will not remain unknown for much longer.
Tone started playing the guitar at age 6 and performing live at age 15. By the time he was 18 he was doing session work in NYC. Legendary Graham Parker saw him playing with a band called Robazz Bowtime, and asked him to play a few gigs. Graham said, “I didn’t play with Tone for a great deal of time, but it was one of the most illuminating musical experiences of my career. Yes, he’s that good.”
The recording started in 1995 and took more than 20 years to complete. The guitar parts alone took more than two years to record. In 1997, while still working on Amp L’étude, tragically, Tone got pneumonia and died.
In 2016 a wonderful and talented group of musicians came together to finish his long-lost album. The first was Doane Perry who added his hard-hitting rock drumming to six tracks. Doane was the drummer for the legendary, Grammy-winning rock band, Jethro Tull, for twenty-seven years. He also played with Lou Reed, Todd Rundgren, and many, many others.
Next was Garry Kvistad who is a Grammy award-winning master percussionist. He is a member of the four-man percussion group Nexus. The New York Times called Nexus “the high priests of the percussion world.” Steve Reich said, “They are probably the most acclaimed percussion group on earth.” Garry added orchestral percussion; tympani, large gong, orchestral bass drum, glockenspiel, orchestral chimes, and symphonic crash cymbals to two of the pieces
Then members of the vocal group Prana added their voices to a couple of tracks. They gave one piece, “Maria, (She’s so) Ave” a decidedly Liverpudlian sound. Finally Maria Todaro was brought in to conduct the choir for “O Fortuna.” Maria is not only an internationally renowned opera singer, stage director, and conductor, but also the general director of The International Festival of the Voice. For this recording, with her deep understanding of the voice as an expressive instrument, she evoked an impassioned performance from the choir.
On YoTube there are twelve 30 second sample videos, one for each of the twelve pieces from “Amp L’étude. “The videos feature the characters from the front cover of the album: https://www.youtube.com/playlist?list=PL2Wu-VN7bmX2249K3hIJy8HgFZTfJC208
In closing Tone had this to impart, “Music has no boundaries. If you play it with all of your heart it doesn’t matter what style it is, the feeling will come through.”
To purchase Tone Masseve’s “Amp L’étude”:
For more information:
Bomber Goggles Multi-instrumentalist Steve Bonino will be releasing his new album Stargazer under the guise of The Steve Bonino Project, the album will be released worldwide on October 5th 20,18 and be available at ProgSock.
About the album
Stargazer is the nickname given to the hero of our story born into a dystopian future in which man’s neglect has made Earth no longer habitable. Ever since he was a child he has been enamored with telescopes, growing up to be a leading scientist working for the Hubble Telescope Project. The Earth has reached the point of no return and our leading minds built the starship Phoenix whose mission is to carry a select group of people to our nearest habitable planet, Proxima b in the Alpha Centauri system. Stargazer is chosen for his astrological and scientific expertise. Leaving seven billion souls behind, The Phoenix takes off on the most perilous and hopeful voyage in mankind’s history.
To celebrate the upcoming album Stargazer:
Steve has launched a new Bandcamp Superstore called “The Steve Bonino Projects”; here you will be able to find his many projects past, present and upcoming including releases he is involved with such as the critically acclaimed Bomber Goggles, Zabocus, Children of The Moon, Peter Matuchniak, and previous solo releases.
11. Under The Red Dwarf Sun
15. Through The Eyes Of A Child
The Steve Bonino Project Line-Up Is:
Steve Bonino: Vocals, Guitar, Bass, Keyboards & Drum Programming
Böhn: Acoustic & Electric Guitars and Backing Vocals
Bingo Brown: Drums, Percussions and Backing Vocals
Pamela George: Orchestral arrangements for The Eyes Of A Child
The Steve Bonino Projects Bandcamp Superstore
Follow Steve Bonino
Oakland, CA – Bay Area rock band STIMULI create thoughtful and heavy rock music about the human condition, delivered through Jimmy Tomahawk’s melodic and edgy vocals and spacious and heavy guitar riffing, Tai Hake‘s solid and snarling bass tones, and Cole Andrew‘s intricate and powerful drumming. STIMULI will release their first official full-length album titled THEY ARE WE in stores and online worldwide on August 17, 2018. The album is a winding 11-track explosion of the trio’s dense, ambitious, and fiercely original sound.
