Ayreon | The Source | Album Review & Featured Album Of Week For April 23-30

Ayreon | The Source | Album Review & Featured Album Of Week For April 23-30

 

Label: Mascot Label Group
Release Year : 2017
Country: The Netherlands/International
Genre: Progressive Metal/Rock Opera/Genre Transcending

 

Band Members/Original Cast

Arjen Anthony Lucassen – Electric and Acoustic Guitars/Bass Guitar/Mandolin/Synthesizers, Hammond/Solina Strings/All Other Instruments

Ed Wabry – Drums

Original Cast Members/Vocalists

Editorial Note – The People of Forever are Alphans Alpha until they get to Planet Y where they get the title ‘Forever’ !

James Labrie – Dream Theater- As ‘The Historian’
Tommy Giles Rogers – Between The Buried And Me – As ‘The Chemist’
Simone Simons – Epica -As ‘The Counselor’
Mike Mills – Toehider – As ‘T-H1’
Floor Jansen – Nightwish – As ‘The Biologist’
Hansi Kursch – Blind Guardian – As ‘The Astronomer’
Tobis Sammet – Avantasia/Edguy – As ‘The Captain’
Michael Eriksen – Circus Maximus – As ‘The Diplomat’
Nils K Rue – Pagans Mind – As ‘The Prophet’
Zaher Zorgati – Myrath – As ‘The Preacher’
Tommy Karevik – Kamelot – As ‘The Opposition Leader’
Russel Allen – SymphonyX – As ‘The President’
Will Shaw – Heir Apparent’ Wilmer Waarbroek, Jan Willem Ketelaars, and Lisette van den Berg – Scarlet Stories as ‘The Ship’s Crew’
You … Insert Name Here … as ‘The Audience’

Guest Musicians

Joost van den Broek – ex-After Forever/ex Sun Caged – Grand Piano and Electric Piano
Mark Kelly – Marillion – Synthesizer Solo
Maaike Peterse – Kingfisher Sky – Cello
Paul Gilbert – RacerX/Mr. Big – Guitar Solo
Guthrie Govan – The Aristocrats/ex-Asia – Guitar Solo
Marcel Coenen – Sun Caged – Guitar Solo
Ed Warby – Ayreon/Gorefest/Star One- Drums
Ben Mathot – Violin
Jeroen Goossens – ex-Pater Moeskroen – Flute/Wind instruments

Production 

Lori Linstruth – Photo Stills/Ajren Lucassen & Ayreon Cast

Wayne Joyner – Lyric Videos for Everybody Dies and Star Of Sirrah

 

Track listing/ Album Anatomy
CD 1

Chronicle 1: The ‘Frame’ – 22:22
1. ‘The Day That the World Breaks Down”
James LaBrie, Tommy Karevik, Tommy Rogers, Simone Simons, Nils K. Rue, Tobias Sammet, Hansi Kürsch, Mike Mills,
2. “Sea of Machines”
Rogers, Eriksen, Rue, Simons, Sammet, Allen
3.”Everybody Dies”
Mills, Karevik, Rogers, Allen, Kürsch, Eriksen, Sammet, Jansen

Chronicle 2: The Aligning of the Ten – 21:45
4.”Star of Sirrah”
LaBrie, Allen, Kürsch, Sammet, Rue, Rogers, Eriksen, Jansen
5.”All That Was”
Simons, Jansen, LaBrie, Eriksen
6.”Run! Apocalypse! Run!”
Karevik, Kürsch, Mills, Allen, Jansen, Sammet, Rue, LaBrie
7. “Condemned to Live”
LaBrie, Rogers, Eriksen, Simons, Karevik, Jansen
CD 2
Chronicle 3: The Transmigration -22:33
1.”Aquatic Race”
LaBrie, Sammet, Karevik, Eriksen, Allen, Simons, Rogers,
2.”The Dream Dissolves”
Simons, Jansen, Eriksen, Rue
3.”Deathcry of a Race”
Allen, Sammet, Jansen, Karevik, Zaher Zorgati, Simons
4.”Into the Ocean”
Allen, Mills, Eriksen, Kürsch, Sammet, Karevik, Rue

Chronicle 4: The Rebirth – 21:53
5.”Bay of Dreams”
LaBrie, Rogers, Mills, Eriksen, Rue
6.”Planet Y is Alive!”
Karevik, Allen, Kürsch, Mills, Sammet, Jansen
7. “The Source Will Flow”
Rogers, LaBrie, Simons
8. “Journey to Forever”
Sammet, Eriksen, Kürsch
9. “The Human Compulsion”
Simons, LaBrie, Rogers, Eriksen, Allen, Rue, Sammet, Kürsch, Karevik, Jansen
10. “March of the Machines”
Mills

 

Contact Links 

Ayreon Official Website

Ayreon Official Facebook Page

Ayreon Official Twitter

Ayreon Official YouTube Channel

Mascot Label Group Official Website

Mascot Label Group Official Facebook Page

 

Video Production Personel

Wayne Joyner Artwork, Illustrations &Motion Official Site

Wayne Joyner Artwork, Illustrations &Motion Official Facebook Page

When I was making ‘Star Wars,’ I wasn’t restrained by any kind of science. I simply said, ‘I’m going to create a world that’s fun and interesting, makes sense, and seems to have a reality to it.’

