Esclavitud de tu ser was filmed more than 4000 meters above sea level, in the Marcahuasi Stone Forest, Andes Mountains, Perú with a lot of effort and with a lot of heart. We hope you like it and help us with imi diffusion. Buy your ticket to attend the presentation of new album eclipse on November 16th, at the cultural center cafae-SE. Sale to the inbox.
Esclavitud de tu ser was filmed more than 4000 meters above sea level, in the Marcahuasi Stone Forest, Andes Mountains, Perú.
Directed by Stuardo Huertas
Produced by no mercy productions
Production assistants: Julio Almeida “Ñaca” and Alfonso Chacón “ Pilón”
Taken from the new album “Eclipse”
Produced and mixed by Roy Z
Mastered by Maor Appelbaum at Maor Appelbaum Mastering – California – USA
Flor de Loto is:
Alonso Herrera: Vocals and guitar
Alejandro Jarrin: Bass
Sergio Czech paintings: Quena
Gabriel Iwasaki: Keyboards
Alvaro Escobar: Drums
Buy the new album Eclipse from November 16th, 2018
Media & Booking
A beaver, a fox and a bear are in love! This is a story about love and tolerance between these three very different animals. The struggle of not being accepted simply because other people think that this ain’t normal but in the end love always wins. The song is an acoustic version of the song “Johnny the Beaver” which was released back in March on the album “Sorry for being sexy”.
The acoustic version will be digitally released on September 21st under the name “Monkey Moon Sessions”
41POINT9 Premiere New Video “The Marine” as Tribute to US Marine Corps from the Upcoming Album “Mr. Astute Trousers”
This video is for a song called “The Marine” and was based on the true story of a U.S. Marine Corps soldier killed in Afghanistan. When his body was returned to his wife (who was pregnant with their first child) she requested to “sleep one last time by her husband’s side” in the funeral home. At her request, the Marine Honor Guard fixed her a makeshift bed beside the coffin and as the last Marine was leaving the chapel, he looked back to see her quietly crying. He turned around and went back to her and asked her if she would like him to stay for a while. She said she would like that. The Marine stepped back up on the dais beside the coffin and stood at attention. When the young mother woke the next morning, that Marine was still there….still standing at attention. Still watching over her, her unborn child and her deceased loved one.
This is a true story that won a Pulitzer Prize for best photo essay in a Colorado Newspaper. You can read that story and see the pictures that inspired this song here; http://digitaljournalist.org/issue0604/finalsalute_thumbs.html
41POINT9 wishes to pay tribute to the honor and traditions of the Marine Corps and to the sacrifice embodied by all who serve. It is for this reason all proceeds from this video will be donated to The Semper Fi Fund, an A+ rated charity that provides immediate financial assistance and lifetime support to post 9/11 combat wounded, critically ill and catastrophically injured members of the U.S. Armed Forces and their families.
Mile Marker Zero is the final band signed for RoSfest 2019. They’re a very talented Progressive Rock group from New Haven, CT USA!
Mile Marker Zero isn’t a band that the average progressive rock fan will be all that much aware of, but they have been around in one guise or another for 15 years by now – or 13 years if you refer to the band’s official biography. They released their self-titled debut album back in 2009, and along with their 2006 EP “The Haunted” they did get quite a bit of attention in those earlier days. Being the first unsigned band to have their music featured in the video game series RockBand among the proud moments from that phase of their career.
In later years the band has released a second EP, “Young Rust” (2014), and in March 2018 the band launched their second album “The Fifth Row“. The quality of the latter was so impressive that we just had to book this band, even if we didn’t really have any free slots left – we’ll get back to how that detail will be sorted when we release the official schedule for RoSfest 2019.
For those not already aware of Mile Marker Zero, progressive metal with clear references to the foundations of the genre established “back in the day” by good old Rush is a fitting and appropriate manner in which to describe what this band is all about. We love it, and we are certain that many others will as well – especially after having seen them perform their material live on the stage of course.
RoSfest 2019 will take place on May 3rd through 5th, 2019 at the Sarasota Opera House, Florida. Scheduled bands to play: Friday- Cryptic Vision and Von Hertzen Brothers. Saturday- Entransient, Mile Marker Zero, Karmamoi, Phideaux and Jethro Tull 50th Anniversary Tour with Martin Barre, Clive Bunker and Jonathan Noyce. Sunday- Edge of Reality, Traverser, Flor De Loto, and Riverside. The complete schedule with times will be posted shortly on the RoSfest website.
We love this 2019 lineup and think that you will too! Hope to see everyone in Sarasota next May!
Platinum seat tickets on sale September 4th, 2018
Gold seat tickets on sale October 5th, 2018
Regular seat tickets on sale December 7th, 2018
For details and to purchase your tickets head over to the RoSfest website at www.rosfest.com
This is the first video from Phideaux’s upcoming double album release Infernal his first album in seven years to be released on September 9th.
