Every music lover knows that the closing concert of a long tour is always a very special event. For weeks in advance, the audience has been able to read up on how much the band has been celebrated in their previous concerts evening after evening and they are all the more excited to see their heroes with their own eyes. After having played those numerous concerts, the band is in excellent shape, perfectly attuned to one another and of course, they want to outdo themselves with this final show. One of those tour finales took place on 19 April 2018 inside Birmingham`s Symphony Hall. It was there that the British rock band Magnum completed their Road To Eternity tour, which consisted of 42 concerts, and performed at the highest level.
“A truly magical evening”, guitarist Tony Clarkin confirms, “especially seeing as the show was a sort of home game for us, since all of us are from around the area between Birmingham and Wolverhampton, although during the last 20 years we have performed in Birmingham only once. In this respect, it was a special moment for Magnum in more than one way.” According to the occasion, band members Tony Clarkin, vocalist Bob Catley, bassist Al Barrow as well as their two newest members keyboarder Rick Benton and drummer Lee Morris confidently played their way through a well-chosen mix of classics and newer songs, which rather successfully join the ranks of the band`s long tradition of atmospheric rock songs.
Star guest Tobias Sammet (Avantasia, Edguy), too, was swept along by this enthusiasm and the blazing interaction between the musicians and their Birmingham audience when he went on stage for ‘Lost On The Road To Eternity’ to lend energetic support to vocalist Bob Catley just like he did for the track’s studio recording. Oh and just by the way: As a forerunner to this gripping live album ‘Lost On The Road To Eternity’ will hit the market as a digital single on November 9th, 2018.
All that’s left to ask now is what makes Live At The Symphony Hall any different from former Magnum live recordings. “Bob and I have been in this band for quite a while now, but we’ve never lost our passion for Magnum”, Clarkin elaborates. “We want to keep learning new things and are open to tips and advice. That’s why we constantly revise our old songs, sometimes we play them a bit faster, sometimes a bit slower, we change a solo here and a part of the melody there. That way we not only keep our audience interested but also our own enjoyment in these pieces alive.” There isn’t a more fitting way to describe the magic that happens on Live At The Symphony Hall.
“Live At The Symphony Hall” will be released through SPV/Steamhammer on January 18th, 2019 as 2CD DigiPak, 3LP Gatefold, download, and stream.
1. When We Were Younger 8:00
2. Sacred Blood ‘Divine’ Lies 6:28
3. Lost on the Road to Eternity 6:11
4. Crazy Old Mothers 5:35
5. Without Love 6:14
6. Your Dreams Won’t Die 5:42
7. Peaches and Cream 5:09
8. How Far Jerusalem 10:46
1. Les Morts Dansant 5:46
2. Show Me Your Hands 5:52
3. All England’s Eyes 4:48
4. Vigilante 5:24
5. Don’t Wake the Lion (Too Old to Die Young) 11:43
6. The Spirit 4:30
7. When the World Comes Down 6:11
Palace …is a Swedish melodic rock project created by Michael Palace (Kryptonite, First Signal, Cry Of Dawn, Jim Jidhed, Find Me).
Inspired by classic 80’s melodic rock, Palace is a blast from the past like you’ve never heard it before.
Following the release of their latest album, ‘Vortex’ (April 27th) Spanish instrumental rockers Toundra just premiered a mini documentary that was filmed during the secret show Toundra played at the club that gave the name to the record, on the day of the album release. In its first week, ‘Vortex’ reach the #4 at the Official Spanish Charts.
The video (directed and edited by Nacho Montero & Holy Cuervo), tells the story of that special evening and reasons that led the Spanish Instrumentalists to call the album ‘Vortex’, speaking about music, passion and life on the road.
Toundra comments: “Going to Vortex is like getting home; even since the first day, it has always been a very special place for us. When we announced the name of the album the immediately got in touch to organise that release party, which turned out becoming one of the most special shows we have ever done, one that we keep very fond feelings of because of all the friends we shared it with. The video is a nice glimpse testimony of that. And a good placebo while we wait to get there again”.
