Kev Rowland

  • I was chatting to keyboard player Kai Esbensen recently and mentioned I had never heard their 2001 debut, and he said he would send me a copy. I demurred, saying a download would be fine, but he was keen for […]

  • There is no doubt in my mind that one of the most under-rated and under-appreciated progressive rock bands around is America’s 3RDegree. Over the years they have been incredibly consistent, and while I have n […]

  • Babal are back with another album which refuses to conform to what anyone thinks progressive rock should be like, with a worldview which puts them in opposition to the majority and they are just fine with […]

  • When I was young, I was fascinated by myths and legends of ancient Greece, Rome and Egypt and I was given a book, ‘The Story of Greece’, which had belonged to my mum when she was a child herself. With […]

  • It took seven years for Cary to follow-up on ‘Blue Rain’, but in 2021 he returned with ‘Hourglass’. As with the previous album this is primarily a solo affair, with Cary providing the vast majority of the ins […]

  • Eternal Return is a quintet which brings together various duos/trios that have previously recorded and toured together. Within this ensemble we have Dogon, the duo of Venezuelan Miguel Noya (synthesisers) and […]

  • Many years ago, I reviewed an album by a famous rock star, and back then I said the only reason people were even talking about it was due to who was involved as opposed to the value of the music it contained, and […]

  • What I have here is a recording of Joe Jackson, Todd Rundgren, and NY-based string quartet Ethel. I really was not sure what to expect from this, and I am sure the people there that night did not either, as […]

  • To any fan of British progressive rock, keyboard player Jan Schelhaas needs little introduction given that he has played with both Caravan (twice, and with whom he is still playing) and Camel, as well as […]

  • I am finding it hard to believe that here I am in 2022 writing about an album which was released in 2013, yet there is not a single review for it on ProgArchives. Recorded at different venues in the UK and […]

  • In many ways it is hard to realise that up until the 2017 reissue of ‘The Gardening Club’, originally from 1983, Martin had only been recording a few albums over the years for his own interest, con […]

  • In September 2019 the four-piece of Neal Morse (vocals, piano, Hammond organ, Minimoog, Mellotron, acoustic guitar, charango), Roine Stolt (vocals, electric & acoustic 6- & 12-string guitars, ukulele, […]

  • Tony Romero is probably best known as being a long-time DJ on the best internet radio station around, House of Prog (in full disclosure I’d better mention that I also review for the site). He has long had a […]

  • I don’t recollect when or how I started reading Michael Moorcock, but it was probably through one of his collections of short stories which in turn led me to Elric of Melniboné, Jerry Cornelius etc. I was al […]

  • In 2019, Leonardo Pavkovic started planning a short tour of Asia which would see Stick Men performing in China for the first time, as well as returning to Japan, and this time they would have a special guest […]

  • It has been an incredible last four years for Martin Springett, who could never have thought the 2017 reissuing of his (it must be said) obscure 1983 album. ‘The Gardening Club’, would herald such a rea […]

  • I was recently contacted by Kathy Keller of Friendly Folk Records to inform me that Ton Scherpenzeel (of Kayak and Camel fame) would soon be releasing his fifth solo album on the label. Titled ‘Velvet A […]

  • Last year I reviewed the debut album, ‘Johnny On The Spot’, by The Grafenberg Disciples and it is safe to say I fell in love with it. Since the album was originally released it has been picked up by Sony and […]

  • The latest signing to Melodic Revolution Records is a duo based in Mar del Plata, Argentine, comprising Alvare Goco (vocals and backing vocals) and Jack Dimensions (vocals, backing vocals, piano, keyboards, […]

  • There is no doubt in my mind that Katie Ware is one of the most precious vocal talents to come out of the UK, and this her latest release proves that yet again. The new single from the forthcoming album […]

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