Infernal is the final installment of Phideaux’s trilogy of albums that began in 2006 with The Great Leap.
Grab your favourite drone and join us as we survey the surveillance world of Infernal, the concluding chapter of Phideaux’s “Doom Trilogy”. Feast your eyes on this surreal spooky film by Jake Brebes. A call to action in this 2018 Phideaux song. We Only Have Eyes For You music and lyrics by Phideaux Xavier animation by Jake Brebes (c) 2018 Bloodfish Music (BMI) (p) 2018 Bloodfish Media WARNING: This video may potentially trigger seizures for people with photosensitive epilepsy. Viewer discretion is advised.
NY Art Rockers Jack and the Jukebox just released their official music video, drawing on the talents of a veritable host of artists, actors, poets, freethinkers, nihilists, and libertines. Verne’s Jewels is Jack and the Jukebox’s first single from the upcoming sophomore album.
The band is more than a little cagey about the meaning of the song and they pointed out that art must be interpreted by the creativity of the viewer. There are a few hints that it might have been inspired by 20,000 Leagues under the Sea. The tumultuous battle of archetypes within seems to be a mythical clarion to greater inspiration and poesis on the part of the viewers. The subliminals seem intended to sell popcorn. (Just Kidding).
Music by Jack and the Jukebox
Directed & Edited by Timothy B. Parker
Performers (in order of appearance)
Bradley A. Dorville
Glen Trygve Wilkinson
Alexander Medlin II
Timothy B. Parker
Featuring Amelia the Human Skull xoxo
Assistant Direction by Betsy Bamford
Timothy B. Parker
Timothy B. Parker
Railey Leo Henry
Alexander Medlin II
Follow Jack and the Jukebox
For more information, booking inquiries and more please contact:
Parker Publishing and Entertainment
PO Box 271
Holland Patent, NY 13354
Legendary US progressive rockers Spock’s Beard release their 13th studio album ‘Noise Floor’on May 25th, 2018. As revealed previously, for this album Ted Leonard, Alan Morse, Dave Meros & Ryo Okumoto are joined in the studio once again by drummer & original member Nick D’Virgilio.
Following the release of the opening track from the album, they are now pleased to reveal the second track from the record, titled ‘Somebody’s Home’.
Watch the video now here:
Dave Meros called the track “one of my favorite songs on Noise Floor”, while Ryo Okumoto comments “This is a great song by Ted Leonard.”
The album has been receiving brilliant reactions, and you can find a few of them below:
“one of the most defiantly immediate, hook-laden and upbeat records of their career.” – Prog Magazine
“The album endorses the group’s skill at balancing great songwriting with clever muso ingredients, and surely confirms their status as prog royalty.” – Guitar Techniques
“Melody is paramount, and Noise Floor is sensational.” – The Prog Report
Track from BABAL’s 4th album “THE CIRCLE OF CONFUSION OF TONGUES” to be released in 2018 on Melodic Revolution Records.
Karen Langley – vocals
Rob Williams – guitars/synthesis
Jon Sharp – drums
Zoie Green – keyboards
Ben Balsom – bass
Capturing the angst of 21st Century Britain with Karen Langley’s sharply observed lyrics, laced with the manically haunting guitars of Rob Williams and enhanced by Zoie Green’s trippy keyboards, plus groove drivers Ben Balsom on bass and Jon Sharp on electronic drums, BABAL deliver a theatrical, barbed performance that defies categorization.
BABAL reveal a dystopian, sideways view of life; their psych/art-rock approach calling up comparisons with Talking Heads, Zappa, Beefheart, Hendrix and Patti Smith among many. The band have gathered great responses from the UK and Europe and have also played live soundtracks for Alternative Cinema presentations.
Karen Langleys’ sharp lyrics and powerfully fluid vocals soar over groove-driven soundscapes and songs, meshed with blistering guitars.
Their latest album was released in April 2016 “Singular Adventures in Post-Modern Capitalism”
Their 4th album “The Circle of Confusion of Tongues” is due to be released in early 2018
Some of the festivals played in 2017:
Beautiful Days, Kozfest, Feral Fest, On Board the Craft, Phoenix Alt-Fest, 15th Dream of Dr. Sardonicus Psych Fest, Sistafest, Alice’s Wicked Tea Party, Hastrek, Tannerfest
Charming, alarming and serving up improvisational chunks of beauty between slices of rich vocals, the ever-evolving BABAL mix groove-based rock with strange, enigmatic lyrics and blistering rhythms, topped by stunning guitars.
Driven by soaring vocal dynamics, and twisting into vibrant guitar soundscapes, BABAL’s music is underpinned by a stronghold of bass and drums. BABAL morph from dark to light, shadow to shiny, leaving a trail of sparkling crescendos, bold rhythms and provoking lyrics. The band move easily between improvised, poetic fusion mixes to theatrical, political, hard-hitting pieces that express the satirical, eccentric core of the BABALONEONS themselves – each one a virtuoso; united they create an intricate web of passionate, vibrant music.