iCobbles (feat. John Mitchell) – You’re Not Alone -Pop Rock / Dance

Colin Timpson (aka iCobbles) is a drummer turned song writer who started writing songs in 1983-5 with the band XIX (signed to RSO records). After they split up Colin decided to concentrate on a career as an accountant and he didn’t resume writing songs until 2010. He had some success with songs written for other unsigned artists in the UK and Europe. After his father’s death in 2020 he decided to work on a project to get his father’s piano concerto (The 610 Concerto) scored and performed. Then in 2022 he decided to write for himself and to release an album.

Cobbles is ever grateful for the vocal talents of John Mitchell and production skills of Nick Andrew, who have made this album possible.

Although John Mitchell is better known for his Prog rock material, in It Bites, Arena, Lonely Robot, his involvement in the Cobbles album (a distinctly Pop and Dance album) signifies a departure from his known genre and demonstrates John’s vocal versatility and brilliance.

You’re Not Alone

You’re Not Alone is the debut album by iCobbles, featuring John Mitchell on vocals. This album encapsulates a wide range of emotions and experiences, from the challenges of lockdown and the beauty of love to the pain of loss and the resilience required to overcome adversity. Each song tells a part of a larger story about human connection, resilience, and the enduring power of love and support.

The music production is equally meticulous, where the music on its own tells a story that is perfectly matched to the lyrics.

Streaming https://too.fm/pbjkrjb
Facebook https://www.facebook.com/profile.php?id=61564418319322
Youtube https://www.youtube.com/@iCobbles-j5s
Bandcamp https://icobbles-official.bandcamp.com/album/youre-not-alone
Spotify https://open.spotify.com/user/31d3qloahijuk7zar6eklaegns4u?si=bcd293e4e8e44f82

New book ‘A Playground Of Broken Hearts – The Progressive Rock Revival 1984 To 1989’ by Andrew Wild to be published this summer

Kingmaker Publishing is delighted to announce the publication of its latest book. A Playground Of Broken Hearts – The Progressive Rock Revival 1984 To 1989 by Andrew Wild will be published on July 3rd, 2025.

Following Wild’s acclaimed 2024 book A Mirror Of Broken Dreams – The Progressive Rock Revival 1981 To 1983, A Playground Of Broken Hearts is the second of two books which provide the definitive account of the intertwined stories of the six bands which led the progressive rock revival: Marillion, IQ, Pallas, Pendragon, Solstice and Twelfth Night.

For A Playground Of Broken Hearts, Wild interviewed over 80 musicians and other participants in the 1980s progressive rock scene. The book also includes in-depth profiles of many of the other bands involved in the era: Abel Ganz, Airbridge, Comedy Of Errors, Electric Gypsy, Galahad, Haze, It Bites, Jadis, Janysium, Lahost, The Lens, Liaison, Multi Story, No-Man, Pride Of Passion, Quasar, Tamarisk, Trilogy and Twice Bitten.

The book features over 300 photographs and illustrations, many of which have either been previously unpublished or are very rare, and a foreword by Prog magazine editor Jerry Ewing.

A Sunday lunchtime and afternoon event to celebrate the book’s publication will be held in association with London Prog Gigs on 6th July 2025 at The Camden Club, London NW1 8AN.

The afternoon will include a panel discussion with Andy Glass (Solstice), Martin Orford (ex IQ), Brian Devoil (Twelfth Night) and more to be announced, as well as an audience Q&A. There will also be some acoustic music from Andy Glass and Solstice lead singer Jess Holland and from Martin Orford. The book’s author will be attending and signing any books purchased at the event. Doors open at 1pm, with lunch and drinks available.

Tickets are available here: https://wegottickets.com/event/648841

Andrew Wild is an experienced writer, music collector and film buff with numerous books to his name including the official biographies of Twelfth Night, Galahad and Geoff Mann and recent publications about artists as diverse as Queen, Pink Floyd, Phil Collins, Dire Straits and the Allman Brothers Band. The first of two volumes analysing the songs of The Beatles, co-written with Big Big Train vocalist Alberto Bravin, will be published by Sonicbond in February 2025. Andrew lives in Rainow, Cheshire, UK. His website is: www.andrew-wild.co.uk.

A Playground Of Broken Hearts – The Progressive Rock Revival 1984 To 1989 is available for pre-order now from Burning Shed via https://burningshed.com/store/kingmaker and The Band Wagon USA via https://thebandwagonusa.com/en-gb/collections/kingmaker-publishing

All pre-orders received by 22nd June will be signed by Andrew Wild.