George Lucas

A film is – or should be – more like music than like fiction. It should be a progression of moods and feelings. The theme, what’s behind the emotion, the meaning, all that comes later.

Stanley Kubrick

Imagination will often carry us to worlds that never were. But without it we go nowhere.

Carl Sagan

My Introduction To The Genius Arjen A Lucassen & Ayreon.

I can remember back in the 2000 shortly after the turn of the new century I strolled into Diamond Head Records with some serious spending money. I was primarily focused on buying music by bands or artists I had never heard of before. I remember picking up Zero Hour’s self titled debut, Explorers Club Age Of Impact, Pain Of Salvation’s One Hour By Concrete Lake, Perfect Element Part 1, Entropia. I was really after Arena’s The Visitor and Pride albums.

As I was flipping the CD’s in the bin for Arena I came across two CD’s from Ayreon. They were both in The Universal Migrator series, Part 1 The Dream Sequencer and Part 2 Flight Of The Migrator. I noticed the utter mass of talent that was on both parts to the Universal Migrator. My curiosity nailed me and I had to go find out what this was. I went home listened to them both in one sitting inside a headset. It not only blew the hell out of my mind, it also converted me into a fan of Arjen Lucassen’s work as a collective. From there I returned back to the record store 2 days later and bought The Final Experiment, Actual Fantasy and Into The Electric Castle. I went down the Yellow Brick Road, Across The Rainbow Bridge, Through The Wormhole and have never returned since.

2017 The Present

Now it is 2017 and Arjen Lucassen has no signs of slowing down as he has returned for his 8th installment with another epic Progressive Rock & Metal Opera, Ayreon The Source. I am continually amazed and impressed of the rosters of talent that Ajren Lucassen is able to recruit for the Ayreon albums. Once again he has managed to recruit the who is who within the progressive rock, progressive metal and even symphonic and power metal communities. With Arjen on this run as far as vocalists are James LaBrie – Dream Theater as ‘The Historian‘, Tommy Karevik – Kamelot/Seventh Wonder as ‘The Opposition Leader’, Tommy Rogers – Between the Buried and Me as ‘The Chemist’ Simone Simons – Epica as ‘The Counselor’, Nils K. Rue – Pagan’s Mind as ‘The Prophet’ ,Tobias Sammet – Edguy/Avantasia as ‘The Captain’ , Hansi Kürsch – Blind Guardian as ‘The Astronomer’ ,Mike Mills – Toehider as ‘TH-1’ Russell Allen – Symphony X as ‘The President’ , Michael Eriksen – Circus Maximus as ‘The Diplomat’ Floor Jansen – Nightwish/ex-After Forever/ex-ReVamp as ‘The Biologist’ Will Shaw – Heir Apparent’ Wilmer Waarbroek, Jan Willem Ketelaars, and Lisette van den Berg – Scarlet Stories as ‘The Ship’s Crew’ , Zaher Zorgati – Myrath as ‘The Preacher’.

To really understand Ayreon’s The Source one should listen to The Final Experiment 1994, Into The Electric Castle 1998 , The Universal Migrator Parts 1&2 and 01011001 2008, as the story line arcs across all those past Ayreon albums. The main emphasis mainly being on 01011001 in 2008. Much like in the Star Wars Series where Episodes 4 A NEW HOPE, 5 THE EMPIRE STRIKES BACK & 6 RETURN OF THE JEDI , were all released before their respective prequels EPISODE I THE PHANTOM MENACE, STAR WARS: EPISODE II ATTACK OF THE CLONES and STAR WARS: EPISODE III REVENGE OF THE SITH so were Ayreon’s The Final Experiment 1994, Into The Electric Castle 1998 , The Universal Migrator Parts 1&2 and 01011001 2008 were all released before Ayreon’s The Source as it is a prequel of the story of the people of ‘Forever’ Planet Y and how the story was before the events of 01011001 took place.

Brief Biography of 01011001 courtesy of the official Ayreon

The story
Through technological advancement, ‘Forever’, a race of aquatic beings living on Planet Y, has found the secret of longevity. They have advanced to the point that they have become completely dependent on machines and are losing their emotions. A passing comet on a collision course with Planet Earth provides the opportunity to revitalize their race; ‘Forever’ harness the comet to carry their DNA to a new home on Earth. When the comet and Earth collide, the cataclysmic impact exterminates the dinosaurs (the Fifth Extinction), but from the ashes of destruction, humans arise. At first, the experiment with seeded DNA seems successful: through the humans ‘Forever’ vicariously relive the emotions they experienced before the age of machines. In order to help mankind overcome their physical ailments and mental limitations, ‘Forever’ speeds up human evolution. But the result is tragic: people develop a similar technological dependency with their emotions waning just like ‘Forever’ and moral development not keeping pace with their capacity to invent. ‘Forever’ must find a way to save mankind from its imminent self-destruction… or should they?

