Music Legend Eddie Jobson’s The Green Album/Theme of Secrets Remastered 3-Disc CD & High-Fidelity Blu-ray Audio – Now Available!

The Green Album/Theme of Secrets is a double release of two solo albums from keyboard/violin master, electronic music pioneer and 2019 Rock & Roll Hall of Fame inductee (with Roxy Music) Eddie Jobson. The critically acclaimed Green Album, with studio band Zinc, was originally released in 1983 on Capitol Records along with the first CGI MTV video “Turn it Over.”

Theme of Secrets is a groundbreaking electronic music album performed entirely on the Synclavier Music Computer. The 1985 release was featured in TIME magazine.

All tracks have been remastered for this special 3-disc CD and high-fidelity Blu-ray Audio re-release.

Available June 14th in the U.S. (June 21st as an import on Burning Shed and elsewhere in Europe/Japan)

To purchase Eddie Jobson’s The Green Album/Theme of Secrets Remastered 3-Disc CD & High-Fidelity Blu-ray Audio:
US: https://www.amazon.com/gp/offer-listing/B07S3QLGFB/
UK: https://burningshed.com/store/eddiejobson?page=1

EDDIE JOBSON

Classical prodigy and teen star — Award-winning film composer — “A musical genius” (Editor-in-chief of Emmy magazine) — Inductee in the Rock & Roll Hall of Fame — World music and jazz record producer — Lecturer on The Art & Science of Music — Electronic music innovator — Electric-violin virtuoso — Award-winning pianist

With an international reputation as the definitive musicians’ musician, British musician Eddie Jobson has been recognized as a musical genius since childhood. As a piano and violin prodigy, he was awarded a Diploma of Distinction by London’s Royal Academy of Music at the age of 8, performing with his first professional orchestra at age 10. In 1971, at age 16, he was appointed as the Young Persons’ Representative to the British Government’s Arts Council and, the same year, performed his debut concert at the University of Newcastle—one of the first live concerts to feature the electronic music synthesizer. By age 17 he had acquired a worldwide record deal with Warner Bros. to record his first full album, playing violin, synthesizer and piano.

Transitioning away from classical music and still only 17, he became orchestrator for British singer Bryan Ferry, leading to Jobson becoming a full member of the influential art-rock group Roxy Music, contributing to their first number-one album as synthesist and groundbreaking electric-violinist. Eddie’s proficiency in re-sculpting and professionalizing the Roxy sound played a major role in the band’s success and their considerable influence on the likes of U2, The Talking Heads and many of the ’80s new wave rock/pop groups. Jobson’s early pioneering work as a teen, along with the other Roxy members, has resulted in his 2019 induction into the Rock and Roll Hall of Fame, making Jobson the first rock violinist to be so honored.

Remaining in the rock and jazz world after Roxy, Eddie—still only 21—was “discovered” by American  music icon Frank Zappa and flown to Los Angeles to replace both jazz greats George Duke on keyboards and Jean-Luc Ponty on violin, in Zappa’s only four-piece lineup. Returning to England in 1978 after several albums and world concert tours with Zappa, Jobson then formed the internationally acclaimed progressive-fusion band UK with jazz-guitar legend Allan Holdsworth, King Crimson vocalist John Wetton, and original Yes drummer Bill Bruford. The UK albums, along with his other  work with King Crimson, Yes, Jethro Tull and with members of Deep Purple and The Who, established Jobson not only as, arguably, the top rock violinist in the world, but also as one of the top keyboardists.

In the 1980s, Eddie put rock music and concert touring aside and focused on electronic music and the innovative world of computer music. He created the first music video to feature CGI, as well as the world’s first album performed entirely on the Synclavier Music Computer. Featured in TIME magazine, this critically acclaimed album was one of the very first all-digital CD releases. The 1990s saw Jobson move into the world of television and film scoring—an award-winning side career that culminated in him becoming choral director for Disney on two major movies and the soundtrack composer on numerous films, TV shows and 3D theme-park experiences. Fascinated with all musical forms, he left the world of Hollywood in 2000 and formed a musicians’ label called Globe Music as a vehicle for producing a diverse array of jazz and world-music artists. This period also saw Eddie working with the Tuvan throat singers, and composing for and conducting both the City of Prague Philharmonic and The Bulgarian Women’s Choir, while also functioning as the choir’s spokesperson at Harvard University and on multiple classical radio broadcasts.

An unexpected return to the concert stage in 2008, saw Jobson perform to a festival audience of more than 150,000 people in Kazan, Russia, leading to ten more years of world tours until his permanent retirement from live concerts in 2018. In 2017, Jobson received the Lifetime Achievement Award at the Progressive Music Awards in London.