To request a review copy or to arrange an interview with Andrew Wild, please contact Roie Avin at roie.avin@royalavenuemedia.com.

***
Praise for A Mirror Of Dreams—The Progressive Rock Revival 1981 To 1983
“Andrew Wild’s book is an essential read.” – Johnny Sharp, Prog

“A hugely informative yet eminently readable book… gloriously written and lavishly illustrated.” – John Tucker, Record Collector (July 2024)

“[An] in-depth analysis, methodically researched.” – Chris Roberts, Classic Rock

“A book documenting something that has actually happened, something that was not just a blip on the radar, but something that touched the taste of a lot of people — that is an important book. The fluent writing and an interesting take of six bands travelling their own paths on the timeline, makes it such a wonderful read. This book made me feel like I was part of it.” – Jerry Van Kooten, DPRP.net

“To me, there is nothing interesting about reading a person who despises a variety of music writing about how much they dislike that style of music. Conversely, there’s plenty of interest to be had from a sympathetic writer going on a deep dive into something which they and you have a common interest in, and that’s what A Mirror of Dreams delivers in spades.” – Fake Geek Boy

“A Mirror Of Dreams is an ode to this progressive rock revival and to the youth of those who remember it… it’s a work of a love, a book from within the scene for people who remember the scene.” – Professor Martin Johnes, Buzz

“Andrew Wild has given us an extremely well-researched, well written and very readable account of how a much maligned genre was resurrected, if not from the dead, then from its deep slumber, telling us how and why musicianship, experimentation and pieces of music longer than three minutes once again found favour with fans” – Velvet Thunder

“This is a very well written book about a seldom-visited time with great music. Wild [has an] easy and never breathless style – [he] really knows his stuff.” – Fireworks

“This excellent exhaustively researched book gives an absorbing in depth account of the resurgence of prog in the UK in the early part of the 80’s. As well as providing a meticulously detailed overview of the scene as a whole, the author intertwines the histories of half a dozen influential key bands from the period who would all have their roles to play at the forefront of the burgeoning movement. A superb, comprehensive and dare I say definitive look at this era.” – The Afterword

“Written with a unique scholarly fandom, this story revolves around the Big Six (IQ, Marillion, Pallas, Pendragon, Solstice, Twelfth Night) who powered the 1980s revival and makes for a comprehensive compendium of those heady days. Some of the bands featured in this book went on to achieve amazing heights while others remain cult favourites. But whatever heights they attained, their stories have never been told with such chutzpah and sparkle.” – The Midland Rocks

“For all of us who were there or who’ve discovered the music subsequently, this is an absolute treasure.”- Andy Glass, Solstice

Rock & Roll Hall of Fame Celebrates 30 Years of Mandoki Soulmates

photo by Red Rock Productions

10th February 2025: Continuing the international success of the Mandoki Soulmates’ latest album, A Memory Of Our Future, Rock & Roll Hall of Fame Vice President Jason Hanley invited Leslie Mandoki to the Rock Hall to celebrate “30 Years Of Soulmates” in the motherland of rock music. “We are thrilled to welcome Leslie Mandoki to the Rock & Roll Hall of Fame to commemorate 30 years of Mandoki Soulmates and their latest album, A Memory of Our Future,” Hanley said, and honoured Mandoki’s oft-quoted maxim that “music is the greatest unifier,” especially in this “labyrinth of crises where the compass has seemingly been lost.”

This Thursday evening in the Theater of the Rock & Roll Hall of Fame in Cleveland became one of those memorable magical moments: During an evening of stories, film and music, the audience was treated to a look behind the scenes in the new film Mandoki Soulmates Inside Sound, shown here for the first time. The legendary musicians in the Soulmates are seen recording in the studio and playing live on stage; we see what backstage life is like and learn about the nearly-lost art of creating an entire album using a completely analog process, from first note to final vinyl LP. The film was followed by a Q&A with Leslie Mandoki, a devotee and master of analogue recordings, which he views as a way to honour his fans, saying he insists on their quality to send “a handwritten love letter to our audience—not a text message.” In addition, many fascinating stories about playing with the Soulmates over 30 years were recounted, including tales of band and Rock Hall members Chaka Khan, and the late Jack Bruce and Jon Lord.

