Prog-Ducer Passes on Sale TODAY Saturday, June 25 at 12:00 PM ET
ProgStock 2022 Current Lineup
Orpheus Nine District 97 Rachel Flowers Melanie Mau & Martin Schnella Pattern-Seeking Animals Adam Holzman & Brave New World ProgJect Stick Men Reuter Motzer Grohowski More acts to come!
Evership Special pre-release album listening party (venue TBD) for the new album, The Uncrowned King – Act 2 The full band will join us at ProgStock 2023…but, they have some additional surprises in the works for us in 2022. Stay tuned!
ProgStock 2022 Ticket Options & Sale Dates
Prog-Ducer Passes Available Beginning TODAY, Saturday, June 25 at 12:00 PM ET Prog-Ducer 3-Day Pass: $375 USD (plus taxes & fees) Early access to the lobby each day (30 minutes before regular attendees) Priority access to artist meet-and-greets each day (after 5-Year Patrons) Merchandise package, including some special items only for Prog-Ducers: Exclusive ProgStock 2022 Prog-Ducer Wristband (wear it proudly!) Other special items (to be determined) exclusive to Prog-Ducers Select items from our ProgStock 2022 merchandise catalog Festival Poster, Wristband, and Program (with autograph pages!) Festival T-Shirt in your chosen style and size
Regular 3-Day Passes and 1-Day Passes Not Available Until Saturday, July 16 at 12:00PM ET
Regular 3-Day Pass: $250 USD (plus taxes & fees) Access to artist meet-and-greets each day (after Prog-Ducers) Festival Poster, Wristband, and Program (with autograph pages!) Festival T-Shirt in your chosen style and size Single-Day Pass: $75/$100 USD (plus taxes & fees) Friday: $75 USD, Saturday: $100 USD, Sunday: $100 USD Access to artist meet-and-greets that day (after Prog-Ducers) Streaming Options: Coming soon!
5-Year Patron Passes Available NOW and anytime before October 7, 2022 A ProgStock 5-Year Patron may select any available seat within our theater and reserve it for 5 years, starting with this year’s festival. Patrons receive a three-day pass to the festival and are also entitled to these amazing perks:
Earliest access to the lobby each day (30 minutes before all others) First-in-line access to all artist meet-and-greets each day (before all others) Highly-valuable merchandise packages (unique each year, with cool freebies from us and our artists) An exclusive ProgStock 5-Year Patron badge (new and unique each year) Great perks throughout the year when opportunities arise from our alums and friends.
SiX By SiX is the exciting new trio formed by Ian Crichton (Saga), Nigel Glockler (Saxon) & Robert Berry (3; Emerson, Berry, Palmer), and their eponymous debut album is set for release on August 19th, 2022 via InsideOutMusic/Sony Music. This hugely accomplished trio of musicians is also pleased to announce their first single ‘Yearning to Fly’, and you can watch the video now here:
The roots of SiX By SiX can be traced back several decades to when Glockler and Berry were together as part of Yes guitarist Steve Howe’s continuation of the band GTR. Then there’s the Asia connection, where Crichton and Glockler contributed to sessions and recordings, while Berry was the link for his guitarist friend Pat Thrall joining that band.
Time marches on, paths cross and fate brings these three musicians together, born from a conversation with an industry insider in the UK who connected Ian Crichton in the Toronto area with Robert Berry outside San Francisco, who in turn reached Glockler at his home on the south coast of England.
Powered by Glockler’s dynamic drumming, the result is an expansive guitar-driven pallet, paired sonically with the unique flavour of the Crichton/Berry songwriting collaboration, which they are very excited to present on this debut album.
