Melodic Revolution Records | Feature Album October/November 2017
Darrel Treece Birch | Healing Touch
Label: Melodic Revolution Records
Release Year: 2017
Country: United Kingdom
Genre: Progressive Rock/AOR/Space Rock/Ambient
Darrel – Treece- Birch– Keyboards, Vocals, Bass Guitars, Mandolin, Drums.
From The Mouth
Cast It Out
The Fruits Of The Spirit
No Fear Here
Darrel Treece Birch is on a red hot roll as far as music is concerned. Last year we presented two reviews to you that this keyboard virtuoso, one was his solo album No More Time and the one he did as a member of Nth Ascension with In Fine Initium. In 2017 we see Darrel Treece Birch return with his other band Ten with Gothica and now his new solo album Healing Touch. Darrel Treece Birch has absolutely no lack of substance when it comes to creative license is concerned and it is demonstrated by the quick turn around between releases. Darrel Treece Birch is a flowing fountain and well spring of melodious bliss.
Unlike 2016’s offering No More Time, Darrel Treece Birch decided not to have multiple guest musicians and go it all alone. Another difference with Healing Touch is it is not the conceptual piece that No More Time was. Do not be fooled however, Healing Touch is one serious exotic and melodic safari through the soul of one Darrel Treece Birch. There are 10 new songs that are all instrumentals yet they each have their own individual identity while remaining on point to the main spiritual objective that becomes the common theme throughout Healing Touch. Without any lyrics, Darrel Treece Birch manages to convey subjects of life and faith quite eloquently with just instrumentals. To date Healing Touch is perhaps Darrel Treece Birch’s most diverse album.
God’s Prescription immediately sets a cool smooth mood for the listener of the album. It sets a mood like one is transported into a futuristic world of electronic jazz fusion. This sounds like it may in fact be 25 years ahead of its time. It is certainly a soothing track in that Darrel uses more atmospheric theory to transport the listener into the world he intended them to be. Some of the electronica atmospheres subside to a more traditional jazz fusion rhythm section and soon both of the sum of the parts gel into a perfectly balanced melody. The track even provokes visions of the future which is a testament to Darrel Treece Birch’s forward thinking and sometimes groundbreaking work. There are many elements to this track that also remind me of Kraftwerk meets Alan Parson’s Band. Even more so this track represents a celestial element as well.
From The Mouth in many ways keeps with the subject of faith, hope , healing and love. It opens up with some seriously heavy synth work along with a beautifully deep bass and drum rhythm section that is not always synth manufactured. It gives the most seasoned listener the truth appearance that every instrument was recorded prior the synths and keyboards. Although the futuristic mood is still there, this track takes upon itself some very heavy elements of jazz fusion, especially in the context of the rhythm section. The rhythm section takes on a very 1970’s mood with fuzzy elements serving as a main feature. This lending a heavy Pink Floyd influence about it.
Cast It Out starts out with a wall of synths that hearkens back to the later 1970’s Kraftwerk style meets the earlier 1980’s Buggles. Darrel Treece Birch certainly puts on the first of a few keyboardist music and theory clinics with this one. He is always venturing out into territory that easily keeps him from being pigeonholed into one style and Cast It Out is a perfect example to this. Cast It Out is also a serious departure from what we have been use to hearing in Nth Ascension and Ten, Darrel’s other musical outlets. The track eventually levels out to a more conventional progressive hard rock song that eventually ends with some very beautiful progressive rock atmospheres.
Re-Boot sees Darrel Treece Birch channel heavy elements to the late great Keith Emerson with the production mind of a Alan Parsons. It also leaves a very heavily ELP influence as far as atmospheric soundscape structures. The guitar work is very ‘Floydian’ in nature leaving void or filler for the sake of having a complete song. The rhythm section is very well balanced and subtle leaving the guitar and keyboard stringed section much room to breathe and thrive within the songs own identity and purpose.
The Fruits Of The Spirit opens up with beautifully orchestrated sounds of nature in harmony with radiant wind chimes. This track from the first note already transport the listener in a state of tranquility and peace. This is also a very intricate track where it appears that the keyboard is distributing various chord progressions of the other instrumental interests throughout the duration of the track. This track is a soothing balm perfectly arranged to keep the listeners attention in the album.
The Stand opens up like a whirlwind with a very windy atmospheric effect generated by the synth’s. It is soon followed up by a beautiful rhythm section with some more ‘Floydian’ guitar soundscapes. The pure fusion approach to this track is yet another departure from some of the normal work we are used to hearing from Darrel. His experimental side truly knows no boundaries. This track in particular explores a more avant – garde side to Darrel Treece Birch that I honestly never knew was there.
The Release reminds me a lot of Arjen Luccasen’s Ayreon work , specifically the Actual Fantasy album. This is very heavily rooted in the electronic orchestral chord progression. When the other instruments such as the lead guitar and drums come in they are immediately highlighted and allowed to breathe throughout the composition. It is almost a melodic play on words in that there is a play on various chord progressions and deeply instrumental rhythm sections that would make Tangerine Dream and Kraftwerk blush. This track truly lives up to its namesake in that Darrel Treece Birch appears to open up yet another level of musicianship.
The Expanse starts off with the illusion of a music box playing tender little wind chimed melodies. This transports the listener into a melodic fantasy realm. The rhythm section shines through deeply. Both the stringed sections and rhythm sections are in a perfect harmonious persuasion. The track builds layer upon layers as it maintains its uplifting objective. This track has a heavy science fiction aesthetic working through is various passages and intricate chord progressions.
No Fear Here basically continues in the tradition of The Expanse and The Release. It is both heavy on the keyboard atmospheres and the unorthodox rhythm sections tat keep hooking the listener. There are some elements of classic rock keyboards much like Keith Emerson meets Rick Wakeman at the crossroads of modern fusion.
God’s Medicine opens up with a immediate guitar solo. This is yet another unconventional and surprising element of Darrel Treece Birch’s approach on this album. This is also some very beautiful classically rooted atmospheric fusion. In its isolation it brings absolution and proper closure to Healing Touch.
Although this one took me a little longer than expected it was well worth the time invested in it. This is well worth the investment to any progressive rock or instrumentalist fans collection. Healing Touch has many personalities and dimensions to it. Darrel Treece Birch really took many risks and chances with this one. Darrel Treece Birch’s Healing Touch gets 5/5.