As part of a series of events and releases for their 50th anniversary, King Crimson’s 2019 tour will include special concerts across three continents, including both festivals and headline shows.
Since the band’s return to live performance in 2014, with critically acclaimed sell-out shows all over the world including two defining shows at the Roman amphitheatre in Pompeii, previously home to Pink Floyd, the audience has been reinvented, as much as the band itself:
“In Pompeii, a large percentage of the audience was young couples; KC moved into the mainstream in Italy. I walked onstage knowing that this band’s position in the world has changed level.” Robert Fripp
With its fiftieth anniversary, it seems that the wider world is finally ready to embrace King Crimson. A process that began with Kanye West’s sampling of “21st Century Schizoid Man” for his 2010 hit “Power”, now sees their song “Starless” as the soundtrack to the opening scenes of Nicholas Cage’s new 2018 film “Mandy”.
The band’s packed three-hour shows regularly include material from twelve of their thirteen studio albums, including many of the songs from their seminal 1969 album “In The Court of the Crimson King”, described by Pete Townshend, as an “uncanny masterpiece”. The new 8-piece line-up plays many historic pieces which Crimson have never played live, as well as new arrangements of Crimson classics – “the music is new whenever it was written”. There are also new instrumentals and songs, as well as the compositions by the three drummers, Pat Mastelotto, Gavin Harrison and Jeremy Stacey, which are a regular highlight. A unique show, where eight of the best musicians in the world play music without distraction or adornment.
“MELTDOWN” – A BluRay filmed at the band’s five sell-out shows in Mexico City in 2017, was released in October 2018.
“COSMIKC F*KC” – an in-depth documentary of King Crimson will appear in 2019.
“Jimi Hendrix saw them at the Marquee in 1969 and declared them to be the best band in the world. In many ways, almost half a century later, they still are.” – ERIC THIESSEN, All About Jazz.
“Fripp and his band offered an impeccable performance in two stages. No melodies, no flapping, only musicians at the top of their art.” – IAN BUSSIÈRES La Presse, Quebec
“The band finally reaps all that it has sown in its many transformations…the king is not dead, far from it, and they still rejoice.” – REJEAN BEAUCAGE, Voir.ca
“Crimson has never sounded more complete, or more joyous, on stage than it does now.” – JORDAN ZIVITZ, Montreal Gazette
“The uniqueness of seeing each of these seasoned musicians working is near indescribable and has to be experienced live to fully embrace their vision – think of eight master painters working in their own style, but on a common canvas, and you begin to get the idea of things.” – WE HEART MUSIC, Minneapolis
“On our final evening at the festival, we were witness to the concert that inevitably proved to be its highlight…The blend of mood, melody, ambiance and atmosphere dazzled the audience, which responded with frequent standing ovations.” – LEE ZIMMERMAN, Goldmine Magazine
For more information: www.dgmlive.com
paintings by Francesca Sundsten
photographs by Dean Stocking and David Singleton
ROBERT FRIPP, though best known for his work in King Crimson, has contributed to numerous albums by players as diverse as Brian Eno, David Bowie, Peter Gabriel, Blondie, Talking Heads, Daryl Hall, The Roches, Peter Hammill, Keith Tippett, David Sylvian, The Orb, and The Grid. His 1979 solo album, “Exposure” was described as “the Sergeant Pepper of avant punk.” He has appeared twice in Rolling Stone magazine’s 100 Greatest Guitarist Of All Time poll, although Fripp claims these are likely to have been mistakes by the typesetter.
TONY LEVIN has been a member of King Crimson since 1981. Internationally renowned and constantly in-demand for his distinctive bass work, he also tours with Peter Gabriel with whom he has worked since 1977. He has appeared on albums by Paul Simon, John Lennon, David Bowie and countless others and recently formed his own band, Stick Men alongside Crimson drummer, Pat Mastelotto.
JAKKO JAKSZYK was a member of Level 42, before working with Mel Collins as part of ex-KC alumni group, 21st Century Schizoid Band between 2002 – 2004. His solo album, “The Bruised Romantic Glee Club” (2006) was his first recorded collaboration with Fripp, followed by “A Scarcity of Miracles” in 2011. An acclaimed producer in his own right, Jakszyk has recently mixed Jethro Tull’s Ian Anderson’s UK Top 20 album, “Homo Erraticus.”