Stay tuned, because the band will be announcing their next European run next week
‘VORTEX – TOUR’
26th October – Beasain @ Jazpana Fest
3rd November – Zaragoza @ Las Armas (+ El Altar del Holocausto)
10th November – Córdoba @ Sala ambigu Axerquia
15th November – Madrid @ La Riviera
17th November – Saarland @ Gloomaar Festival
23th November – Valencia @ Moon
24th November – Sevilla @ Monkey Week
30th November – Granada @ Sala Falla. Palacio de Congresos
8th November – Azpeitia @ Sanagustin Kulturgunea
22th November – Vitoria @ Helldorado
28th November – Gran Canaria @ The Paper Club
29th November – Tenerife @ Aguere Cultural
12th January – Girona @ La Mirona
18th January – Gijón @ Albeniz
19th January – Santiago de Compostela @ Capitol
6th March – Barcelona @ Barts (Festival Mil·lenni )
5th April – Pamplona @ Zentral
‘Vortex’ received fantastic reviews upon release and you can find a selection of them below: “expansive, emotive music, appealing to our hearts as much as our heads.” – Prog
“a bombardment of claustrophobia & ecstasy, often within the same song, Vortex is a breathtaking piece of work.” – Metal Hammer
“It’s inspiring, highly energetic, full of riffs, hooks, melody. What else do you need?” – Echoes & Dust
“a voyage of discovery in an enthralling album. Never heard of what the Spanish have to offer in terms of cutting edge rock before? Sit back, relax and turn it up loud.” – Louder Than War
The album is available on special edition CD digipak, gatefold black LP + CD & as digital download. Order the album now here: https://toundra.lnk.to/Vortex
Their previous video for ‘Cobra’ was created by Jorge Escalona using photographic material from Pulitzer Prize winner Manu Brabo and video material from well-known Spanish journalist Gonzo, and was nominated for a Progressive Music Award earlier this year.
It has been an intense 3 years since the band got signed with Superball/Century Media in 2014, with whom they put out their most recent a lauded album, ¨IV¨, (January 2015), after the first 3 albums that were released independently. Since then the band has performed over 100 concerts in 17 different countries with their instrumental sound combining progressive and post rock making them one of the leaders in there genre.
Immediate Records and Charly Records To Release 50th Anniversary Deluxe-Editions of London rock legends’ 1968 psychedelic masterpiece across various formats
Immediate Records and Charly Records are to celebrate the 50th Anniversary of the Small Faces’ much loved third album “Ogdens’ Nut Gone Flake” with the release of a variety of new and very special deluxe editions across various formats (including deluxe triple 180-gram red, white & blue coloured vinyl LP box-set and a comprehensive 3CD+1DVD earbook set) on 26th October 2018.
The 180-gram vinyl LP formats have been newly mastered at half-speed for optimum sound quality and pressed in conjunction with Optimal : Media in Berlin and The Vinyl Factory in London from restored original Immediate Records tape sources. Originally recorded during 1967 and 1968 by Glyn Johns at Olympic Studios, Trident and Pye Studios, the expanded editions of “Ogdens’’ also feature rare material from the archive of surviving Small Faces member Kenney Jones.
“On ‘Ogdens’ Nut Gone Flake’ you can still hear it’s a real band firing on all cylinders, great dynamics and everyone equal in their musicianship. The story within concerned an amazing journey and it was exactly the same for us too – a fantastic journey” – Kenney Jones, 2018
All editions have been prepared under the watchful eye of Small Faces reissue producer and Immediate Records label manager Rob Caiger with remastering engineer Nick Robbins (Soundmastering Ltd) and vinyl cutting engineer Matt Colton (Alchemy Mastering) and approved by Kenney Jones.
Talking about the mastering process for this 50th Anniversary, reissue producer Rob Caiger says: “Listening back to the original first pressing of ‘Ogdens’ on both mono and stereo, we’ve captured a lot more purely because we can do so much more with the technology we have now, cutting more information to the vinyl than was able to be done back in the day because of the limitations of technology then.”
Remastering engineer Nick Robbins stresses how important it was for the new editions to stay true to the original LP: “I’m not concerned with how it might sound in the context of a modern recording. I think that’s a mistake. I think it’s much more important to bear in mind the context of its period rather than think ‘Most records these days are really whizzy so I should make this the same.’ No, you don’t do that – that would be a mistake. The records have their time and sound has its time. And it’s important to remain true to that.”
