TRANSATLANTIC announce mammoth ‘Live at Morsefest 2022: The Absolute Whirlwind’ release

TRANSATLANTIC – the Prog Supergroup of Neal Morse, Mike Portnoy, Roine Stolt & Pete Trewavas – have announced the release of ‘Live at Morsefest 2022: The Absolute Whirlwind’ for April 26th, 2024. This mammoth Limited 5CD + 2 Blu-ray Artbook set features both sets from Morsefest in their entirety, with nearly 4 and a half hours of music in total.

To coincide with the announcement, the band have launched a live clip of the track ‘Can You Feel It’, taken from night 2, and you can watch that video here:

Pre-order the album as a Limited 5CD + Blu-ray artbook, featuring an extensive 36-page booklet including photos and liner notes, here: https://transatlantic.lnk.to/LiveAtMorsefest2022-TheAbsoluteWhirlwind

Mike Portnoy comments:

“Not to be confused by last years live release of our last show in Paris, THIS release of TA at Morsefest 2022 represents the most epic and mammoth of all TA Live releases!

2 Nights, 2 completely different sets, 2 TA concept albums done in their entirety…accompanied with Strings, Horns, Percussion, Female Vocals, etc…Transatlantic has always been about “More Never Is Enough”, but no live TA release has ever been more EPIC than this one…It’s the ULTIMATE Live TA experience!”

Neal Morse adds:

“At long last, a musical dream come true in true epic fashion! To play The Absolute Universe, The Whirlwind, and other great pieces of music with Transatlantic, along with an amazing string section, background singers, etc. What more could any musician ask for? This is the very best of the very best in my view. I hope you all enjoy experiencing this as much as we enjoyed performing it!“

Roine Stolt comments:

“Playing Morsefest was quite a task, learning all the different material for the 2 different shows.

We even got a chance to play that Procol Harum tune, that is dear to me & takes me back to my teenage years, just getting to know what prog is/was. The addition of the strings and choir at Morsefest, plus Philip adding percussion lent a different and perhaps more of an orchestral side. That worked really well and made these 2 nights very special.”

Pete Trewavas comments:

“To play Morsefest 2022 was an absolute pleasure for me and gave us a natural break at the end of the North American leg of The Absolute Universe tour, where we regrouped at Neal’s to rehearse for the two shows, back where we had rehearsed for the tour some four or five weeks earlier.

We had 3 days I think it was to refresh The Whirlwind full version and learn ‘In Held T’was In I’. The festival was an absolute blast. We were all super relaxed and enjoying ourselves probably due to the little break from touring back to rehearsing.

Neal had been wanting to get Transatlantic at MorseFest since we released Whirlwind and it never panned out for various reasons, so it felt fitting that we got it all together for The Absolute Universe tour.”

Morsefest, the festival put on by Neal Morse annually in Nashville, Tennessee has been in existence since 2014. Typically, the weekend-long event celebrated music from Neal’s solo work and other bands from his career. But with each passing Morsefest, there had been one question lingering among the faithful audience that returned every year…when will Neal Morse, Mike Portnoy, Roine Stolt & Pete Trewavas perform at Morsefest? In 2022, at the 9th Morsefest, it finally happened and in epic Transatlantic fashion.

In 2021, Transatlantic released The Absolute Universe, the band’s 5th album since forming in 2000. However, as the band’s motto is “More Is Never Enough,” ‘The Absolute Universe’ was released as two different versions – ‘The Breath of Life (Abridged version)’, and ‘Forevermore (Extended version)’. In addition, the band combined those two versions for an Ultimate Edition of the album. With touring restrictions due to the pandemic finally lifted, the band finally started their tour in April 2022 ending up at Morsefest on the weekend of April 29th and 30th.

The weekend at Morsefest provided 2 nights of shows. For night one, the band performed their classic album ‘The Whirlwind’ in its entirety, the first time they had done so in 10 years. The evening also added “Into the Blue” and “Shine” from the band’s 4th album ‘Kaleidoscope’ as well as the classic ballad “We All Need Some Light.” As a surprise, the band played a song they’ve never performed live before – their cover of the Procol Harum classic “In Held ‘Twas In I” from the first Transatlantic album ‘SMPTe.’

Night 2 saw the full performance of The Absolute Universe – The Ultimate Edition, combining all of the tracks from the 2 versions of the album. The night closed with a medley of tracks from the band’s first two albums including “All of the Above,” “My New World,” and “Stranger In Your Soul.”

For the first time, the band performed alongside a choir and string section, making these shows truly special for those who were in attendance. Now, you can experience these incredible performances for yourself with the release of this Limited Deluxe 5CD+2Blu-ray artbook, featuring an extensive 36-page booklet with photos, contained within a hardcover.

Night 1 Tracklisting:
1. Into The Blue
2. In Held (‘Twas) In I
3. Shine
4. We All Need Some Light
5. Overture/Whirlwind
6. The Wind Blew Them All Away
7. On The Prowl
8. A Man Can Feel
9. Out Of The Night
10. Rose Colored Glasses
11. Evermore
12. Set Us Free
13. Lay Down Your Life
14. Pieces of Heaven
15. Is It Really Happening?
16. Dancing With Eternal Glory/Whirlwind (Reprise)

Night 2 Tracklisting:
1. Overture
2. Reaching For The Sky
3. Higher Than The Morning
4. The Darkness In The Light
5. Take Now My Soul
6. Bully
7. Rainbow Sky
8. Looking For The Light
9. The World We Used To Know
10. The Sun Comes Up Today
11. Love Made A Way (Prelude)
12. Owl Howl
13. Solitude
14. Belong
15. Lonesome Rebel
16. Can You Feel It
17. Looking For The Light (Reprise)
18. The Greatest Story Never Ends
19. Love Made A Way
20. Bridge Across Forever
21. The Final Medley

TRANSATLANTIC online:
https://www.transatlanticweb.com/
https://www.facebook.com/TransatlanticMusic/
www.instagram.com/transatlanticofficial
www.twitter.com/transatlantic99

INSIDEOUT MUSIC online:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
www.facebook.com/InsideOutMusic
www.twitter.com/InsideOutUSA
www.insideoutmusic.store
http://spotify.com/progrockessentials

TRANSATLANTIC launch live video for ‘We All Need Some Light Now” ‘The Final Flight: Live at L’Olympia’ out on Friday, Feb 17th

TRANSATLANTIC – the Prog Supergroup of Neal Morse, Mike Portnoy, Roine Stolt & Pete Trewavas – are set to release the new concert set ‘The Final Flight: Live At L’Olympia’ on Friday, February 17th, 2023. It was recorded and filmed in France on the last stop of a tour to promote the band’s fifth and most audacious album to date, ‘The Absolute Universe’. This was the multinational group’s first outing in eight years.

Watch the live clip for ‘We All Need Some Light’, originally featured on the bands debut album, here:

Watch the band perform ‘Rose Colored Glasses’ here: https://youtu.be/2mXpcl9fQZI

Watch the band performing ‘Owl Howl’, a highlight from ‘The Absolute Universe’ album, here: https://youtu.be/7kHEtZNPtsQ

Released in February 2021 to unanimous praise, ‘The Absolute Universe’ came in two alternate formats; an abridged 64-minute record known as ‘The Breath Of Life’, and a companion piece entitled ‘Forevermore’ that added a further four songs, clocking in at an hour and a half. Though the foundations of both were shared, each format featured lyrics and music independent of the other.

However, when Transatlantic finally hit the road they opted to perform a third format of the album, a full-bells-and-whistles, 96-minute Blu-ray culmination of both takes known as ‘The Ultimate Edition’ that had been released in 5.1 surround sound. Following that segment of the show Transatlantic took a short intermission and returned to the stage for a rollercoaster trawl through the remainder of their lavish catalogue. From the first note of ‘Overture (The Absolute Universe)’ through to the medley based around the first two Transatlantic albums that closes the evening, the performance comprised 3 hours of music in total.

“Ever since the start of this band we have played for three hours, so that’s something we’re all used to,” states drummer Mike Portnoy, who grins whilst describing his own experience as “butt-numbing”. However, Roine Stolt is ready to admit that this time felt very slightly different.

“It was a great tour,” acknowledges the guitarist and multi-musician, “but when you include our spot at Morsefest [where besides performing ‘The Absolute Universe’ the band also revisited their 2009 album ‘The Whirlwind’ and revised a cover of Procol Harum’s ‘In Held (’Twas) In I’ that had featured on their debut from 2000, ‘SMPTe’] I felt the challenge of learning, or re-learning, three-and-a-half hours of music before leaving Sweden. Now that I am getting slightly older, I was a little worried about playing for that long – it requires a lot of concentration: ‘Is this one in 7/8 or 9/8? Maybe we’ll play it in 13/8 and in a different key?’ But of course, once we got out there onto the stage, those thoughts went straight out of the window.”

With a chuckle, vocalist and keyboard wizard Neal Morse reveals that as the tour found its feet Transatlantic threw an additional curveball. “We started playing songs slightly differently to the way you’ve heard them on ‘The Ultimate Edition”, he grins. “So what you get with this live album is similar, but essentially it’s a fourth version [of the record]. When you play live, from night to night it helps to keep things fresh by jamming a bit and changing things up as you go. There are a few examples of that, for instance, the beginning of the last section that starts with ‘Belong’ is quite different than the record – partly because we couldn’t remember it! So we made up a new structure.”

“We’re always as well prepared as we can be but in a way Transatlantic is kind of a show band” points out bassist Pete Trewavas. “Playing alongside Mike who is a powerhouse on the drums, there is this raw power. If he wants to raise the energy that’s what we do. We’re all taking solos here and there, though we get the songs across we’re all showing off as much as we can”.

Filmed by Paul Green (who also shot their ‘Whirld Tour 2010: Live in London release), and mixed by longtime collaborator Rich Mouser, this set will be available as a Special Edition 3CD+Blu-ray Digipak (incl. 5.1 surround sound) & as a Gatefold 180g 4LP release. Both feature artwork by Thomas Ewerhard & photos by Nidhal Marzouk.

Pre-order now here: https://Transatlantic.lnk.to/TheFinalFlight-LiveAtLOlympia

Tracklisting:

1. The Absolute Universe Intro
2. Overture
3. Reaching For The Sky
4. Higher Than The Morning
5. The Darkness In The Light
6. Take Now My Soul
7. Bully
8. Rainbow Sky
9. Looking For The Light
10. The World We Used To Know
11. MP Intro
12. The Sun Comes Up Today
13. Love Made A Way (Prelude)
14. Owl Howl
15. Solitude
16. Belong
17. Lonesome Rebel
18. Can You Feel It
19. Looking For The Light (Reprise)
20. The Greatest Story Never Ends
21. Love Made A Way
22. The Whirlwind Suite
23. NM & RS Intro
24. We All Need Some Light
25. The Final Medley

Line-Up (on this recording):
Neal Morse – Keyboards, Acoustic Guitar & Vocals
Mike Portnoy – Drums & Vocals
Roine Stolt – Guitar & Vocals
Pete Trewavas – Bass & Vocals

With:

Ted Leonard – Guitar, Keyboards, Percussion & Vocals 

TRANSATLANTIC online:
https://www.transatlanticweb.com/
https://www.facebook.com/TransatlanticMusic/
www.instagram.com/transatlanticofficial
www.twitter.com/transatlantic99

INSIDEOUT MUSIC online:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
www.facebook.com/InsideOutMusic
www.twitter.com/InsideOutUSA
www.insideoutmusic.store
http://spotify.com/progrockessentials

Transatlantic – “The Final Flight: Live At L’Olympia” Inside Out Music

TRANSATLANTIC – the Prog Supergroup of Neal Morse, Mike Portnoy, Roine Stolt & Pete Trewavas – recently announced the release of a new concert set entitled ‘The Final Flight: Live At L’Olympia’ for the 17th February 2023. It was recorded and filmed in France on the last stop of a tour to promote the band’s fifth and most audacious album to date, ‘The Absolute Universe’. This was the multinational group’s first outing in eight years.

Released in February 2021 to unanimous praise, ‘The Absolute Universe’ came in two alternate formats; an abridged 64-minute record known as ‘The Breath Of Life’, and a companion piece entitled ‘Forevermore’ that added a further four songs, clocking in at an hour and a half. Though the foundations of both were shared, each format featured lyrics and music independent of the other.

However, when Transatlantic finally hit the road they opted to perform a third format of the album, a full-bells-and-whistles, 96-minute Blu-ray culmination of both takes known as ‘The Ultimate Edition’ that had been released in 5.1 surround sound. Following that segment of the show Transatlantic took a short intermission and returned to the stage for a rollercoaster trawl through the remainder of their lavish catalogue. From the first note of ‘Overture (The Absolute Universe)’ through to the medley based around the first two Transatlantic albums that closes the evening, the performance comprised 3 hours of music in total.

“Ever since the start of this band we have played for three hours, so that’s something we’re all used to,” states drummer Mike Portnoy, who grins whilst describing his own experience as “butt-numbing”. However, Roine Stolt is ready to admit that this time felt very slightly different.

“It was a great tour,” acknowledges the guitarist and multi-musician, “but when you include our spot at Morsefest [where besides performing ‘The Absolute Universe’ the band also revisited their 2009 album ‘The Whirlwind’ and revised a cover of Procol Harum’s ‘In Held (’Twas) In I’ that had featured on their debut from 2000, ‘SMPTe’] I felt the challenge of learning, or re-learning, three-and-a-half hours of music before leaving Sweden. Now that I am getting slightly older, I was a little worried about playing for that long – it requires a lot of concentration: ‘Is this one in 7/8 or 9/8? Maybe we’ll play it in 13/8 and in a different key?’ But of course, once we got out there onto the stage, those thoughts went straight out of the window.”

With a chuckle, vocalist and keyboard wizard Neal Morse reveals that as the tour found its feet Transatlantic threw an additional curveball. “We started playing songs slightly differently to the way you’ve heard them on ‘The Ultimate Edition”, he grins. “So what you get with this live album is similar, but essentially it’s a fourth version [of the record]. When you play live, from night to night it helps to keep things fresh by jamming a bit and changing things up as you go. There are a few examples of that, for instance, the beginning of the last section that starts with ‘Belong’ is quite different than the record – partly because we couldn’t remember it! So we made up a new structure.”

“We’re always as well prepared as we can be but in a way Transatlantic is kind of a show band” points out bassist Pete Trewavas. “Playing alongside Mike who is a powerhouse on the drums, there is this raw power. If he wants to raise the energy that’s what we do. We’re all taking solos here and there, though we get the songs across we’re all showing off as much as we can”.

Filmed by Paul Green (who also shot their ‘Whirld Tour 2010: Live in London release), and mixed by longtime collaborator Rich Mouser, this set will be available as a Special Edition 3CD+Blu-ray Digipak (incl. 5.1 surround sound) & as a Gatefold 180g 4LP release. Both feature artwork by Thomas Ewerhard & photos by Nidhal Marzouk.

Tracklisting:

1. The Absolute Universe Intro
2. Overture
3. Reaching For The Sky
4. Higher Than The Morning
5. The Darkness In The Light
6. Take Now My Soul
7. Bully
8. Rainbow Sky
9. Looking For The Light
10. The World We Used To Know
11. MP Intro
12. The Sun Comes Up Today
13. Love Made A Way (Prelude)
14. Owl Howl
15. Solitude
16. Belong
17. Lonesome Rebel
18. Can You Feel It
19. Looking For The Light (Reprise)
20. The Greatest Story Never Ends
21. Love Made A Way
22. The Whirlwind Suite
23. NM & RS Intro
24. We All Need Some Light
25. The Final Medley

Line-Up (on this recording):

Neal Morse – Keyboards, Acoustic Guitar & Vocals
Mike Portnoy – Drums & Vocals
Roine Stolt – Guitar & Vocals
Pete Trewavas – Bass & Vocals 

With:
Ted Leonard – Guitar, Keyboards, Percussion & Vocals 

Pre-order now here: https://Transatlantic.lnk.to/TheFinalFlight-LiveAtLOlympia

TRANSATLANTIC announce ‘The Final Flight: Live at L’Olympia’ for release February 17th, 2023

TRANSATLANTIC – the Prog Supergroup of Neal Morse, Mike Portnoy, Roine Stolt & Pete Trewavas – are pleased to present a new concert set entitled ‘The Final Flight: Live At L’Olympia’. It was recorded and filmed in France on the last stop of a tour to promote the band’s fifth and most audacious album to date, ‘The Absolute Universe’. This was the multinational group’s first outing in eight years.

Watch the band performing ‘Owl Howl’, a highlight from ‘The Absolute Universe’ album, here: 

Released in February 2021 to unanimous praise, ‘The Absolute Universe’ came in two alternate formats; an abridged 64-minute record known as ‘The Breath Of Life’, and a companion piece entitled ‘Forevermore’ that added a further four songs, clocking in at an hour and a half. Though the foundations of both were shared, each format featured lyrics and music independent of the other.

However, when Transatlantic finally hit the road they opted to perform a third format of the album, a full-bells-and-whistles, 96-minute Blu-ray culmination of both takes known as ‘The Ultimate Edition’ that had been released in 5.1 surround sound. Following that segment of the show Transatlantic took a short intermission and returned to the stage for a rollercoaster trawl through the remainder of their lavish catalogue. From the first note of ‘Overture (The Absolute Universe)’ through to the medley based around the first two Transatlantic albums that closes the evening, the performance comprised 3 hours of music in total.

“Ever since the start of this band we have played for three hours, so that’s something we’re all used to,” states drummer Mike Portnoy, who grins whilst describing his own experience as “butt-numbing”. However, Roine Stolt is ready to admit that this time felt very slightly different.

“It was a great tour,” acknowledges the guitarist and multi-musician, “but when you include our spot at Morsefest [where besides performing ‘The Absolute Universe’ the band also revisited their 2009 album ‘The Whirlwind’ and revised a cover of Procol Harum’s ‘In Held (’Twas) In I’ that had featured on their debut from 2000, ‘SMPTe’] I felt the challenge of learning, or re-learning, three-and-a-half hours of music before leaving Sweden. Now that I am getting slightly older, I was a little worried about playing for that long – it requires a lot of concentration: ‘Is this one in 7/8 or 9/8? Maybe we’ll play it in 13/8 and in a different key?’ But of course, once we got out there onto the stage, those thoughts went straight out of the window.”

With a chuckle, vocalist and keyboard wizard Neal Morse reveals that as the tour found its feet Transatlantic threw an additional curveball. “We started playing songs slightly differently to the way you’ve heard them on ‘The Ultimate Edition”, he grins. “So what you get with this live album is similar, but essentially it’s a fourth version [of the record]. When you play live, from night to night it helps to keep things fresh by jamming a bit and changing things up as you go. There are a few examples of that, for instance, the beginning of the last section that starts with ‘Belong’ is quite different than the record – partly because we couldn’t remember it! So we made up a new structure.”

“We’re always as well prepared as we can be but in a way Transatlantic is kind of a show band” points out bassist Pete Trewavas. “Playing alongside Mike who is a powerhouse on the drums, there is this raw power. If he wants to raise the energy that’s what we do. We’re all taking solos here and there, though we get the songs across we’re all showing off as much as we can”.

Filmed by Paul Green (who also shot their ‘Whirld Tour 2010: Live in London release), and mixed by longtime collaborator Rich Mouser, this set will be available as a Special Edition 3CD+Blu-ray Digipak (incl. 5.1 surround sound) & as a Gatefold 180g 4LP release. Both feature artwork by Thomas Ewerhard & photos by Nidhal Marzouk.

Pre-order now here: https://Transatlantic.lnk.to/TheFinalFlight-LiveAtLOlympia

Tracklisting:

1. The Absolute Universe Intro

2. Overture

3. Reaching For The Sky

4. Higher Than The Morning

5. The Darkness In The Light

6. Take Now My Soul

7. Bully

8. Rainbow Sky

9. Looking For The Light

10. The World We Used To Know

11. MP Intro

12. The Sun Comes Up Today

13. Love Made A Way (Prelude)

14. Owl Howl

15. Solitude

16. Belong

17. Lonesome Rebel

18. Can You Feel It

19. Looking For The Light (Reprise)

20. The Greatest Story Never Ends

21. Love Made A Way

22. The Whirlwind Suite

23. NM & RS Intro

24. We All Need Some Light

25. The Final Medley

Line-Up (on this recording):

Neal Morse – Keyboards, Acoustic Guitar & Vocals

Mike Portnoy – Drums & Vocals

Roine Stolt – Guitar & Vocals

Pete Trewavas – Bass & Vocals

With:

Ted Leonard – Guitar, Keyboards, Percussion & Vocals 

TRANSATLANTIC online:
https://www.transatlanticweb.com/
https://www.facebook.com/TransatlanticMusic/
www.instagram.com/transatlanticofficial
www.twitter.com/transatlantic99

INSIDEOUT MUSIC online:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
www.facebook.com/InsideOutMusic
www.twitter.com/InsideOutUSA
www.insideoutmusic.store
http://spotify.com/progrockessentials

2021 THE BEST OF PROG IN PICTURES & WORDS

I am back as years before, struggling to know if I missed any albums on this list, and the answer would be a resounding yes. Every year see thousands of releases just in the prog genre alone. It’s virtually impossible to discover and hear every prog release in any given year, so I did my best to showcase the cream of the crop, but then again I must point out these are one man’s points of view and will vary from publication and reviewer abroad. My taste in music is vast so I hope you all feel I have done justice by showcasing these 21 releases.
The Un-qualified Critic

1) The Blue Door 
First full-length release by Candian Progressive jazz folk-rock act, A Gardening Club Project
CD & Digital
Melodic Revolution Records
http://gardeningclubmusicandart.ca

2) The Uncrowned King (Act 1) 
The third release by US art-rock band, Evership
CD & Digital
Self-released
https://www.evership.com
 
3) We Are The Truth
Sixth studio album by Swedish progressive rock band, Hasse Fröberg & Musical Companion
CD, LP & Digital
Glassville Records
https://www.hfmcband.com

4) Imperial
Fifth album by progressive metal supergroup, Soen
CD, LP & Digital
Silver Lining Music
https://soenmusic.com

5) Altitude
Third album by English progressive rock band, Lifesigns
CD, LP & Digital
Self-released
https://lifesignsmusic.co.uk

6) Vigesimus
Twenty Seventh release since 1994 by Mexican neo-prog band, Cast
CD, & Digital
Progressive Promotion Records
http://www.castofficial.com

7) 5.20
Third studio album by progressive rock band, Nine Skies
CD, & Digital
Anesthetize Productions
https://nineskiesmusic.com

8) Graveyard Star
Fourteenth studio release by progressive rock band Mostly Autumn
CD, & Digital
Self-released
https://www.mostly-autumn.com

9) Common Ground
Fourteenth album by English progressive folk-rock band, Big Big Train
CD & Digital Self released
LP Plane Groovy
https://www.bigbigtrain.com

10) Harvest
The third release from Greek Progressive rock band, Ciccada
CD, LP & Digital
Self-released
https://ciccadabem.bandcamp.com/album/harvest

11) The Absolute Universe Forevermore
Fifth studio album by multinational progressive rock supergroup, Transatlantic
CD, LP & Digital
InsideOut (Europe) Metal Blade/Radiant (US)
https://www.transatlanticweb.com

12) Kites
Third album by English progressive rock band, This Winter Machine
CD & Digital Self released
LP Plane Groovy
https://thiswintermachine.uk/about/

13) Presence Of Life
Seventh album by Norwegian progressive folk group, Kerrs Pink
CD, LP & Digital
Self-released
https://kerrspink.com

14) Forsaken Innocence
Eight studio by UK-based Progressive Rock band, Drifting Sun
CD, LP & Digital
Self-released
https://driftingsun.co.uk

15) Snakes & Angels
The second release by US progessive metal artist, GorMusik
Melodic Revolution Records
CD & Digital
https://gormusik.com

18) Playing House
2nd release by progressive art-rock band, Meer
Karisma Records
CD, LP & Digital
http://meerband.com

19) The Forgotten Earth
Debut solo release by Scarlet Hollow prog band bassist, Jeffrey Erik Mack
Melodic Revolution Records
CD & Digital  
https://www.jeffreyerikmack.com

16) Copeland King Cosmo & Blew, Gizmodrome Live
First, live album and second release by progressive rock supergroup Gizmodrome formed in Italy
Ear Music
CD, LP & Digital
https://www.facebook.com/Gizmodrome

17) A View From The Top Of The World
Fifteenth studio release by US prog metal pioneers, Dream Theater
Inside Out Music
CD, LP & Digital
https://dreamtheater.net

20) One to Zero
Eleventh studio album German progressive rock band, Sylvan
Gentle Art Of Music
CD, LP & Digital
http://www.sylvan.de/home/

21) Aphelion
Eighth studio album by Norwegian progressive/avant-garde metal band, Leprous
Inside Out Music
CD, LP & Digital
https://www.leprous.net