According to Wikipedia: “Misirlou” is a folk song from Eastern Mediterranean region and the original author is not known.
The song was a hit in 1946 for Jan August, an American pianist and xylophonist nicknamed “the one-man piano duet.” It gained worldwide popularity through Dick Dale’s 1962 American surf rock version, originally titled “Miserlou,” which popularized the song in Western popular culture; Dale’s version was influenced by an earlier Arabic folk version played with an oud. Various versions have since been recorded, mostly based on Dale’s version, including other surf and rock versions by bands such as the Beach Boys, the Ventures, Consider the Source, and the Trashmen, as well as international orchestral easy listening (exotica) versions by musicians such as Martin Denny and Arthur Lyman. Dale’s surf rock version later gained renewed popularity when director Quentin Tarantino used it in his 1994 film “Pulp Fiction,” and again when it was sampled in the Black Eyed Peas’ song “Pump It” (2006).
Alberto Rigoni re-arranged the song for basses only and here’s the result!
More about Alberto Rigoni’s “For The Love Of Bass” feat. All-Star Bass Player Line-up
Featuring Nathan East, Leland Sklar, Michael Manring, Tony Franklin, Doug Wimbish, Adam Nitti, Lars Lehmann, Cody Wright, Mohini Dey, David Pastorius
Alberto Rigoni’s “For The Love of Bass,” simply put, it’s bass heaven.
After the success of his latest prog rock album “Odd Times,” Italian bassist & composer Alberto Rigoni (BAD As, Natural Born Machine, The Italians, Vivaldi Metal Project), now releases his 10th solo album. As the title suggests, the instrumentation is exclusively electric bass, spanning ambient, fusion, jazz and new age styles.
“It has been really challenging but the special guests contributed some gorgeous playing and we are all proud of the result,” says Alberto. “For The Love of Bass” is an all-star bassists album featuring some of the best players anywhere: Nathan East, Leland Sklar, Michael Manring, Tony Franklin, Doug Wimbish, Adam Nitti, Lars Lehmann, Cody Wright, Mohini Dey, David Pastorius,
Other distributors: Disk Union (Japan), MVD (USA), Burning Shed (UK), Plastic Head (UK), Digital Platforms (Apple Music, Spotify etc.)
Tracklist: 1. Drops of Memories (feat. Tony Franklin) 2. In the Loop (feat. David Pastorius) 3. Dreamers (feat. Michael Manring) 4. Alone in the Dark (feat. Doug Wimbish) 5. Paranoia (feat. Cody Wright) 6. The Maze (feat. Mohini Dey) 7. Masked Souls (feat. Nathan East & Michael Manring) 8. Social Distortion (feat. Adam Nitti) 9. Mad World bass cover (feat. Leland Sklar) 10. Killers (feat. Lars Lehmann) 11. Misirlou bass cover (feat. Lars Lehmann) 12. Lost (feat. Adam Nitti)
Biography
Born in 1981, Alberto Rigoni is an Italian bass player and composer, internationally known for his career as a solo artist and as a member of the metal band BAD As, The Italians, Natural Born Machines Lady & THE BASS, co-producer of the Vivaldi Metal Project and member of progressive rock band TwinSpirits (no more active).
Between 2008 and 2020 Alberto has released worldwide 9 solo albums (Something Different, Rebirth, Three Wise Monkeys, Overloaded, BASSORAMA, Duality, EvoRevolution, Prog Injection, Odd Times), spanning from progressive rock metal to fusion. His albums also featured legendary musicians such as Kevin Moore (ex Dream Theater), Gavin Harrison (Porcupine Tree, King Crimson), Marco Minnemann (the Aristocrats), Göran Edman (ex Yngwie Malmsteen), Michael Manring and many others.
Alberto has been featured on the cover of magazines such as Bass Magazine (Japan), Bass Musician Magazine (USA), Bajos Y Bajistas (Spain), Basistas (Poland), TOP BASS (Poland). Moreover, in March 2015 the prestigious Bass Guitar Magazine (UK) released Alberto’s CD anthology called “Into THE BASS.”
Alberto has also recorded for several international artists such as Italian pop singer Alexia and he is also playing bass for Canadian rock singer and songwriter Kim Bingham (ex-Nelly Furtado) and The Italians, sharing stages with artists such as Alan Parson, Suzanne Vega, Jørn Lande, Paul Gilbert, Vinnie Moore and others.
In 2016 founded a new metal band called BADASS (now called BAD As) which released three albums (More Pain More Gain, Midnight Curse and Crucified Society.