Ian Crichton comments: “Throughout my career, I’ve been very selective about what to get involved in outside Saga and when opportunities have arisen, I have said ‘no’ far more often than I have said ‘yes’. When Robert’s manager contacted me in 2020 and explained what Robert was seeking to do creatively and how my guitar could be central to the musical vision, I was intrigued. Now it’s over 18 months and many Zoom calls later, but crucially Robert, Nigel and I have also spent plenty of time together at Robert’s base in northern California. We’re three experienced players from three different countries, and with our six hands, we’re here to break the rock music mould. SiX By SiX is a band that we’ve built together and nurtured into a unique style that I’m very proud of.”
Nigel Glockler continues: “When Robert and Ian first approached me about becoming part of this band, I felt very honoured to be asked and absolutely thrilled to be working with a couple of guys I’ve admired for a long time. Robert and I first met during GTR days and we’ve kept in touch ever since. My path has crossed with Ian many times on the road over the years, so once the three of us got together in California it was like a meeting of old friends. Musically it immediately clicked and working within the framework of a three piece allows us to branch out in all directions and really push ourselves. I’m best known as the Saxon drummer, but I’ve always been a massive fan of progressive rock – Genesis and PFM are amongst my favourite bands! SiX By SiX is just the beginning of an exciting journey – bring it on!!”
Robert Berry adds: “After working with the genius of Keith Emerson and losing that musical partnership in 2016 following Keith’s death, I faced a daunting question: whether to bring down the curtain creatively or seek something inspiring which would reach new musical heights. My intuition was to lean into a dramatically more guitar oriented direction. But which guitarist is as impressive as Keith was as a keyboardist? At my manager’s suggestion, an incredible meeting of minds, style and future goals was struck with Ian Crichton. Was it luck, timing or destiny? I think it was all three because 3 is my lucky number. Ian and I were determined to keep this a 3 piece band (there’s that number again) and needed a drummer with a similar mindset and who is a solid, heavy hitter. My friend Nigel Glockler was the perfect fit. And with this extraordinary combination of friendship, musicality, and humor, a Brit, a Canadian and an American have come together as the brand new band SiX By SiX.”
Ian Crichton is best known as one of the founding members of Saga, alongside his brother Jim. Saga went on to sell roughly 10 million albums world-wide and continue to perform around the world. As the driving force behind SiX By SiX, Ian takes a cunning turn, in assembling another potent band but one that focuses on his guitar prowess. This time with established players, each with a celebrated past, refined skills, and unlimited potential.
Nigel Glockler began his career in 1980 as the drummer for the British band Krakatoa. In 1981 he found an opportunity with singer Toyah. By the end of the year, he joined metal legends, Saxon. Except for two brief absences, Nigel has been behind his massive drum kit as an integral part of Saxon ever since. His powerhouse drumming is the engine that drives SiX By SiX’s songs forwards relentlessly.
Robert Berry first gained international attention with San Francisco-based Hush, releasing well-received recordings and then touring the USA. In the mid-1980s Berry’s first solo album garnered positive reviews in the most influential trade publications and attracted the attention of several major labels. At the suggestion of one of those labels, Robert moved to the UK to work with guitarist Steve Howe (of Yes fame) along with drummer Nigel Glockler in an effort to revitalize GTR. When GTR stalled, Robert partnered with British rock legends Keith Emerson and Carl Palmer to form ‘3’. With Emerson and Palmer, Robert achieved a top ten charting single and toured the USA. Robert’s melodic sensibilities complement Ian’s extraordinary guitar and Nigel’s signature drumming perfectly.
Contrary to popular belief, progressive rock didn’t disappear with the advent of punk, and the lack of media support didn’t prevent new bands from forming and new music being created. It is hard to imagine these days, with everyone being permanently connected, but there was a time not long ago when communication was by word of mouth and letter. With no coverage by much of the media, it was down to fanzines and independent magazines to spread the word of what was happening within the progressive rock scene, what was being released, and who was worth going to see in concert. Most of these magazines survived for just a few issues, while others continued for many years, all having their part to play in spreading the word.
One of the most important during this period was ‘Feedback’. It initially started as the newsletter of Mensa’s Rock Music Special Interest Group in 1988, but when Kev Rowland became secretary in 1990, he determined to turn it into a magazine promoting music which often wasn’t being written about in the mainstream press. ‘Feedback’ soon became one of the key promoters of the underground progressive scene, and Rowland one of the most well-known and popular reviewers. He also became a contributor to ‘Rock ‘n’ Reel’, as well as writing for the Ghostland website in the early days of prog on the web.
Rowland collated all his progressive rock reviews and interviews written between 1991 and 2006 into three volumes which have been described by Record Collector and others as “The Bible” while one reviewer called it the “Encyclopaedia Progressivica”. It was originally intended to be just one book, but with the word count at more than half a million it was too big, so instead, it was decided to break it into easily digestible chunks and also include all the album artwork. The books have been widely acclaimed, and questions were asked of Rowland as to when the next one in the series would be available? Originally there was never any intention to produce any others as these had captured the time when he was running ‘Feedback’. However, even though he moved to the other side of the world and dropped out of the music scene, Rowland did begin writing again in 2008, and was soon as involved as he had previously been in the UK. Also, all his reviews were now saved digitally and did not have to be brought back to life from poorly photocopied fanzines, and he became convinced that it would be worthwhile to continue the series as the music had never stopped.
This brings us to Volume 4, which contains his writings from 2008 to 2013, with all album covers in full colour and cover art again by Martin Springett. Unlike the others in the series, this one-volume contains the complete alphabet, along with some book and DVD reviews, various artists, and a few interviews. The foreword is by the highly respected reviewer Olav M. Björnsen, while the comments on the rear cover are from Thierry Sportouche of the French progzine Acid Dragon (one of the longest-running progressive rock fanzines in the world) and Jerry van Kooten, founder of the highly influential Dutch Progressive Rock Pages (DPRP.Net). Together, these four stalwarts of the prog scene have more than 100 hundred years’ experience of writing about the music they love.
Along with the other three volumes in the series, this book shines a spotlight onto a scene time which is still critically ignored by many and provides information about the music in a constructive manner. It is again possible to discover some great music from wonderful bands, and this should be used as a guide to expand collections and understand that prog-rock really didn’t die, it just went underground.
About the author
Kev Rowland is a self-confessed music addict, who has never really been the same since he heard ‘Sabbath Bloody Sabbath’ in 1975. In the Eighties he spent quite a ridiculous amount of money on all things related to Jethro Tull and was asked by David Rees to write a piece on Carmen (the band including John Glascock, not the opera) for the Tull fanzine ‘A New Day’. This simple request was life-changing, although neither realised it at the time.
Kev discovered he enjoyed writing about music and submitted reviews for the inaugural Mensa RockSIG newsletter, before becoming secretary himself in 1990. Over the next 16 years, the newsletter gained a name, and he put out more than 80 issues, many of them doubles, more than 11,000 pages. When he moved to New Zealand in 2006, he retired from the music scene, but was pulled back in – initially kicking and screaming until he accepted his fate. These days he can be found contributing to many magazines and websites and is thoroughly enjoying the amazing music which can be found at the end of the world, saying the gigs remind him so much of what he used to attend 30 years ago.
When he isn’t listening to music, writing about music, or thinking about music, then he can be found on his lifestyle block with his wonderful wife Sara, and their 8 cats, 6 dogs, chickens, sheep, lambs, calves and cattle. Oh, apparently, he has a day job as well.
Containing all of Kev Rowland’s progressive rock reviews and interviews written between 1991 and 2006, the first four volumes of The Progressive Underground are essential for all lovers of the genre, but don’t just take our word for it.
A book that will be quickly referred to as “a bible”.
Daryl Easlea, Record Collector
Rowland is collecting his reviews in three volumes (in alphabetical order): their preservation for posterity is welcome. His writing is informative, intelligent, and generous. It certainly makes interesting reading… As Brian Appleton would put it, thank you Kev for your contribution.
Rychard Carrington, Rock n Reel
The third compilation of reviews from his Feedback fanzine is warm, honest and engaging. It is also, like the best underground writing, unvarnished and unencumbered by any expectations of PR; the reviews in The Progressive Underground Vol 3 are clearly done for no other reason than the love of the genre.
DE, Prog Magazine
This is best treated as a kind of guide to the neo-progressive genre. Thanks to this release, you can rediscover the wonderful albums of great bands and see that progressive rock has never really died, it just went from the mainstream to the underground.
Artur Chachlowski, MLWZ
All I can say is if you are a true proghead this book should be in your library of progressive rock literature. Because it’s a great work. A book to be considered of superior or lasting artistic merit.
Henri Strik, Background Magazine
Chronic well-crafted, short and mostly written in order to develop the subject with ease…Simply relevant information, the essential and useful. Personally, I believe that many current columnists should emulate the writing of Mr. Rowland.
Fred, ProfilProg
Laying his fan card on the table, Rowland has brought all of these reviews together to create a veritable Encyclopaedia Progressivica in three volumes… the ultimate pan-progressive fanzine.
PeacockSunrise Records is pleased to announce the signing of an exciting new 3-piece rock band, Gayle Ellett & The Electromags. Featuring Gayle Ellett (Electric & Acoustic Guitars, Hammond B-3 Organ, Rhodes Electric Piano) Craig Kahn (Drums & Percussion), and Mark Cook (Bass), Gayle Ellett & The Electromags is Instrumental hard-rocking guitar music with a 1970’s vibe.
When describing the band, Ellett, says “I formed this group because of my great love for guitars and the joy I get from playing guitar. I wanted to focus on the style that was popular back in my teenage years: the 1970s. I wanted to spend more time writing melodies and stretching out as a player, pushing myself to improve as a composer and producer, trying my hardest to capture the best tones possible. And luckily, I’m working with Craig Kahn and Mark Cook, who are a great fit for this group. They are super talented, highly motivated, and really easy to work with. Craig is a really talented and aggressive drummer, and Mark is an amazingly creative bass player. Making this album with them has been really fun!”
Album art by Matt Mahurin
Shiny Side Up Tracklist
1. No Deposit, No Return 06:15
2. Highway 27 04:14
3. The Old Canyon Road 05:26
4. Southern Slide 04:48
5. Hardtailed Knucklehead 05:45
6. Donuts & Fishtails 05:18
7. Beyond The Milky Way 01:22
8. Brass Saddles & Steel Trees 02:36
9. Three Way Switch 05:31
10. Crash Bar 05:26
11. Trail Dust 05:10
All music was composed and produced by Gayle Ellett
Recorded in Topanga, California, and Arlington, Texas
The artwork on the album is by the award-winning artist Matt Mahurin, who has created numerous album covers for groups like Peter Gabriel, U2, Metallica, R.E.M., Tom Waits, Muse, T-Bone Burnett, Soundgarden, Motley Crew, Def Leppard, Scorpions, Joe Satriani, Cher, and many others. And he has also illustrated the cover of TIME Magazine more than 40 times.
East Coast DJ Tom Gagliardi had this to say about the album, “Gayle Ellett & The Electromags have embarked on an eleven-track instrumental journey of old school atmospheres that include a truly analog sound so good….you can smell the ozone charge from those beloved tube amplifiers.”
Tracklist
1. Gas Tanks
2. Coffin Confession
3. Going Down
4. Once I Had Illusions (Part 1)
5. I Like Games
6. Shining Brightness
7. The Blues and Messing Round
8. Long Long Road
9. Once I Had Illusions (Part 2)Line-up
Arthur Brown – vocals, guitars, piano
Rik Patten – multiple instrumentsRecording at Sonic Scoops Studios UK Produced by Arthur Brown with Rik Patten Arrangements by Arthur Brown and Rik Patten Mix&engineering by Rik Patten Mastering by Marc UrselliArtwork by Laurie Avon Photography and imagery by Harvey Waller Layout & design by Jean Valnoir Simoulin
Available formats “Long Long Road” is available as a box set including a 48-page hardcover 2CD artbook, a gatefold 180g orange marble vinyl-LP, a bonus 7″ vinyl single, a wall flag, 4 30×30 cm art prints, and a certificate of authenticity personally signed and hand-numbered by Arthur Brown. The 2CD artbook is also available separately and includes liner notes by Arthur Brown, enhanced artwork and photography, and two exclusive studio recordings. “Long Long Road” is furthermore available on black 180g vinyl LP, on transparent red 180g vinyl LP, and as a Digipak CD.
WHO IS ARTHUR BROWN?
Pretty much everyone into rock music knows ARTHUR BROWN. Be it via listening to or watching The Who’s rock opera “Tommy” or spending time with The Alan Parsons Project’s classic debut album “Tales of Mystery and Imagination”, most people have encountered Arthur – even if they might not have realized it.
Yet when it comes to THE CRAZY WORLD OF ARTHUR BROWN’s iconic, career-defining 1968 transatlantic hit single ‘Fire’, everybody knows that this is Arthur – the self-proclaimed God of Hellfire!
But, we are getting ahead of ourselves, when we really ought to start with Arthur’s new full-length masterpiece “Long Long Road”.
Wild, vibrant, and crammed with rich musical textures, his new album is quintessentially ARTHUR BROWN, and can easily be construed as the apex and summary of a fascinating career that has spanned no fewer than seven decades.
Scheduled for release on Arthur’s 80th birthday on June 24, “Long Long Road” effortlessly shifts from progressive rock and soul to pristine blues rock, with the much-loved singer summoning his full vocal range with a mature mastery that comes only with the experience of a lifetime.
Make no mistake; ARTHUR BROWN is a true rock legend – luckily, one whose star still burns very brightly, making audiences’ jaws drop whenever he takes to the stage.
Born in 1942, this outstanding vocalist and pioneering performer have recently been experiencing a renaissance. Arthur’s ground-breaking work over several decades was honored at the 2019 Prog Awards when he received the Visionary Artist Award. In 2021, Arthur was given an HRH Legend Award that celebrates the best of British rock music. Prior to these, Classic Rock magazine bestowed a “Showman Award” on Arthur in 2005. This renewed attention by fans, media, and peers in the autumn of his artistic endeavors can be recognized as a long-overdue tribute to an iconic musician, similar to that enjoyed by JOHNNY CASH late in his expansive career.
ARTHUR BROWN‘s legacy has been long appreciated by fellow musicians, writers, and dedicated rock fans far beyond the vast shadow cast by his gigantic number 1 hit single ‘Fire’. The iconic track from his 1968 album “The Crazy World of Arthur Brown” still maintains its mesmerizing power with audiences and peers today. At the same time, it could be argued that the omnipresence of ‘Fire’ has partly obscured Arthur’s many outstanding accomplishments over the 54 years since its release.
To understand the massive impact and influence of ARTHUR BROWN‘s wild stage persona, flamboyant theatrical performances, and charismatic multi-octave voice, one only needs to listen to these rock icons:
“Without Arthur Brown, there would be no Alice Cooper.” ALICE COOPER
“Now there’s a man who was ahead of his time.” ELTON JOHN
“Arthur Brown was a big influence of mine… Arthur Brown has the voice of death.” Bruce Dickinson, IRON MAIDEN
“Arthur Brown is as much a dancer as he is a singer.” Pete Townshend, THE WHOARTHUR BROWN is widely recognized as a pioneer of shock rock and progressive rock, and a significant influence on heavy metal. His live performances include iconic classics, dance, poetry, visuals and a subliminal soundtrack of new electronic music. Whenever he plays, Arthur still brings the dramatically elegant and always extravagant style that he established as the gold standard onstage.During his long and distinguished career, Arthur has been the lead singer of various groups, most notably THE CRAZY WORLD OF ARTHUR BROWN and KINGDOM COME, along with a cameo in the cult film “Tommy”, in which his dramatic vocals were backed by ERIC CLAPTON and THE WHO. Collaborations include the debut album of THE ALAN PARSONS PROJECT, DAVID GILMORE, THE PRODIGY, BRUCE DICKINSON, THE STRANGLERS, KULA SHAKER, DIE KRUPPS, and many more.
