The incredible Chicago based road warrior MARBIN has a new album.
MARBIN, one of the biggest treasures and musical talents found by MoonJune’s honcho Leonardo Pavkovic, is a progressive instrumental jam-jazz-rock-blues-fusion band based in Chicago, with a unique story that stands out in today’s music world. With a do-it-yourself approach and encouragement by Mr. MoonJune, MARBIN started touring extensively in 2011, bringing their original instrumental music to every part of the United States, performing also in Canada, Mexico, and Colombia. Through word of mouth, MARBIN has gained dozens of thousands of devoted fans all over the world and has sold over 25,000 of albums. MARBIN has released six albums: Marbin (2009; self-released), Breaking the Cycle (2011; MoonJune), Last Chapter of Dreaming (2013; MoonJune), The Third Set (2014; MoonJune), Aggressive Hippies (2015; self-release; marketed by MoonJune), and Goatman and the House of the Dead (2016; self-release; marketed by MoonJune). Israeli Jazz (2018, self-released), is their 7th release. The dynamic foursome co-led by two Chicago based Israeli expats, guitarist plus-quam-extraordinaire DANI RABIN and sax virtuoso DANNY MARKOVITCH, is hitting the road on March 23, 2018. If You have a chance to see this band, do yourself a favor!
An explosive mix of eclectic instrumental progressive jazz-rock fusion, blues, klezmer & Israeli music like You never heard before.
The first thing noticeable when Marbin‘s seventh album, Israeli Jazz, is done playing is that it doesn’t sound similar to any other jazz album to date. The unique blend of Dani Rabin’s distorted guitar with Danny Markovitch’s bright soprano sax tone, the fast unison lines, the intricate forms of the songs and how the music skips from one section to another, and the melodic and harmonic language the band uses in its compositions and solos. Markovitch explains: “To us, jazz is about the spirit of the music. At the heart of our music, there are always improvised solos over harmony and form. Good jazz always has a delicate balance between chaos, the solos, and order, the compositions/arrangements, and that’s the line we tread on while allowing ourselves to explore all the other aspects of music”. The second noticeable thing is that the album doesn’t sound overly Israeli. Rabin expands on that point: “Both Danny and I grew up in Israel listening to Israeli music, but we also grew up listening to jazz, rock, folk, and blues. We felt it’s appropriate to name the album Israeli Jazz because it gives a more whole and nuanced look to music that undeniably has Israeli roots, but at the same time is drawing from other traditions and fuses them into a coherent vision”.
MARBIN IS
Dani Rabin guitar Danny Markovitch sax Jon Nadel bass Blake Jiracek drums
“The hardest working band in America! Averaging 250 shows a year!”
“Far from being just another jazz-rock fusion band, Marbin occupies their own stylistic space. More an instrumental rock band than a jazz fusion band, Marbin’s music seems to come from the guitar hero world of Joe Satriani, Steve Vai, and Joe Bonamassa. But there’s a good deal of other stuff going on in their music. Steeped in blues, surf, and the folk music of their native Israel, in addition to jazz-rock, Marbin consistently avoids easy pigeonholing. Part of this is due to the fact that the band is based on the musical partnership of two virtuosos: guitarist Dani Rabinand saxophonist Danny Markovitch. People stopped thinking of saxophone as a virtuosic lead instrument in rock music decades ago, but Markovitch seems determined to change that view single-handedly.” – Dave Wayne, All About Jazz
“Jazz-fusion, rock, folk, blues, prog-rock, bits of heavy metal, and straight jazz…it’s all here folks in one nice little package. [Marbin is a] band that needs to be on your immediate radar if they aren’t already.” – Pete Pardo, Sea Of Tranquility
“Danny Markovitch might not be the best driver in the world, but he can play a heck of a sax, he is a monster.” – Allan Holdsworth (R.I.P.)