With Ayreon’s The Source you find some familiar faces that have already participated on previous Ayreon albums such as Ed Warby – Drums, who is basically another band member as much as its creator Arjen Lucassen himself. You also have some Ayreon Alumni returning James LaBrie – Dream Theater as ‘The Historian’, Tommy Karevik – Kamelot/Seventh Wonder as ‘The Opposition Leader, Hansi Kürsch – Blind Guardian – As ‘The Astronomer’ ,Mike Mills – Toehider as ‘TH-1‘ Russell Allen – Symphony X as ‘The President’, Floor Jansen – Nightwish/ex-After Forever/ex-ReVamp as ‘The Biologist’, Simone Simons – Epica as ‘The Counselor’, and Wilmer Waarbroek – Guide Vocalist for Ayreon’s The Theory Of Everything 2013 and part of ‘Ships Crew’ on The Source.

The new talent added to the ever growing Ayreon franchise roster are Tommy Rogers – Between the Buried and Me as ‘The Chemist’ , Nils K. Rue – Pagan’s Mind as ‘The Prophet’ ,Tobias Sammet – Edguy/Avantasia as ‘The Captain’, Michael Eriksen – Circus Maximus as ‘The Diplomat’, Will Shaw – Heir Apparent’, Jan Willem Ketelaars, and Lisette van den Berg – Scarlet Stories as ‘The Ship’s Crew’ , Zaher Zorgati – Myrath as ‘The Preacher’. Some of the newer instrumentalists Arjen Lucassen recruit for The Source are as follows, Paul Gilbert – RacerX/Mr. Big – Guitars, Mark Kelly -Marillion – Synthesizer Solo, Maaike Peterse – Kingfisher Sky – Cello, and Guthrie Govan – The Aristocrats/ ex-Asia – Guitar Solo.

Arjen Lucassen really has a very esteemed business model and a reputation of such prominence where he can invite people back to Ayreon while bringing newer talent aboard with every Ayreon album. This is a true testament of the extraordinary character and distinguished personal and professional reputation Arjen Lucassen has built for himself over 30 years in the business. With all the talent Arjen Lucassen is able to recruit the economy of such a business model is uncanny. Arjen Lucassen practically and unintentionally has been able to introduce the world to bands they may or may not of heard of due to some talent that appears on a Ayreon project. I am one of them people that was introduced to bands or newer bands through my purchase of a Ayreon album alone.

With Ayreon The Source the listener not only gets a true prequel to prior Ayreon story lines you also have a story that even those new to the Progressive Rock/Metal concept album and Progressive Rock/Metal Opera can easily follow with the booklet provided. Like his last Ayreon album The Theory Of Everything where there were four parts broken up into 20+ minute segments, The Source is broke up in very similar fashion. This time he has broken the album into Four Chronicles, Chronicle 1: The ‘Frame’, Chronicle 2: The Aligning of the Ten, Chronicle 3: The Transmigration and Chronicle 4: The Rebirth. This really sets up a very fluid and easy to comprehend and envision the story like a motion picture movie on the screen in the theater of the mind of the listener. Ayreon’s The Source clocks in at almost 90 minutes. It will require a small bit of time to really enjoy it. If possible I totally suggest using the lyrics within the booklet provided on all its release formats, versions or options whatever you buy. Now a little track by track analysis of Ayreon’s The Source.

Track listing/ Album Anatomy

CD 1

Chronicle 1: The ‘Frame’ – 22:22

1. ‘The Day That the World Breaks Down”

James LaBrie, Tommy Karevik, Tommy Rogers, Simone Simons, Nils K. Rue, Tobias Sammet, Hansi Kürsch, Mike Mills,
In his signature sound Arjen Lucassen quickly creates that distinctive and unique sound that separates him from others who do rock/metal opera concept albums. Within that filter he creates a very sense of urgency with the atmosphere he is creating for the listener and his characters within the production. It appears darkness has enveloped the population of the ‘Forever’ people. In a very warmth voice James Labrie – Dream Theater- As ‘The Historian’ in a very quiet yet polite way sets up a heavy layered dark atmosphere. Soon after the track takes a very heavy guitar driven up tempo chord progression and Tommy Karevik – Kamelot – As ‘The Opposition Leader’ comes in with what appears as a scathing and scolding indictment towards his fellow people of ‘Forever’.

Arjen then changes the chord progressions and time signatures instrumentally to where they will be in perfect harmony with the concern and worry of Tommy Giles Rogers – Between The Buried And Me – As ‘The Chemist’ and Simone Simons – Epica -As ‘The Counselor as they start to reconcile with their plight and current circumstances. Now the people of ‘Forever’ must prepare for a new home planet where they can preserve their way of life civilly,economically religiously and human life itself. Nils K. Rue – Pagan’s Mind as ‘The Prophet’ ,Tobias Sammet – Edguy/Avantasia as ‘The Captain’, each provide confirmation as well as insight. The music is in perfect harmony with the emotions of every character involved. Tobias Sammet – Edguy/Avantasia as ‘The Captain’ , Hansi Kürsch – Blind Guardian as ‘The Astronomer’ ,Mike Mills – Toehider as ‘TH-1’ all begin work on the how to solve the impending apocalypse to come. As the science community of ‘The Captain’, ‘The Chemist’ , ‘The Astronomer’, and Floor Jansen – Nightwish/ex-After Forever/ex-ReVamp as ‘The Biologist’ start work on the exit strategy to leave their current world before disaster strikes, Russell Allen – Symphony X as ‘The President’ and Michael Eriksen – Circus Maximus as ‘The Diplomat’ have a talk.
‘The President’ now consumed in guilt over the impending crisis begins to real beat himself up. ‘The Diplomat’ steps in to try to both calm ‘The President’ down from his guilt and appeal to his humanity. Instrumentally during this time Arjen has almost a bluesy, psychedelic atmosphere he has planted in the background of the dialogue between ‘The President’ and ‘The Diplomat’. This bluesy psychedelic atmosphere is very much like Amazing Flight from Into The Electric Castle in 1998.