In April 2018, the band generated buzz when they released their debut single and music video for the album’s title track, “They Are We.” The single knocks out a Hard Rock, radio-friendly sound that also exposes the introspective themes of understanding and empathy that permeates their new album. THEY ARE WE was recorded at the idyllic Russian River Studios on the Ingels Ranch in Talmage, California, where Tomahawk and Hake had previously recorded with their band Yeibichai. Ken Ingels, the owner of the studio, was extremely helpful, and they enlisted Andrew Miller to engineer and mix the album, and Mike Wells for mastering. For the artwork and album layout, the trio had their eyes photographed and then overlaid the irises so that the colors merge and overlap, accomplished thanks to the superb talents of Michael Miller at Digital Realm Productions, who brought their vision to life in a way that represents the music on the album exceptionally well.
Not only do STIMULI masterfully rock the traditional power trio format, the band also incorporates synth atmospherics and eclectic instrumentation that is not often associated with contemporary Hard Rock. Bassist Tai Hake also plays Theremin, and their music features Native American flute, sitar, acoustic guitar and ambient synthesizers. Lyrically, STIMULI’s themes possess a rare depth – insightful and meaningful, ruminating on personal experiences and reflections about peace, empathy, destiny, and self-actualization. Combined together, STIMULI are a sort of “Thinking Person’s Rock Band.”
While all members are of a shared generation, their influences run the gamut. The heavy, tight and polished sound of STIMULI has been compared to Alice in Chains, Black Sabbath, Soundgarden, Tool, Rush, and Nirvana. The individual and collective history of the band is just as varied and multi-faceted as their music. Comprised of seasoned musicians from around the world (drummer Cole Andrew is from Australia), STIMULI is a collage of three very strong-willed personalities who, like most productive collaborations, happen to have chemistry and work well together.
“Our music contains a strong emotional intensity with personal, social, and philosophical messages about the human experience,” explains guitarist/vocalist Jimmy Tomahawk. “Although there is an undeniably serious disposition in the band’s message, as individuals, we don’t take ourselves very seriously at all – satire, slapstick humor and wisecracks are the norm when we are together. It’s a bit of a collective Jekyll & Hyde scenario, really. We try to remind ourselves that the initial spark of passion and the joy of playing music that caused us to pick up our instruments in the first place is why we do this!”
The formation of STIMULI began following the split of Bay Area rock band Yeibichai, the brainchild of Tomahawk and Hake. When Tomahawk came across a video of Cole Andrew demonstrating his powerful and detail-oriented drumming, he reached out and they began to jam. Tomahawk couldn’t imagine any other bass player but Tai in the room with the sounds that he and Cole were creating. In 2013, STIMULI opened up shop in their new studio space at the fabled Soundwave Studios in Oakland. It was here that STIMULI became a band and their deep friendship and musical bond was solidified.
In early 2017 STIMULI found themselves at a crossroads. Things suddenly felt new, vivified, and stronger among the three of them, but a glaring question remained: who would be the voice of the band? Jimmy Tomahawk decided then that nothing was going to stop him from fulfilling his original plan as a young teenager of being the vocalist in his own band. With the encouraging support of his bandmates, Tomahawk began to write, and at some point along the way, singing became as fluid and as much of an unconscious operation for Tomahawk as playing guitar. In just a few short months the band was in the studio tracking drums and bass for the new album.
STIMULI feel an unprecedented sense of optimism and joy with the music they are making. The audiences are reciprocating that energy that is conveyed at their live shows with great fervor. With much more to come from this exciting new Bay Area rock band, it would appear that STIMULI are just getting started!
For more information or to Pre-Order THEY ARE WE, please visit STIMULI’s website and social media pages via: www.stimuliband.com or https://stimuli.bandcamp.com/
To Pre-Order THEY ARE WE on digital services please visit: http://smarturl.it/STIMULItheyarewe
For Press and Interview inquiries, please contact Billy James at Glass Onyon PR: (828) 350-8158 or firstname.lastname@example.org
For Digital Marketing, please contact Jerome Forney at Independent Distribution Collective: email@example.com
Photo by Will Ireland.
HAKEN, one of progressive music’s most exciting bands, have announced details of their much-anticipated fifth studio album titled ‘Vector’, due for release on the October 26th, 2018. The album was produced by the band themselves, and recorded & mixed by Adam ‘Nolly’ Getgood (Periphery, Devin Townsend Project), with the artwork once again being handled by Blacklake.
The band comments: “On the back of celebrating the 10 year anniversary of our conception, all of us here in the Haken camp are extremely excited to begin this new chapter of our career and share ‘Vector’ with the world.”
