Prog music artist Leon Alvarado will be releasing a new box set of his most recent album “Charging The Electric Dream” on May17th! The set includes the original CD of the very well-received album plus a second CD containing “Outisde The Dream” (Epic version) which serves as the soundtrack for the short film of the same name. The box set also includes two full color post cards recreating some of the promotional poster and a numbered and signed presentation card. All the materials are neatly contained in an elegant, collectible box with a color-printed insert and it’s own unique artwork.
Says Leon, “The project as a whole has taken a long time to come to fruition, so I wanted to give it a release with all the trimmings. I think collectors will find great enjoyment and additional engagment in this box set.”
The music housed in this box set was recorded periodically over a span of several decades. A video for the title track was released concurrently with the album on Decemeber of last year followed by “Outside The Dream” the short film which was released on February 15th along with its soundtrack. The Box set will be sold exclusively through Melodic Revolution Records.
Primarily known for his record label and music promotion artwork, in 2008 Leon Alvarado released his first album,“Plays Genesis and Other Original Stuff”as an ode to one of his favorite bands. Since then, he has released several records and worked alongside an impressive list of well-known musicians such as Rick Wakeman, Bill Bruford, Billy Sherwood, Jon Davison (Yes), John Goodsall (Brand X), Trey Gunn (King Crimson), Tony Levin (Peter Gabriel, KC), Jerry Marotta, (Peter Gabriel), John Helliwell (Supertramp), Tony Franklin (The Firm), Johnny Bruhns, (Circa), Edoardo Scordo, Damian Darlington (Brit Floyd), Ty Tabor (King’s X) to name a few.
Leon’s musical output can be categorized as a blend of Prog Rock with Ambient, some Classical and a measure of Fusion. Each piece, as well as his library as a whole, is a constantly evolving musical landscape that can simultaneously embrace the listener in familiarity, while embarking on exciting and experimental journeys of sound.
Personnel: Leon Alvarado all instruments Engineered by Leon Alvarado Engineering Assistance by John Douglass Mastering by Maor Appelbaum
William Wyman “Billy” Sherwood (born March 14, 1965, Las Vegas, Nevada) is a musician, record producer, and engineer.
Sherwood comes from a musical family which includes his father Bobby Sherwood, who was an actor, musician, and big band leader, his mother Phyllis, a singer and drummer, and brother Michael, a keyboardist and singer. His godfather is the late Milton Berle. Billy has a wife, Michi.
Sherwood’s music career started when he joined a band called Lodgic formed by Michael. Billy played bass and sang, while Michael played keyboards and sang back up. Lodgic also included Guy Allison on keyboards, Jimmy Haun on guitar and Gary Starns on drums. They eventually moved the band to Los Angeles in 1980. After many years of trying to get things together, they recorded their debut album Nomadic Sands, released in 1985.
Lodgic eventually broke up, and Billy Sherwood put together a new band with Guy Allison. They recruited guitarist Bruce Gowdy and drummer Mark T. Williams to form World Trade. They recorded their self-titled debut in 1989, with Sherwood taking on the roles of engineer, mixer, and producer again, along with his band duties as bassist and lead singer.
Yes and other projects
Then, Sherwood and Gowdy were asked to come and jam with Chris Squire, Alan White, and Tony Kaye of Yes. Singer Jon Anderson and guitarist Trevor Rabin had left the band and the idea was for Sherwood and Gowdy to replace them in the band. Rabin returned to the band, but demos were recorded by a line-up of Squire, White, Kaye, Rabin and Sherwood. However, Yes were to merge with Anderson Bruford Wakeman Howe and Sherwood was relegated to the role of side musician, appearing on one track of the subsequent album Union. Like Trevor Horn before him, Sherwood was uncomfortable with the idea of replacing Anderson as the front man of Yes, but he struck up a friendship with Squire that would lead to work with him throughout the next 20 years.
During the hiatus of Yes, Squire put together the Chris Squire Experiment, having Sherwood as the lead singer while playing some guitar and keyboards. Sherwood then went on to record a project called The Key with guitarist Marty Walsh, though they would not release the album until 1997.