Mandoki expressed his very personal gratitude to the Rock Hall and the audience: “What an honor be here in the legendary Rock & Roll Hall of Fame and to present our new album A Memory Of Our Future here. My father was right when he told me on his deathbed ‘Don’t dream your life, live your dream.’ I was 15 years old, and that became my life’s motto.”

Leslie Mandoki’s own story begins with his escape from behind the Iron Curtain to pursue freedom of musical expression, which eventually led to his work as a producer for Rock & Roll Hall of Fame inductees including Phil Collins, Chaka Khan, and Lionel Richie, as well as working in key roles with icons of rock music such as Eric Burdon, Jon Lord, Robin Gibb, and Peter Frampton, as well as Jennifer Rush und Bonnie Tyler, and ultimately to the founding of the Mandoki Soulmates band. This virtuosic meeting of musical minds has been rightly called a “band of bandleaders,” and Leslie has become known as the “Hungarian Quincy Jones,” dubbed thusly by Steve Lukather and Al Di Meola. Younger Soulmate, bassist Richard Bona, explains: “Leslie and Quincy have the same kind of essence to pull out forces and put them together to get to this result. So, it’s a wonderful gift he’s got.” The late, great Jack Bruce compared this ability to unite different characters in the band, both humanly and musically, with Duke Ellington.

In 1992, Ian Anderson, Jack Bruce and Al Di Meola became founding members of what, until then, was Leslie Mandoki’s project band, Mandoki Soulmates. Ian Anderson (Jethro Tull) describes Leslie as the “master chef in the kitchen, mixing all these exotic spices and mystical musical influences together. He is a great musician and it’s very rare that you get good musicians and good record producers in one person. He is the mastermind, we just turn up for work.” Over the years, Leslie has continued to bring new musicians into the fold, and the Soulmates have developed into a unique supergroup with 13 albums, several live DVDs, Blu-rays, and countless concerts worldwide. The result of all this was once summed up by Greg Lake (Emerson, Lake & Palmer) who simply described the Soulmates as “one of the best bands you will ever hear.”

Mandoki’s vision for the Soulmates band is to bring progressive jazz-rock back to sociopolitical relevance. For him, music has always been an expression of freedom. With intellectual, poetic lyrics, the band takes a stand on sociopolitical change. Even after more than 30 years, the Mandoki Soulmates prove that they are one of the most creative and committed bands of our time. A Memory Of Our Future impresses not only with its musical brilliance, but also with its profound messages that encourage and unite us in a challenging world. As Supertramp saxophonist and Mandoki Soulmates member John Helliwell tells it, Leslie is “a bona fide rock star who travels in the circles of presidents and prime ministers—Mikhail Gorbachev called Leslie ‘my old friend’ and told him that rock and roll was instrumental in tearing down what Churchill called the Iron Curtain. Leslie’s whole story, which he tells through his music, is about escaping oppression and standing up for freedom – and for this he was honoured by Henry Kissinger“.

Mandoki explains: “In these trying times, when the bridge-builders in our society are missing or ineffective, we artists have a responsibility to respectfully, and with humility, give something back to the audience – for their decades of love, and for carrying us in their hands forward to this day.”

“Especially in New York, where I’ve recently spent much time, A Memory Of Our Future is getting traction with American media as one of the ‘most important albums of the year.’ At the Times Square billboard in New York City, our album cover beamed at me with the caption ‘Modern Day Masterpiece.’ The black swan cover image is an eye-catcher, and is prominently displayed in the trendy record stores in New York and London—and it literally shone like a light at the end of the tunnel for my Soulmate John Helliwell and me from the LED wall in London’s Waterloo Station. The euphoric reviews, especially from America, really touch me: I fled to the West through the Iron Curtain as a young musician almost 50 years ago, so this is a realisation of a dream. As a teenager in the East, I was immensely proud of my seventh-generation tape copy of a copy of a copy (etc.) of a Jethro Tull album that I played (in mono) on my “Tesla” brand tape recorder. I dreamed that one day my own records would be presented in the legendary HMV flagship record store on London’s Oxford Street.” Soulmates founding member Ian Anderson of Jethro Tull says, looking back on Leslie Mandoki’s story, “Leslie often thinks of himself as a ‘refugee,’ escaping from something disagreeable and leaving the past behind. But I prefer to think of Leslie as one who arrives in a new place, with new resolve, new commitment, new optimism.”

