Aethellis Frontman and Keyboardist Ellsworth Hall Releases New Solo Track

Ellsworth Hall releases Checkers’ Rhapsody his first new studio recording since his 2014 debut solo album Conversations With George Edgar Selby

Checkers’ Rhapsody has been added to Conversations With George Edgar Selby as a free digital bonus track. Ellsworth is making this beautiful 11:42 grand epic a Bandcamp exclusive for the time being, with a possible distribution via all digital outlets in 2019.

Checkers’ Rhapsody was originally composed for a piano back in 1975-1976 when Ellsworth was 17/18 years old. It is Ellsworth‘s first composition to be over 11 minutes and was originally performed at his piano recitals back in 1976. Always hearing the composition “bigger” in his head will full orchestra, Ellsworth realized that potential orchestrating this new version (with orchestral sounds courtesy of Philharmonik Miroslav).

Rhapsody” means “songs stitched together” which is appropriate for this composition, one of a series named after his childhood beagle. Various themes are stated and recapitulated over the course of the piece with the opening thematic statement recurring several times throughout. It mixes classical, pop and jazz elements with shifting key signatures and time signatures, a favorite approach of Ellsworth’s to this day with his progressive rock compositions.”
Ellsworth R. Hall

About Ellsworth Hall
Ellsworth began piano studies shortly after his 6th birthday in 1964 and after 12 years received his Certificate of Piano Study and Theory from the John Mason Evans Hasslinger Studio (Hasslinger himself was a graduate of the Peabody Conservatory in Baltimore, MD). Between the ages of 11 and 28, Ellsworth also studied cello, guitar, and voice. He also performed in several bands from 1976 on including Tailwind, Sabre and Logos Affinity.

Ellsworth received a B.A.in Film/Video production from the University of Maryland and continued there with graduate studies in Communication Arts. During this period he began scoring short films and local cable programs.

In 1987 a movement from his first Piano Concerto appeared in a video production by Johns Hopkins Hospital and from that time on Ellsworth began devoting much of his time to scoring music for film and video. 1989 saw the release of the first CD from Affinity Music Library to which Ellsworth contributed a great deal of material and he continued to compose for subsequent releases. He received his C.P.M.S. from Johns Hopkins University in 1991 and in 1994 he and partner Mark Van Natta began scoring for multimedia productions in addition to film and video. Clients included Johns Hopkins Hospital, Princeton University, PHH Corporation, Banjo Software, and FLX Software.

 

Conversations with George Edgar Shelby” a classical soundtrack album that features the music from the WWI epic Beside the Manor Selby which Ellsworth directed and wrote.
The Archduke Earsworth” originally from the three-movement piece The Blind Potentate. Ellsworth performs on a Steinway grand piano along with the vibrant sound of the Czech Philharmonic Orchestra

Tracklisting

Piano Concerto No.1
1) Lento e Allegro (6:47)
2) Andante e Presto (6:28)
3) Allegro Moderato (4:03)
4) Andante (7:25)

Beside the Manor Selby – Motion Picture Soundtrack
5) Beside the Manor Selby Overture (2:46)
6) Newsreel (1:16)
7) After Ferdinand (0:56)
8) Round About the Garden (1:06)
9) The Archduke Earsworth (5:07)
10) The Tower (1:40)
11) Gather the Heirlooms (3:33)
12) La Masque a Enleve (2:25)
13) Verdun (5:33)
14) Undone in Verdun (2:17)
15) Here Lies a Wretched Corpse (5:07)
16) In Grief Unbound (3:54)
17. (Digital Only Bonus Track ) Checkers’ Rhapsody 11:42

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King Crimson 2019 Tour – Celebrating 50 Years

As part of a series of events and releases for their 50th anniversary, King Crimson’s 2019 tour will include special concerts across three continents, including both festivals and headline shows.