“Guitarist Dani Rabin and saxophonist Danny Markovitch generate lightning fast unison choruses and dynamic solo sprees atop the rhythm section’s tight, razor-sharp focus.” – Glenn Astarita, All About Jazz
“Marbin is a crazy talented group making music hard to pin down but easy to appreciate. –Victor Aaron, Something Else
“Let’s just say I’m completely blown away from this group and their albums.” – Zachary Nathanson, Music From the Other Side of the Room
Mar 23 – Indianapolis, IN (Mousetrap)
Mar 24 – Paducah, KY (Festiversary 3! at Paducah Beer Works)
Mar 25 – Chattanooga, TN (JJ’s Bohemia
Mar 26 – Johnson City, TN (Willow Tree)
Mar 27 – Knoxville, TN (Open Chord)
Mar 28 – Asheville, NC (Isis Music Hall)
Mar 29 – Greenville, SC (The Firmament GVL)
Mar 30 – Charlotte, NC (Evening Muse)
Mar 31 – Winston-Salem, NC (Muddy Creek Music Hall)
Apr 01 – Raleigh, NC (The Pour House)
Apr 02 – Richmond, VA (The Camel)
Apr 03 – Virginia Beach, VA (Shaka’s Live)
Apr 04 – Harrisonburg, VA (The Golden Pony)
Apr 05 – Roanoke, VA (5 Points Music Sanctuary)
Apr 06 – Beckley, WV (Melody’s)
Apr 07 – Charleston, WV (Boulevard Tavern)
Apr 08 – Lexington, KY (The Burl)
Apr 12 – Milwaukee, WI (Shank Hall)
Apr 13 – La Crosse, WI (Midwest Music Fest At The Root Note)
Fresh off a successful run in Europe, American avant-garde group Bent Knee are announcing an upcoming tour across the US this summer. The band will be joined by New Jersey band Gatherers.
The band had this to say about the tour: “We’re thrilled to be circling the US again, reacquainting ourselves with familiar places, exploring new ones, and sharing one hell of a summer with our friends in Gatherers. We can’t wait to play for you all again.”
Live In Vienna, December 1st, 2016 is a new 3-disc set by King Crimson. Featuring a rendition of Fracture, one of the most acclaimed KC compositions and last performed live in 1974, the three-disc set will be released on April 6th and is available for pre-order now.
Mixed from the original multitracks discs one and two feature the complete first and second sets from the evening’s show. Disc three includes a series of soundscapes edited into newly sequenced pieces. Drawn from the introduction music (composed/improvised afresh for each night) & featuring Robert Fripp, Mel Collins & Tony Levin, this essential component of current live KC shows also receives its most complete presentation to date. In addition, the third disc includes the long awaited live recorded debut of Fracture by the 2016 line-up as performed in Copenhagen.
Disc One: First Set: (Vienna, 2016)
1 Walk On: Soundscapes: Monk Morph Music Of The Chamber
2 Hell Hounds of Krim
3 Pictures of a City
4 Dawn Song Suitable Grounds for The Blues
5 VROOOM
6 The Construkction of Light
7 The Court of the Crimson King
8 The Letters
9 Sailors’ Tale
10 Interlude
11 Radical Action II
12 Level V
Disc Two: Second Set: Vienna, 2016
1 Fairy Dust Of The Drumsons
2 Peace: An End
3 Cirkus
4 Indiscipline
5 Epitaph
6 Easy Money
7 Devil Dogs of Tessellation Row
8 Red
9 Meltdown
10 Larks’ Tongues in Aspic Part Two
11 Starless
Disc Three: Encores and Expansions
1 Fracture
2 Heroes
3 21st Century Schizoid Man
4 Schoenberg Softened His Hat
5 Ahriman’s Ceaseless Corruptions
6 Spenta’s Counter Claim
Mel Collins: Saxes & flute
Robert Fripp: Guitar & keyboards
Tony Levin: Basses, stick, voice
Pat Mastelotto: Drums,
Gavin Harrison: Drums
Jakko Jakszyk: Guitar & voice
Jeremy Stacey: Drums & keyboards
Presented in a 4 fold-out digifile package with 16 pages booklet featuring tour photos & notes by David Singleton & housed in a slipcase.
At first glance, documenting King Crimson would appear to be fairly straightforward: record everything, document everything, issue a release from each tour or, when relevant. With the current touring band(s) that has resulted in an early, partial set from 2014 (Orpheum), a fan favourite Official Bootleg (Toronto 2015), a complete set list audio & video extravaganza with live/virtual studio listening options (Radical Action, 2016), an EP (Heroes, 2017) & the most recent (& current fan favourite), Official Bootleg (Chicago, 2017). It was always part of the plan that an official release would be taken from the 2016 European tour & the Vienna concerts were duly mixed & produced by Chris Porter, David Singleton & Robert Fripp in early/mid 2017 with a view to being released in Autumn 2017 (as happened in Japan).