Behind the board, Sherwood worked with Motörhead, Dangerous Toys, and Paul Rodgers (formerly of Bad Company) as producer and engineer. Sherwood also guested on Toto’s Kingdom of Desire album, singing and playing bass. He also produced a couple of tribute albums, including Jeffology, a tribute to Jeff Beck. Sherwood then joined Yes on tour as an additional musician, playing guitar and keyboards for their tour in support of Talk.
Sherwood got back together with his band mates from World Trade and released Euphoria in 1995, with Jay Schellen replacing Williams on drums. After this, he worked with a multitude of artists. Most of his work was as producer, mixer and engineer, including on more tribute albums: Dragon Attack, a tribute to Queen; Salute to AC/DC; and Crossfire, a tribute to Stevie Ray Vaughan.
Sherwood would co-produce, engineer and mix the new studio tracks for Yes’s Keys to Ascension and Keys to Ascension 2 albums. Sherwood started work on a third album by World Trade, but the band would fall apart. He would later use much of that material as his debut solo album The Big Peace,released in 1999.
After the two Keys to Ascension albums, Rick Wakeman left Yes. Sherwood’s friendship with Chris Squire would then lead him being asked to join the band again. The material that they had written together was used as the basis of what would become Open Your Eyes, released in 1997 by Yes. Sherwood played guitar and keyboards. Igor Khoroshev would join the band before the tour as the keyboardist leaving Sherwood to playing guitar and supplying backing vocals.
After returning from the tour, Sherwood and Yes returned to the studio to record The Ladder. During this time too, Sherwood and Squire started putting the finishing touches on their album Conspiracy, largely based on the Chris Squire Experiment material, which was released while Yes was on tour in support of The Ladder in 2000. Billy also took time to perform on his brother Michael’s album Tangletown, released in 1999.
Yes recorded a show during The Ladder tour in Sherwood’s hometown of Las Vegas at the House of Blues. This was released as an album and DVD titled House of Yes. Then after the tour, an announcement came that Sherwood was no longer a member of Yes.
After his departure from Yes, Sherwood worked with Chris Squire to release Conspiracy, including some work they composed together some years before. Following that, Sherwood composed his first solo album called The Big Peace in which he played most of all the instruments and also produced. The album was a sort of back to basics of his progressive roots.
In 2003, Sherwood released another album with Chris Squire, the project becoming known as Conspiracy. The album was titled The Unknown.
More recently, Sherwood has been working on further tribute albums, notably Back Against the Wall and Return to the Dark Side of the Moon, tributes to Pink Floyd’s The Wall and The Dark Side of the Moon respectively. The latter includes a new track recorded with Tony Kaye.
In 2007, a new band with Sherwood, Alan White, Tony Kaye and Jimmy Haun was announced, called Circa. With the release of their debut album Circa 2007 and a live DVD concert, Circa has played various live dates. White left the band and was replaced by Jay Schellen.
Sherwood is also credited for writing the theme song for the online anime series, Kung Fu Jimmy Chow.
In August 2008, Billy Sherwood’s released his third solo album, At the Speed of Life, for which he received an award that year as the best Progressive Rock Producer.
On January 14, 2009, Circa self-released on the Internet its second studio album, Circa HQ. This time, White was not available due to his commitments with Yes (who had begun a new tour). Sherwood’s long time friend, collaborator and drummer, Jay Schellen, replaced White on the album. After a short international tour, Sherwood and co. started another project with former Toto singer, Bobby Kimball. Kimball, Sherwood, Tony Kaye and Jimmy Haun formed new band, Yoso, with a debut studio album in April 2009. Haun later abandoned the line-up (in order to focus on his work for adverts). He was replaced by Yes tribute band guitarist, Johnny Bruhns. Schellen chose to focus on his work in Asia Featuring John Payne and, after a number of other drummers, the band toured with Scott Connor on drums. Yoso then disbanded. Sherwood also released his fourth solo album, Oneirology.