Since the band’s return to live performance in 2014, with critically acclaimed sell-out shows all over the world including two defining shows at the Roman amphitheatre in Pompeii, previously home to Pink Floyd, the audience has been reinvented, as much as the band itself:

“In Pompeii, a large percentage of the audience was young couples; KC moved into the mainstream in Italy. I walked onstage knowing that this band’s position in the world has changed level.” Robert Fripp

With its fiftieth anniversary, it seems that the wider world is finally ready to embrace King Crimson. A process that began with Kanye West’s sampling of “21st Century Schizoid Man” for his 2010 hit “Power”, now sees their song “Starless” as the soundtrack to the opening scenes of Nicholas Cage’s new 2018 film “Mandy”.

The band’s packed three-hour shows regularly include material from twelve of their thirteen studio albums, including many of the songs from their seminal 1969 album “In The Court of the Crimson King”, described by Pete Townshend, as an “uncanny masterpiece”. The new 8-piece line-up plays many historic pieces which Crimson have never played live, as well as new arrangements of Crimson classics – “the music is new whenever it was written”. There are also new instrumentals and songs, as well as the compositions by the three drummers, Pat Mastelotto, Gavin Harrison and Jeremy Stacey, which are a regular highlight. A unique show, where eight of the best musicians in the world play music without distraction or adornment.

King Crimson will be playing three shows at the Albert Hall in London in June 2019!
18 June – http://axs.com/uk/events/365703/an-evening-with-king-crimson-tickets?skin=aegpresentsuk
19 June – http://axs.com/uk/events/365704/an-evening-with-king-crimson-tickets?skin=aegpresentsuk
20 June – http://axs.com/uk/events/365705/an-evening-with-king-crimson-tickets?skin=aegpresentsuk

“MELTDOWN” – A BluRay filmed at the band’s five sell-out shows in Mexico City in 2017, was released in October 2018.

“COSMIKC F*KC” – an in-depth documentary of King Crimson will appear in 2019.

“Jimi Hendrix saw them at the Marquee in 1969 and declared them to be the best band in the world. In many ways, almost half a century later, they still are.” – ERIC THIESSEN, All About Jazz.

“Fripp and his band offered an impeccable performance in two stages. No melodies, no flapping, only musicians at the top of their art.” – IAN BUSSIÈRES La Presse, Quebec

“The band finally reaps all that it has sown in its many transformations…the king is not dead, far from it, and they still rejoice.” – REJEAN BEAUCAGE, Voir.ca

“Crimson has never sounded more complete, or more joyous, on stage than it does now.” – JORDAN ZIVITZ, Montreal Gazette

“The uniqueness of seeing each of these seasoned musicians working is near indescribable and has to be experienced live to fully embrace their vision – think of eight master painters working in their own style, but on a common canvas, and you begin to get the idea of things.” – WE HEART MUSIC, Minneapolis

“On our final evening at the festival, we were witness to the concert that inevitably proved to be its highlight…The blend of mood, melody, ambiance and atmosphere dazzled the audience, which responded with frequent standing ovations.” – LEE ZIMMERMAN, Goldmine Magazine

For more information: www.dgmlive.com
paintings by Francesca Sundsten
photographs by Dean Stocking and David Singleton

ROBERT FRIPP, though best known for his work in King Crimson, has contributed to numerous albums by players as diverse as Brian Eno, David Bowie, Peter Gabriel, Blondie, Talking Heads, Daryl Hall, The Roches, Peter Hammill, Keith Tippett, David Sylvian, The Orb, and The Grid. His 1979 solo album, “Exposure” was described as “the Sergeant Pepper of avant punk.” He has appeared twice in Rolling Stone magazine’s 100 Greatest Guitarist Of All Time poll, although Fripp claims these are likely to have been mistakes by the typesetter.

TONY LEVIN has been a member of King Crimson since 1981. Internationally renowned and constantly in-demand for his distinctive bass work, he also tours with Peter Gabriel with whom he has worked since 1977. He has appeared on albums by Paul Simon, John Lennon, David Bowie and countless others and recently formed his own band, Stick Men alongside Crimson drummer, Pat Mastelotto.