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MEL COLLINS was previously a member of King Crimson 1970 – 1972 appearing on “In The Wake Of Poseidon” (1970), “Lizard” (1970), “Islands” (1971), “Earthbound” (1972) as well as a guest appearance on “Red” (1974), the final King Crimson album of the 1970s. He subsequently worked with The Rolling Stones, Pink Floyd’s Roger Waters, Dire Straits, Eric Clapton and many others, before returning to King Crimson in 2014.
GAVIN HARRISON joined King Crimson in 2007, playing a series of dates in the USA the following year. A respected author and tutor, he has also recorded three albums with The Pineapple Thief, though Harrison is probably best-known for his work with Porcupine Tree. Modern Drummer magazine placed him in their Top 50 Drummers Of All Time.
PAT MASTELOTTO joined King Crimson in 1994 after working with Robert Fripp and David Sylvian. A member of the hugely successful American 1980s group and MTV favourites, Mr. Mister, he is at home in both experimental music working with KTU as well as pop and rock appearing on albums by The Rembrandts, Hall And Oates and XTC.
JEREMY STACEY is a British drummer. His early work included the 1990s band, The Lemon Trees (with twin brother Paul Stacey on guitars, Guy Chambers and others) and Denzil. He has also played with Sheryl Crow, the Finn Brothers, Nick Harper, Noel Gallagher, and many more. On March 7, 2016, it was announced that he would be taking the place of Bill Rieflin as the centre drummer on the 2016 King Crimson European tour, a position he retained even after Rieflin’s return to the band.
BILL RIEFLIN is a multi-instrumentalist but is primarily known for his drumming with Ministry and industrial rock outfit KMFDM. From 2003 until their dissolution in 2011 he played drums with REM. He recorded with Robert Fripp on “Birth Of A Giant” and “The Repercussions Of Angelic Behaviour” (both 1999) and most recently in the ambient super-group, Slow Music in 2006 and 2014.
In September 2019 the 8th edition of the Progdreams Festival will take place. The indoor festival has grown into an annual event that many prog fans from home and abroad look forward to. The prog scene seems livelier than ever and we received requests from bands from all over the world for a spot at the festival. Once again we managed to present you with an interesting selection and put together a versatile line-up.
We have a total of 12 bands performing over three festival days, including Gazpacho, The Watch, John Hackett Band, Sky Architect, Von Hertzen Brothers and many more. Both established names and newcomers get the chance to present themselves to fans of the genre. We have both day-tickets and passe-partouts for three days for sale. On Friday, the following bands will take the stage: Von Hertzen Brothers, The Paradox Twin, and Sky Architect. Scroll down for more information about these bands.
Roine Stolt, known as the guitarist, singer, writer and at times band leader of the groups The Flower Kings, Transatlantic, Agents of Mercy, Kaipa DC, as well as from his work with prog icon Jon Anderson and the new super-group The Sea Within, has released ‘Manifest of an Alchemist’, his brand new studio album. Under the moniker ROINE STOLT’S THE FLOWER KING, this album offers 10 songs and almost 70 minutes of playing time celebrating the style Roine is most revered for: progressive rock, richly orchestrated with all the trademark elements from four decades of the genre.
To celebrate he is pleased to launch a stream of the new track ‘High Road’, which you can listen to here:
Roine comments: “Today marks the day, “Manifesto Of An Alchemist” is released worldwide and I’m glad to be able to celebrate this and The Flower Kings’ music with our fans in Guadalajara, Mexico. It is a truly special ‘release day’ for me and I hope you will all enjoy this album as it offers an extensive prog rock journey that I consider a wonderful contrast to the haste and hectic pace of this age. So, enjoy the 12 minutes of ‘High Road’ on this day, get the album and see you on our European tour with Spock’s Beard kicking off November 30!”
Manifesto of an Alchemist has been receiving great reviews, find a selection below:
“immediate and energetic, gaining in grit” – Prog Magazine
“Stolt’s virtuous musicianship and songwriting abilities shine throughout this masterpiece.” – Daily Sport
“The Flower King at his very best.” – The Prog Report
Watch Stolt discuss how the album together in this recently launched interview video here: https://youtu.be/K2bxqEAx3PI
A lyric video for the track ‘Lost America’ was released recently. Watch it now here: https://youtu.be/y919myxnMAc
‘Manifesto Of An Alchemist’ is a celebration of all the styles that have been part of the colourful, daring and dynamic songwriting and arrangements that Roine masters like no other, yet also offers a more immediate, more hands on approach. “Like that first TFK album, I’m the main lead vocalist here again – it works as these lyrics are important to me and resonate with my view of the world. A lot of the guitar work is actually my spontaneous ‘demo’ guitars” and that goes for much of the synth work, too. I didn’t want to ‘process’ ideas too much as there is much power in the initial creation – I wanted to keep it that way.”