Mastering Engineer Of The Year Award winner 2018, Matt Colton explains the half-speed cutting process to produce a 33 1/3 rpm LP: “Cutting at half-speed offers a better transient and dynamic response, more defined and accurate sound, extended low frequency and smooth high frequencies. Basically, the band really kicks arse on the half-speed cut in a way that it doesn’t cutting at normal speed. The sound fills the room, Kenney’s kick drum is punching you in the chest, the guitars are pushing the amps to the edge of distortion with a beautiful blues tone and it just delivers a more musical experience. There’s more power there than cutting at normal speed and that is really satisfying.”
A red, white & blue coloured vinyl 180-gram half-speed mastered 3LP box-set (Immediate IMBX012) boasts a new softback 12” x 12” 72-page book full of Gered Mankowitz photos, original artwork, rare memorabilia, in-depth sleevenotes and interviews conducted with band members over many years by journalist & writer Mark Paytress, plus introduction by Kenney Jones. LP1 consists of the original mono mix of “Ogdens’ Nut Gone Flake,” LP2 features the album’s original stereo mix, whilst LP3 boasts a plethora of rare tracks released for the very first time on vinyl, all providing a fascinating snapshot of this key period in the acclaimed British band’s career.
The comprehensive new 3CD+1DVD earbook set (Immediate IMEB012) comprises both original mono and stereo versions of the album together with a third CD that boasts an expanded version of the vinyl box-set’s bonus LP disc, additionally featuring gems such as the rare American single versions of “Mad John” and “The Journey” plus the much sought after mono “Afterglow Of Your Love” (Alternate Single Mix), previously only released as a long sold-out 7” vinyl single for Record Store Day 2015 and made available here on CD for the first time. The contents of the vinyl book are also reproduced while this edition’s DVD boasts a real gem; although “Ogdens’ Nut Gone Flake” was never attempted live (in part due to its sheer complexity), the band did perform seven of the album’s twelve tracks on one occasion – the 21st June 1968 edition of BBC TV’s Late Line-Up Colour Me Pop show. This BBC TV studio performance is included on the new box-set’s DVD. Previously only available in grainy quality on a long-deleted VHS video release and as part of a hard-to-find DVD compilation, this new box-set’s audio & visual DVD content has been cleaned-up and is presented here in the best quality possible.
All editions have been assembled by Grammy-Award winning graphic designer Rachel Gutek who has had access to the Immediate Records original artwork files.
“They were the most complete pop group for me. They had everything – they were amazing players that all had the same influences. The image, the haircuts, blimey they were even all the same height. A kinda dream band that everyone would want to be in” – Paul Weller
The Small Faces story starts in July 1964 with vocalist & guitarist Steve Marriott, bassist Ronnie Lane and drummer Kenney Jones all sharing a bill at the Albion in Rainham, Essex as part of their own respective bands. Marriott, Lane and Jones met up again months later in a local music shop – the J60 Music Bar – and struck up a conversation whereby they discovered a shared love of American blues and R’n’B. Marriott was invited to play live with Lane & Jones’ that evening in Bermondsey but following a particularly rowdy show where Marriott smashed up the venue’s piano, they were sacked and ended up planning a new band together – the beginning of the Small Faces.
The band’s rise was stratospheric, with the new group playing their first out of town show at Peter Stringfellow’s Mojo Club in Sheffield in July 1965, accepting a residency in London’s Cavern Club in Leicester Square and signing with heavyweight manager Don Arden before releasing a debut single, “What’cha Gonna Do About It,” on Decca Records in August, which quickly ascended to No.14 in UK Singles Chart. When third single “Sha-La-La-La-Lee” reached No.3 five months later and their eponymously-titled debut LP also reached No.3 in the UK in the summer of 1966 (and with original keyboard player Jimmy Winston leaving the band at this point to be replaced by Ian “Mac” McLagan), the Small Faces had truly arrived.
Acrimoniously splitting from manager Don Arden, the band made an inspired move when they signed to Andrew Loog Oldham’s Immediate stable in February 1967. Oldham saw Marriott/Lane as the obvious replacements for the Jagger/Richard songwriting team that had thus far helped afford the fledgling record label its insouciant cool (and big hits). Liberated by the move to their new independent confines, the band could now completely spread their wings; releasing a well-received, accomplished first LP (again entitled “Small Faces”) for Immediate in June 1967, also finding the time to reflect that summer’s psychedelic reverberations two months later via non-album Top 3 hit single, “Itchycoo Park,” before finally blasting it out of the park in December 1967 with the astonishing single “Tin Soldier,” their first collaboration with newly-signed Immediate label mate P.P. Arnold.