On December 15th 2017, Rigoni together with bassist Jeff Hughell (Six Feet Under) released a new studio project called Bassists Alliance. The first album “Crush” featured top notch bassists such as Michael Manring, Adam Nitti, Steve di Giorgio, Colin Edwin, Mark Mitchell, Scott Reeder, Dmitry Lisenko, Brandino BassMaster, Ryan Martini, Leonid Maksimov, Tony Grey.
In 2019 founded a new AOR band called “Natural Born Machine” featuring famous Pink Cream 69 singer David Readman. Their debut album “Human” was released on February 19th 2021 by Pride and Joy Music.
Currently he is also collaborating with famous producer Hiro Furuya (Elton John, Eric Clapton, etc.) as session bassist.
His tenth album “For The Love of Bass” feat. all star bassists such as Nathan East, Lee Sklar, Michael Manring, Doug Wimbish and many others will be released on April 2nd 2021.
A ‘five-member’ ensemble, the International Blazin’ Quartet is led by Bosnian born and Paris, France, based drummer, composer, arranger and educator Srdjan Ivanovic. Blazin’ Quartet and their special guest maestro flutist Magic Malik, delivers on their 4th studio album “Sleeping Beauty“, a very profound, organic, timeless and articulate sound. Nine tracks of unpredictable, potent, refreshingly divorced from the sonic status quo while exceedingly brilliant creative mettle are offered, awaiting for the attentive listener’s pleasure.
Seldom does such an ensemble jazz cast weave so seamlessly, yet play with such heartfelt emotion, conviction and, at times, abandon. With an inherent, extraordinary chemistry on display, moments of the most rare, exquisite beauty materialize while ascending to the fore. A delightful, resounding lack of pretense, combined with abounding imagination and sparkling, upper-echelon performances, contributes to an album that’s as fresh and ingenious as ensemble jazz gets, from every facet.
Praised by Downbeat Magazine as “a band that twists and tweaks conventions”Blazin’ Quartet has been pushing the boundaries of improvised, ethnographies and electronic jazz since it’s creation in Amsterdam in 2008.
The multi-national Blazin’ Quartet features Andreas Polyzogopoulos (Greece; trumpet), Federico Casagrande (Italy; guitar), Mihail Ivanov (Bulgaria; double bass), Srdjan Ivanovic (Bosnia & Herzegovina; drums, keyboards, compositions, arrangements), and special guest Magic Malik (Ivory Coast; flute).
This is a very special MoonJune releases for the label’s honcho Leonardo Pavkovic, the 4th artists from countries once part of his native Yugoslavia, after Dusan Jevtovic (Serbia), Vasil Hadzimanov (Serbia/Macedonia) and Vasko Atanasovski (Slovenia). Srdjan was born in Sarajevo, the capital of Bosnia & Herzegovina, and Leonardo was born in Jajce, a historic town, which was once upon a time, the first capital of the Kingdom of Bosnia, in 14th century.
My life has consisted of many moves, changing countries, neighbourhoods and appartements, more often than I wanted to. I’ve come to realise that what has meant home for me is music, and in particular the music I hear in my head. This music is personal but if you wanted to categorize it I guess you would say that it’s rooted in the Balkans (as in the mix of strong cultures of the east and the west, not just as in ‘’party brass band music’’) and is expressed through Jazz, and Jazz for me means freedom and expression, that’s what I fell in love with, the freedom and expression that be-bop brought and that flourished into many different sounding music creations.
Blazin’ Quartet has transformed over time in many ways, as the 3 previous albums and this new one might tell you. After moving to Paris I wanted to reinvent the band, find musicians that would bring something new but yet stay true to the innovative, ad- venturous spirit of the music we previously made. The musicians were chosen to fit this music and the ideas I had but also the music was chosen to fit these great musicians. They are all masters of their instruments and very strong personalities and I wanted to give as much of that as possible, within my own musical vision.
I also distilled my previous ideas about making an album and went for a photographic approach to music on tape – capturing a vibe, not looking for a perfect take. I was inspired by the idea of sleeping beauty, that only the awakened mind sees. To put it in another way – I never fully understood why a diamond is so much more valuable than the so many beautiful stones that you find on any beach. Anyway, with this album I wanted to deliver music that I felt was right, without giving in to preconceptions of what a ‘’jazz’’ album should be and let the musicians on it shine in their best light. I was really happy that an unexpected trumpet solo by Andreas – later turned duo when I overdubbed the keyboards – was a track that I loved and kept. Or that an unplanned guitar solo, by Federico, would end up on the album. On the tunes with Magic Malik, Rue des Balkans and Guchi (another unplanned event at the recording session, a tune from Jalkan Bazz, one of our previous albums) we again went for the vibe and the journey.
