It’s probably best to let singer and keyboard player John Paul Strauss describe the rationale behind this album. ‘During the time we were working on the most recent Ten Jinn release, ‘Sisyphus’, came the very sad news about the passing of David Bowie. At the time (though we were very busy with working on the album and dealing with the upcoming release in 2017) I suggested to the other Ten Jinn members that as soon as ‘Sisyphus’ was completed, we should record a David Bowie tribute record before preparing for live shows or recording the next Ten Jinn record, ‘Worlds (the Four Worlds of the Hopi)’. While I was very excited about the prospect of playing live again and getting on to ‘Worlds’ (I even completed the first draft of the score) I felt very strongly about taking this detour in order to pay my respects to an artist, who was probably the single most important influence in my development as a musician in general and vocalist in particular.
I can’t be the only person who never expected an album like this from Ten Jinn. Since their second album, 1999’s ‘As On A Darkling Plain’, they have cemented a reputation as one of the most interesting progressive rock bands around, so a Bowie tribute album isn’t exactly what one would expect. There haven’t been many progressive bands who have recorded whole albums of covers (Dream Theater of course taking it to the extreme by re-recording complete albums, often very well indeed), let alone of music that us so far away from what one would expect.
What I also found interesting was the track selection, as while of course there are many hits, there are also many missing which one may expect on a collection like this, such as ‘Ashes to Ashes’, ‘Space Oddity’, ‘Suffragette City’, ‘Rebel Rebel’, ‘Young Americans’ etc. There is the feeling that here is a very personal collection, one that has a collective cohesiveness which works incredibly well. What I really enjoyed about the album is that although they have stayed close to the originals, they have also allowed themselves to put their own stamp on the songs. They have played it fairly straight, and consequently it has worked exactly as it was supposed to, namely as a tribute.
One of the real stand outs has to be ‘Dead Man Walking’, which originally featured on the 1997 album ‘Earthling’. While much focus will be on the wonderful acoustic guitars, funky percussion or superb vocals, what really makes this such an essential song is the wonderful fretless bass which adds so much class, warmth and emotion to it. Strauss’s vocals throughout are exemplary, and the whole band sound as if they have been performing Bowie songs their whole lives, such is the skill and joy they bring to this collection. This is a must for any lover of Bowie, as rarely is his material treated with such care.
About ZIGGY BLACKSTAR (A Tribute to David Bowie)
During the time we were working on the most recent Ten Jinn release, Sisyphus, came the very sad news about the passing of David Bowie. At the time (though we were very busy working on the album and dealing with the upcoming release Sisyphus in 2017) we decided that as soon as Sisyphus was completed, we would record a David Bowie tribute record before preparing for live shows or recording the next Ten Jinn Record: “Worlds (the Four Worlds of the Hopi).” While the band was very excited about the prospect of playing live again and getting on to Worlds (John even completed the first draft of the hour-long score) we felt very strongly about taking this detour in order to pay my respects to an artist, who was a very important musical influence for all of the band members in general, and the single most important influence in John’s evolution as vocalist in particular.
Choosing the songs for the record was not an easy thing (as there are so many great Bowie tunes) but one thing we decided on right away was to avoid any of the major hits from the 1980s or things we thought a lot of other people might do (since John was the one doing the lead vocals on the record, we mostly supported him in the suggestions he made). At one point we thought it would be really cool to do a version of Blackstar, but since it was from Bowie’s final album, it seemed perhaps a bit disrespectful to do so soon after his death. In the end, we decided on material mostly from the 1970s (with a couple of tunes from the late 1990s thrown in) that have very deep meaning for us.
Ten Jinn
ZIGGY BLACKSTAR (A Tribute to David Bowie) Track List
1. I’m Afraid of Americans 04:48
2. Aladdin Sane 05:48
3. Rock ‘N’ Roll Suicide 03:04
4. Dead Man Walking 04:06
5. Fame 03:57
6. Future Legend 00:57
7. Diamond Dogs 05:00
8. Life On Mars 04:01
Ziggy Blackstar Album Credits:
The Band: Ten Jinn
John Paul Strauss – lead and backing vocals/keyboards.
Mark Wickliffe – drums/bass/electric guitar/backing vocals.
Ken Skoglund – electric and acoustic guitars.
Mike Matier – electric guitar.
Guest Musicians:
Matt Brown – piano solo (Alladin Sane).
Joe Geiger – fretless bass (Dead Man Walking).
