Sometimes, just sometimes, I come across an album that makes me wonder whether or not the world isn’t actually going to hell in a handbasket, and that there is still hope for music after all. This album has absolutely no right to exist in 2018 at all, let alone be a brand new release, as it sounds as if it has been sat in a vault for the last 50 years and has just been discovered. The line-up of Thor Erik Helgesen (Hammond L100, Fender Rhodes, Mellotron, Clavinet D6, Moog Satellite, Korg MS20, vocals), Håvard Rasmussen (bass, effects) and Dag Olav Husås (drums, timpani, percussion, effects), along with guest Karl Christian Grønhaug  (saxophone) have created something very special indeed.

Musically they have been influenced by Atomic Rooster, ELP, The Nice, Van der Graaf Generator, Peter Hamill, King Crimson, Gabriel-era Genesis and Yes, among others, and have then taken the influences and combined them into something very special indeed. Just three songs, but the album is forty minutes in length, and of course ,it has been released on vinyl as well as other mediums – it would have been wrong not to do so. I have very little information about the band, but according to their Facebook page they are from Karmøy, Norway, and produce “Progressive rock straight from 1971, but made today.” No guitar, but there just isn’t room for any, as Thor has obviously been heavily influenced by Emerson and Crane, producing some stunning organ, while Rasmussen provides the supporting role favoured by Lake (no vocals or guitar though), while Husås is a stunning drummer who has obviously been heavily influenced by Palmer. Grønhaug doesn’t play all the time, but when he is involved he takes the music to a whole new VDGG/Colosseum level.

Musical, melodic, drenched in nostalgia, I just love this album and could listen to it all day. From the artwork, through to the very last note, this is a very special album indeed. There aren’t many details available on this album, but try https://www.apollonrecords.n

• Kev Rowland