Legendary guitarist Scott Henderson will take you through the basic steps to improvisation and general organization on the guitar. Over 10 weeks, you’ll learn to use scales and their modes, chord tones, rhythmic ideas, motifs, and chord voicings, all with the focus on musicianship and artistry.
I’m happy to announce that I’m teaching an online class at Musicians Institute. Stig Mathisen, head of the guitar department, help me put this course together which we’re really proud of. This is how it works:
It’s a 10-week course which starts every January, April, July, and October. You get 10 videos which are uploaded weekly, and remain active for a year after the 10-week course is over. You also get an online session with me every Tuesday afternoon at 12PM Pacific Time. You can text me questions about that week’s video, or whatever’s on your mind, and see me talking, playing, and giving musical examples over backing tracks. These online lectures are also available for one year after the 10-week course is over.
The course starts with very basic information and moves pretty quickly, up to advanced jazz concepts. The program works because the material is explained very clearly, and as I mentioned, the videos and lectures remain active for a year.
If you’re a guitarist who doesn’t want to attend a school for logistic or financial reasons, but wants to improve your knowledge of guitar, this course could be just what you’re looking for. I’d also add that the course is not designed to be just a study of technical information, but rather a study of how to turn that information into musical ideas, with the emphasis on phrasing, tone, and artistry.
Get $50 off because you saw this on Facebook. Hope to see you online!
Born in 1954, Scott Henderson grew up in an era where blues-rock was at it’s peak. His formative musical years took place in South Florida where he played the clubs with various bands, playing everything from Led Zeppelin to James Brown. As he was learning his instrument, Henderson was influenced by Jimmy Page, Jeff Beck, Jimi Hendrix, Ritchie Blackmore, and his favorite blues guitarist Albert King.
Even though Henderson claims to be more of a blues-rock player, it was the influence of jazz that led him to the style of playing and composing that he is now famous for.
Scott studied arranging and composition at Florida Atlantic University then moved to Los Angeles in 1980. He toured and recorded with Chick Corea’s Elektric Band, violinist Jean-Luc Ponty, and was pleased to get the opportunity to work for four years with one of his favorite musicians, Weather Report’s Joe Zawinul. He recorded two albums with the Zawinul Syndicate, “The Immigrants” and “Black Water”. Henderson formed the legendary band Tribal Tech in 1984 with bassist Gary Willis, and recorded ten critically acclaimed albums. The most recent recording is “Tribal Tech X” released in March 2012.
In 1991, Scott was named by Guitar World as the #1 Jazz Guitarist, and in January 1992, he was named #1 Jazz Guitarist in Guitar Player’s Annual Reader’s Poll. His first solo blues album “Dog Party”, a welcome retreat to his musical roots, won best blues album of 1994 in Guitar Player Magazine. His next solo albums “Tore Down House” and “Well to the Bone” paired Henderson with legendary vocalist Thelma Houston. “Vibe Station”, Henderson’s latest and most accomplished work as a leader, is an instrumental trio record featuring Travis Carlton on bass and Alan Hertz on drums. The trio has toured extensively throughout the world in over 50 countries, playing music from the solo albums as well as some of Henderson’s music recorded by Tribal Tech.
Scott has also released two albums with “Vital Tech Tones”, a trio collaboration with bassist Victor Wooten and former Journey drummer Steve Smith. In 2009 he began touring worldwide with the HBC Trio, featuring bassist Jeff Berlin and drummer Dennis Chambers. Their first record “HBC” was released in October 2012.
As is often the case with a musician of Scott’s caliber, the demand is great that he share his knowledge with the current generation of guitarists. He is on the faculty at Musician’s Institute in Hollywood, where his Open Counseling sessions are some of MI’s most popular. Scott has also written columns for Guitar Player Magazine and many other guitar publications.
Alfred Publishing has released Henderson’s instructional DVD entitled “Scott Henderson – Jazz Rock Mastery”, and his first transcription book “The Scott Henderson Guitar Book”. His other two transcription books, “The Best Of Scott Henderson” and “Scott Henderson – Blues Guitar Collection” are available through Hal Leonard Publishing, as well as his instructional book “Jazz Guitar Chord System”, a revolutionary way for students to study the pluralities of jazz harmony.
Following the release of 2017’s Prog Award-winning album ‘Lost In The Ghost Light’, Tim Bowness returns with his fifth solo album ‘Flowers At The Scene’ on March 1st, 2019. Produced by no-man, the album is a vibrant collection of 11 strikingly diverse songs.
Tim comments: “’Lost In The Ghost Light – which was always intended as a one-off – felt like a perfect conclusion to a particular way of writing and working. In the wake of that, Flowers At The Scene very much feels like a press reset.
It was an exciting project to put together and it was great working closely with old sparring partners, Brian Hulse, and Steven Wilson. Steven was initially brought in to mix the album, but very quickly he was doing far more and developing production ideas alongside Brian and I. Listening to pieces such as Not Married Anymore, Borderline and The War On Me, we both felt that the project had more than a hint of the spirit of no-man and it became obvious that this was a no-man co-production rather than a Bowness/Wilson one.
