Tuesday, July 2, 2019 @ 12:00pm (noon) US Eastern time
Due to popular demand single-day passes will be available two full months earlier than planned!
Starting Tuesday, July 2, 2019, you will be able to purchase a ProgStock 2019 Regular 3-Day Pass at the ProgStock Box Office by selecting any available seat within the areas set-aside for three-day pass holders. This three-day pass to the festival also provides you with these additional perks:
Access to all artist meet-and-greet sessions on each day
Access to all late-night events on each day (as capacity allows)
The price of a ProgStock 2019 Regular 3-Day Pass is $195 USD. These passes will only be available at this special low price until Tuesday, September 10, 2019.
Also starting Tuesday, July 2, 2019, you will be able to purchase a ProgStock 2019 Single-Day Pass for any day of the festival at the ProgStock Box Office by selecting any available seat within the areas set-aside for single-day pass holders. This single-day pass to the festival provides you with access to the artist meet-and-greet sessions on that day only, and access to the late-night events that occur after the mainstage performances on that day only(with priority given to three-day pass-holders when capacity is limited).
The prices of ProgStock 2019 Single-Day Passes are as follows: $75 USD for Friday, $105 USD for Saturday, and $115 USD for Sunday.
Now for the moment many of you have been waiting for… Here is the daily schedule for ProgStock 2019!
Friday, October 11th 2019 3.2 featuring Robert Berry Salem Hill Phideaux Special set by Rachel Flowers and Chris Clark of Brand X Late-night: Progressive Coffeehouse at The Waiting Room Restaurant featuring Melanie Mau and Martin Schnella
Saturday, October12th, 2019 Brand X IO Earth Discipline Rocket Scientists Jane Getter Premonition Special set by Rachel Flowers and Robert Berry Late-night: Randy McStine and Last Call Live on the Mainstage at UCPAC
Sunday, October13th, 2019 SAGA Nektar Joe Deninzon & Stratospheerius The Cyberiam Special set by Rachel Flowers and Michael Sadler of SAGA Late-Night: Kinetic Element at The Waiting Room Restaurant
What do you get when you match a Brit from London who loves American AOR with an American from California who grew up on British Prog? Dukes of the Orientis the masterful pairing of vocalist John Payne (ex-ASIA, GPS) with keyboardist Erik Norlander (Last in Line, Lana Lane, Rocket Scientists) who now present their eponymous debut album, ten years in the making. Payne’s powerful arena-seasoned vocals carry soaring melodies and lush harmonies over the sea of classic synthesizers and keyboards artfully painted with Norlander’s signature sonic palette.
Payne says of the album, “With Dukes of the Orient we have dug deep with analog soundscapes, superlative musicians, and song-driven epics. Add to this the masterful artwork of Rodney Matthews and a journey that started with the supergroup ASIA, we give you the next chapter, one we are extremely proud of.”
The two are backed by a world-renown ensemble of top musicians including Jeff Kollman, Guthrie Govan, Moni Scaria and Bruce Bouillet on guitar, Molly Rogers on strings and Jay Schellen on drums. Payne provides bass guitar and additional lead and rhythm guitar parts to complete the audiophile production. The album was mixed on a traditional analog console to preserve and enhance the natural depth, clarity, and soul of the tracks with great care taken to avoid over-compression, extreme equalization, and distortion.
Dukes of the Orienthas its origins in 2007 as “ASIA Featuring John Payne,” a band that continued on after ASIA keyboardist, Geoff Downes, left the band to re-form the original 1982 lineup. Payne recruited Norlander to join Guthrie Govan and Jay Schellen for tour dates in the US and initial recordings, some of which endured to appear on the Dukes of the Orient album here. Govan left the band to form The Aristocrats and was replaced by guitarist Bruce Bouillet followed by Jeff Kollman and Moni Scaria. The final lineup resulted in the track, “Seasons Will Change,” released as a video in 2013 and also now appears on the Dukes of the Orientalbum. Following the death of original ASIA vocalist, John Wetton, in early 2017, Payne and Norlander decided that these recordings should give birth to a new band, both out of respect for Wetton and for clarity with the Downes-led ASIA.