With each note on “Long Long Road”, ARTHUR BROWN makes the impressive statement that he remains as authentic, challenging, creative, and compelling as he was at his career’s fiery beginning. This record is not a swansong, but the thrilling beginning of the final phase of an utterly singular career.
22nd May 2022: YES Management have announced today that due to current health issues Alan White will not be taking part on the forthcoming 50th Anniversary Close to the Edge UK & Eire Tour. Alan was really looking forward to playing live again preparing to celebrate 50 years with Yes, having joined the band for the July 1972 Close to the Edge Tour, coming full circle in 2022. Alan’s close friend Jay Schellen will be taking on drumming duties in Alan’s place.
The Album Series Tour 2022 which willcelebrate the 50th anniversary of YES’ iconic album Close to the Edge and will feature the album, performed in full, along with other classic tracks from YES’ extensive catalogue.
The tour line-up will feature Steve Howe (guitars), Geoff Downes (keyboards), Jon Davison (vocals), Billy Sherwood (bass guitar and backing vocals) with Jay Schellen (drums and percussion).
The show will comprise full production and a high-definition video wall directed by Roger Dean who will also be joining the tour with an exhibition of YES related art.
A full performance of the Relayer album will now be featured in a future UK tour in The Album Series. European dates were recently announced for rescheduled dates in 2023.
The 10 date UK and Eire tour starts on 15th June – full dates are:
Wed 15th JuneGlasgowRoyal Concert Hall
Fri 17th JuneManchesterBridgewater Hall
Sat 18th JuneNottinghamRoyal Concert Hall
Mon 20th JuneLiverpoolPhilharmonic Hall
Tues 21st JuneLondon Royal Albert Hall
Wed 22nd JuneYorkBarbican
Fri 24th JuneBirminghamSymphony Hall
Sun 26th JuneNewcastle O2 City Hall
Tues 28th JuneDublinVicar Street
Wed 29th JuneCorkOpera House
Tickets remain valid for the rescheduled shows. For full details and to book tickets for all shows go to venue website or http://yesworld.com/live where you can also book Meet and Greets with the band.
About YES
Steve Howe: guitars, backing vocals (1970 –1981, 1990–1992, 1995–present) Alan White: drums, percussion (1972 – present) Geoff Downes: keyboards (1980–1981, 2011–present) Jon Davison: lead vocals, acoustic guitar (2012–present) Billy Sherwood: guitar, backing vocals ((1994, 1997–2000), bass guitar, backing vocals (2015–present)
Formed in 1968 by Jon Anderson and the late, and much-missed, Chris Squire, YES have been one of the most innovative, influential and best-loved bands in rock music history. Their 1970s albums The Yes Album, Fragile, Close to the Edge, Yessongs (a triple live album set), Tales From Topographic Oceans,Relayer and Going For The One were ground-breaking in musical style and content. Their music also became synonymous with artist Roger Dean whose distinctive YES logo design and artwork adorned the lavish gatefold presentation sleeves of many YES albums.
With sales of over 50 million records, the Grammy-award winning YES were inducted into The Rock And Roll Hall Of Fame in 2017 where they performed Roundabout from the album Fragile and the FM radio-friendly Owner Of A Lonely Heart from the 1985 album 90125. In 2021 YES released their 22nd Studio album, The Quest, produced by Steve Howe, which went to No.1 in the UK rock chart and entered the Official UK Album Chart at No. 20.
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