Video Courtesy of: Ayreon Official YouTube Channel

2. “Sea of Machines”

Rogers, Eriksen, Rue, Simons, Sammet, Allen

This opens up in a heavily folk laden intro. Soon it takes a very folk ethereal turn where ‘The Chemist’ enters in and in the traditional Ayreon mold gets the double vocal harmony treatment. This makes the opening passage fuller and warmer. ‘The Diplomat’ – Eriksen starts to experience many issues around him. His vocal is very warm and extremely articulate in harmony with the instrumental portion which has heavy elements of the flute. ‘The Prophet’ – Rue keeps having visions and with a very gentle yet high range continues to forewarn the people of what he is seeing. These visions are very similar to those that Ayreon, the blind minstrel, was finally able to see back in the 6th century on Ayreon’s The Final Experiment back in 1995, that was also broken into 4 Act’s as well.

The following excerpt comes courtesy of The Official Ayreon Website

Act I
The receiver of the telepathic messages is Ayreon, a blind minstrel living in 6th century Britain. He’s lived his life in darkness from the day he was born, but one fateful day everything changes — Ayreon can see images. The minstrel believes these visions are sent to him by the Lords of Time. Unaware of how much time there is left before earth is destroyed Ayreon sets out to tell the tale of earth’s demise singing songs of wars, natural disaster, and computer technology. The terrifying tales frighten the villagers who run him out of town.

Much of this track has elements of Ayreon’s The Human Equation/The Theory Of Everything and 01011001 meaning their are some slower melodic mellow areas that build towards heavier more powerful melodic harmonies. Arjen is really good at dropping the tone instrumentally and allowing his guest vocalists breathe and give their own life and character to the very character they are portraying on every track. This track is both a perfect example of that and perfect example of allowing the vocalist to breathe and relationship building with his guest vocalists and musicians. There are many more examples of this to come on the album.

3.”Everybody Dies”

Mills, Karevik, Rogers, Allen, Kürsch, Eriksen, Sammet, Jansen

This track concludes Chronicle 1 ‘The Frame’. This part of the story takes on a more power progressive metal sound with the faster up tempo of power blended with the progressive intricate chord progression and time changes. ‘TH 1’ the computer mainframe or artificial intelligence begins to really accurately analyze and convey just how horrible the situation really is for the people of ‘Forever’. Soon the people of ‘Forever’ come to terms and begin to accept the situation and working towards the solution of survival , yet some start to cynically express their utter doubt such as ‘The Opposition Leader’ and ‘The Chemist’. ‘The President’ even becomes cynical. In this track you can really notice that Arjen Lucassen had Tommy Rogers – Bewtween The Buried And Me as ‘The Chemist’ in mind. Arjen wrote that character to express rage and utter anger and Tommy Rogers supplied the guttural growls to provide for that anger and emotion in ‘The Chemist’. However through all the cynical anger, rage, and fear ‘The Diplomat’ still attempt to try and reason with the people. There is a bit more keyboard passages on a otherwise very heavy and guitar driven Ayreon album. A heavy album that still stays on point with clean and melodic harmonies.

Video Made By Wayne Joyner – Courtesy of: Ayreon Official YouTube Channel Wayne Joyner Artwork, Illustrations &Motion Official Site 

 

Chronicle 2: The Aligning of the Ten – 21:45

4.”Star of Sirrah”

LaBrie, Allen, Kürsch, Sammet, Rue, Rogers, Eriksen, Jansen

Now for those who are lifetime Ayreon fans and followers you are probably asking yourself where is the typical unknown talent that Arjen recruits? The talent that never gets a chance. Some of you expected a vocalist or perhaps a musician. I believe Arjen went a entirely different route. He gave a video making the honour and privilege to create and edit a lyric video for Star of Sirrah here. Wayne Joyner of Atlanta, Georgia USA created a fantastic video for this track. He in fact is Art Director for Prog/Power USA. Therefore for this reason I have decided to withhold my typical commentary on the track and allow this ‘Unknown Talent’ to shine through the video he made for this Ayreon song.

Video Made By Wayne Joyner Courtesy of: Ayreon Official YouTube Channel  & Wayne Joyner Artwork, Illustrations &Motion Official Site

5.”All That Was”

Simons, Jansen, LaBrie, Eriksen

Starts out as a very psychedelic folk track. It is also a symphonic metal dream come true with Simone Simons and Floor Jansen in perfect harmony for the first time on Ayreon. This track picks up some heaviness towards the 2:00 mark. It then drops and another beautiful duet between Simons and Jansen appears again. The various progressive changes in the guitar solos allow the listener to stay on point with the concept.

6.”Run! Apocalypse! Run!”