Five new double-CD releases are being planned to commemorate Jobson’s almost fifty years as one of the world’s most respected musicians. Eddie is also currently producing six video lectures on The Art and Science of Music.

Eddie Jobson FB page:https://www.facebook.com/EJ.UK.fanpage/

3RDEGREE – ONES & ZEROS: VOLUME 1 -10T RECORDS

When I first came across 3rDegree some years ago, I said that they reminded me a great deal of the long-lost City Boy, and it was interesting to hear how much of an impact they had had on the band. However, Robert James Pashman (bass, keyboards, backing vocals – and who is also responsible for getting me drinking Trappist-style beers) later informed me that none of them had heard of the band, and it was only after reading reviews mentioning them as an influence that they sought them out! Having given maximum marks to their previous three albums (I’ve only noticed that although I have their 1993 debut I’ve never reviewed it, must amend that at some point), I was looking forward to hearing this 2015 release. But, it arrived while I was working on my book, so ended up in the never-ending backlog. However, with the arrival in 2018 of the second part of the concept, it allows me to review them back to back (and thankfully the guys have been very understanding).

What we have here is a science fiction concept album, set in the fairly near future, where it is possible to live forever or be enhanced in some ways. It is the mix between the human and the machine, the analog and the digital, that makes the story what it is. Although all the lyrics are contained in the digipak, it is easy to understand the storyline without them due to the wonderfully clear vocals of singer George Dobbs, and the fact that they allow the story to tell itself. No need for complex analogies, let’s get to it: my only complaint is that I found it quite distracting while driving, as I would rather listen to what was going on instead of paying attention to the road. We may not have many drivers down here, but our roads aren’t exactly straight and wide.

Musically we are firmly back in the realms of City Boy, with an additional UK band that may surprise many, 10 CC. It took me ages to work out what the harmonies and key changes reminded me of, and then I realized it was like listening to parts of ‘Deceptive Bends’. Added to this surreal pop/rock/prog mix they have added plenty of Utopia for good measure, and come up with something that is instantly 3rDegree, instantly accessible, and guaranteed to make the listener sit there with a massive smile on their face. The one song I found most interesting was “We Regret To Inform You”, which includes the robotic voice of Valhalla Biotech explaining that there has been a slight issue with the recent procedure on the protagonist’s father. I can’t say any more than that without giving away the plot, but coming from an IT background this song really did appeal to my inner geek, and it works incredibly well. Add to that some beautifully phased and treated rock guitar and it is a total delight.

3rDegree probably isn’t a name that too many people recognize from the progressive scene, but as I write this, this album is rated as being #6 on the charts for 2015 releases on ProgArchives. Looking at what is above it, all I can say is that it is in the wrong position, as it should be #1. Absolutely essential, crossover progressive rock doesn’t get any better than this.
http://www.3rdegreeonline.com/3RDegree/Landing.html

10/10

Kev Rowland

 

The Sea Within – launch studio teaser for debut self-titled album

The Sea Within – the new art-rock collective comprising of Roine Stolt (Transatlantic, The Flower Kings), Daniel Gildenlöw (Pain of Salvation), Jonas Reingold (Steve Hackett, The Flower Kings, Karmakanic, The Tangent), Tom Brislin (Yes Symphonic, Renaissance, Spiraling, Deborah Harry) & Marco Minnemann (The Aristocrats, Steven Wilson, UK, Joe Satriani) – have announced that their debut self-titled album will be released June 22nd, 2018.

Now they are pleased to give fans a glimpse at the recording process for the album, as well as a very first taste of the music.

Watch & listen to this studio teaser video here:

Let’s get one thing straight from the start. The Sea Within is more of an amalgamation of some serious talents, than a regular “supergroup”. These musicians have come together to create a unique album. Guitarist/vocalist Roine Stolt, bassist Jonas Reingold, keyboard player/vocalist Tom Brislin, drummer/vocalist Marco Minnemann and vocalist/guitarist Daniel Gildenlöw have a vast reservoir of experience. Look at the portmanteau of artists with who they’ve worked: The Flower Kings, Transatlantic, Jon Anderson, Steven Wilson,The Aristocrats, Joe Satriani, Yes, Steve Hackett, Renaissance, Pain Of Salvation, Deborah Harry, Meatloaf, Karmakanic … that of itself tells you this is something very special.

“I suppose it all began to take shape in the autumn of 2016,” explains Stolt. “I had a chat with Thomas Waber, the boss at InsideOut Music, about the idea of putting together a new band. I wanted to move in a fresh direction with new collaborations. So Thomas gave me the ‘go ahead’ to seek musicians for a new project.”
First on-board was The Flower Kings bass player Jonas Reingold.- “He is a long time bandmate and friend and we were also very keen to get keyboardist Tom (Brislin) involved – after seeing his synth pyrotechnics with legends Yes ‘Symphonic’ and with Camel. Then we have been a fans of ‘Aristocrats’ drummer Marco for a long time; I first heard of him 15 years ago and he is a brilliant drummer, unique energy. Then when we discussed ideas for singers, Daniel’s name came up, he has such a great range and dynamic voice and we’ve worked together on and off over the years.” Also added later to the bands line-up for live shows was vocalist & guitarist Casey McPherson of ‘Flying Colors’ & ‘Alpha Rev’, who also sings a couple of songs on the album.

Initially the band went to Livingston Studios in London last September to begin the process of assembling all the material and recording it for the debut album.
“Most of the material you’ll hear are really band compositions. Of course, ideas were triggered by all of us. Sometimes Jonas would come up with a part, chord sequence or tune and then I or Tom would write melody & lyric and some new riff section and Marco enhancing with further musical metric twists and developments – then Daniel would add or rewrite some of the lyrics, change or add more melodies. Overall, the vast majority of the tracks have been worked on and developed by all of us in one way or another.”

The entire recording situation took about six months, and the band also have some very special guests featured on the album.
“We have got Jordan Rudess from Dream Theater playing piano on one song. The legendary Jon Anderson sings on another track, while ‘wind ace’ Rob Townsend, who plays saxophone and flute with Steve Hackett, is also on the record. Each of them brings a different flavour to the music.”

“People have asked me how I would describe what we have done, and it is almost impossible. I would have to say it sounds like…us, ‘The Sea Within’. Our tastes are very eclectic – from prog to jazz to classical, to heavy rock, folk, punk, electronica and pop. We all come from a different background – so here everything goes.
This has been about putting those diverse influences into the music. I feel you will hear all that’s good about pop – with great melodies and hooks – plus the rawness of metal, improvisations, symphonic and movie soundtracks. We also left room for each of us to take off on flights of instrumental jamming. That was the basic idea, anyway. But until we all got together, we had no idea where it would lead or if it would actually work.”
The band have ended up recording close to two hours of music, and will be releasing it all in June on what will be a self-titled album.

The Sea Within as a music collective have plans to perform live, and will make their stage debut at ‘Night Of The Prog’ in Loreley, Germany which happens from July 13-15 and will bring special guests for that evening. 
“As far as I am concerned, we will try do as much touring as possible. We have a great band, great label and our agent Rob Palmen on-board. We have great artwork by Marcela Bolivar, all looks bright. However Daniel will not be able to join us for touring now, as he has commitments with main band Pain Of Salvation. With Casey taking the vocal spot, now with us live, we can go out on the road and play this album and beyond and grow as a band. We have so much to offer musically, on record and on stage and I am sure we will develop a lot over the next few years. But ‘The Sea Within’ album is a great start. I am excited for everyone to hear what we have done and am now thrilled to start working on the songs for the live show.”

The album will be available as a special edition 2CD digipak, gatefold 2LP vinyl + 2CD & as digital download. You can find the full track listing below:
Disc 1:

1.Ashes of Dawn
2.They Know My Name
3.The Void
4.An Eye for an Eye for an Eye
5.Goodbye
6.Sea Without
7.Broken Cord
8.The Hiding of the Truth
Disc 2:
1.The Roaring Silence
2.Where Are You Going?
3.Time
4.Denise

As mentioned, The Sea Within has recently announced their first confirmed live date, taking to the stage at Night of the Prog Festival 2018 at Loreley, Germany on the weekend of 13-15th July 2018. Tickets are available now here: http://www.nightoftheprogfestival.com/en/home-2/

THE SEA WITHIN online:
www.facebook.com/theseawithin1
www.twitter.com/theseawithin1
www.instagram.com/theseawithin1
www.theseawithin.net

INSIDEOUT MUSIC online:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
www.facebook.com/InsideOutMusic
www.twitter.com/InsideOutUSA
www.insideoutmusicshop.com

INSIDEOUTMUSIC Spotify Playlist:
http://spotify.com/progrockessentials

 

UK’s Debut Album To Be Released On Limited Edition 180 Gram Vinyl

Los Angeles – Celebrating the 40th anniversary of UK’s critically acclaimed self-titled debut record released on Polydor in 1978, Eddie Jobson is making this seminal album available on vinyl for the first time since its original release. It will be released on April 21st, and available exclusively to Record Store Day participating retailers worldwide. The record is pressed on 180 gram vinyl, and includes an 8 page full color booklet designed exclusively for this release. The album is remastered from the original tapes located at Abbey Road Studios in London, which is the same master that was used in the now out of print “Ultimate Collector’s Edition” box set that compiled all the works of UK’s 3 albums, along with rarities, live material and 5.1 versions across 18 discs.

“I’m pleased to recognize the 40th Anniversary of this seminal album with this carefully remastered vinyl release. This is now a legacy recording, made even more significant with the recent passing of both Wetton and Holdsworth, that I hope will represent a benchmark for future musicians.” – Eddie Jobson

The Music
In October 1977 the new supergroup featuring Eddie Jobson, Bill Bruford, John Wetton and Allan Holdsworth entered the rehearsal room, each armed with a panoply of musical ideas. Each song, theme, part or riff was logged in, like a jigsaw piece, and so the organizing and arranging of the individual pieces began. External expectations were high, not just for what these four individual innovators might create together, but because Trident Studios in Soho was already booked to record the results of their highly anticipated collaboration.

The music of UK would be developed over several weeks. Wetton would reintroduce “Thirty Years,” a song first tried out with the Wakeman trio; Bruford brought in some harmonic, but mostly rhythmic ideas. Holdsworth’s contributions revolved around his distinctive chord voicings, forming the foundation of such tracks as “Nevermore” and “Mental Medication.” Meanwhile, Jobson – the more formal composer of the group – brought in pages of musical notation that included the entire “In The Dead of Night” suite, minus vocal melody lines, but including “By The Light of Day” and the Zappa-influenced “Presto Vivace,” along with a complete version of “Alaska,” the verse of “Time To Kill” and half of “Nevermore.” The myriad musical ideas were painstakingly stitched together, mainly by Bruford and Jobson, but it would be Wetton’s melodic and lyrical sense that would ultimately glue the disparate stylings into something resembling cohesive songs. Notwithstanding the considerable stylistic contributions of Holdsworth and Bruford, with a full sixty percent of the new album material emanating from Jobson’s compositions, and with the addition of Wetton’s vocal melodies and lyrics, the first UK album truly marked an auspicious beginning to the highly symbiotic Jobson-Wetton writing partnership.

Trident Studios, December 1977
The “U.K.” album was recorded over a six-week period. Holdsworth’s classic guitar solo on “In The Dead of Night” was created on the fly. Wetton’s dense harmonies were carefully overdubbed over the course of many hours. Jobson created the entire electronic section of “Nevermore” on the studio’s massive ARP 2500 modular synthesizer. An amalgam of classical, jazz, rock and electronic, the first UK album was considered truly groundbreaking; Rolling Stone magazine called it “The great white hope of progressive music.”

In 2016 Rolling Stone selected the “U.K.” album as one of the Top 30 “best progressive-rock albums of all time.” Though, in a burst of collaborative brilliance, this towering lineup recorded only one album together, the pioneering musicians known as UK have still carved their place in rock history as one of the greatest progressive-rock bands of all time, and have left this classic recording as an exemplary standard for future musicians.

For more information
www.recordstoreday.com
#RSD18
@recordstoreday Twitter
@recordstoreday Facebook
@recordstoredayus Instagram

Eddie Jobson
http://www.zealotslounge.com ;
https://www.facebook.com/EJ.UK.fanpage/

THE SEA WITHIN – A New Art-rock Collective

THE SEA WITHIN – the new art-rock collective comprising of Roine Stolt (Transatlantic, The Flower Kings), Daniel Gildenlöw (Pain of Salvation), Jonas Reingold (Steve Hackett, The Flower Kings, Karmakanic, The Tangent), Tom Brislin (Yes Symphonic, Renaissance, Spiraling, Deborah Harry) & Marco Minnemann (The Aristocrats, Steven Wilson, UK, Joe Satriani) – have announced that their debut self-titled album will be released 22nd June 2018.

Let’s get one thing straight from the start. The Sea Within is more of an amalgamation of some serious talents, than a regular “supergroup”. These musicians have come together to create a unique album. Guitarist/vocalist Roine Stolt, bassist Jonas Reingold, keyboard player/vocalist Tom Brislin, drummer/vocalist Marco Minnemann and vocalist/guitarist Daniel Gildenlöw have a vast reservoir of experience. Look at the portmanteau of artists with who they’ve worked: The Flower Kings, Transatlantic, Jon Anderson, Steven Wilson,The Aristocrats, Joe Satriani, Yes, Steve Hackett, Renaissance, Pain Of Salvation, Deborah Harry, Meatloaf, Karmakanic … that of itself tells you this is something very special.

“I suppose it all began to take shape in the autumn of 2016,” explains Stolt. “I had a chat with Thomas Waber, the boss at InsideOut Music, about the idea of putting together a new band. I wanted to move in a fresh direction with new collaborations. So Thomas gave me the ‘go ahead’ to seek musicians for a new project.”
First on-board was The Flower Kings bass player Jonas Reingold.- “He is a long time bandmate and friend and we were also very keen to get keyboardist Tom (Brislin) involved – after seeing his synth pyrotechnics with legends Yes ‘Symphonic’ and with Camel. Then we have been a fans of ‘Aristocrats’ drummer Marco for a long time; I first heard of him 15 years ago and he is a brilliant drummer, unique energy. Then when we discussed ideas for singers, Daniel’s name came up, he has such a great range and dynamic voice and we’ve worked together on and off over the years.” Also added later to the bands line-up for live shows was vocalist & guitarist Casey McPherson of ‘Flying Colors’ & ‘Alpha Rev’, who also sings a couple of songs on the album.

Initially the band went to Livingston Studios in London last September to begin the process of assembling all the material and recording it for the debut album.
“Most of the material you’ll hear are really band compositions. Of course, ideas were triggered by all of us. Sometimes Jonas would come up with a part, chord sequence or tune and then I or Tom would write melody & lyric and some new riff section and Marco enhancing with further musical metric twists and developments – then Daniel would add or rewrite some of the lyrics, change or add more melodies. Overall, the vast majority of the tracks have been worked on and developed by all of us in one way or another.”

The entire recording situation took about six months, and the band also have some very special guests featured on the album.
“We have got Jordan Rudess from Dream Theater playing piano on one song. The legendary Jon Anderson sings on another track, while ‘wind ace’ Rob Townsend, who plays saxophone and flute with Steve Hackett, is also on the record. Each of them brings a different flavour to the music.”

“People have asked me how I would describe what we have done, and it is almost impossible. I would have to say it sounds like…us, ‘The Sea Within’. Our tastes are very eclectic – from prog to jazz to classical, to heavy rock, folk, punk, electronica and pop. We all come from a different background – so here everything goes.
This has been about putting those diverse influences into the music. I feel you will hear all that’s good about pop – with great melodies and hooks – plus the rawness of metal, improvisations, symphonic and movie soundtracks. We also left room for each of us to take off on flights of instrumental jamming. That was the basic idea, anyway. But until we all got together, we had no idea where it would lead or if it would actually work.”
The band have ended up recording close to two hours of music, and will be releasing it all in June on what will be a self-titled album.

The Sea Within as a music collective have plans to perform live, and will make their stage debut at ‘Night Of The Prog’ in Loreley, Germany which happens from July 13-15 and will bring special guests for that evening. 
“As far as I am concerned, we will try do as much touring as possible. We have a great band, great label and our agent Rob Palmen on-board. We have great artwork by Marcela Bolivar, all looks bright. However Daniel will not be able to join us for touring now, as he has commitments with main band Pain Of Salvation. With Casey taking the vocal spot, now with us live, we can go out on the road and play this album and beyond and grow as a band. We have so much to offer musically, on record and on stage and I am sure we will develop a lot over the next few years. But ‘The Sea Within’ album is a great start. I am excited for everyone to hear what we have done and am now thrilled to start working on the songs for the live show.”

The album will be available as a special edition 2CD digipak, gatefold 2LP vinyl + 2CD & as digital download. You can find the full track listing below:


Disc 1:
1. Ashes of Dawn
2. They Know My Name
3. The Void
4. An Eye for an Eye for an Eye
5. Goodbye
6. Sea Without
7. Broken Cord
8. The Hiding of the Truth

Disc 2:
1. The Roaring Silence
2. Where Are You Going?
3. Time
4. Denise

As mentioned, The Sea Within has recently announced their first confirmed live date, taking to the stage at Night of the Prog Festival 2018 at Loreley, Germany on the weekend of 13-15th July 2018. Tickets are available now here: http://www.nightoftheprogfestival.com/en/home-2/

THE SEA WITHIN online:
www.facebook.com/theseawithin1
www.twitter.com/theseawithin1
www.instagram.com/theseawithin1
www.theseawithin.net
INSIDEOUTMUSIC ONLINE:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
www.facebook.com/InsideOutMusic
www.twitter.com/insideouteu