The band were at something of a strange juncture as they entered Olympic Studios, London with engineer Glyn Johns in late-1967 to commence the recording of their third long-player. The credibility afforded ‘rock’ acts as opposed to those considered mere ‘pop’ was still of crucial importance at this time in British music history and, having already achieved four UK Top 10 singles in 1966 (including a No.1 hit with the mighty “All Or Nothing”) plus three Top 10 singles in the first few months of 1967, the pressure was now somewhat on to make that leap to timeless authenticity by delivering a truly great album. To add to the pressure, Immediate Records was suffering cashflow problems, inter-band relationships had become strained following a period of extensive overseas touring with The Who and the band’s frontman Steve Marriott was constantly questioning the group’s place in the musical firmament.
The decision was made to stop touring and give the band time to write a bigger record – the four musicians spent February 1968 working up tracks on three different boats cruising up and down the Thames, studio time was unlimited and the band members also took the opportunity to relocate to the countryside from the inner city, a new domestic scene perfectly captured in Andrew Loog Oldham’s choice of first single from the forthcoming album, “Lazy Sunday” (Steve Marriott had wanted to release the heavier “Song Of A Baker” with “Lazy Sunday” as the B-side, but Loog Oldham stuck to his guns). Having rowed with a member of The Hollies, both accusing the other of never singing in their own natural accents, Marriott quite deliberately ramped up his vocal cockney tones on the single which reached No.2 on its release in April 1968.
“One of the great English rock LPs” – Mojo
The Small Faces’ third studio album, “Ogdens’ Nut Gone Flake,” was released by Immediate on 26th May 1968, soon sitting pretty atop the UK Album Chart where it enjoyed a six week reign at No.1 that summer. The LP was housed on its original release in a round circular sleeve featuring a replica of the Thomas Ogden metal tobacco tin that inspired the album’s title. “Ogdens’’ was a proper game-changer – a brave British psychedelic rock statement that oozed jaw-dropping rock, soul and R’n’B, played by four remarkable young musicians completely at the top of their game. Whilst side one dazzled with the sheer power of Ronnie Lane’s “Song Of A Baker” and the heavy soul of Marriott’s “Afterglow” (belatedly reworked into the band’s final official studio single, “Afterglow Of Your Love”) plus a liberal dash of Cockney knees-up on aforementioned first single “Lazy Sunday” and “Rene,” the LP’s second side premiered the band’s six-song fairytale of Happiness Stan and his quest to find the missing section of the crescent moon, the six track cycle linked via narration by comedian Stanley Unwin, his words suitably twisted into odd shapes via his unique, surreal ‘Unwinese’ linguistics.
“Ogdens’ Nut Gone Flake” was the landmark album that the Small Faces had always threatened to make – both a critical and commercial highpoint and one that would finally afford them the real rock credibility that had thus far slightly eluded them. The album’s whole was something truly psychedelic and new – at times almost childlike in its innocence, but at the same time infused with the band members’ complex emotions and already slightly world-weary experiences. It seems incredible that this was a group a mere three years away from its humble beginnings in the sweaty East End pubs & R’n’B clubs of its birth.
A major influence on acts such as Led Zeppelin, Sex Pistols, The Jam, Blur and Oasis and almost universally acclaimed on its initial release in May 1968, “Ogdens’ Nut Gone Flake” has gone on to appear in countless best album polls (it was voted #59 in Q Magazine’s Top 100 Greatest British Albums Ever poll in 2000 and was voted into Mojo’s Hall Of Fame) whilst The Guardian more recently described the album as, “A groundbreaker.”
In addition to these new 50th Anniversary deluxe editions of “Ogdens’ Nut Gone Flake” on 26th October 2018, surviving band member Kenney Jones has also recently published an acclaimed autobiography, “Let The Good Times Roll,” via Blink Publishing, writing extensively about his time drumming with the Small Faces, the Faces and The Who (amongst others), speaking openly about his own personal cancer battle and his continued work to raise awareness via the Prostate Cancer UK charity and his own Rock ‘n’ Horsepower charity events.