Karevik, Kürsch, Mills, Allen, Jansen, Sammet, Rue, LaBrie

This particular track really starts off with a blistering opening passage inside the instrumental portion. The instrumental is written and done in such away that it thoroughly give the song a serious sense of urgency. The people of ‘Forever;’ are in a panic at this point. The sense of urgency created in the instrumental is certainly magnified 8 fold with the 8 vocalists on this particular track. Panic, sense of urgency, state of emergency are all eloquently articulated in every vocalist and character they are portraying. This is definitely one of the quicker tracks on The Source. There are a few breaks were it drops but those are not long at all. The fast pace of this track can be equated to The Universal Migrator – Part 2 Flight Of The Migrator where it was the heavier half and Part 1 The Dream Sequencer was the more experimental folky and atmospheric half.

7. “Condemned to Live”

LaBrie, Rogers, Eriksen, Simons, Karevik, Jansen

Slowly starts out with a deep well executed rhythm section that keeps building layers upon layers with various keyboards, deep rhythm section of a semi acoustic guitar will a electric guitar in time and on point in harmony. The vocals are full of warmth that convey fear, disbelief and guilt. The track builds and builds where it eventually has heavy explosions of guitar stringed sections meshed in harmony with rhythm section. The vocals are more ethereal at this point and Arjen Lucassen remains on point with his unique Ayreon cinematic signature sound. This is the last track on CD 1/Side B if you buy the vinyl ,that appropriately closes out the first half of the journey through The Source.

 

CD 2

Chronicle 3: The Transmigration -22:33

1.”Aquatic Race”

LaBrie, Sammet, Karevik, Eriksen, Allen, Simons, Rogers,

Starts off as a isolated vocal harmony almost A Capella. Soon a deep rhythm section takes the track in a very groove laden direction. There is a dynamic exchange between both ‘The Historian’ and ‘The Captain’ will the underlying rhythm section. Then ‘The Opposition Leader’ begins his rhetoric over again with a very drum laden background beat. This is also at the point both instrumentally and lyrically were the people of ‘Forever’ begin their epic odyssey to their new home planet. It is at this time lyrically that the people of ‘Forever’ begin to reconcile they will need a change of habits.This narrative continues with a harmonic dialogue between ‘The Biologist’ and ‘The Astronomer’ . The instrumental portion of this track hold the lyric narrative very accountable emotionally, mentally and spiritually. This is also the first time we hear ‘The Ships Crew’ mini choir of Will Shaw – Heir Apparent’ Wilmer Waarbroek, Jan Willem Ketelaars, and Lisette van den Berg – Scarlet Stories.

2.”The Dream Dissolves”

Simons, Jansen, Eriksen, Rue

Starts out with a synth sound effect created by Arjen himself. He like playing with various synth effects on all his work. Soon the violin comes in with the synth sound effects and the drums. It all creates a really psychedelic atmosphere. There is something of real depth and beauty about the feminine emotion Simone Simons – ‘The Counselor and Floor Jansen – ‘The Biologist’ that really speaks to the soul and heart and the story really takes a very emotional turn here. The track gets heavier with a thick rhythm section before going back to the smooth atmospheric keyboard passage. The track picks up and displays very deep rhythm tones. Mike Eriksen – ‘The Diplomat’ and Nils K Rue – ‘The Prophet’ bring a masculine emotion to balance the track. The guitar solo here is insanely atmospheric in nature.

3.”Deathcry of a Race”

Allen, Sammet, Jansen, Karevik, Zaher Zorgati, Simons

This explodes out of the gate with a powerful and heavy flute that is soon joined with a powerful bass/drum/rhythm guitar rhythmic section. All these melodic forces at once are a immediate wall of sound of sheer heaviness. Soon the track drops to a acoustic chord progression where ‘The President’ address the people of ‘Forever’. Russell Allen has always been a great vocalist of character and emotion throughout his times of participation on Ayreon and this is another confirmation of that. Soon the people of ‘Forever’ begin to enter the vicinity of their new planetary home. The instrumental portions take on a very cosmic space metal element familiar with the Ayreon franchise. The dialogue takes on a cooperative narrative. This is also the first appearance of Zaher Zorgati – Myrath – As ‘The Preacher’. I really liked the way Arjen allowed Zaher Zorgati to sing in his native Arabic, it added another layer of depth and brought something new to the Ayreon franchise. Both Simone Simons and Floor Jansen execute their respective soprano qualities on here as well.

4.”Into the Ocean”

Allen, Mills, Eriksen, Kürsch, Sammet, Karevik, Rue

This comes in very smoothly from Deathcry of a Race with a heavy metal bluesy style much like a Deep Purple Mark 2 sound especially Space Truckin’. The Hammond style keyboard and deep rhythm section are a match made perfectly for all the vocalists involved. For vocalists such as Russell Allen and Mike Mills. The very instrumental sound also allows the listener to see Mike Eriksen, Hansi Kursch, Tobias Sammet, Tommy Karevik and Nils K Rue on a another melodic dimension that they would not otherwise hear in their respective bands Circus Maximus, Blind Guardian, Avantasia/Edguy, Kamelot or Pagan’s Mind. Arjen Lucassen seriously channels Ritchie Blackmore on many levels here. The Hammond Organ in the spirit of the late great Jon Lord, is the unsung hero on a instrumental level.