The title track, Sleeping Beauty is inspired by my wife Catherine. It’s not a typical decision to start an album with a ballad and to have a drum-trumpet free-jazz battle instead of a solo but I think that it actually makes sense. The birds in the intro and outro were recorded at our lockdown location, at dawn for the intro and at night fall for the outro. I was lucky enough to spend the lockdown in the coun- tryside, near Sancerre in France, and more than ever before spend three months in isolation and close contact with nature.
In the last years I have been listening so much to Ennio Morricone that I had to do something about that. I’m a big fan of melody – which I think is the king of music – and Ennio Morricone was a king of melody! The Man With the Harmonica is a very well known tune of his and I think we managed to stay true to it, without changing much, and at the same time transform it into some- thing almost unrecognisable. So, although the music didn’t really change, the vibe is not anymore the vibe of the duel between Charles Bronson and Henry Fonda in ‘’Once Upon a Time in the West’’ but instead it’s ‘’ours’’, I guess something more on the mediterranean side. The other tune ‘’A l’aube du cinquième jour’ is a tune that just with the melody takes you on a journey, proving my earlier point about melody! Again, we didn’t change much but gave it our own rendition that I think makes it very personal.
I met illustrator Severine Scaglia at the playground as a friend-parent and again, I thought that that’s a place as good as any to discover a great artist. I admired her collages for both their aesthetics and their message which illustrated so well her subjects. I think that this cover illustrates closely this music, a collage of very simple elements that through the illustrator’s vision awaken in the composition as a whole.
Finally, this album is a realization of my people who believed in it, my countryman Leonardo Pavkovic of MoonJune Records, and the team at Le Coolectif, as well as press agent Valerie Mauge, and booker Sabrina Ouyang, who are helping bring it to you. As much as we can do, we need people to help us bring forward what we do.
When initially asked to talk about this new album, my first thought was to say that beauty ‘’sleeps’’ in everything but when I think again I would rather say that everything is beautiful but we are ‘’asleep’’ and don’t experience it. But, sometimes, somebody creates something that touches us, wakes us up, and for a moment we see everything shining in it’s true light. I hope this recording does that to you.
In a stunning, full-color book, author Anthony Garone details a 22-year journey of transformation in mastering the intricate complexity of “Fracture” – described by composer Robert Fripp as “impossible to play.”“Anthony Garone’s ‘Failure to Fracture’ is a success story.” – Robert Fripp
When progressive rock band King Crimson released “Starless and Bible Black” in 1974, very few recognized the astonishing virtuosity captured in the album’s 11-minute instrumental capstone, “Fracture.” Three minutes into the piece, guitarist Robert Fripp begins a quiet, non-stop barrage of notes called a “moto perpetuo” an Italian term for “perpetual motion.” Fripp’s moto perpetuo requires intense right-hand string-skipping, and picking capabilities only a handful of guitarists around the world possess.
Musician Anthony Garone was challenged by his father to learn “Fracture” in 1998. As a 16-year-old who practiced guitar six or more hours every day, he could not understand why he could play other technical pieces of music, but not “Fracture.” Over the years, he published blog posts and videos about his efforts. Garone kept working in isolated frustration until he enrolled in a week-long guitar instruction course led by Fripp in rural Mexico in 2015. That week was transformative.
It was in Mexico that Garone learned the mechanics of Fripp’s very unique right-hand technique. To properly play “Fracture,” Garone had to re-learn how to play guitar, sit, stand, and breathe. It would also require meditation and a new way of using his body.
Following many months of back-to-the-basics guitar practice, Garone re-trained himself to play guitar, playing a single open string for two hours a day across several weeks. In 2016, he was finally able to play small pieces of “Fracture” without any pain or frustration. He documented his progress on his Make Weird Music YouTube channel in a series called “Failure to Fracture.” The videos garnered hundreds of thousands of views and praise from Fripp himself, who wrote “Fracture is impossible to play, cf. Anthony Garone.”
“Failure to Fracture” captures Garone’s transformative 22-year journey. The story begins with his time as a teenager developing a friendship with guitar hero Steve Vai in 1996. It ends with video performances of both “Fracture” and the even more difficult “sequel” composition, “FraKctured,” written and performed in Fripp’s own New Standard Tuning. It is a book about achieving the impossible, overcoming one’s limitations, and retraining the mind and body.
In March 2021, Fripp stated on YouTube: “Anthony Garone is a man who has just written a book about to be published on ‘Failure to Fracture.’ Anthony has spent 22 years failing to play ‘Fracture.’ Actually, he’s done a pretty good job. Anthony’s failure is so well-achieved in my book, it’s a success.”