But King Crimson evolves, changes, morphs as relentlessly as the Soundscapes which open each concert and, when the early half of the US tour produced the Chicago “snapshot” live tapes & with another leg to the USA tour ending for the latter half of the year, DGM opted to issue Chicago as soon as possible in Europe & the USA, temporarily postponing Vienna for a 2018 release.
Although it was a difficult decision to take, substituting a fully mixed, planned for months, release for an entirely different type of album, [Chicago was an ‘Official Bootleg’ taken directly from soundboard tapes], that decision had one further important ramification. Where the Japanese edition of Vienna had, as a bonus for local fans, live tracks from the 2015 Japanese tour, the additional time gained via the release of Chicago, allowed DGM to research & mix a live recording of “Fracture” – a key performance at a number of 2016 European shows & a piece that had not been performed since 1974 – for inclusion on the Vienna set. The recording featured is from Copenhagen in September 2016. There was also time to consider how the, often over-looked, unique to each evening Soundscape performances which open each concert, could be presented in recorded form. The result is a trio of pieces, drawn from nine separate concerts & edited ‘THRaKaTTaK’ style, featuring Robert, Mel & Tony.
King Crimson continues to re-invent & re-imagine both itself & its music; the kind of thing that once would have been called a “progressive” approach. It’s an approach that has benefited band members and listeners alike from January 1969 & continues with tours of Europe & Japan in 2018, the band’s 49th year.
Seating in central sections Rows 1-5 Insights into the world of King Crimson and DGM by David Singleton, producer and manager (“the ninth man”)
Q&A with one of the eight band members
Exclusive Collectors’ Programme signed by all the members
VIP Laminate
Exclusive Crimson Package Tote Bag
Exclusive 4 CD King Crimson collectors set
On-site host
Please note that the tickets in the package are sold by the band’s management at a better price than & as a way of preventing exploitation of fans via secondary ticket sellers/outlets.
Reuniting for First North American Tour in 32 years – Releasing Limited Edition “The Road To Utopia” Box Set
FOR 32 YEARS, FANS HAVE BEEN CLAMORING FOR A REUNION – The wait is over.
No longer able to turn a deaf ear to the unceasing requests from fans and the media alike, Todd Rundgren, Kasim Sulton, Willie Wilcox and Ralph Schuckett are reuniting for their first North American tour since the Chernobyl nuclear reactor exploded. Presented by Sirius XM and produced by Live Nation, TODD RUNDGREN’S UTOPIA will be performing across North America beginning on April 18.
In celebration of the upcoming reunion tour, Friday Music will be releasing a 7-disc box set, THE ROAD TO UTOPIA: THE COMPLETE RECORDINGS (1974-82). This limited edition collection will bring each of their seven classic albums to life, now in first-time CD digipak gatefold covers featuring the original album artwork elements, rare inner sleeve art, newly written commentary from the band, and more. The box set has a scheduled street date of April 20. Fans can pre-order now at Friday Music, Amazon and Record Store Day.
Todd Rundgren’s Utopia was formed in 1974 out of Todd’s desire to explore new musical territory. Starting as a prog-rock-progenitor septet the band’s music ranged from extended synth experiments to four-song albums, while their live shows were distinguished by their ahead-of-the-curve video backdrops and computer-generated music.
In 1976 the band evolved into “Utopia”, the shiny mainstream power-pop rock quartet, uniting Todd Rundgren on guitar, Willie Wilcox on drums, Roger Powell on keyboards, and Kasim Sulton on bass. Known for their hallmark lyrics, lush inventive background vocals and a voracious appetite for the highest level of musicianship. Utopia became known as the quintessential “musician’s band”. Every member took his turn singing lead on every album, and all songwriting was collaborative.
By 1980, Utopia had developed into a hit-making entity in its own right. Standout Utopia albums included Oops! Wrong Planet, Adventures in Utopia, and Oblivion, spawning hits including “Rock Love,” “Set Me Free,” “Mated,” and “Love Is The Answer”, which also became a global #1 for England Dan and John Ford Coley.
Utopia’s tours, among the first to aggressively incorporate then-state-of-the-art video technology, produced at Todd’s groundbreaking Utopia Video Studios, featured some of the most lavish and audacious stage productions in rock history. Their headline concerts frequently featured opening acts as future superstars Cheap Trick and The Cars, and the band performed at some of the 70’s most epic rock festivals, including Knebworth Castle in the UK — once with the Rolling Stones in 1976 and twice with Led Zeppelin in 1979, before a combined audience of over 1,200,000 (amongst them a Who’s Who of rock royalty, including Paul McCartney and David Gilmour) .