John Payne grew up in Luton, England. Upon moving to Harpenden, England in his teen years, he started his first band. His love of music started long before, though. As a young teenager, he taught guitar at school and also played into the early hours of the morning at clubs in a local cover band. Tired of playing other people’s songs, he formed a three-piece called Moonstone. With influences such as Santana, Hendrix, Trower and Deep Purple, Moonstone toured both locally and around the UK rock circuit. With encouragement from Jim Rodford of The Kinks and Rod Argent, the music bug would not let go. John went on write, tour, session (both as a vocalist and guitarist), record and produce. Moving to London gave him his first break singing backing vocals for Roger Daltry of The Who on the album Under a Raging Moon. This started much session work leading to purchasing The Wall, his first recording studio, which would be one of many. Between session work, Payne was invited to Power Station recording studio to record vocals for the group ELO at the invitation of drummer Bev Bevan and producer Jim Steinman. When legal complications regarding the name arose, Payne made the decision to return to London, where he was invited to join Asia in 1992.
Payne has since toured as “The Parson” in Jeff Wayne’s War of the Worlds, toured and recorded with GPS, co-created and co-wrote the Las Vegas musical Raiding The Rock Vault, and formed The Rock Pack, hosting a plethora of iconic classic rock vocalists. His love of music and analog recording has taken him on a journey as multi-instrumentalist, vocalist, composer, scriptwriter, studio engineer, and producer.
Erik Norlander was born in Hollywood, California and went against the tide of 80s Sunset Strip pop metal, instead learning the craft of progressive rock keyboards inspired by the founding fathers of the movement, Keith Emerson, Rick Wakeman, Eddie Jobson, Patrick Moraz and others, many of whom became friends as Norlander’s career developed. Both Emerson and Wakeman even wrote liner notes for Norlander’s early solo albums. As part of his indoctrination into the genre, he became obsessed with synthesizers and classic keyboards of all kinds, learning the subtleties of sound design and the inner workings of these arcane instruments including his own 1967 modular Moog synthesizer famously dubbed the “Wall of Doom.” This led Norlander to actually work on the design of synthesizers including the legendary Alesis Andromeda analog hardware synthesizer and IK Multimedia Syntronik virtual instrument among many others. Norlander has released 10 solo albums, 7 with his prog-rock band, Rocket Scientists, and 10 albums with his vocalist wife, Lana Lane. He also works with the Bob Moog Foundation to forward the legacy of the maverick inventor.
Dukes of the Orient to release their eponymous debut album with stunning cover art by Rodney Matthews on February 23, 2018, with select tour dates to follow.
Progressive rock band Mars Hollow has announced that they will be recording a new album after a nearly 5-year hiatus. The announcement was made during a semi-reunion show and subsequent radio interview in June, and came on the heels of a show billed as “John Baker and Steve Mauk Perform the Music of Mars Hollow” in Chicago. The show was the first time Mars Hollow has performed live since May, 2012. The most recent studio effort from the group was the track “So Far Away,” which also had a video release and was included on the Mars Hollow Live album. The album, also available on DVD, documented the band’s ‘Church of Prog’ spot at RosFest, 2011 and was released in Fall of 2012.
However, guitarist and lead vocalist John Baker says that the new band will update both its name and line-up to fit the spirit and music of the new incarnation, and will be called “Life After Mars.” The band’s debut album release is tentatively scheduled for Summer, 2018.
Says John, “As Life After Mars is the newly reformed incarnation of Mars Hollow, the best way to explain it is ‘Mars Hollow…the Next Generation.”
