Slovenian progressive metallers Seventh Station will be presenting their second album “Heal the Unhealed” this coming November. The record is an international effort – rehearsed and recorded through five different studios on three continents ranging from the United States, Slovenia, and Turkey. Full of magnificent sweeps, heavy riffs, and intricate melodies, the band creates an eclectic progressive experience.
For this sophomore effort, band founder and guitarist Dmitri Alperovich wanted to bring his personal point of view from his roots growing up as a Soviet Union child before his family moved to Israel, before finally settling in Slovenia.
“I went through a lot of different circumstances and the processes of adaptation for each country – also resulting in anxiety and panic attacks after all these significant paradigm shifts. Heal The Unhealed is a personal reflection on these experiences and the psychological states they brought, voiced through different characters, including the primary actors of the conditions I had back in the Soviet Union,” adds Alperovich.
Today, Seventh Station presents a studio video for their third single “The Ruthless Koba”, which is an original arrangement of Dmitri Shostakovich’s 10th Symphony – 2nd Movement (op. 93).
Alperovich explains the song in further detail:
“This instrumental track is an original arrangement of a classical orchestral epic, Dmitri Shostakovich’s 10th Symphony, second movement. The arrangement was written by Dmitri Alperovich and it’s the second part of the Soviet Union / Stalin trilogy. The original movement is a description by Shostakovich, of the circumstances and conditions through Stalin’s evilness as the ruler of the Soviet Union. It was very important for us to represent the atmosphere of the original work, so we made a great effort to both respects and celebrate it through the arrangement decisions. Koba was the nickname that Stalin was given by his close friends and the name of the track is an attempt to show the duality between the “friendly” Koba and the ruthless dictator.”
Watch and listen to “The Ruthless Koba” via its premiere on MetalInsider HERE.
Following their debut album 2016’s “Between Life and Dreams”, Seventh Station’s sophomore record “Heal the Unhealed” comes out after two years of delay due to the Covid pandemic, and the band is excited to share its six creative and inventive progressive influenced metal songs. Ready to be discovered, it’s a hidden gem that was on the shelf way too long and its timing couldn’t be more appropriate. Overall, the album reflects historical events and their psychologies throughout its listening experience. From dreamy atmospheres to technical madness’, it’s a musically diverse record.
Vocalist Davidavi Dolev, who was involved for the first time with writing lyrics and vocal lines, explains the full length:
“I wanted to find the right ‘voice’ for the lyrics, trying to voice Dmitri’s musical ideas through surrealism and through the absurd. So, lyrically the point was to magnify even more the panic attacks Dmitri was trying to describe, through the light of harsh and incomprehensible historical events. This album could very much be a progressive assault on the ear, very much for the open-minded, not at all for the weak-hearted. Musically this album is choosing the long path rather than quick gratification but at the same time very satisfying for those who manage to go through this entire orchard.”
Applying the knowledge and techniques from classical music in to progressive metal, Seventh Station is an artistic progressive metal band that makes personal storytelling into an auditory event that must be experienced from beginning the end.
Recommended for fans of Dream Theater, Symphony X, and Opeth, Seventh Station‘s “Heal the Unhealed” comes out on November 7, 2022.
The album pre-order is available at http://www.seventh-station.com.
Music Video – All Hail the Moustache – https://youtu.be/-upgWRhKqz0
Music Video – The Heart of a Nation (Nadia) – https://youtu.be/q8dbzZbTHgY
1. Unspoken Thoughts (07:37)
2. Seven Digits (07:36)
3. The Heart of a Nation (Nadia) (12:27)
4. The Ruthless Koba (05:19)
5. All Hail the Moustache (12:04)
6. A Final Bow (13:41)
Album Length: 58:47
Album Recording and Live Band Line Up:
– Dmitri Alperovich – Guitar
– Eren Basbug – Keyboards
– Davidavi Dolev – Vocals
– Jure Lopatic – Bass
– Grega Plamberger – Drums and Percussion
About: Seventh Station is a progressive metal band based in Slovenia, led by Israeli Guitarist Dmitri Alperovich and Turkish Keyboardist Eren Başbuğ. Constructing their sound by fusing progressive metal with contemporary classical music, the band’s new album Healed the Unhealed is their second full-length record, released independently. Featuring an international lineup, Davidavi “Vidi” Dolev (Vocals), Jure Lopatic (Bass), and Grega Plamberger (Drums). On their new record, Seventh Station adds to their “on the edge” performances and compositions more blood, more sweat, and more tears.
Formed between the Academy of Music & Dance in Jerusalem and Berklee College of Music in Boston, Seventh Station released its debut album Between Life and Dreams in 2016. After relocating to Europe and a few line-up changes, Alperovich and Başbuğ knew no borders in the search for uncompromising compositions and musical executors, progressive and challenging. After several tours between the Middle East and post-Yugoslavia, the band gathered together on recording ‘Heal the Unhealed’. Inspired by the Second World War and the Soviet Union, the album is an hour-long reflection in the eyes of Alperovich, who was born in Minsk, Belarus, moved to Israel and eventually found his way to Slovenia. Featuring surrealistic epos, harnessing the band’s skillful abilities in order to express Kafkaesque situations, Heal the Unhealed examines resemblances between dictatorships and the personality disorders of an artist.
Seventh Station is now gearing up for their upcoming record Heal the Unhealed released on November 7th, 2022, along with a supporting tour through Europe and the Middle East, to be announced later this Fall.