Elsewhere, the likes of Fates Warning’s Jim Matheos, Colin Edwin, Dylan Howe, and Tom Atherton delivered some incredible performances and it was a delight to get Peter Hammill, Kevin Godley, Andy Partridge and David Longdon involved.
Peter and Kevin were two of my favorite singers growing up and I’ve been a long-term fan of XTC, so it was genuinely a thrill to hear their excellent contributions.”
Representing the duo of Tim Bowness and Steven Wilson’s first joint production in over a decade, the album features performances from an extraordinary cast of players including Peter Hammill (Van Der Graaf Generator), Andy Partridge (XTC), Kevin Godley (10cc), Colin Edwin(Porcupine Tree), Jim Matheos (Fates Warning/OSI), David Longdon (Big Big Train), co-producer Brian Hulse (Plenty), Australian trumpeter Ian Dixon, and drummers Tom Atherton and Dylan Howe. The Curator, David K Jones, violinist Fran Broady, and Charles Grimsdale also guest.
Mixed by Steven Wilson and mastered by Steve Kitch (The Pineapple Thief), the album’s artwork is once again by Jarrod Gosling. ‘Flowers At The Scene’ will be available as CD, LP + CD & as a digital album.
The full track-listing is as follows:
1) I Go Deeper (4.15)
2) The Train That Pulled Away (4.04)
3) Rainmark (4.15)
4) Not Married Anymore (3.30)
5) Flowers At The Scene (3.04)
6) It’s The World (3.03)
7) Borderline (3.45)
8) Ghostlike (5.08)
9) The War On Me (3.47)
10) Killing To Survive (3.59)
11) What Lies Here (4.00)
Tim Bowness is primarily known as vocalist/co-writer with no-man, a long-running collaboration with Steven Wilson.
In addition to releasing six studio albums and a documentary DVD with no-man, Tim has worked with popular Italian artist Alice, Mercury Prize-nominated Banco De Gaia, Robert Fripp, Peter Hammill and Roxy Music’s Phil Manzanera (amongst many others).
Tim recorded the album Flame (1994) with Richard Barbieri (Porcupine Tree/ex-Japan), and co-produced/co-wrote Talking With Strangers (2009) for Judy Dyble (ex-Fairport Convention).
Tim Bowness released his fourth solo album, ‘Lost In The Ghost Light’ last year through InsideOutMusic, garnering the best solo reviews he has ever received and reaching #5 in the official UK rock chart. It also picked up Best Cover Artwork at the prestigious annual Progressive Music Awards 2017.
Featuring Glenn Hughes, Brian May, John Wetton, Mel Galley, Don Airey, Cozy Powell & Others!
London – Phenomena is a rock music concept conceived by record producer Tom Galley and brother, Whitesnake guitarist Mel Galley and directed by Wilfried Rimensberger. Contributors were leading rock musicians such as Brian May, John Wetton, Glenn Hughes, Don Airey, Mel Galley, Neil Murray and Cozy Powell amongst others.
Phenomena’s production of rock songs based on a story line running through a whole album, attached to artworks and other multi-media aspects was credited for the “return of the concept album” in the 1980s. Phenomena released three albums in the 1980s and early 1990s, and had a number one hit single in South America with “Did It All For Love,” while the album charted across Europe, in Japan and Brazil.
The creator of Phenomena, Tom Galley, said of the re-releases: “I’m happy to see the release of these original recordings. And being in touch with the involved artists, I know they are looking forward to see this happening too. Together with previously never seen material the 3 albums are well presented.”
THE GREAT ADVENTURE
THE NEAL MORSE BAND PRESENTS THEIR LATEST DOUBLE CONCEPT ALBUM DUE OUT JANUARY 25, 2019 ON RADIANT RECORDS VIA METAL BLADE WORLDWIDE
NEAL MORSE: Lead Vocals, Keyboards, Guitars
MIKE PORTNOY: Drums, Vocals
RANDY GEORGE: Bass
ERIC GILLETTE: Guitar, Vocals
BILL HUBAUER: Keyboards, Vocals
The Great Adventure Continues…
“Let the great adventure now begin…”; the closing lines of The Neal Morse Band’s last and widely acclaimed 2016 album The Similitude of a Dream (TSOAD), have proved to be strangely prophetic.
The band faced the enviable problem (like Pink Floyd, The Eagles and many other great bands before them) of having to follow up a hugely successful album, as drummer Mike Portnoy explains, “How do you follow an epic double concept album??? Well, create another epic double album!! I always knew topping The Similitude of a Dream was going to be difficult, if not impossible, as I held it in such high regard… but I am absolutely blown away with what we have achieved here! We’ve created the ultimate companion to TSOAD.”
The new album – appropriately entitled The Great Adventure – is exactly that: a perfect companion piece to TSOAD’s partial retelling of John Bunyan’s The Pilgrim’s Progress.
Morse admits that the band’s original intentions on re-entering the studio were largely to produce something very different from what has resulted. However, as the writing and recording process unfolded, it gradually became clear to the band that the unerring direction in which the music was heading was to build upon the work already completed in TSOAD, again using the space that the broader canvas of the double album format provides. Bassist Randy George explains, “I was sure that the follow up to TSOAD should be something quite different, but you have to follow your heart and go where the music wants to go.”
True to the album’s title, the creative process was indeed a ‘great adventure.’ Unlike many previous Morse albums, which have often been recorded in around a week, as many as 21 days of initial recording were laid down by these prolific and world-class musicians, producing an abundance of top quality material – enough for an album lasting well over two hours. This meant some ruthless decision-making: some already completed songs and characters had to go, and with studio time running out, new links and ideas were being composed and recorded up to the eleventh hour. “A lot of work and re-work has gone into this,” says Morse, “but I know that some of the most successful and far-reaching albums I’ve been involved with have been just like that – Sola Scriptura and Spock’s Beard’s Snow album come to mind.”
Another key question that had to be addressed was how to pull all the ideas together into a coherent whole. In the end, what unlocked this ‘adventure’ for Morse was the realisation that The Great Adventure needed a new voice and perspective. This time, it is that of the Pilgrim’s abandoned son, a younger, perhaps angrier, voice than was heard on TSOAD, as George explains, “The Great Adventure is nothing short of a miracle: it’s similar to TSOAD in concept and form, but it’s tougher and deeper in tone! It’s a very powerful work and I look forward to playing it live!”
The Great Adventure has everything that fans would expect from a Neal Morse Band album, and more: rock, metal, classical and jazz elements appear throughout, as well as some killer melodies, all played faultlessly by some of the greatest rock musicians on the planet. Says Morse, “This band continues to amaze me! I have to say it was a little daunting to follow up The Similitude of a Dream, as it was such a special album and it delivered every night at our concerts. But The Great Adventure is everything that I hoped it would be! I listened through it yesterday and I was in tears at the end!”
Chapter 1 (12:50)
2. The Dream Isn’t Over
Chapter 2 (23:48)
3. Welcome To The World
4. A Momentary Change
5. Dark Melody
6. I Got To Run
7. To The River
Chapter 3 (17:59)
8. The Great Adventure
9. Venture In Black
10. Hey Ho Let’s Go
11. Beyond The Borders
Chapter 4 (18:13)
1. Overture 2
2. Long Ago
3. The Dream Continues
4. Fighting With Destiny
5. Vanity Fair
Chapter 5 (30:57)
6. Welcome To The World 2
7. The Element Of Fear
8. Child Of Wonder
9. The Great Despair
10. Freedom Calling
11. A Love That Never Dies
Watch “Welcome To The World” lyric video
The Neal Morse Band will take the new album on tour worldwide in early 2019: it promises to be a great adventure indeed.
The Neal Morse Band will take the new album on tour worldwide in early 2019: it promises to be a great adventure indeed.
The Great Adventure will be available in three formats: – 2CD package – 2CD/DVD Special Edition featuring behind-the-scenes video clips of the making of the album. – 3 Vinyl LPs: RADIANT EXCLUSIVE – WHITE VINYL! (Purchase includes audio CDs.)
PRE-ORDERS AVAILABLE NOW!
SPECIAL PRE-ORDER OFFERS: – Free audio download of the first single “Welcome to the World” with ALL pre-orders. – We will randomly pick 50 people who order in the first 24 hours (9:00 AM CST on 12/4 – 9:00 AM CST on 12/5) to receive this free exclusive framable graphic autographed by all of The Neal Morse Band! – Enter a drawing to win the Mike Portnoy master notes from the recording sessions – autographed by Mike! Drawing to take place on December 11th.
PLUS: Three more songs from the album will be released shortly as videos (release date TBA). As they are released, those three songs will be made available as free audio downloads to all who have pre-ordered the album in any format! (You will later receive an email with a download link.)
Video info Flor de Loto – El Condor Pasa/ Locomotive (Live at Rosfest 2018) (official video clip)
El Condor Pasa/ Locomotive was recorded during Flor de Loto’s performance at RoSfest 2018 in Gettysburg, PA
Direct by Lucia Florez
Taken from the new album “Eclipse” and the upcoming Blu-ray Disc “Live at Rosfest Vol. 1”
Produced and mixed by Roy Z
Mastered by Maor Appelbaum at Maor Appelbaum Mastering – California – USA
Flor de Loto is:
Alonso Herrera: Vocals and guitar
Alejandro Jarrin: Bass
Sergio Checho Cuadros: Quena
Gabriel Iwasaki: Keyboards
Alvaro Escobar: Drums
01. El Cóndor Pasa/Locomotive
05. Esclavitud de tu ser
08. Almas Perdidas
09. Eterna Proyección
10. Líneas de Nazca
11. Bonus track: El Cóndor pasa/Locomotive (Live at Rosfest 2018)
Produced and Mixed by Roy Z (Bruce Dickinson, Helloween,etc) at Mountain View Studios, Los Ángeles CA
Pre-production by Roy Z
Mastered by Maor Appelbaum
Recorded by Roy Z and Eddie Plegue at Dragón Verde Studios, Perú.
Digital Editing by Caverao
Additional Recording by Kenneth Quiroz at Lunch Box Studios, Perú.
Album Cover and Booklet Artwork by Estefania Fernandez “Fania”