 

Chronicle 4: The Rebirth – 21:53

5.”Bay of Dreams”

LaBrie, Rogers, Mills, Eriksen, Rue

Starts out with a very electronica element much like Arjen Lucassen executed on Ayreon’s Actual Fantasy album in 1996. They keyboard atmospheres blend gracefully with the warm vocals of James Labrie and Tommy Roger’s double tracked vocals. The people of ‘Forever’ make their final descent to their new Liquid Home. The track soon picks up on the heaviness and we hear Mike Mills, Mike Eriksen and Nils K Rue all in their respective vocal elements.

6.”Planet Y is Alive!”

Karevik, Allen, Kürsch, Mills, Sammet, Jansen

This starts out with a very heavy lush Hammond atmospheric synth with a perfectly complimentary rhythm section to match it. This is very heavy on the drums and this is where the utter depth of Ed Wabry comes into play. The People of ‘Forever’ begin to really take inventory of their new home on Planet Y. They begin to explore what they can use or can not use to sustain life on their new home. Hansi Kursch’s emotional proclamations really shine on this track. The isolated guitar solo is a thing of beauty and really adds another atmospheric payer to the song and album in general. The calm and additionally heavy atmosphere’s both respectfully allow ‘The Capatain’ – Tobias Sammet and ‘The Biologist’ – Floor Jansen to breathe and articulate to the listener their view of the new world.

7. “The Source Will Flow”

Rogers, LaBrie, Simons

Starts off with a very oceanic liquid effect along with graceful keyboards passage. Tommy Roger’s – ‘The Chemist’ has some really warm clean vocals that set up ‘The Historian’ – James Labrie with grace. The beautiful vocals of ‘The Counselor’ – Simone Simons really are spot on with the main narrative.

8. “Journey to Forever”

Sammet, Eriksen, Kürsch

In the very elegant A Capella style ‘The Ships Crew’ Will Shaw – Heir Apparent’ Wilmer Waarbroek, Jan Willem Ketelaars, and Lisette van den Berg – Scarlet Stories really set the table for the melodic and harmonious feast to follow. ‘The Ships Crew’ also show a beautiful sign of optimism towards their new home Planet Y. Soon a lush acoustic guitar comes in and the cooperative dialogue between the ‘The Captain’ and ‘The Diplomat’ really display for the first time in a while a spirit of union, a spirit of community and affirmation.

9. “The Human Compulsion”

Simons, LaBrie, Rogers, Eriksen, Allen, Rue, Sammet, Kürsch, Karevik, Jansen

The second to the last track has a very profound signature present on all Ayreon albums. This signature being a multi vocalist epilogue or finish. It is a way to both display all the vocalists again and like a Rock Opera on a stage serves as the ‘Curtain Call’ and ‘Final Bow’ to ‘The Audience’ You .

10. “March of the Machines”

Mills

Much in the tradition of The Final Experiment, Actual Fanatasy, Into The Electric Castle, The Universal Migrator, The Human Equation and 0101101, Arjen Lucassen utilizes ‘TH 1’ – Mike Mills to a very futuristic finish to the journey that is Ayreon’s The Source.

 

There is no doubt whatsoever that for the last 25 years Arjen Lucassen has been the ‘Undisputed King’ of the Rock/Metal Opera. Arjen Lucassen is the modern day George Lucas/Isaac Asimov/Carl Sagan/Stanley Kubrick/ meets Bach/Beethoven/Pete Townsend and Ritchie Blackmore set to music, melody, vision and imagination. Ayreon’s The Source is also one of the most tangible conceptual rock/metal albums in the last 25 years. Whether you are a lifetime fan of Ayreon or a newer fan of Ayreon, The Source is a excellent introduction to the newer listener and a solid validation to the lifetime fan. I give this a 6/5 stars and it is easily the front-runner/contender for my Album of The Year 2017 list.

 

Arjen Anthony Lucassen Posts Video Teaser for New Ayreon Album

Arjen Anthony Lucassen the mastermind behind Ayreon has posted a video teaser regarding his upcoming release via Mascot Label Group in 2017.

Ayreon is a musical project by Dutch singer, composer, multi-instrumentalist and record producer Arjen Anthony Lucassen. Ayreon’s music is best described as progressive rock, Arjen often incorporates various genres of music such as folk, experimental, hard rock and classical music. Ayreon is considered by some as the father of sci-fi themed rock operas (concept albums), his albums contain complex storylines filled with many wonderful characters, Each part of the story and music usually features some of the most talented artist from around the world.

Albums
The Final Experiment
Actual Fantasy
Into the Electric Castle
Universal Migrator Part 1: The Dream Sequencer
Universal Migrator Part 2: Flight of the Migrator
The Human Equation
01011001
The Theory of Everything
 
EPs
Elected
 
Compilations
Ayreonauts Only
Timeline
 
Singles
Sail Away to Avalon
The Stranger from Within
Temple of the Cat
Day Eleven: Love
Loser
Come Back to Me

DVDs
The Theater Equation

LINKS
Website http://www.arjenlucassen.com/
Facebook: https://www.facebook.com/ArjenLucassenOfficial/

Gandalf’s Fist | The Clockwork Fable | 2016 Reissue

Gandalf's Fist The Clockwork Fable

Gandalf’s Fist | The Clockwork Fable | 2016 Reissue 

 

Label : Independent Release
Release Year : 2016
Country : United Kingdom
Genre : Progressive Folk Rock/Progressive Metal/NWOBHM