Always on the bleeding edge, Utopia chalked up a long history of groundbreaking media “firsts”, including:
• 1978: The first interactive television concert, broadcast live over Warner/QUBE, the experimental interactive cable system in Columbus, Ohio (the home television audience chose each song in real time during the concert by voting via QUBE’s 2-way operating system).
• 1978: The first live nationally broadcast stereo radio rock concert (via microwave), linking 40 cities around the country.
• 1982: The first live national cablecast of a rock concert (on the USA Network), simulcast in stereo to over 120 radio stations.
In 1986, after ten years of non-stop recording and arena touring cycles, the band declared they were “going on sabbatical”, and Todd, Willie, Roger and Kas each embarked on their own career paths.
What’s been happening with the Utopians during the world’s longest ever sabbatical?
Todd Rundgren returned to his stellar solo recording and producing career. His myriad production projects ranged from Patti Smith, Cheap Trick, XTC, and Psychedelic Furs to Grand Funk Railroad, Hall & Oates, and Meat Loaf’s seminal Bat Out Of Hell, while his solo offerings catapulted Todd further into the superstar limelight with hits like “Can We Still be Friends”, and “Bang The Drum”; in addition to his own tours, Todd has been an erstwhile member of Ringo Starr’s All Starr Band for the past 28 years.
Kasim Sulton continued touring and recording with a long list of diverse artists including Joan Jett, Hall & Oates, Blue Oyster Cult, Patti Smith, Celine Dion, and Meat Loaf. In 1993 Kasim joined Meat Loaf’s live band after the release of Bat Out Of Hell II, touring extensively and becoming his Musical Director. In 1999 he produced Meat Loaf’s critically acclaimed VH1 Storytellers album. Releasing four solo albums of his own, Kasim has continued his long musical relationship with Todd as the bass player in his solo bands.
Willie Wilcox continued to pursue his songwriting career. Having written songs for & performed with Luther Vandross, Natalie Cole, Bette Midler, Meat Loaf, Hall & Oates, and Kylie Minogue positioned Willie perfectly for his segue into television writing. He was the senior staff composer for NBC Universal in NY for 5 years and composed the current show theme for CNBC’s “Mad Money,” launched a major audio post production facility in Miami with clients MTV & VH1, penned famed boxer Manny Pacquiao’s ring walk music, and continues to maintain his position as senior audio director at Scientific Games, the number one gaming company in the world, where he recently completed the surround sound audio production on the blockbuster Michael Jackson game, “King Of Pop!”
Ralph Schuckett: Ralph’s tenure with Todd Rundgren’s Utopia segued into composing themes & scores for TV & Film including “Kate & Allie” & “Another World.” As chief composer for “4 Kids Productions” he scored numerous feature films & animated TV series including; “Pokémon,” “Yugioh,” “Sonic X,” “Kirby,” & “One Piece.” He has recorded and /or toured with Carole King, Hall & Oates, Whitney Houston, George Benson, and Rodney Crowell, and provided arrangements on recordings for Billy Joel, Michael Bolton. and Joan Osborne. As a songwriter / producer Ralph has worked with Belinda Carlisle, Sophie B. Hawkins, and Clarence Clemons.
As fate would have it, in early April Todd, Kas, Willie and Ralph will find themselves back in Woodstock New York, 32 years later, right where it all started, rehearsing their newest stage spectacle. TODD RUNDGREN’S UTOPIA North American reunion tour, featuring Todd, Kasim, Willie, & Ralph, begins on April 18 and ends on June 5 (tour dates below). Tickets and more information are available at Live Nation, Ticketmaster and all Ticketmaster outlets.