In 2011, CIRCA: returned with a new line-up of Sherwood, Kaye, Bruhns and Connor, while Sherwood released his fifth solo album, What was the Question?. In 2012, Sherwood wrote, produced, arranged and performed on The Prog Collective, an album featuring vocal or instrumental contributions from many of the progressive rock artists he had worked with over the years. He reprised the concept with a similar collection of artists for Epilogue, released in 2013.
On October 8, 2013, they released the official video to William Shatner’s record Ponder The Mystery, followed by a sold out tour with CIRCA. Ponder The Mystery also features appearances of Steve Vai, Robby Krieger, Al Di Meola, George Duke, Vince Gill, Dave Koz, Rick Wakeman and Edgar Winter. He also played with Alan Parsons Project.
Sherwood appeared along with William Shatner in the Season 14 premiere of Hell’s Kitchen where they met blue team as part of their reward for winning the signature dish challenge.
On May 19, 2015, it was officially announced that Chris Squire would be undergoing treatment for Acute erythroid leukemia, and that Yes would continue their 2015 North American tour with Sherwood filling Squire’s role. After Squire’s passing on June 27, 2015, Sherwood—as well as other members of Yes (both former and current)–made a public statement expressing his grief. In regards to his new role as the now-permanent bassist for Yes: “Chris said to me, ‘play the music, be yourself and make me proud’. It’s my true desire now [to] live up to his wishes.”
On 11 January 2017, it was announced via Asia’s Official Facebook that Sherwood would be filling in for John Wetton for tour dates in the spring of 2017 while Wetton underwent chemotherapy.Weston died on 31 January 2017.
The Big Peace (1999)
No Comment (2003)
At the Speed of Life (2008)
What Was the Question? (2011)
The Art of Survival (2012)
Divided by One (2014)
Collection (2015), compilation with two exclusive tracks
Archived (2015), album sold at Yes concerts during their 2015 tour, availability on Sherwood’s website in 2016
With World Trade
World Trade (1989)
Nomadic Sands (1985)
Open Your Eyes (1997)
The Ladder (1999)
House of Yes: Live from House of Blues (2000)
Also: production, songwriting and various instruments on Union (1991), and mixing on Keys to Ascension (1996), Keys to Ascension 2 (1997), Heaven & Earth (2014), Like It Is: Yes at the Bristol Hippodrome (2014) and Like It Is: Yes at the Mesa Arts Center (2015)
The Unknown (2003)
Circa 2007 (2007)
Circa Live (2009, + DVD 2008)
Circa HQ (2009)
And So On (2011)
Live From Here There & Everywhere (2013)
Valley Of The Windmill (2016)
With The Prog Collective
The Prog Collective (2012)
Solo Production Credits
Back Against The Wall (2005)
Return to the Dark Side of the Moon (2006)
Songs of the Century: An All-Star Tribute to Supertramp (2012)
Deep Purple – Slaves and Masters (1990)
Yes – Yesyears (1991)
Yes – Union (1991)
Regulators – The Regulators (1991)
Toto – Kingdom of Desire (1992)
Motörhead – March ör Die (1992)
Air Supply – The Vanishing Race (1993)
Paul Rodgers – Muddy Water Blues: A Tribute to Muddy Waters (1993)
Dangerous Toys – Pissed (1994)
Various Artists – Supper’s Ready (1995)
Various Artists – The Moon Revisited (1995)
Various Artists – Tales From Yesterday (1995)
Pam Thum – Faithful (1995)
Air Supply – News from Nowhere (1995)
Yes – Keys to Ascension (1996)
Def Leppard – All I Want Is Everything (1996)