Band Members

Dean Marsh – Vocals,Guitars,Synths, Mandolin, Octave Mandola, Bass
(The Voice Of The People Of Cogtopolis)
Luke Severn – Lead And Backing Vocals
(The Voice Of The Nightkeepers)
Chris Ewen – Bass
Stefan Hepe – Drums, Percussion

With
Melissa Hollick – Female Vocals
(The Sung Words Of Eve)
Dying Seed – Backing Vocals

Guest Musicians/ Chorus & Orchestra

Dean Marsh – (The Voice of The People Of Cogtopolis)
Luke Severn – (The Voice Of The Nightkeepers)
Arjen Lucassen – (Sung Words Of Armistead)
Blaze Bailey– (Sung Words Of The Primarch)
Dave Oberle – (Sung Words Of Pastor Simon)
Melissa Hollick – (The Sung Words Of Eve)
Matt Stevens – Ambient Guitars

Dave Oberle – Bodhran/ Tan Tan

 

The Players – (Narrative Actors)

Mark Benton – Spoken Words Of The Lamplighter/Prison Guard/The Secretary
Zach Galligan – Spoken Words of The Steam Ranger
Tim Muro – Spoken Words of The Tinker
Alicia Marsh – Spoken Words Of Eve
Paul Barnhill – Spoken Words Of Pastor Simon
Bill Fellows – Spoken Words Of The Armistead & Nightkeeper Spy

Paul Kavanaugh – Spoken Words Of The Primarch & Nightkeeper Brethren 1
Chris Ewen – Spoken Words Of The Boy
Luke Severn – Spoken Words Of Second Secretary & The Brethren 2

YOU, The Listener – As “The Traveler”

 

Contact Links

Gandalf’s Fist Official Website

Gandalf’s Fist Official Facebook Page

Gandalf’s Fist Official Twitter

Gandalf’s Fist Official YouTube Channel

Gandalf’s Fist Official Reverbnation

Gandalf’s Fist Official Store

Gandalf’s Fist Official Bandcamp Store

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Growing up on a habitable part of ‘The Surface’ of the world, I kept on hearing of a mysterious subterranean world called ‘Cogtopolis.’ For some reason the city on ‘The Surface’ suffered a apocalyptic end and its inhabitants were forced to move underground and thus the city founded was ‘Cogtopolis’ . My curiosity got the best of me so I got my ticket to this mysterious yet enigmatic cavernous city. The world I had taken my holiday to was far better than any ‘Astonishing’ civilization I have ever been to in 2016.

This world is created by the much acclaimed progressive rock band called Gandalf’s Fist as they return in 2016 with The Clockwork Fable. Gandalf’s Fist have returned with a 3.5 hour melodic movie in the theater of YOU the listener. The Clockwork Fable has a all star cast much like they 2014 Forest of Fey did. This time with The Clockwork Fable, Gandalf’s Fist return with the undisputed ‘King Of Rock/Metal Opera’s Arjen Lucassen – Ayreon, Blaze Bayley – ex Iron Maiden, Matt Stevens – The Fierce And The Dead on the musical vocal side. On the narrative spoken word side the storyteller’s Gandalf’s Fist enlist the talents of actors such as Mark Benton – Dr Who, Zach Galligan – Gremlins and Bill Fellows – Downtown Abbey . This is some serious talent coming from a independent that totally self finances their projects.

Gandalf’s Fist The Clockwork Fable is a rock/metal opera, conceptual work and a progressive rock oriented musical all in one. As far as rock/metal opera’s The Clockwork Fable now joins the likes of The Who’s Tommy, Ayreon, Avantasia, Genius The Rock Opera and Leonardo The Absolute Man. As far as conceptual albums The Clockwork Fable joins on the progressive rock side Jethro Tull’s Thick As A Brick, Pink Floyd’s Darkside of The Moon & The Wall, Yes’ Tales Of Topographic Oceans, Queensryche’s Operation Mindcrime 1&2 , Fates Warning’s A Pleasant Shade Of Grey, Dream Theater’s Metropolis 2: Scenes From A Memory and Spock’s Beard’s Snow and Pain Of Salvation’s BE in modern time. On the stage musical side The Clockwork Fable has potential to even be adapted into a musical like Hair, Cats, Rent or West Side Story.

The Clockwork Fable is broken into three separate Acts much like a stage musical or Broadway production. There is Act 1 The Day The Great Cog Failed, Act 2 Of Men And Worms and Act 3 From Burrows We Came. Every Act runs in a very congruent and fluid manner as the story is well crafted and produced. The narrative segue’s are spot on and keep the Traveler or you the listener completely engulfed in the story of the lives of Cogtopolis on The Clockwork Fable, thus commanding your full attention to listen carefully. Instead of doing a complete track by track analysis I will point out highlights off each of the 3 CD’s or Three Act’s.

Act 1 The Day The Great Cog Failed -(Tracks 1-10)

The Clockwork Fable opens up with The Traveler and The Lighter, a monologue of The Lamplighter offering The Traveler, the listener a grand tour through the great city of Cogtopolis. The Lamplighter proceeds to explain the inner workings of Cogtopolis which ironically are similar to the inner workings of a old clock that operates off cogs’ or wheels. It lays a steampunk kind of atmosphere to The Traveler. After The Lamplighter has given The Traveler basic instructions for the tour, Eve a young lady meets them with a neo progressive track titled Shadowborn.

