Evereal | Evereal | Album Review March 2017
Label: 7hard Records
Release Year: 2017
Genre: Symphonic Progressive Metal
Stephen Roberts – Guitar
Stephanie Neufeld – Vocals
David Bevis – Keyboards & Orchestration
Gord Esau – Bass
Rob Queen- Drums
When you hear the word ‘Symphonic’ tied to anything in the progressive metal or rock communities your automatic preconceived notion is something over the top. Other general notions are it is heavy laden with choirs and backed by a orchestra of sorts. While most of those qualities do exist for the majority of ‘Symphonic’ music it is not really the situtaion with Canada’s Evereal. It would appear that the members of Evereal have taken a more basic and modest simplicity in their approach with their self titled debut album. You could say ‘Less is much more’ with their self titled debut.
Since this is a new band on the global music scene here is a brief biography courtesy of the bands official website, Facebook and ArtistEcard profile.
Evereal started as a studio project born of the writing process. Evereal was created by Guitarist Stephen Roberts in 2011. The concept was to recruit musicians to write and record music with emphasis on groove and melodic content utilizing symphonic qualities, The band went through several roster changes over those first couple years, then along came keyboardist David Bevis and singer Stephanie Neufeld. It was now the Evereal project began to take shape. They quickly recruited Drummer Rob Queen and Bassist Gord Esau to solidify the lineup. The group now finds themselves working towards the end goal of creating music of complexity, while retaining groove within the layers of symphonic sound. The end result is Evereal.
The band launched a successful kickstarter campaign that saw the band raise $10,000 towards completion of their debut album. This was followed by a worldwide distribution and promotion deal with 7Hard records Germany (part of the 7US media group). The CD is scheduled for release in January 2017.
I believe it was this ‘Grass Roots’ spirit of self financing and fan financing the album that led the band to the appropriate mindset to keep the album in its most modest, simple and humble for. This also allowed the band to have some product by which they could perform on stage in a live setting and perhaps be invited to tour or participate in the global progressive rock/metal or other festivals. Now let me get to some highlights off every track on Evereal’s self titled debut.
Psycho opens up with a very strange spoken word section that is working in tandem with a very abstract guitar chord progression. Then there is some thunderous rhythm section until the vocal comes in. The vocal on the main verse and chorus is very ethereal in nature. This is a straight away modern progressive metal track otherwise. It definitely sets the rest of the album up for a listening journey.
Frost Sign begins with a very beautiful piano before being accompanied by the lead guitar and a full chord progression passage. The vocals remain on point both crystal clear and on perfect pitch. This track is a very rhythm section based track where everything from the vocal to stringed section follow the lead of the rhythm narrative. It even does so when the guitar solo comes in. Stephanie Neufeld – Vocals, sounds like a beautiful hybrid of Liv Kristine meets Sharon Den Adel of Within Temptation.
Caution starts out with a spoken word section. Lyrically this song is loaded with a great deal of social and political commentary. The instrument narrative goes in and out from a down tempo with symphonic atmosphere’s. The harder portions are very rhythm section based driving th track. Both the atmospheric and heavier instrument portions run in a good tight harmony with one another. The guitar solo’s are heavily atmospheric laden as well.
Sinful opens up with a lush isolated piano passage almost ballad like. The track progressively builds towards the heavier elements of the song. There are some nice breaks between heavy and symphonic atmospheres that allow the track to breath for the listener. The bass serves both as a melodic and percussive instrument as well. This track is well executed in the album arrangement as a collective and in the perfect spot.
Veil starts out with some nasty verbal manipulation effects before exploding into a thunderous rhythm section. The down tuned bass and guitar give the track a lot of attitude that sometimes lacks in progressive metal. It is down right crunchy, whereas some modern progressive metal relies more on tales of fantasy and escape. This track does not do that and the attitude is a welcomed change. This reminds me a lot of a progressive version of Lacuna Coil.
Wish opens up with a nice isolated guitar that is met in harmony with the vocal. For a band only relying on five members, this track sounds like it was done with both a heavy orchestra and symphonic choir. David Bevis – Keyboards & Orchestration, really knows the true meaning of minimal effort, maximum distribution. This track gives me the audio appearance that I am sitting in a concert theater listening to its acoustics flow in and out of that hall.
Darkness begins with a keyboard passage in harmony with the lead guitar. The chord progressions develop a passage where the band can begin to build from. This track continues the bands simple symphonic spirit. By time you get to this track you begin to notice that objective. The symphonic orchestration and effects really do give this song a depth of darkness. The addition of the male death growls lend a heavy handed attitude as well.
Anger opens up with a very beautiful Arabic/Middle Eastern Oriental scale. This is met with a thunderous rhythm section. It is almost like listening to a Myrath with a female vocalist. That Arabic scale really carries the backbone of the song. This also goes towards the band executing well with what they have to work with. The band even experiments with various vocal echoes on top that symphonic and Arabic elements.
Scars starts out with a wide open guitar shred. This track is very up tempo almost taking on chord progressions heard in neo-classical power metal. The track drops for a break and lays the vocals over a beautiful keyboard atmosphere. It is simplicity the band really creates a very complex arrangement on this song. Even some light thrash metal elements come into play on this one.
For a band that crowdfunded this album and had very little to work with in way of equipment and production costs, Evereal certainly made a very powerful first statement as a band. This is a band that really knows how to execute quite well with very little. Evereal is a more Euro flavoured metal with a North American sensibility. All its members did a great job for a debut album. This will certainly be a tool to help them get their feet further in the door of the Symphonic Progressive Metal community. I will give this a 4.5/5.