Since 1999, Devin Townsend and InsideOutMusic have enjoyed a highly successful and fruitful relationship together, releasing studio albums under his solo guise, Devin Townsend Project & Casualties of Cool, as well as live releases recorded at landmark shows in Devin’s career at the Royal Albert Hall and the Ancient Roman Theatre in Plovdiv, Bulgaria to name but two. Now they are pleased to cement that collaboration by signing a brand new contract on the eve of their 20 year anniversary of working together, for the release of new albums including the forthcoming ‘Empath’ in 2019.
Devin comments: “In an Industry that is tenuous at best, we need to make alliances. In opposition to the old ideas of ‘us against them’ when the discussions turn to art vs commerce, we need allies. I have been an independent artist for many years, and 20 of those years have been with INSIDE OUT MUSIC. When others were afraid to really put effort into packaging, product, and the actual recordings, due in large part to a dwindling industry, INSIDE OUT has championed my work since the turn of the century.
Because throughout it all, more than anything, I want the art and the music to be done correctly. I want to learn from my missteps and I want a group of business partners I can rely on to go to bat for unconventional music in ways I simply could not do on my own. I’m proud to say I’ve been with INSIDE OUT for many of those years that have defined me as an artist. It’s a pleasure to re-sign with them for my newest works. Thank you.”
InsideOut label-head Thomas Waber comments: “I consider it to be a privilege and an honour to have been able to play a small part in enabling this truly unique artist to fulfil his artistic visions over the years. For me Devin is one of the most important and outstanding leftfield artists out there today. In a musical climate where formats triumph over artistic freedom, Devin’s visions are refreshing and a much needed breath of fresh air. An alien in search for the ultimate coffee bean? Bring it on!
Working with Devin and his team feels like working with family, which is something that i can’t stress and value enough. I remember when he sent me Physicist and the album sounding very alien to me, but his sensibilities for melodies and arrangements came through loud and clear and of course with Kingdom the album had one of the best tracks of all time! I am truly excited about the new album Empath and wherever else Devin will take us over the coming years!”
Devin’s manager, Northern Music’s Andy Farrow adds: “Having managed Devin for nearly 10 years and seen him grow from the Islington Academy to selling out the Royal albert Hall in 4 days, it has been one rollercoaster of a journey. Devin is an artist that never sets sail on one course musically as I learnt over the course of 8 albums and various DVD’s, and sometimes this can be challenging both for the manager and the record label. However we have found that in Inside Out via Devins ‘Hevy Devy’ imprint we have a partner who are flexible enough to enable a truly creative musician / artist, complete artistic control and musical vision.”
In what has been a rare quiet year for Devin when it comes to touring, there has still been plenty of activity. On 22nd September 22nd, 2017, Devin Townsend Project played a special show at the Ancient Roman Theatre in Plovdiv, Bulgaria, celebrating the 20th anniversary of the landmark Ocean Machine album in full, as well as a set of fan-requested tracks alongside the Orchestra of Plovdiv State Opera. This concert was filmed, and recently saw its release as ‘Ocean Machine – Live at the Ancient Roman Theatre Plovdiv’.
Watch two clips from the release below:
‘Ocean Machine – Live at the Ancient Roman Theatre Plovdiv’ is available as a limited deluxe 3CD/2DVD/Blu-Ray artbook (with liner notes from Devin and a special documentary on the second DVD & Blu-Ray), Special Edition 3CD/DVD Digipak, standalone Blu-Ray and as digital audio download. Order now here: https://devintownsendproject.lnk.to/OceanMachineLive
“epic, swelling bombast worthy of the old stone” – Metal Hammer “a bold document from an incredibly ambitious artist.” – Prog Magazine “an incredible evening of music performed with precision and passion and captured for all of us in a nearly perfect fashion.” – Metal Wani
Devin’s varied back catalogue is also being celebrated with lavish vinyl box-sets under the name of ERAS. Having already released parts 1 and 2 earlier this year, December 7th will see the release of part 3, which features some of his most recent work with Devin Townsend Project, including the albums ‘Accelerated Evolution’, ‘Epicloud’, ‘Sky Blue’, ‘Transcendence’ & the first ever vinyl release of the second part of the DTP’s now legendary Royal Albert Hall show. Pre-order your copy of this deluxe 10 LP box-set here: https://devintownsendproject.lnk.to/ErasIII
Roine Stolt, known as the guitarist, singer, writer and at times band leader of the groups The Flower Kings, Transatlantic, Agents of Mercy, Kaipa DC, as well as from his work with prog icon Jon Anderson and the new super-group The Sea Within, is releasing a new album on November 23rd, 2018. Under the moniker ROINE STOLT’S THE FLOWER KING, ’Manifesto Of An Alchemist’ offers 10 songs and almost 70 minutes of playing time celebrating the style Roine is most revered for progressive rock, richly orchestrated with all the trademark elements from four decades of the genre.