APRIL 18 JIM THORPE PA, PENNS PEAK
APRIL 20 ENGLEWOOD NJ, BERGEN PAC
APRIL 22 HOUSTON TX, HOUSE OF BLUES
APRIL 23 DALLAS TX, MAJESTIC THEATER
APRIL 25 BROWARD FL, BROWARD PAC
APRIL 27 ST PETERSBURG FL, MAHAFFEY THEATER
APRIL 28 ATLANTA GA, TABERNACLE
APRIL 29 DURHAM NC, CAROLINA THEATER
MAY 1 HUNTINGTON NY, PARAMOUNT THEATER
MAY 2 WASHINGTON DC, WARNER THEATER
MAY 3 NEW YORK NY, TOWN HALL
MAY 5 PHILADELPHIA PA, TOWER THEATER
MAY 6 BOSTON MA, ORPHEUM THEATER
MAY 7 RIDGEFIELD CT, RIDGEFIELD PLAYHOUSE
MAY 9 ST LOUIS MO, PEABODY OPERA HOUSE
MAY 10 CINCINNATI OH, TAFT THEATER
MAY 12 MILWAUKEE WI, PABST THEATER
MAY 13 MINNEAPOLIS MN, STATE THEATER
MAY 15 GRAND RAPIDS MI, 20 MONROE LIVE
MAY 16 TORONTO ONT, MASSEY HALL
MAY 17 DETROIT MI, THE FILLMORE
MAY 19 CLEVELAND OH, HARD ROCK LIVE
MAY 20 CLEVELAND OH, HARD ROCK LIVE
MAY 22 CHICAGO IL, CHICAGO THEATER
MAY 24 DENVER CO, PARAMOUNT THEATER
MAY 26 LAS VEGAS NV, THE JOINT @ THE HARD ROCK
MAY 27 PHOENIX AZ, COMERICA THEATER
MAY 29 LOS ANGELES CA, THE WILTERN
MAY 30 SAN FRANCISCO CA, THE MASONIC
JUNE 1 SEATTLE WA, MOORE THEATER
JUNE 2 PORTLAND OR, REVOLUTION THEATER
JUNE 4 SACRAMENTO CA, CREST THEATER
JUNE 5 RIVERSIDE CA, FOX PAC
Los Angeles, CA – Drum legend Terry Bozzio is known for his work with Frank Zappa, Jeff Beck, Korn, UK, Missing Persons, Mick Jagger, Robbie Robertson, Alan Holdsworth, Tony Levin, Steve Vai, Quincy Jones, Ken Scott, Metropole Orkest – as well as Film score composers Basil Poledouris, Mark Isham & Patrick O’Hearn. He is a Grammy Winner, RockWalk Honoree, Modern Drummer Magazine’s Hall of Fame Award, & is in Rolling Stone’s Top 5 Drummers of All Time! (See more at www.terrybozzio.com)
Unless you have seen Terry, you have no idea what you are in for. Bozzio is an enigmatic, evocative, and engaging musician whose instrument just happens to be the drums. Terry Bozzio is able to accompany himself with bass note patterns and, at the same time, melodically solo with highly developed coordination skills to express a “complete musical statement” on the drum set alone. Drawing from jazz, classical, & ethnic percussion styles from around the world, Terry Bozzio is “a storyteller,” able to weave a hypnotic spell over audiences and enthrall them with an eclectic experience filled with emotion, contrast, variety, intimacy, excitement, & passion.
This is a unique, intense, dynamic, spiritualistic, melodic, orchestral, atmospheric, and musical performance on the largest tuned drum & percussion set in the world. Please note that this is not a bombastic 2-hour drum solo. This is MUSIC on drums. There is space, classical forms & structures, ambient electronic loops, and atmospheric percussion effects, as well as some exciting & fiery drumming that brings audiences to their feet!
He has spent the last 30 years performing Solo Drum Music for Sold Out Audiences all Around the World, from India to Japan, from Europe to North America.