The album features a host of other musicians, including long-time collaborators Jones Reingold, Hans Froberg & Michael Stolt, as well as fellow The Sea Within member Marco Minnemann, Max Lorentz, Zach Kamins, Rob Townsend & Nad Sylvan.
‘Manifesto Of An Alchemist’ features stunning artwork from Shaun Beyond (https://www.instagram.com/shaunbeyond/), and will arrive as a limited edition CD digipak, Gatefold 180g 2LP + CD & as digital download.
As previously announced, Roine will take The Flower Kings catalogue on tour later this year, as well as playing tracks from this new album. He comments: “I am excited that the album will be released in November this year and at the same time will be in South America playing The Flower Kings music with a band that also includes Hasse Froberg & Jonas Reingold and also introduces two younger friends; Zach Kamins on keyboards and Mirko DiMaio on drums – both fabulous musicians. We will also bring this to Europe where we join forces with legends Spocks Beard.”
InsideOutMusic 25th Anniversary European Tour feat. Spock’s Beard & Roine Stolt’s The Flower King
30th November – Cosmopolite, Oslo, Norway
1st December – Kulturhuset Studion, Stockholm, Sweden
2nd December – KB, Malmo, Sweden
4th December – Zeche, Bochum, Germany
5th December – Z7, Pratteln, Switzerland
6th December – La Machine, Paris, France
7th December – De Boerderij, Zoetermeer, Netherlands
8th December – Hedon, Zwolle, Netherlands
9th December – Islington Assembly Hall, London, UK
10th December – Academy Club, Manchester, UK
CANADA – North America 2019
28th February – Club Soda, Montreal, Canada
1st March – Salle Jean – Paul Tardif, Quebec City, Canada
Just saw Bohemian Rhapsody, and even though they screwed up a lot of things chronologically and factually, it still captured the essence of Freddie Mercury and brought back a cool memory from when I was 18. Queen was an obsession for me in high school. Their music was a constant soundtrack of my life and I had all their albums. My band at the time wrote many songs inspired by Queen and even learned all the harmonies to “Love of my Life”, including Brian May’s guitar solo, which I transcribed and taught myself to play.
In February of 1993, about a year and a half after Freddie’s death, Brian May put out a great solo album called “Back to the Light.” I heard through the grapevine that he was giving a secret, free concert at the old Agora in Cleveland. I went with my bandmates, Matthew James Murphy and Matthew Parrotta. The show was killer and afterward, we wanted to try to get backstage. It was frigid cold and snowing outside and there was a huge line of people waiting to meet Brian. We were in the back of the line freezing our asses off, so we just started singing as loud as we could, hoping the guy guarding the door would hear us.
All of a sudden, the door opens, someone from the crew along with the drummer Cozy Powell walks up to us and leads us past the crowd straight to the backstage area. There, standing in front of us, was Brain May! We sang him one of our songs and gave him our demo tape. He was very gracious, complimentary, and we chatted for a while. He signed our CD’s and we thanked him.
For what it’s worth, the memory of that night is forever etched in my mind.
Thank you, Brian, Freddie, and Queen for the incredible music and inspiration!
– Joe Deninzon
Laid Back Townies is rhythmic, explosive and progressive roots rock-band from Northern Ostrobothnia, Finland. The band is founded in 2013 and they released their debut album ‘Watch Your Step’ in 2015. The record’s power song ”It’s Not You” got a lot of praising words and reviews from underground rock-circles.
Their second album named ‘II’ is released on December 14th, 2018 by Inverse Records. The album is more progressive compared to its predecessor and most of the instrumental parts was recorded live only in four days. In other words, the second album can be described as a raw free jamming ensemble which shows the dynamic playing of the trio and energetic vocals.
Watch music video ‘True Grit’
Line-up:
Lauri Peisterä – vocals
Jussi Karasti – guitar
Mika Säkkinen – bass
Samuli Lindberg – drums
Tracklist:
1. Drop Dead Woman
2. Who Knows
3. Sin City
4. Ghost
5. True Grit
6. The Fall of Giants Part I
7. The Fall of Giants Part II
8. Salt Rain of SadnessPre-sale – album ‘II’ on Spotify: https://bit.ly/2FA4StX
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