The album will be available as Limited edition 2CD Digipak (including instrumental versions), Gatefold vinyl 2LP + CD, & as a digital download. You can find the track-listing below:
2. The Good Doctor
3. Puzzle Box
5. Nil By Mouth
7. A Cell Divides
To celebrate the announcement of the new album, the band are opening up a unique opportunity for one fan’s artwork to be used as the etching on the fourth side of the vinyl LP version of the record. Haken is inviting fans to submit their own version of the Rorschach test ink-blot image which graces the album’s cover, and one winner’s art will be picked by the band to be etched into every vinyl copy of Vector.
Submissions are open now, closing on the 10th August, and can be sent to firstname.lastname@example.org
Watch a clip of Charlie & Rich from Haken explaining the competition here: https://youtu.be/k0j8aH2KjHU
Since their inception in 2007, Haken has shown over four previous studio albums, one EP and a live release that they never stand still, merely satisfied to rely on past triumphs. Rather, Haken always looks for ways to challenge themselves as musicians and artists, and also to keep the listeners on their collective toes. “We don’t like to make simple music,” laughs vocalist Ross Jennings. “We always aim to defy expectations, and I believe we’ve surpassed what we aimed to achieve with our new album.”
Their fifth studio record sees the band going in a heavier direction with the music. “We’ve always had a heavy influence”, explains guitarist Charlie Griffiths, “but it was obvious from the riffs that were naturally coming out of us early in the writing process that this would be a more metal album. These are some of the most riff-driven songs we’ve ever written.” As is usual, Haken produced the album themselves, but for the first time, they have enlisted Adam ‘Nolly’ Getgood during the recording and mixing stages. Formerly bassist with Periphery, in the last couple of years he has built a reputation as a fine producer. “We produced the album ourselves, as we always do,” insists Jennings. “But we’re fans of what Adam has done with Periphery, Sikth and Devin Townsend. He has a great reputation for the heavier end of our genre”.
But if this album is musically heavy, then there’s an underlying theme running through the seven songs which are certainly esoteric and fascinating. “The scene is set with the track The Good Doctor, which was a really fun song. Musically it feels like a logical step from ‘Affinity’, but lyrically it’s a bit more theatrical and about as ‘rock opera’ as Haken has ever got”, explains Griffiths. “It’s about a Doctor with an intriguing, perhaps sinister interest in a particular patient. From there the story enters the point-of-view of the patient – who appears to be catatonic, but his mind is sparking with what could be memories, or delusions brought on by the treatment he’s receiving – we leave this up to the listeners to decide. Although we don’t want to give too much away, people who are familiar with our back catalog will have fun discovering further clues we’ve planted throughout the album. And that’s the challenge for the fans – to find out for themselves their own meaning for ‘Vector’ as an album”.
The band recently announced North American co-headline dates alongside Norway’s LEPROUS, and label-mates BENT KNEE, in what is an all InsideOutMusic bill. These will be the first live shows in support of Vector, and you can find the full list of dates below:
Haken & Leprous with Bent Knee:
October 30th – The Crofoot Ballroom, Pontiac, MI
October 31st– Opera House, Toronto, ON
November 1st – Astral, Montreal, QC
November 2nd– Underground Arts, Philadelphia, PA
November 3rd – Highline Ballroom, New York, NY
November 4th – The Sinclair, Boston, MA
November 6th – Soundstage, Baltimore, MD
November 7th – Cat’s Cradle, Carrboro, NC
November 8th – The Orpheum, Tampa, FL
November – 9th Revolution, Fort Lauderdale, FL
November 10th – The Plaza Live, Orlando, FL
November 11th – Variety Playhouse, Atlanta, GA
November 13th – Gas Monkey, Dallas, TX
November 14th – Barracuda, Austin, TX
November 16th – Crescent Ballroom, Phoenix, AZ
November 17th – Glasshouse, Pomona, CA
November 18th – August Hall, San Francisco, CA
November 19th – Hawthorne Theatre, Portland, OR
November 20th – The Crocodile, Seattle, WA
November 21st – Rickshaw Theater, Vancouver, BC
November 23rd – Metro Music Hall, Salt Lake City, UT
November 24th – Bluebird Theater, Denver, CO
November 25th – Granada Theater, Lawrence, KS
November 26th – Delmar Hall, St Louis, MO
November 27th – Exit/In, Nashville, TN
November 29th – Rex Theater, Pittsburgh, PA
November 30th – Beachland Ballroom, Cleveland, OH
December 1st – Bottom Lounge, Chicago, IL
Tickets available from https://hakenmusic.com/tour
INSIDEOUT MUSIC online:
INSIDEOUTMUSIC Spotify Playlist: