The two VE Day Heroes being celebrated within the Fripp and Willcox families: Uncle Bill, aka RAF Flight Sergeant Alfie Fripp https://en.wikipedia.org/wiki/Alfie_Fripp, who helped in planning The Great Escape.
Beric Willcox of the Royal Navy, based in Alexandria, who guarded convoys in the Mediterranean.
Watch the video:
The guitar used in the video is RF’s Les Paul serial no. 9-1986; used on all KC albums 1969-74; and on the Heroes session in Berlin with David Bowie, Tony Visconti & Brian Eno at the Hansa Studios, July 1977.
Backing track: King Crimson Live In Berlin on September 12th. 2016.
Personnel: Gavin Harrison, Jeremy Stacey, Pat Mastelotto, Mel Collins, Tony Levin, Jakko Jakszyk & Robert Fripp. Fairy dustings provided by Bill Rieflin.
Recorded and mixed by Chris Porter. Produced by Chris Porter with Robert Fripp & David Singleton.
Used by permission.
Vocal track & video: Toyah Willcox, at home in the kitchen, Middle England; May 5th. 2020 on iPhone. For more information:www.dgmlive.com
In celebration of 50 years, King Crimson announces 50 Concerts for 2019. The current eight musician line-up will perform 50 concerts across three continents as part of their 2019 Celebration tour.
Dates confirmed so far, are as follows:
King Crimson 2019 Tour Dates: JUN 10, 2019 – HAUS AUENSEE, Leipzig JUN 12, 2019 – JAHRHUNDERTHALLE, Frankfurt JUN 13, 2019 – JAHRHUNDERTHALLE, Frankfurt JUN 15, 2019 – LIEDERHALLE, Stuttgart JUN 16, 2019 – LIEDERHALLE, Stuttgart JUN 18, 2019 – ROYAL ALBERT HALL, London JUN 19, 2019 – ROYAL ALBERT HALL, London JUN 20, 2019 – ROYAL ALBERT HALL, London JUN 22, 2019 – DE VEREENIGING, Nijmegen JUN 23, 2019 – DE VEREENIGING, Nijmegen JUN 26, 2019 – TEATR ROMA, Warsaw JUN 27, 2019 – TEATR ROMA, Warsaw JUN 29, 2019 – ZITADELLE, Berlin JUL 04, 2019 – ROMISCHES THEATER AUGUSTA RAURICA, Basel JUL 08, 2019 – ARENA DI VERONA, Verona JUL 10, 2019 – STUPINIGI SONIC PARK, Torino JUL 12, 2019 – DOCTOR MUSIC FESTIVAL, Escalarre JUL 13, 2019 – DOCTOR MUSIC FESTIVAL, Escalarre JUL 14, 2019 – DOCTOR MUSIC FESTIVAL, Escalarre JUL 18, 2019 – ARENA SANTA GIULIANA, Perugia AUG 23, 2019 – TEATRO METROPOLITAN, Mexico City AUG 24, 2019 – TEATRO METROPOLITAN, Mexico City AUG 27, 2019 – TEATRO DIANA, Guadalajara AUG 29, 2019 – TEATRO METROPOLITAN, Mexico City SEP 03, 2019 – GREEK THEATRE, Los Angeles SEP 05, 2019 – FOX THEATER, Oakland SEP 06, 2019 – FOX THEATER, Oakland SEP 08, 2019 – PARAMOUNT THEATER, Denver SEP 10, 2019 – AUDITORIUM THEATRE OF ROOSEVELT UNIVERSITY, Chicago SEP 12, 2019 – WARNER THEATRE, Washington D.C. SEP 14, 2019 – BUDWEISER STAGE, Toronto SEP 17, 2019 – ST DENIS THEATRE, Montreal SEP 19, 2019 – BOCH CENTER WANG THEATER, Boston SEP 21, 2019 – RADIO CITY MUSIC HALL, New York City SEP 23, 2019 – THE MET, Philidelphia SEP 25, 2019 – HARD ROCK ROCKSINO, Cleveland SEP 27, 2019 – THE RYMAN AUDITORIUM, Nashville SEP 29, 2019 – THE COBB CENTER, Atlanta OCT 06, 2019 – SUNSET STAGE ROCK IN RIO – Rio de Janeiro
Since the band’s return to live performance in 2014, with critically acclaimed sell-out shows all over the world including two defining shows at the Roman amphitheatre in Pompeii, the audience has been reinvented, as much as the band itself:
“In Pompeii, a large percentage of the audience was young couples; KC moved into the mainstream in Italy. I walked onstage knowing that this band’s position in the world has changed level.” Robert Fripp
The band’s packed three-hour shows regularly include material from twelve of their thirteen studio albums, including many of the songs from their seminal 1969 album In The Court of the Crimson King, described by Pete Townshend, as an “uncanny masterpiece”. The new 8-piece line-up plays many historic pieces which Crimson have never played live, as well as new arrangements of Crimson classics – “the music is new whenever it was written”. There are also new instrumentals and songs, as well as the compositions by the three drummers, Pat Mastelotto, Gavin Harrison and Jeremy Stacey, which are a regular highlight. A unique show, where eight of the best musicians in the world play music without distraction or adornment.
Physical music releases include:
February: King Crimson 1972 – 74 – the second boxed set of 6LPs from Larks’ Tongues in Aspic to the expanded USA in 200 gram vinyl.
May: Heaven and Earth: Multi-disc CD/ DVD-a/Blu-Ray set covering the period from the late 1990s – 2008 – completing the availability of all King Crimson studio albums in 5.1 multi-channel audio.
October: Complete 1969 Recordings CD/DVD-a/Blu-Ray set – completing the availability of all King Crimson studio albums on Blu-Ray. A vinyl set of 1969 recordings is also being planned
Other planned music releases include: 200 gram vinyl editions of Beat and Three of a Perfect Pair, the 2CD 2019 King Crimson tour box – 6th in the series of releases issued to accompany each tour from 2014 onwards
50 Collectors’ Club Releases: 2019 will see the release of CLUB48, CLUB49 and CLUB50 – the final three in the Collectors Club series, taking it 50 releases in the band’s 50th year. CLUB48 will be a recently discovered board recording of the concert in Newcastle on 8th December 1972 by the complete Larks Tongues in Aspic line-up before Jamie Muir left the band.
October: In The Court of the Crimson King Companion & Boxed Set – Released to coincide and celebrate the original release date of King Crimson’s debut album on 12th October 1969: Limited edition expanded boxed set of In The Court of the Crimson King including all the live recordings, the expanded multitrack 1969 recording sessions, as well as a new 5.1 remix of the album. DGM Companion Vol 1, edited by Robert Fripp & David Singleton – Vinyl sized coffee table book covering the history of In The Court of Crimson King, with complete timeline, extensive photos, recollections and essays.
June: Sid Smith’s long out-of-print acclaimed biography, In the Court of King Crimson will be published in a revised, updated and expanded edition.
50 special Digital music releases, KC 50: 50 tracks, 1 per week featuring a new, rare or alternate take from across the KC catalogue and available via all major download and streaming services. Each track will be accompanied by a special spoken word introduction by King Crimson manager/producer David Singleton.
Documentary: Cosmic F*Kc: The King Crimson documentary, directed by Toby Amies, who has been given unique access to the current band as well as interviews with past members and archive footage. To be released in late 2019. An accompanying soundtrack will also be issued.
Limited edition Silk Screen prints of Barry Godber’s famous “Screaming Face” cover from In The Court of the Crimson King:
200 limited edition Silk Screen prints of the outer sleeve of In the Court of the Crimson King. 100 copies of the interior. Printed at actual size of the original art (46.5 inches x 27.5 inches including surround). All prints will be signed and numbered by Robert Fripp. Early purchasers will be given the option to buy matching numbered sets
Clothing: 12 special 50th anniversary T-shirts, complementing the artwork for the KC50 digital download series.
For more information: www.dgmlive.com paintings by Francesca Sundsten photographs by Dean Stocking and David Singleton
ROBERT FRIPP, though best known for his work in King Crimson, has contributed to numerous albums by players as diverse as Brian Eno, David Bowie, Peter Gabriel, Blondie, Talking Heads, Daryl Hall, The Roches, Peter Hammill, Keith Tippett, David Sylvian, The Orb, and The Grid. His 1979 solo album, Exposure was described as “the Sergeant Pepper of avant punk.” He has appeared twice in Rolling Stone magazine’s 100 Greatest Guitarist Of All Time poll, although Fripp claims these are likely to have been mistakes by the typesetter.
TONY LEVIN has been a member of King Crimson since 1981. Internationally renowned and constantly in-demand for his distinctive bass work, he also tours with Peter Gabriel with whom he has worked since 1977. He has appeared on albums by Paul Simon, John Lennon, David Bowie and countless others and recently formed his own band, Stick Men alongside Crimson drummer, Pat Mastelotto.
JAKKO JAKSZYK was a member of Level 42, before working with Mel Collins as part of ex-KC alumni group, 21st Century Schizoid Band between 2002 – 2004. His solo album, The Bruised Romantic Glee Club (2006) was his first recorded collaboration with Fripp, followed by A Scarcity of Miracles in 2011. An acclaimed producer in his own right, Jakszyk has recently mixed Jethro Tull’s Ian Anderson’s UK Top 20 album, Homo Erraticus. . MEL COLLINS was previously a member of King Crimson 1970 – 1972 appearing on In The Wake Of Poseidon (1970), Lizard (1970), Islands (1971), Earthbound (1972) as well as a guest appearance on Red (1974), the final King Crimson album of the 1970s. He subsequently worked with The Rolling Stones, Pink Floyd’s Roger Waters, Dire Straits, Eric Clapton and many others, before returning to King Crimson in 2014.
GAVIN HARRISON joined King Crimson in 2007, playing a series of dates in the USA the following year. A respected author and tutor, he has also recorded three albums with The Pineapple Thief, though Harrison is probably best-known for his work with Porcupine Tree. Modern Drummer magazine placed him in their Top 50 Drummers Of All Time.
PAT MASTELOTTO joined King Crimson in 1994 after working with Robert Fripp and David Sylvian. A member of the hugely successful American 1980s group and MTV favourites, Mr. Mister, he is at home in both experimental music working with KTU as well as pop and rock appearing on albums by The Rembrandts, Hall And Oates and XTC.
JEREMY STACEY is a British drummer. His early work included the 1990s band, The Lemon Trees (with twin brother Paul Stacey on guitars, Guy Chambers and others) and Denzil. He has also played with Sheryl Crow, the Finn Brothers, Nick Harper, Noel Gallagher, and many more. On March 7, 2016, it was announced that he would be taking the place of Bill Rieflin as the centre drummer on the 2016 King Crimson European tour, a position he retained even after Rieflin’s return to the band.
BILL RIEFLIN is a multi-instrumentalist but is primarily known for his drumming with Ministry and industrial rock outfit KMFDM. From 2003 until their dissolution in 2011 he played drums with REM. He recorded with Robert Fripp on Birth Of A Giant and The Repercussions Of Angelic Behaviour (both 1999) and most recently in the ambient super-group, Slow Music in 2006 and 2014.
As part of a series of events and releases for their 50th anniversary, King Crimson’s 2019 tour will include special concerts across three continents, including both festivals and headline shows.
Since the band’s return to live performance in 2014, with critically acclaimed sell-out shows all over the world including two defining shows at the Roman amphitheatre in Pompeii, previously home to Pink Floyd, the audience has been reinvented, as much as the band itself:
“In Pompeii, a large percentage of the audience was young couples; KC moved into the mainstream in Italy. I walked onstage knowing that this band’s position in the world has changed level.” Robert Fripp
With its fiftieth anniversary, it seems that the wider world is finally ready to embrace King Crimson. A process that began with Kanye West’s sampling of “21st Century Schizoid Man” for his 2010 hit “Power”, now sees their song “Starless” as the soundtrack to the opening scenes of Nicholas Cage’s new 2018 film “Mandy”.
The band’s packed three-hour shows regularly include material from twelve of their thirteen studio albums, including many of the songs from their seminal 1969 album “In The Court of the Crimson King”, described by Pete Townshend, as an “uncanny masterpiece”. The new 8-piece line-up plays many historic pieces which Crimson have never played live, as well as new arrangements of Crimson classics – “the music is new whenever it was written”. There are also new instrumentals and songs, as well as the compositions by the three drummers, Pat Mastelotto, Gavin Harrison and Jeremy Stacey, which are a regular highlight. A unique show, where eight of the best musicians in the world play music without distraction or adornment.
“MELTDOWN” – A BluRay filmed at the band’s five sell-out shows in Mexico City in 2017, was released in October 2018.
“COSMIKC F*KC” – an in-depth documentary of King Crimson will appear in 2019.
“Jimi Hendrix saw them at the Marquee in 1969 and declared them to be the best band in the world. In many ways, almost half a century later, they still are.” – ERIC THIESSEN, All About Jazz.
“Fripp and his band offered an impeccable performance in two stages. No melodies, no flapping, only musicians at the top of their art.” – IAN BUSSIÈRES La Presse, Quebec
“The band finally reaps all that it has sown in its many transformations…the king is not dead, far from it, and they still rejoice.” – REJEAN BEAUCAGE, Voir.ca
“Crimson has never sounded more complete, or more joyous, on stage than it does now.” – JORDAN ZIVITZ, Montreal Gazette
“The uniqueness of seeing each of these seasoned musicians working is near indescribable and has to be experienced live to fully embrace their vision – think of eight master painters working in their own style, but on a common canvas, and you begin to get the idea of things.” – WE HEART MUSIC, Minneapolis
“On our final evening at the festival, we were witness to the concert that inevitably proved to be its highlight…The blend of mood, melody, ambiance and atmosphere dazzled the audience, which responded with frequent standing ovations.” – LEE ZIMMERMAN, Goldmine Magazine
For more information: www.dgmlive.com
paintings by Francesca Sundsten
photographs by Dean Stocking and David Singleton
ROBERT FRIPP, though best known for his work in King Crimson, has contributed to numerous albums by players as diverse as Brian Eno, David Bowie, Peter Gabriel, Blondie, Talking Heads, Daryl Hall, The Roches, Peter Hammill, Keith Tippett, David Sylvian, The Orb, and The Grid. His 1979 solo album, “Exposure” was described as “the Sergeant Pepper of avant punk.” He has appeared twice in Rolling Stone magazine’s 100 Greatest Guitarist Of All Time poll, although Fripp claims these are likely to have been mistakes by the typesetter.
TONY LEVIN has been a member of King Crimson since 1981. Internationally renowned and constantly in-demand for his distinctive bass work, he also tours with Peter Gabriel with whom he has worked since 1977. He has appeared on albums by Paul Simon, John Lennon, David Bowie and countless others and recently formed his own band, Stick Men alongside Crimson drummer, Pat Mastelotto.
JAKKO JAKSZYK was a member of Level 42, before working with Mel Collins as part of ex-KC alumni group, 21st Century Schizoid Band between 2002 – 2004. His solo album, “The Bruised Romantic Glee Club” (2006) was his first recorded collaboration with Fripp, followed by “A Scarcity of Miracles” in 2011. An acclaimed producer in his own right, Jakszyk has recently mixed Jethro Tull’s Ian Anderson’s UK Top 20 album, “Homo Erraticus.”
.
MEL COLLINS was previously a member of King Crimson 1970 – 1972 appearing on “In The Wake Of Poseidon” (1970), “Lizard” (1970), “Islands” (1971), “Earthbound” (1972) as well as a guest appearance on “Red” (1974), the final King Crimson album of the 1970s. He subsequently worked with The Rolling Stones, Pink Floyd’s Roger Waters, Dire Straits, Eric Clapton and many others, before returning to King Crimson in 2014.
GAVIN HARRISON joined King Crimson in 2007, playing a series of dates in the USA the following year. A respected author and tutor, he has also recorded three albums with The Pineapple Thief, though Harrison is probably best-known for his work with Porcupine Tree. Modern Drummer magazine placed him in their Top 50 Drummers Of All Time.
PAT MASTELOTTO joined King Crimson in 1994 after working with Robert Fripp and David Sylvian. A member of the hugely successful American 1980s group and MTV favourites, Mr. Mister, he is at home in both experimental music working with KTU as well as pop and rock appearing on albums by The Rembrandts, Hall And Oates and XTC.
JEREMY STACEY is a British drummer. His early work included the 1990s band, The Lemon Trees (with twin brother Paul Stacey on guitars, Guy Chambers and others) and Denzil. He has also played with Sheryl Crow, the Finn Brothers, Nick Harper, Noel Gallagher, and many more. On March 7, 2016, it was announced that he would be taking the place of Bill Rieflin as the centre drummer on the 2016 King Crimson European tour, a position he retained even after Rieflin’s return to the band.
BILL RIEFLIN is a multi-instrumentalist but is primarily known for his drumming with Ministry and industrial rock outfit KMFDM. From 2003 until their dissolution in 2011 he played drums with REM. He recorded with Robert Fripp on “Birth Of A Giant” and “The Repercussions Of Angelic Behaviour” (both 1999) and most recently in the ambient super-group, Slow Music in 2006 and 2014.
Includes performances by Bryan Ferry, Frank Zappa, Robert Fripp, Simon Phillips, Terry Bozzio, Allan Holdsworth, John Wetton and Bill Bruford!
Nominated for 2019 induction into the Rock & Roll Hall of Fame for his innovative work along with Roxy Music, Eddie Jobson is considered the definitive musicians’ musician. “1971-1979 The Band Years” is the first of five planned compilation albums, one for each decade of Jobson’s outstanding career as an award-winning composer and internationally acclaimed keyboardist and electric violinist.
This first double-CD release features tracks from Jobson’s band years in the ’70s, including his work as a member of Curved Air, Roxy Music, Frank Zappa & The Mothers, and UK – the progressive-rock supergroup he co-founded with John Wetton, Allan Holdsworth and Bill Bruford. Classic tracks include Curved Air’s “Metamorphosis,” written by Jobson at the age of 17; Roxy Music’s “Out of the Blue”; and UK’s “In The Dead of Night.” All tracks have been digitally remastered for this special compilation.
Includes performances by Bryan Ferry, Frank Zappa, Robert Fripp, Simon Phillips, Terry Bozzio, Allan Holdsworth, John Wetton and Bill Bruford.
2CD and 8-page booklet with personal liner notes for all 21 tracks
DISC 1
1) Spanish Dream [live synthesizer solo from 1971 – Age 16]
2) Metamorphosis [Curved Air album “Air Cut”]
3) Armin [Curved Air album “Air Cut”]
4) On a Still Night [Eddie Jobson – early solo recording]
5) Yesterday Boulevard [Eddie Jobson – early solo recording]
6) As The World Turns [Bryan Ferry – non-album track]
7) She Sells [Roxy Music album “Siren”]
8) A Song for Europe [Roxy Music album “Stranded”]
9) Out of the Blue [Roxy Music album “Country Life”]
10) Läther [Frank Zappa – live recording]
11) In The Dead of Night [UK album “U.K.”]
12) By The Light of Day [UK album “U.K.”]
13) Presto Vivace & Reprise [UK album “U.K.”]
DISC 2
1) Alaska [UK album “U.K.”]
2) Time to Kill [UK album “U.K.”]
3) Nevermore [UK album “U.K.”]
4) Danger Money [UK album “Danger Money”]
5) The Only Thing She Needs [UK album “Danger Money”]
6) Rendezvous 6:02 [UK album “Danger Money”]
7) Caesar’s Palace Blues [UK album “Danger Money”]
8) Carrying No Cross [UK album “Danger Money”]
Classical prodigy and teen star — Award-winning film composer — “A musical genius” (Editor-in-chief of Emmy magazine) — Electronic music innovator — Nominated for 2019 induction into the Rock & Roll Hall of Fame — World music and jazz record producer — Lecturer on The Art & Science of Music — Electric violin virtuoso — Award-winning pianist
With an international reputation as the definitive musicians’ musician, British musician Eddie Jobson has been recognized as a musical genius since childhood. As a piano and violin prodigy, he was awarded a Diploma of Distinction by London’s Royal Academy of Music at the age of 8, performing with his first professional orchestra at age 10. At 16, he was appointed as the Young Persons’ Representative to the British Government’s Arts Council and, the same year, performed his debut concert at the University of Newcastle – one of the first live concerts to feature the electronic music synthesizer. By age 17 he had acquired a worldwide record deal with Warner Bros. to record his first full album, playing violin, synthesizer and piano.
Transitioning away from classical music and still only 17, he became orchestrator for British singer Bryan Ferry, leading to Jobson becoming a full member of the influential art-rock group Roxy Music, contributing to their first number-one album as synthesist and groundbreaking electric-violinist. Eddie’s proficiency in re-sculpting and professionalizing the Roxy sound played a major role in the band’s success and their considerable influence on the likes of U2, The Talking Heads and many of the ’80s new wave rock/pop groups. Jobson’s early pioneering work as a teen, along with the other Roxy members and fellow synthesist Brian Eno, has resulted in a nomination for 2019 induction into the Rock and Roll Hall of Fame.
Remaining in the rock and jazz world after Roxy, Eddie – still only 21 – was “discovered” by American music icon Frank Zappa and flown to Los Angeles to replace both jazz greats George Duke on keyboards and Jean-Luc Ponty on violin, in Zappa’s only four-piece lineup. Returning to England in 1978 after several albums and world concert tours with Zappa, Jobson then formed the internationally acclaimed progressive-fusion band UK with jazz-guitar legend Allan Holdsworth, King Crimson vocalist John Wetton, and original Yes drummer Bill Bruford. The UK albums, along with his other work with King Crimson, Yes, Jethro Tull and with members of Deep Purple and The Who, established Jobson not only as one of the top keyboardists in rock, but also as, arguably, the top rock violinist in the world.
In the 1980s, Eddie put rock music and concert touring aside and focused on electronic music and the innovative world of computer music. He created the first music video to feature CGI, as well as the world’s first album performed entirely on the Synclavier Music Computer. Featured in TIME magazine, this critically acclaimed album was one of the very first all-digital CD releases.
The 1990s saw Jobson move into the world of television and film scoring – an award-winning side-career that culminated in him becoming choral director for Disney on two major movies and the soundtrack composer on numerous films, TV shows and 3D theme-park experiences. Fascinated with all musical forms, he left the world of Hollywood in 2000 and formed a musicians’ label called Globe Music as a vehicle for producing a diverse array of jazz and world-music artists. This period also saw Eddie working with the Tuvan throat singers; composing for and conducting both the City of Prague Philharmonic and The Bulgarian Women’s Choir, and also functioning as the choir’s spokesperson at Harvard University and on multiple classical radio broadcasts.
An unexpected return to the concert stage in 2008, saw Jobson perform to a festival audience of more than 200,000 people in Kazan, Russia, leading to ten more years of world tours until his permanent retirement from live concerts in 2018. In 2017, Jobson received the Lifetime Achievement Award at the Progressive Music Awards in London.
Five new double-CD releases are being released to commemorate Jobson’s almost fifty years as one of the world’s most respected musicians. Eddie is also currently producing six video lectures on The Art and Science of Music.
The debut solo album from the virtuoso Iamthemorning pianist featuring an impressive list of guest performers.
Following the success of two highly-praised albums with Iamthemorning, Russian virtuoso pianist Gleb Kolyadin affirms his musical authority with his debut, self-titled album on Kscope. The record features a staggering whos-who of performers, including: Gavin Harrison (King Crimson / Porcupine Tree) on drums; Nick Beggs (Steven Wilson) on bass; Theo Travis (Robert Fripp / Porcupine Tree / Steven Wilson) on flute and saxophone; the unmistakable voice and lyrics of Steve Hogarth (Marillion) alongside Mick Moss (Antimatter); and Jordan Rudess (Dream Theater) on additional keys.”the single greatest pianist I’ve ever met in my life.” Daniel Cavanagh (Anathema).
Gleb Kolyadin is an emotive exploration of self-identity; a story of two parts with interweaving leitmotifs. The album’s central concept weaves through an elaborate tonal and thematic structure, built around the extraordinary rhythm section of Gavin Harrison and Nick Beggs, which is accented at its focal points by guest appearances from Steve Hogarth, Jordan Rudess, Mick Moss and Theo Travis.
The album is a collaborative piece with each musician recording their own parts separately, starting with Gleb recording himself on a grand piano in Moscow Winter-Spring 2017 at the famed Mosfilm studio. The album was mixed and engineered by Vlad Avy, who also previously worked on the two Iamthemorning records. Gleb Kolyadin will be released on CD / LP and digitally.
“Gleb Kolyadin is a beautiful pianist and a great musician. I was invited to collaborate on his new solo album and my mind was made up as soon as I heard the music.” Steve Hogarth (Marillion)
“Gleb is an extremely rare talent as a pianist and as a composer. His compositions are very inspiring as he breaks new ground on the instrument.” Gavin Harrison (King Crimson / Porcupine Tree)
“Gleb Kolyadin is a rare talent. A virtuoso classical pianist with tremendous compositional skills… believe you will find the listening experience quite breathtaking.”Nick Beggs (Steven Wilson)
Tracklisting Insight Astral Architecture (featuring Mick Moss) White Dawn Kaleidoscope Eidolon Into The Void The Room Confluence (featuring Steve Hogarth) Constellation / The Bell Echo / Sigh / Strand Penrose Stairs Storyteller (featuring Jordan Rudess) The Best Of Days (featuring Steve Hogarth)
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