Now he is pleased to reveal the first track taken from the album, titled ‘Lost America’. Watch the video now here:
Roine comments: “Lost America is one of the longer tracks on my new album – it goes through a series of melodic themes and riffs – most of them familiar in style from the vast Flower Kings catalog of course. The song and much of the album is interesting in the way it has fragments drawn from different periods of the last 25 years – song ideas that were never fully developed or utilized – even if parts may have been already on the table for both The Flower Kings and Transatlantic. This particular song is kind of two songs – the first a melodic prog jigsaw – while the latter is a more straight riff-based tune – I do the lead vocal but both my brother Michael and Hammond dude Max Lorentz do quite a bit of backing me up with hairy vocals – Marco Minnemann on drums and Jonas Reingold on bass.
The lyrics are kind of touching upon the idea that we’ve lost our souls to the golden calf again. Profit, pride and profanity rule oversoul, serenity and the sacred. Despite the song title, this is NOT a dig at the American people or culture, but rather a general global observation. We are all at risk.”
‘Manifesto Of An Alchemist’ is a celebration of all the styles that have been part of the colorful, daring and dynamic songwriting and arrangements that Roine masters like no other, yet also offers a more immediate, more hands-on approach. “Like that first TFK album, I’m the main lead vocalist here again – it works as these lyrics are important to me and resonate with my view of the world. A lot of the guitar work is actually my spontaneous ‘demo’ guitars” and that goes for much of the synth work, too. I didn’t want to ‘process’ ideas too much as there is much power in the initial creation – I wanted to keep it that way.”
The album features a host of other musicians, including long-time collaborators Jones Reingold, Hans Froberg & Michael Stolt, as well as fellow The Sea Within member Marco Minnemann, Max Lorentz, Zach Kamins, Rob Townsend & Nad Sylvan.
‘Manifesto Of An Alchemist’ features stunning artwork from Shaun Beyond (https://www.instagram.com/shaunbeyond/), and will arrive as a limited edition CD digipak, Gatefold 180g 2LP + CD & as digital download.
6.Next To A Hurricane
9.Six Thirty Wake-Up
10.The Spell Of Money
As previously announced, Roine will take The Flower Kings catalogue on tour later this year, as well as playing tracks from this new album. He comments: “I am excited that the album will be released in November this year and at the same time will be in South America playing The Flower Kings music with a band that also includes Hasse Froberg & Jonas Reingold and also introduces two younger friends; Zach Kamins on keyboards and Mirko DiMaio on drums – both fabulous musicians. We will also bring this to Europe where we join forces with legends Spocks Beard.”
South America 2018
16th November – Carioca Club, Sao Paolo, Brazil
18th November – El Teatrito, Buenos Aires, Argentina
19th November – Teatro Nescafe, Santiago, Chile
21st November – Teatro Del Patronato Peruano Chino, Lima, Peru
23rd November – C3 Stage, Guadalajara, Mexico
24th November – Auditoria Blackberry, Mexico City, Mexico
InsideOutMusic 25th Anniversary European Tour feat. Spock’s Beard & Roine Stolt’s The Flower King
30th November – Cosmopolite, Oslo, Norway
1st December – Kulturhuset Studion, Stockholm, Sweden
2nd December – KB, Malmo, Sweden
4th December – Zeche, Bochum, Germany
5th December – Z7, Pratteln, Switzerland
6th December – La Machine, Paris, France
7th December – De Boerderij, Zoetermeer, Netherlands
8th December – Hedon, Zwolle, Netherlands
9th December – Islington Assembly Hall, London, UK
10th December – Academy Club, Manchester, UK
CANADA – North America 2019
28th February – Club Soda, Montreal, Canada
1st March – Salle Jean – Paul Tardif, Quebec City, Canada