Various Artists – Crossfire: A Salute To Stevie Ray Vaughan (1996)
Yes – Keys to Ascension (1997)
Various Artists – Dragon Attack: A Tribute To Queen (1997)
Paul Rodgers – Chronicle (1997)
The Key – The World is Watching (1997)
Treason – Treason (1997)
Ratt – Collage (1997)
Carmine Appice – Guitar Zeus (1997)
Flambookey – Flambookey (1997)
Various Artists – Thunderbolt-A Tribute To AC/DC (1998)
Michael Sherwood – Tangletown (1998)
Regulators – Bar & Grill (1998)
Quiet Riot – Alive and Well (1999)
Carmine Appice – Guitar zeus: Japan (2000)
Yes – Keystudio (2001)
Fear Factory – Digimortal (2001)
Carmine Appice – Guitar Zeus: Korea (2002)
Jack Russell – For You (2002)
Todd Rundgren – Todd Rundgren And His Friends (2002)
Medwyn Goodball – Anam Cara
Various Artists – Pigs & Pyramids-An All Star Lineup Performing The Songs of Pink Floyd (2002)
Ignition – Ignition (2003)
Various Artists – Bat Head Soup-A Tribute To Ozzy Osbourne (2003)
Asia – Silent Nation (2004)
John 5 – Vertigo (2004)
Larry Klimas – Retro-Spec(t) (2004)
Michael Schenker – Heavy Hitters (2005)
Various Artists – Back Against The Wall (2005)
Edgar Winter – The Better Deal (2006)
Various Artists – Return to the Dark Side of the Moon (2006)
Various Artists – An ’80s Metal Tribute To Journey (2006)
Various Artists – Lights Out: The Ultimate Tribute To UFO (2006)
Various Artists – An All-Star Tribute To Lynyrd Skynyrd (2007)
Graham Russell – The Future (2007)
Hollywood Roses – Dopesnake (2007)
Various Artists – 70’s Box: The Sound Of A Decade (2007)
Julie Francis – Lucky Penny (2008)
Various Artists – Led Box: The Ultimate Tribute To Led Zeppelin (2008)
Various Artists – Big Movies, Big Music Volume 1 (2008)
Various Artists – Big Networks, Big Music Volume 2 (2008)
Various Artists – Big Networks, Big Music Volume 9 (2008)
Various Artists – Ultimate Holiday Party Volume 1 (2008)
Various Artists – Ultimate Christmas Party Volume 2 (2008)
Various Artists – Ultimate Christmas Party Volume 3 (2008)
Various Artists – A Tribute To Thin Lizzy (2008)
Various Artists – Abbey Road: A Tribute To The Beatles’ (2009)
Eureka – Shackleton’s Voyage (2009)
Various Artists – An All-Star Salute to Christmas (2010)
Nigel Briggs – Unwind (2010)
Mars Hollow – World in Front of Me (2011)
John Wetton – Raised in Captivity (2011)
Flaming Row – Elinoire (2011)
Michael Schenker Group – By Invitation Only
Sonic Elements – XYZ—A Tribute to Rush (2012)
Jay Tausig – Pisces (2012)
Various Artists – Songs of the Century: An All-Star Tribute to Supertramp (2012)
Various Artists – Black on Blues – A Tribute to The Black Keys (2012)
The Fusion Syndicate – The Fusion Syndicate (2012)
Edison’s Lab – Edison’s Lab EP (2012)
Blackburner – Planet Earth Attack (2012)
Nektar – A Spoonful of Time (2012)
Nektar – Time Machine (2013)
Days Between Stations – In Extremis (2013)
Sons of Hippies – Griffones at the Gates of Heaven (2013)
Melodic Revolution Records is Celebrating its 10th year anniversary as a record label, and they have just released a press release called “A Celebration – 10 Years of Melodic Revolution Records” (Press Release) In the press release they thank music fans for supporting the labels artist. Thus the label have put together a whopper of a Digital Album and is offering it for a limited time as a Free Download it will only be available for seven days.
The digital album features 80 tracks which equates to over 7 hours of Music.
