There is no doubt in my mind that Katie Ware is one of the most precious vocal talents to come out of the UK, and this her latest release proves that yet again. The new single from the forthcoming album ‘Feather Moon’ was inspired by the novel ‘The Lovely Bones’ by Alice Sebold and tells the story of being lost, alone in the darkness, desperately trying to escape and asks whether we are ever truly alone. Certainly, the accompanying video is designed to show that there are things beyond our ken, and if we search for some things, they may just turn around and find us instead. A lot of thought went into the video, and I do wish I had been there in the room when it was suggested to Katie, as I know it must have taken an awful lot of hard work to pull it off.

Let us hope the video attracts some attention as Katie’s Kate Bush-style vocals and thoughtful songs are always an absolute delight. Here we start with gentle wordless harmonies, lightly stummed chords and orchestration, before she takes the lead into what in many ways is a folk song, although it also contains some wonderful strings and one can imagine that if this had been recorded by Ms. Bush it would be topping the charts everywhere. Yet again this is a real song, one which demands close attention to be paid by the listener, and those who are prepared to do just that will find themselves all the richer for it. It is an absolute delight – I just can’t wait for the album now!  
9/10 Kev Rowland


When it comes to music I have been fortunate to hear this year, then I will think of 2019 as the year of the ladies. Thanks to the wonderful Elfin Bow I have been introduced to some amazing singers from the UK scene I would never have found on my own from the other side of the world, and to the list, I now must add the name of Katie Ware, otherwise known as Little Sparrow. Amazingly this debut album is from 2014, which yet again shows how dire the music industry is when something as powerful and glorious isn’t well known. This is all about Katie, her voice and songs, mixing and changing the arrangements so while she may have a full band behind her, at others, it may just be acoustic guitar, violin and or cello, whatever is needed to make it work. Many of the songs don’t feature percussion, and it is all about that wonderful beautiful voice front and center.

This is a singer-songwriter as opposed to folk, acoustic music which is inspired by the likes of Joan Baez and Joni Mitchell. Even the heavy use of pedal steel on “Struck Gold” doesn’t pull it into the country as the gently plucked guitar keeps it rooted, while the wonderful harmony and backing vocals throw all the focus onto the main. Some songs are upbeat, driving forward with a demand to grab your attention, pushing forward whereas others are far more languid, expecting you to come and discover on your own. There is a brightness and freshness within this which reminds me of a young Judy Dyble, as Katie has incredible control and a superb high range.

That this album and the name of Little Sparrow isn’t more widely known is nothing short of criminal as it is an absolute delight from beginning to end. If you enjoy this style of music then this is essential. I note it is also available on Bandcamp so why not search it out and give it a listen, this is an artist you need to support. Awesome.  

9/10 Kev Rowland