Shadowborn is has heavy neo progressive/folk/progressive metal elements. The instrumental portion reminds me a lot of the NWOBHM meets today’s folk metal much like Finntroll without the grunts. Eve who is sung by Melissa Hollick basically introduces The Traveler or listener to the plight of those in Cogtopolis. Shadowborn has some killer hooks and melodies with a sprinkle of a powerful guitar solo.

The Lamplighter – (Parts 1- 8) begins with a very Pink Floydian ambient orchestral passage. The soft warmth of the vocals between male and female invite you in as part of the story or the day in the life of a resident of ‘Cogtopolis’. About the 4:00 mark the entire song takes a series of twists and turns through various folk and progressive passages. The Hammond keyboard gives it a darker depth of underworld persuasion while the folk influence remains constant. Layers upon layers of ambient atmospheres in harmony with the ambient vocals carry the listener off into this underworld universe. This also displays the urgency of what The Lamplighter’s mean to Cogtopolis. There is a killer guitar outro solo around the 13:00 mark.

In The Cavern Of The Great Cog is another in a series of segue narratives that keep the story very concurrent with continuity. The narratives serve as the backbone to The Clockwork Fable allowing The Traveler or listener to remain in the story as a character themselves. This leads to the next musical track The Great Cog.

The Great Cog opens up with a heavy bass/drum rhythm section perfectly complimenting the brief warm ambient vocals before the the vocal takes on a more Rob Halford sound. The synths remain in the vein of the old school Hammond organ keeping a darker edge to the conceptual sound. The vocals go in and out from very ambient style atmosphere to a more Rob Halford high end register. There are some great breaks where the vocal takes a half spoken word in harmony with the sung vocal.

The Shadow Rises is another in the series of narrative pieces. The band has done a great job with the continuity of narrative segue’s leaving The Traveler or the listener compelled to the story like a eyewitness character. Thus there is never a drop nor silence between the sung tracks and narrative tracks.

The Capture (Including A Song For A Fallen Nightkeeper) is definitely NWOBHM influenced with its galloping rhythm intro. The vocals have both a choral chant and a well articulate female vocal. This is the first time the instrumental section gives the listener a instrumental simulation of the steampunk inner workings to Cogtopolis. The main and lead vocals are sung through a ambient atmospheric filter.

Act 2 Of Men And Worms – (Tracks 11-20)
As rumor that ‘The Surface’ might be stabilizing and sunlight is returning so does speculation without facts. Some of the people of ‘Cogtopolis’ either become zealots or just out and out complacent. Gandalf’s Fist do a great job depicting vividly in both instrumental and lyrical of this complacency. Tracks such as Victims of Light, Ditchwater Daisies and The Lamplighter (Parts 9 – 13), all explain about some being imprisoned for questioning authority, people in Cogtopolis perhaps conspiring to go to ‘The Surface’ and the like lyrically.
On a instrumental side, Act 2 serves as a perfect melodic and rhythmic bridge towards Act 3 the final Act. A Solemn Toast for the Steam Ranger reborn is a 10 minute epic in a very Peter Gabriel fashion, particularly Solsbury Hill yet with light jazz elements and a female and male vocal. A Solemn Toast for the Steam Ranger reborn is a excellent ambient atmospheric piece with great guitar solo’s that get progressively heavier as the track moves forward. The solo’s are almost in a vein of Iron Maiden with folk elements. The music is not to heavy yet not too mellow. It is balanced just right. Their are many cohesive vocal harmonies that keep the story of The Clockwork Fable moving without boring The Traveler , you the listener.

 

Act 3 From Burrows We Came

Act 3 From Burrows We Came is the heavier Act both on the heavy prog side, heavy metal side and even the folky side. The Lamplighter (Parts 14-15) begin with a very heavy brooding style in both the instrumental atmosphere and rhythm section. The vocals are conducted perfectly in a brood heavy handed ambient atmosphere. The Climb explodes in a very old school NWOBHM fashion with galloping guitars and fast bass lines, yet with a modern neo progressive sensibility. About the 2:00 mark appears the choir. The band uses the choral or choir more as a ambient instrument than a vocal. The Climb reminds me a of the very heavy handed ambient vibe of Pink Floyd’s Welcome To Machine before taken another NWOBHM turn in the way of progression. Although the synths are more neo progressive about this point they still remain very heavy with the rhythm section. The Climb is the pivotal track that starts to wind up the story of The Clockwork Fable.

I think I will stop there with my analysis portion of the review. I will say this, without a doubt Gandalf’s Fist have innovated the blueprint in which progressive rock/metal conceptual albums are written, recorded and produced. The Clockwork Fable places the listener within the story as a living breathing character. The Clockwork Fable is one of those concepts that will be talked about for many generations to come. The Clockwork Fable gave me the impression I was on holiday or vacation to the very world Gandalf’s Fist created. They beautifully and perfectly painted a motion picture movie in the theater of my mind. My time in Cogtopolis was very interesting .This album will definitely show up in my Top 5 of 2016 and for all those reasons above gets a maximum of  5/5 .

 

 

 

 

 

[youtube https://www.youtube.com/watch?v=8q_EwY7tabw]

Video Courtesy of (Gandalf’s Fist Official YouTube Channel)