Mars Hollow landed on the progressive rock scene in 2010 with their self-titled debut album, produced by Ronan Chris Murphy, and followed up in 2011 with “World In Front of Me,” co-produced by Mars Hollow’s John Baker and Billy Sherwood, now of Yes. Playing festivals and numerous gigs in the USA, Mexico and Canada, the band also played and toured with Billy Sherwood’s Circa, and received accolades and positive reviews for several years. In the spirit of progressive rock, “Life After Mars” seems a natural progression.
Says John, “I think of this as good timing. A perfect time to rethink your mindset, and have a new jumping off point. At one time, walking on the moon, or landing on Mars was the future. Everyone wondered if there was life on mars, and now they are talking about colonization of Mars. Truly, the FUTURE is life AFTER mars.”
Life After Mars features:
John Baker – lead vocals and guitars
Don Schiff – NS stick, various basses and string instruments
Lisa LaRue – keyboards
Emily Dolan Davies – drums
Throughout the years, John Baker has held stints as guitarist and backing vocalist for various original bands and musicians, including Christian Love of “The Beach Boys” and bassist for The Little Girls. Since 1995, John has been operating a successful studio business, comprised of music projects, audio drama, and dialogue work. In the music field, John has worked with many musicians and producers, including Mick Taylor (Rolling Stones) and Richie Zito (Elton John, Tina Turner, Heart). In the dialogue field, John has directed, engineered, and edited hundreds of audio books including works by authors such as Robert Ludlum, Danielle Steele and Deepak Chopra. John Baker, an original member of Mars Hollow, is also the lead vocalist for the LA-based progressive rock band, Forever Twelve, who has just completed their 4th studio album, Home, on Melodic Revolution Records.
Don Schiff has worked with some of the best – including Elvis Presley, Tina Turner, Pat Benatar, Sheryl Crow, Sammy Davis, Arjen Lucassen among many others. Don is also a member of Rocket Scientists. Having scored soundtracks as well as acted in TV shows and films such as “Live From Death Row” and “84 Charlie Mopic,” he has also received gold records for co-writing for Pat Benatar’s “Wide Awake in Dreamland” and Winfield/Schiff’s “Cerebral Man.” Don is internationally known for his expertise with the NS/Chapman stick. He was also a member of Lisa LaRue’s former band 2KX.
Keyboardist Lisa LaRue has worked with many musicians including: John Payne (Asia), Don Schiff (Rocket Scientists, Tina Turner, Elvis, and more), Ryo Okumoto (Spock’s Beard), Michael Sadler (Saga), Oliver Wakeman (Yes). Esquire (Nikki Squire) and others. Lisa has been awarded Oklahoma Native American Artist of the Year and nominated for other awards including the Hollywood Music Awards, Los Angeles Music Awards, and the Native American Music Awards. She collaborated with Gilli Smyth of Gong on a self-released album titled “Dreamscapes,” and has released 5 solo albums, 1 album with Lisa LaRue Project 2K9, 2 albums with Lisa LaRue 2KX, and 1 album with Federico Fantacone (Fantacone/LaRue – Sonic Landscapes).
EMILY DOLAN DAVIES
Emily Dolan Davies is a British drummer who has been playing since age 11, with full time gigging beginning at age 18. She has extensive experience in many genres as a session and live drummer, in addition to playing with artists such as Bryan Ferry, The Thompson Twins, The Darkness, and many more. She is currently touring with Howard Jones.
Here’s what the press have said about Mars Hollow:
“It’s quite clear that Mars Hollow is a band to be reckoned with. This is no garage band, but a very serious group of players with some serious chops.” – Rok Podgrajšek – The Rocktologist
“If you take a little bit of Yes – mostly in John Baker’s vocals – and a little bit of Rush (also there in the vocals), that’s a bit what Mars Hollow sound like.” – Stephanie Sollow – ProgressiveWorld.net
“Each member of the quartet is a star player in his own right. Their sound is a rocking and melodic mix of the best of Yes & Genesis with a bit of latter-day King Crimson.” – Mike Flavin – USA Prog Music
“I would consider Mars Hollow to be a band that will withstand the test of time for the advancement of the progressive genre.” – Grant Hill – Music Street Journal
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