JAKKO JAKSZYK was a member of Level 42, before working with Mel Collins as part of ex-KC alumni group, 21st Century Schizoid Band between 2002 – 2004. His solo album, “The Bruised Romantic Glee Club” (2006) was his first recorded collaboration with Fripp, followed by “A Scarcity of Miracles” in 2011. An acclaimed producer in his own right, Jakszyk has recently mixed Jethro Tull’s Ian Anderson’s UK Top 20 album, “Homo Erraticus.”
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MEL COLLINS was previously a member of King Crimson 1970 – 1972 appearing on “In The Wake Of Poseidon” (1970), “Lizard” (1970), “Islands” (1971), “Earthbound” (1972) as well as a guest appearance on “Red” (1974), the final King Crimson album of the 1970s. He subsequently worked with The Rolling Stones, Pink Floyd’s Roger Waters, Dire Straits, Eric Clapton and many others, before returning to King Crimson in 2014.

GAVIN HARRISON joined King Crimson in 2007, playing a series of dates in the USA the following year. A respected author and tutor, he has also recorded three albums with The Pineapple Thief, though Harrison is probably best-known for his work with Porcupine Tree. Modern Drummer magazine placed him in their Top 50 Drummers Of All Time.

PAT MASTELOTTO joined King Crimson in 1994 after working with Robert Fripp and David Sylvian. A member of the hugely successful American 1980s group and MTV favourites, Mr. Mister, he is at home in both experimental music working with KTU as well as pop and rock appearing on albums by The Rembrandts, Hall And Oates and XTC.

JEREMY STACEY is a British drummer. His early work included the 1990s band, The Lemon Trees (with twin brother Paul Stacey on guitars, Guy Chambers and others) and Denzil. He has also played with Sheryl Crow, the Finn Brothers, Nick Harper, Noel Gallagher, and many more. On March 7, 2016, it was announced that he would be taking the place of Bill Rieflin as the centre drummer on the 2016 King Crimson European tour, a position he retained even after Rieflin’s return to the band.

BILL RIEFLIN is a multi-instrumentalist but is primarily known for his drumming with Ministry and industrial rock outfit KMFDM. From 2003 until their dissolution in 2011 he played drums with REM. He recorded with Robert Fripp on “Birth Of A Giant” and “The Repercussions Of Angelic Behaviour” (both 1999) and most recently in the ambient super-group, Slow Music in 2006 and 2014.

Progdreams VIII 2019 Boerderij CultuurpodiumZoetermeer, the Netherlands. info & tickets:

Click on Poster for Ticket Information

In September 2019 the 8th edition of the Progdreams Festival will take place. The indoor festival has grown into an annual event that many prog fans from home and abroad look forward to. The prog scene seems livelier than ever and we received requests from bands from all over the world for a spot at the festival. Once again we managed to present you with an interesting selection and put together a versatile line-up.

We have a total of 12 bands performing over three festival days, including Gazpacho, The Watch, John Hackett Band, Sky Architect, Von Hertzen Brothers and many more. Both established names and newcomers get the chance to present themselves to fans of the genre. We have both day-tickets and passe-partouts for three days for sale. On Friday, the following bands will take the stage: Von Hertzen Brothers, The Paradox Twin, and Sky Architect. Scroll down for more information about these bands.

Roine Stolt’s The Flower King – Manifesto of an Alchemist out now; launch stream of “High Road”

Roine Stolt, known as the guitarist, singer, writer and at times band leader of the groups The Flower Kings, Transatlantic, Agents of Mercy, Kaipa DC, as well as from his work with prog icon Jon Anderson and the new super-group The Sea Within, has released ‘Manifest of an Alchemist’, his brand new studio album. Under the moniker ROINE STOLT’S THE FLOWER KING, this album offers 10 songs and almost 70 minutes of playing time celebrating the style Roine is most revered for: progressive rock, richly orchestrated with all the trademark elements from four decades of the genre.