Terry Bozzio tour dates:
Aug 17, 2018 US-AZ-Phoenix, venue TBA
Aug 20, 2018 US-CO-Denver, Soiled Dove
Aug 23, 2018 US-TX-Austin, One World Theatre
Aug 25, 2018 US-TX-McKinney, The Guitar Sanctuary
Aug 27, 2018 US-TN-Nashville, City Winery
Aug 29, 2018 US-KY-Newport, The Southgate House Revival — Sanctuary
Aug 31, 2018 US-PA-Pittsburgh, Oaks Theatre
Sept 2, 2018 US-DC-Washington, City Winery
Sept 4, 2018 US-PA-Sellersville, ST94
Sept 5, 2018 US-NY-New York City, City Winery
Sept 6, 2018 US-MA-Northampton, Iron Horse Music Hall
Sept 7, 2018 US-MA-Boston, City Winery
Sept 8, 2018 US-MA-Fall River, Narrows Center for the Arts
Sept 10, 2018 CA-QC-Quebec, “Salle Jean Paul Tardif”
Sept 11, 2018 CA-QC-Montreal, Club Soda
Sept 12, 2018 CA-ON-Ottawa, Algonquin Commons Theatre
Sept 14, 2018 CA-ON-Toronto, The Royal
Sept 15, 2018 CA-ON-London, Aeolian Hall
Sept 16, 2018 US-MI-Detroit, The Token Lounge
Sept 18, 2018 US-IL-Chicago, Reggies
Sept 19, 2018 US-WI-Milwaukee, Shank Hall
Sept 21, 2018 US-MN-Minneapolis, The Dakota
Sept 23, 2018 CA-MB-Winnipeg, West End Cultural Centre
Sept 25, 2018 CA-SK-Saskatoon, Broadway Theatre
Sept 27, 2018 CA-AB-Edmonton, Festival Place
Sept 28, 2018 CA-AB-Airdrie, Bert Church Theatre
Oct 1, 2018 CA-BC-Vancouver, Rickshaw Theatre
Oct 2, 2018 US-WA-Seattle, Triple Door
Oct 4, 2018 US-OR-Eugene, WOW Hall
Oct 7, 2018 US-CA-Sacramento,. Harlow´s
2) Terry Bozzio’s “Reality” (Terry recorded real drums alone in the studio with sections, solos, breaks & structures made up on the spot, then recorded & overdubbed all the rest of the music by himself.)
3) “No Work-No Food” (Terry composed & recorded music to 22 poems in the spoken word of his poet friend Todd Griese (Gandy Dancer Press)
4) “Composer Series” (59 Musical Compositions with a Bozzio’s Painting for Each, in a Vinyl Sized Book including 4 CDs, Blue Ray & Solo Drum Performance DVD) All available from terrybozzio.com
5) “History of Terry Bozzio” DVD (A 3 Hour Live Performance of Terry playing tunes he has played from some favorite bands of the past. With an All-Star Japanese Band Terry revisits the Best of Zappa, Beck, UK, Missing Persons, Bozzio Levin Stevens, Nine Short Films w/Billy Sheehan, his Composer Series & a Solo Drum Performance! (set to be released March 2018)
-In addition, Bozzio has been creating Art Works since 1975.
He explains, “I first got interested in Art & Sketching at the encouragement of renowned artist Don Van Vliet (aka: Captain Beefheart) who I played with on my first Zappa/Mothers of Invention tour in 1975. He was very encouraging. 2013, I released my first project called Rhythm & Sketch in collaboration with the art group Scene Four. It’s been successful & inspired me to do more. (available at www.terrybozzioart.com & www.terrybozzio.com) “In 2017, I did my first Gallery Show at Channel Islands Studios. I displayed 30 works from 1975 to the present day (Art available at: www.terrybozzio.com). I have used my Art Works as Stage Sets for my tours for years now, & will have New Works on this tour.
“I want to expand the potential of musical drumming. The drum set is a uniquely American invention that deserves more than it’s usual role of merely timekeeping.”
Norwegian progressive Rock group LEPROUS are starting out their first tour across North America for their latest and much-acclaimed album “Malina” today with a sold-out show in Chicago.
LEPROUS will be supporting none other than Between The Buried And Me and The Dear Hunter on a comprehensive tour across the US, for which the band comments: “It’s exciting times ahead for LEPROUS. 5 weeks of touring with our friends in Between The Buried And Me and The Dear Hunter are starting today, and there are several great festivals shows ahead as well as more live shows in the planning for the fall. New material has also slowly but surely started its process!”
Here is a list of the exact tour dates as well as other upcoming shows (newly confirmed additions marked *) for LEPROUS in 2018:
Between The Buried And Me, The Dear Hunter & LEPROUS – North American Tour:
Fri. 03.02.2018 Chicago, IL (USA) – House of Blues (Sold out!)
Sat. 03.03.2018 Minneapolis, MN (USA) – First Avenue
Mon. 03.05.2018 Denver, CO (USA) – Ogden Theatre
Tue. 03.06.2018 Salt Lake City, UT (USA) – The Complex
Thu. 03.08.2018 Seattle, WA (USA) – Showbox
Fri. 03.09.2018 Portland, OR (USA) – Wonder Ballroom
Sat. 03.10.2018 San Francisco, CA (USA) – The Regency Ballroom
Sun. 03.11.2018 Anaheim, CA (USA) – House of Blues
Tue. 03.13.2018 Los Angeles, CA (USA) – Belasco Theater
Thu. 03.15.2018 Las Vegas, NV (USA) – House of Blues
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