More praise from fellow Crims and chums:
“The best story of the long path of craftsmanship I have come across.” – Trey Gunn, former member of King Crimson
“This book is a game changer. It delivers a detailed insight into a ‘secret’ world that is hardly ever being discussed in popular culture.” – Markus Reuter
“The insight in this book goes beyond simply learning to play an impossible song… it provides a roadmap for how to live your best life.” – Gabriel Riccio
Guitarist, author and composer Anthony Garone pens a compelling story of transformational failure after failure followed by a final victory: the ultimate performance of one of progressive rock’s most challenging and complex songs.
There are many ways to support Power of Prog from donating money via PayPal on the home page, telling your friends about the site, or purchasing one of these snazzy new t-shirts for just $20 free shipping included.
About The Shirt Colors: Black or Fatigue Green T-Shirt
Comfortable, casual, and loose-fitting, a heavyweight color t-shirt will quickly become one of your favorites. Made from 100% cotton, it’s unisex and wears well on anyone and everyone. We’ve double-needle stitched the bottom and sleeve hems for extra durability. Select a design from our marketplace or customize it to make it uniquely yours!
Available Sizes: Small Medium, Large, X-Large, XX-Large, and XXX-Large
Featuring peak Aristocratic live performances from just before
live music’s extended hiatus began
The rowdy and rollicking instrumental rock/fusion power trio The Aristocrats (guitarist Guthrie Govan, bassist Bryan Beller and drummer Marco Minnemann) loudly and proudly showcase their renowned electric onstage chemistry on FREEZE! Live In Europe 2020, which will drop on May 7, 2021. Pre-orders are available now at various outlets listed below.
Featuring performances from across Spain in February 2020, just weeks before live music went on extended hiatus, the album leans heavily on debut live-recorded renditions of material from their most recent album, the critically acclaimed You Know What…? [BOING, 2019] which debuted at #2 on the Billboard Jazz Charts (U.S.)
“FREEZE!documents a particularly memorable period for the band so I think it’s really fortunate that we were able to capture this musical ‘snapshot’”, says Govan. “After months of relentless gigging, the material from our latest studio recording had started to feel really natural for us and yet… somehow, there was still an unmistakable element of excitement and musical risk-taking on stage every night when we played those songs.”
It also contains an epic version of the band’s classic “Get It Like That”, with a drum solo by Minnemann specially dedicated to Rush’s Neil Peart, who passed while the band was on tour.
“Growing together as a band also means knowing, focusing and perfecting the details of our musical presentations” explains Minnemann. “On tour, we sometimes become our worst critics and maybe one out of ten gigs fully pleases the band as a collective. But I believe that sort of ‘quality control’ is necessary and trying to give 110% every night is the least we can do for us and especially our fans. I have to admit that I at first was reluctant listening to the recordings, almost fearful about how many mistakes I would find. However, with a little bit of distance and fresh ears, I was actually more than pleased finding out that this ‘hand-picked’ selection of Aristocratic tunes I believe showcases the band as a very well-toured, oiled and locked machine, with not only love and attention to detail, but also playfulness and fun. Furthermore, Neil Peart sadly passed away during our European leg …. I played my heart out for him every single night.”
Bassist Beller summarizes the vibe thusly: “Like Guthrie and Marco said, by February 2020 we were deep into the ‘You Know What…?’ touring cycle, almost up to 100 shows. We were greased up and ready to go, every night. But we had no way of knowing as we plowed through Spain that these would be some of the last shows we’d play for a while. So it’s special on several levels for us to be able to share this frozen moment in time, which is what a live album truly is. It’s a statement of what we were bringing to stages every night in the heat of a world tour; it’s something for our fans who may not have caught this tour to experience and hopefully enjoy at home; and, ideally, it’s also something to keep the flame burning for when we can get back out there and let loose onstage once again. Because that’s what we do best.”
Track Listing
1. D Grade F*ck Movie Jam 2. Spanish Eddie 3. When We All Come Together 4. The Ballad Of Bonnie And Clyde 5. Get It Like That (Dedicated To Neil Peart) 6. Last Orders
FREEZE! Live In Europe 2020 is available for pre-order now in all purchase formats and will be available starting May 7 on CD and digital download, with streaming services to follow in subsequent weeks. Hi-res digitaldownloads of FREEZE! are available exclusively at the band’s brand new Bandcamp store, along with CD-or-better quality digital downloads of the band’s entire back catalog for the very first time. Also, a limited-run double-vinyl version of FREEZE! will be available through Diggers Factory.
All pre-orders of FREEZE! will include an instant download of the song “Spanish Eddie”.
All studio and live releases by The Aristocrats can be purchased at:
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