As is customary at events like this at the Rock & Roll Hall of Fame, after the main event, Mandoki met the enthusiastic audience members, talking with them and signing CDs, LPs, and the 30 Years of Mandoki Soulmates Tour Book until late in the evening.

https://mandokisoulmates.lnk.to/AMemoryOfOurFuture-Bio

Overture to Release New Single from Upcoming Sophomore Album

Italian prog band Overture will be releasing their new single “Bagliori” on February 21st, 2025 the single is from the upcoming album A mezz’aria sul tempo, due out via Melodic Revolution Records later this year.

About “Bagliori”
The Single is a reflection of the emotions its music evoked in us—a deeply personal text penned by our singer on March 14, 2020, just four days after the onset of pandemic confinement. It began as an expression of uncertainty and fear, yet found its conclusion intertwined with melodies infused with soul, written as the world slowly emerged from darkness. The song embodies a journey from turmoil to tranquility—a return to serenity after a harrowing period, much like a stormy sky that, in time, gives way to the radiant sun. It is a testament to the beauty, hope, and resilience of life, conveyed through the comforting words of reassurance to a little girl who was once so afraid.

Additional Information

Album Name; A mezz’aria sul tempo
Single name; Bagliori
Music; Samuele Desogus and Overture
Lyrics; Pier Mauro Marras

Performed By
Pier Mauro Marras – Vocals
Samuele Desogus – Guitars
Simone Desogus – Drums
Simone Meli – Keyboards
Fiorella Piras – Flute and Vocals
Stefano Sanna – Bass and Double Bass

Recorded by Samuele Desogus and Overture.
Recorded atDomo e Nonna Studios – Mores, Via S. Salvatore da Horta n.6.
Mixed, mastered, and produced by Samuele Desogus and Overture.

The band recently launched a video for Bagliori that can be viewed here.


For more Information
Facebook: https://www.facebook.com/overtureprogressiverock
Instagram: https://www.instagram.com/overtureprogressiverock/
About: https://mrrmusic.com/project/overture/

Purchase, and Stream Links
Bandcamp: https://overturemrrartist.bandcamp.com/
Spotify: https://spoti.fi/2UVHLx0
YouTube: https://www.youtube.com/@overtureprogressiverock450

Melodic Revolution Records
https://li.sten.to/mrrmusiccom

DGM Live re-launch of the 1,000 Club

We are pleased to announce the re-launch of the 1,000 Club, a dedicated King Crimson Community and we extend our personal invitation to you to join. Membership is limited to exactly 1,000 members. Once full, a waiting list will operate, and new members can only join if someone chooses to leave.

This approach is inspired by Kevin Kelly’s concept of “one thousand true fans,” with this community playing an important role in curating and shaping the King Crimson online legacy.

Your support has been instrumental in preserving the King Crimson archives and shaping the future of DGMLive. Now, with our newly redesigned site, we’re offering even more benefits and opportunities for interaction.

Why Join the 1,000 Club?

Up to $750 in Downloads Per Year
Download practically everything added to the site each year – and more! Build the definitive King Crimson collection and share your insights on your finds and discoveries by creating your own playlist.

Unlimited Streaming
Enjoy unlimited streaming of the entire DGMLive catalogue, including everything added to Nugs.net.

Bi-Monthly Online Meetings
Join us every two months for 1,000 Club online sessions where we share behind-the-scenes updates from DGM Soundworld. Have your say on future releases and features.

Weekday Aphorism Cards
Beginning February 1st, receive an email each weekday featuring a Guitar Craft Aphorism by Robert Fripp.
“In any situation where I need guidance, there is a Guitar Craft Aphorism to indicate the direction.” – Robert Fripp

1,000 Club Playlists
Create and share your own public playlists, showcasing your personal favourites and guiding others through the comprehensive King Crimson catalogue.

How to Join
Membership is $150 per year (territorial variations for VAT/sales tax apply). Places are available on a first-come, first-served basis. To join visit the website  or to join the waiting list, email alex@dgmlive.com.

It’s Your Club
The direction of the 1,000 Club is up to you. We welcome your ideas, suggestions, and contributions as we grow together.

Join the 1,000 Club today and be part of King Crimson’s living history.

See below for the full list of features.