To celebrate he is pleased to launch a stream of the new track ‘High Road’, which you can listen to here:

Roine comments: “Today marks the day, “Manifesto Of An Alchemist” is released worldwide and I’m glad to be able to celebrate this and The Flower Kings’ music with our fans in Guadalajara, Mexico. It is a truly special ‘release day’ for me and I hope you will all enjoy this album as it offers an extensive prog rock journey that I consider a wonderful contrast to the haste and hectic pace of this age. So, enjoy the 12 minutes of ‘High Road’ on this day, get the album and see you on our European tour with Spock’s Beard kicking off November 30!”

Manifesto of an Alchemist has been receiving great reviews, find a selection below:

“immediate and energetic, gaining in grit” – Prog Magazine

“Stolt’s virtuous musicianship and songwriting abilities shine throughout this masterpiece.” – Daily Sport

“The Flower King at his very best.” – The Prog Report

Watch Stolt discuss how the album together in this recently launched interview video here: https://youtu.be/K2bxqEAx3PI

A lyric video for the track ‘Lost America’ was released recently. Watch it now here: https://youtu.be/y919myxnMAc

‘Manifesto Of An Alchemist’ is a celebration of all the styles that have been part of the colourful, daring and dynamic songwriting and arrangements that Roine masters like no other, yet also offers a more immediate, more hands on approach. “Like that first TFK album, I’m the main lead vocalist here again – it works as these lyrics are important to me and resonate with my view of the world. A lot of the guitar work is actually my spontaneous ‘demo’ guitars” and that goes for much of the synth work, too. I didn’t want to ‘process’ ideas too much as there is much power in the initial creation – I wanted to keep it that way.”

The album features a host of other musicians, including long-time collaborators Jones Reingold, Hans Froberg & Michael Stolt, as well as fellow The Sea Within member Marco Minnemann, Max Lorentz, Zach Kamins, Rob Townsend & Nad Sylvan.

‘Manifesto Of An Alchemist’ features stunning artwork from Shaun Beyond (https://www.instagram.com/shaunbeyond/), and will arrive as a limited edition CD digipak, Gatefold 180g 2LP + CD & as digital download.

Order limited colored vinyl at the InsideOutMusic store:
https://roinestoltstheflowerking.lnk.to/Manifesto/Insideoutshop

Order the album at Roine Stolt’s store: https://www.roinestolt.com

Also available here: www.insideoutmusicshop.com

You can find the full track-listing below:
1.Rainsong
2.Lost America
3.Ze Pawns
4.High Road
5.Rio Grande
6.Next To A Hurricane
7.The Alchemist
8.Baby Angels
9.Six Thirty Wake-Up
10.The Spell Of Money
As previously announced, Roine will take The Flower Kings catalogue on tour later this year, as well as playing tracks from this new album. He comments: “I am excited that the album will be released in November this year and at the same time will be in South America playing The Flower Kings music with a band that also includes Hasse Froberg & Jonas Reingold and also introduces two younger friends; Zach Kamins on keyboards and Mirko DiMaio on drums – both fabulous musicians. We will also bring this to Europe where we join forces with legends Spocks Beard.”

InsideOutMusic 25th Anniversary European Tour feat. Spock’s Beard & Roine Stolt’s The Flower King
30th November – Cosmopolite, Oslo, Norway
1st December – Kulturhuset Studion, Stockholm, Sweden
2nd December – KB, Malmo, Sweden
4th December – Zeche, Bochum, Germany
5th December – Z7, Pratteln, Switzerland
6th December – La Machine, Paris, France
7th December – De Boerderij, Zoetermeer, Netherlands
8th December – Hedon, Zwolle, Netherlands
9th December – Islington Assembly Hall, London, UK
10th December – Academy Club, Manchester, UK


CANADA – North America   2019

28th February – Club Soda, Montreal, Canada
1st March – Salle Jean – Paul Tardif, Quebec City, Canada