Helena Skoglund – backing vocals (Life on Mars/Fame/Future Legend).
J.T. Holmström – saxophone (Diamond Dogs).
Arranged by: Ten Jinn.
Produced by: John Paul Strauss, Mark Wickliffe, and Ken Skoglund.
Mix engineers: Ken Skoglund (Sound Control Sweden). John Prpich (Radd Studios, Los Angeles).
Mastering engineer: Ken Skoglund (Sound Control Sweden).
Cover Art by Nick Katona (Melodic Revolution Records). Revolution Studios, Orlando, Florida
Vocal editing by Steve Deutsch.
Other Ten Jinn Releases Sisyphus (2018) Melodic Revolution Records CD & Digital Alone (2003) Sweden Rock Records / Musea CD & Digital As On A Darkling Plan (1999) Wildman Records CD & Digital Wildman (1997) Wildman Records CD & Digital
New 7 Track album by the Hungarian musical team that brought you Fall of Oceans in 2017.
Stormvalley is the second full-length album of Hungarian progressive, post-rock band Silent Island, a side-project of István Csarnogurszky (Black Hill, musicformessier, White Cube).
Csarnogurszky István – guitars, songwriting
Károlyi Gábor – bass guitar
Drumloops by Mike Vecchione.
Released September 3, 2018
Pre- Orders of “Fall of Oceans” vinyl edition still available from the listed labels:
Beverina Productions: goo.gl/j7TTVn
Casus Belli Musica: goo.gl/dDWWru
Multi-instrumentalist and singer Marco Ragni is back with his latest album, and what an album it is. While he provides vocals, electric and acoustic guitars, bass, keyboards, mellotron, piano and mandolin he has also been joined by Dave Newhouse (sax, clarinet, flute, keyboards and woodwinds arrangements), Peter Matuchniak (lead guitar), Jeff Mack (bass) and Maurizio Antonini on drums, plus a few guests adding different nuances. This means this album includes members of The Muffins, Bomber Goggles, Scarlet Hollow and Barock Project, so it is a given that the guys all know their ways around their instruments. What this has enabled them all to do is to relax completely, and the result is an album which in many ways is the loosest I have ever come across. We often talk about how tight a band is, how they are right on top of each other, but here they sound as if there is a great space between them all and between the layers, allowing the music to fully breathe and go where it desires.
The album title is apt, as there is a feeling of a great sky and a bleak landscape, and the travelers knowing not where they are going when they are likely to reach the destination, or even if it really matters. This is a musical journey that is given a very middle eastern feel at times with the use of the oud, while it is also often reflective, with a great deal of restraint. It is an album which demands to be savored like a fine brandy: take the time and let all the nuances and textures hit every sense. It is progressive, it is psychedelic, it is nearly New Age (but not quite, they don’t inhale), it is World, it is delicate, but there is an inner strength and core which keeps everything moving in the same direction.
Often it is just Marco singing in a reflective manner, but during “Promised Land” there is even room for many singers and for Peter to become more direct in his approach. Maurizio is also one of those drummers who understand that there are times to play, and time to listen to the band with everyone else, and that restraint also has a key part to play. This is quite some album and is well worth discovering by all good music lovers.
This is the third solo album from McCarty, but he will always be thought of as the drummer of The Yardbirds, the only man who stayed true to that group through all its different versions since they first came together to support Cyril Davies in 1963 (as a side note, if you have never come across this amazing blues harmonica player you need to do so!). His vocals may not be as strong as they used to be, but in fairness, he is 75 later this year! Here he provides vocals, acoustic guitar, and some drums, and he has been joined by fellow Renaissance co-founder John Hawken on a couple of numbers with delicate piano. Mind you, probably the most surprising guest is Alex Lifeson, who provides lead guitar and synth guitar on “Soft In A Hard Place”.
In many ways, this is an album of its time, and that time was probably either the late Sixties or mid-Seventies. But, Jim is producing psychedelic pastoral folk with hints of folk, and it is obvious that he is doing so because he wants and needs to, as opposed to being forced to. There is a gentle flow through the songs, and it is incredibly easy to listen to. This is never going to set the world alight, but for someone who has been involved with the music scene for 55 years, he is showing that he has lost none of his knack of writing good material, even if it may not have the punch of his heyday. Obviously, fans of his previous bands, and possibly even Rush completists, will search this out. But actually, if you just want something to play on a summer’s day that isn’t going to tax either the ears or the brain cells, then this could be the perfect sonic tonic. www.angelair.co.uk
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