Kind regards

$750 in Downloads a Year
PJ Crook
In practice, this is close to unlimited downloads – certainly enough to download everything that is added to the site in a year, and much more. Build yourself the authoritative King Crimson collection, and then advise others on the discoveries you make. Your orders page will display an up to date record of your $750 (or £/Euro equivalent).
Unlimited Streaming

PJ Crook 2
1,000 CLUB Members are now able to stream all the music on this site, with similar access to the DGMLive catalogue that is added to the Nugs.net site.
Bi-monthly Online Meetings

PJ Crook 3
Every two months, DGM will arrange an online meeting, where 1000 Club members can hear and see what is upcoming and cooking behind the scenes in DGM Soundworld. It is also your chance to make suggestions about what you want to see in the future.
Weekday Aphorism Cards


PJ Crook 4
Beginning February 1st, receive an email each weekday featuring a Guitar Craft Aphorism by Robert Fripp.

“In any situation where I need guidance, there is a Guitar Craft Aphorism to indicate the direction.” – Robert Fripp
1000 Club Playlists
PJ Crook 5

1000 Club members have a unique ability to make publicly available playlists on DGMLive. Everyone has different favourites, a chance to help new visitors and even die-hard fans to discover highlights lurking within the site.

Website https://www.dgmlive.com/

Tiktaalika (Haken’s Charlie Griffiths), returns with new album ‘Gods Of Pangaea’, launch title track

Haken guitarist Charlie Griffiths returns with a follow-up to his 2022 solo album. This time Charlie assumes the moniker ‘Tiktaalika’ and presents ‘Gods of Pangaea’ – set for release on March 14th, 2025. The album picks up where the last left off, and continues with an exploration into an ancient forgotten world, colliding with the human-centric planet we inhabit today.

To coincide with today’s announcement, the title track from the album has been launched, featuring vocals from Texture’s Daniël de Jongh. The video sees Charlie coloring in the striking cover art, once again created by Dan Goldsworthy (Sepultura, Body Count, Aborted). Watch it now here:

Musically the album pays tribute to the art of the guitar riff, with its DNA strands reaching back to the golden era of metal with flavours of Mercyful Fate, Judas Priest, Megadeth and Metallica. Of the creative process Charlie explains, “This time around I wanted to be more song oriented, rather than having an overarching concept. Although I had a rough blueprint for the shape of the album in my head and was always conscious of the balance and flow of the album experience; starting with a fast thrasher, following up with a longer progressive track, then a slower sludgy song, followed by a softer track and so on. I finished all the music first and really focused on each section be there for a good reason, with a guitar riff that propels the song.”

The album sees Charlie joined by drummer Darby Todd (Devin Townsend) and basis Conner Green (Haken). He is also helped by a collection of some of the best vocalists in the business, with Tommy Rogers (Between The Buried & Me), Rody Walker (Protest The Hero), Vladimir Lalić (Organised Chaos) all joining the aforementioned de Jongh. “I had all the music written for a good while”, comments Charlie, “I was able to allow them to really percolate in my mind before moving on to the lyrics and vocal line demos. I’m very specific with melodies and word placement so the singers can focus on just delivering it 100% without having to figure too much out. Of course every single track came out a thousand times better than I’d hoped; everyone did an incredible job!”

The full tracklisting is as follows:

1.Tyrannicide feat. Daniël de Jongh 3:54
2.Gods of Pangaea feat. Daniël de Jongh 8:36
3.The Forbidden Zone feat. Vladimir Lalić 5:52
4.Mesozoic Mantras feat. Vladimir Lalić 6:32
5.Fault Lines feat. Rody Walker 6:30
6.Give Up The Ghost feat. Daniël de Jongh 5:15
7.Lost Continent feat. Tommy Rogers 9:12
8.Chicxulub 7:31 (Bonus Track on CD & Digital)
 
The album was mixed by Adam ‘Nolly’ Getgood and mastered by Tony Lindgren at Fascination Street studios. The album will be available as a Limited CD Edition (incl. 1 bonus track), Gatefold LP & as Digital Album.
Pre-order now here: https://tiktaalika.lnk.to/GodsOfPangaea

CHARLIE GRIFFITHS online:
https://www.instagram.com/charliegriffithsguitar/
https://www.youtube.com/c/CharlieGriffiths
https://www.facebook.com/charlie.griffiths.guitarist
https://x.com/c_griffiths
https://linktr.ee/charliegriffiths
https://charliegriffiths.com/


INSIDEOUT MUSIC online:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
www.facebook.com/InsideOutMusic
www.twitter.com/InsideOutUSA
www.insideoutmusic.store
Spotify – Prog Rock Playlist
Spotify – Progressive Metal Playlist