Featured artist include:
Echoes Landing, Laurie Larson, DDRIVE, J-Zohar, Alyshen, ifsounds, Scarlet Hollow, Cary Clouser, Vitriol, 24k, Jim Crean, Insites, When Friends Come Out to Play,Unified Past, Solstice Coil, Morre, MandalaBand, Aethellis, Don Mancuso,Capricia, Paul D’Adamo,The Minstrel’s Ghost, Kracked Earth,The Room, Halo, King Friday, Hellhaven, Corvus Stone,Anuryzm, Transcend, Oceans of Time, Roads to Damascus, Murky Red, Transport Aerian, Amadeus Awad, Andy John Bradford’s Oceans 5, Luigi Milanese, AzaZello, Sunshine & Bullets, Morpheus Rising, Thoughts Factory, Peter Matuchniak, Marco Ragni, Ellsworth Hall, Backhand, Leon Alvarado, Voice of the Enslaved, Progeland, Drastic Fall, Time Horizon, Kinetic Element, Gekko Projekt, Darrel Treece-Birch, Port Mahadia, Petri Lindström Project and Nth Ascension
Melodic Revolution Records | Feature Album August 2016 Leon Alvarado | The Future Left Behind
Label: Melodic Revolution Records Release Year: 2016 Country: USA Genre : Progressive Rock
Band Members Leon Alvarado – Keyboards/Sequencing/Drums/Percussion/Launch Control Voices Billy Sherwood – Lead and Rhythm Guitars On All Tracks Except “To Be Loved” Rick Wakeman – Moog Solo on “The Launch Overture” and Additional Keyboards Johnny Bruhns – Acoustic Guitar on “To Be Loved” Steve Thamer – Narration
In today’s progressive music climate and culture, it would be arrogant to hold on to the notion that every conceptual album has to have lyrical content to tell a story effectively. Rick Wakeman with ‘Journey To The Centre Of The Earth’ , Kraftwerk with most of their library and even guitar virtuoso’s like Joe Satriani, Steve Vai and Eric Johnson have all certainly destroys this ‘Myth’ . Now comes Leon Alvaroado with his soon to be released The Future Left Behind. With a open imagination and a objective mindset, the listener can easily allow the narrative throughout this album to set up the instrumental pieces that flow with such masterful and thoughtful continuity.
Some artists have a very uncanny ability to create their own worlds that invite a true objective listener to become enveloped within that world and carry their minds and souls into a place of brief escape or even a small melodic vacation for the hour or so of the album. Leon Alvarado has done a brilliant job doing this on The Future Left Behind. The album certainly has strong cinematic film score elements that blend in well with all the traditional progressive rock and fusion hallmarks.
Leon Alvarado’s The Future Left Behind, is a conceptual piece that describes what the future of the Earth and humanity maybe. The cinematic elements easily rank up there with legendary science fiction film scores as Close Encounters Of The Third Kind, 2001 A Space Odyssey. At the same time ranking right up there with the likes of Jordan Rudess, Derek Sherinian’s PlanetX,Genius A Metal Opera and Ayreon’s Actual Fantasy. Anchored with a very articulate narrative eloquently spoken by Steve Thamer, Leon Alvarado’s brilliant use of sequencing and effects along with the instrumental melody holds the album within the confines of a consumable audio pallet for both progressive purists or those newer and more curious listeners.
Despite the all star line up on this album, Leon Alvarado in a very tasteful and appropriate way allowed for the respective talents to be displayed while maintaining a unique ability to focus more on strong song structure rather than ego carrying it in its duration. First he paints a clear focus with every narrative piece on the album so the instrumental pieces are magnified ten fold allowing the listener to paint the vivid images of the story in the theater of their minds. The all star line up do a brilliant job working within the vision of Leon Alvarado on this project.
Each instrumental track carries its own emotion and paints some very vivid melodic strokes throughout the album. Every layer of sequencing, every rhythm section and keyboard section has its own broad strokes of audio bliss. This is also a album that can translate well to a live atmosphere in concert on stage. In a era where compressed music is force down the throats of the general public, Leon Alvarado’s The Future Left Behind allows every note, progression and passage to breathe allowing the listener to absorb the project with grace. With every listen and rotation there seems to be something new coming to the light of day or something there that has not been noticed before with previous listens.
In conclusion , Leon Alvarado has made a very intricate and artistic statement without compromising his initial vision. It take a lot of courage and risk to make a almost strictly instrumental conceptual piece. Although they are not for everybody they certainly have a niche audience that wants to sit back, chill and allow the theater of their minds to paint a picture alongside the music. I give Leon Alvarado’s The Future Left Behind a 4.5/5 for complete organic vision. This is set for release on July, 30, 2016 on Melodic Revolution Records.
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