Few albums in Gong’s discography capture the band’s whimsical, irreverent take on life’s complexities and the enigma of death as vividly as 2014’s I See You. Now, the legendary psychedelic collective mark a decade since the release with a brand-new 10th Anniversary Edition on Kscope. Set for release on Kscope on May 9th, the new edition has been remixed from the original multi-track recordings by Frank Byng, producer and sound engineer of the last four Gong albums.
“A triumph of creativity, imagination, and spirit.” – Classic Rock Magazine
This milestone reissue celebrates not only the existential beauty of Gong’s music, but also the enduring legacy of frontman and visionary Daevid Allen, whose boundless creativity continues to resonate with fans worldwide. I See You was the final studio album featuring Daevid Allen before his passing in 2015 and stands as a testament to his vibrant spirit and revolutionary ethos. Infused with the anarchic energy that defined Gong’s origins in the 1968 Paris counterculture movement, I See You takes its place as one of the finest gems in the band’s heroic catalogue.
“As impish and perverse as ever” – Uncut
“Daevid Allen’s final album, I See You is such a transitional Gong record in so many ways, not that any of us realised it at the time. Work on the album had just commenced around the time I was asked to join and Daevid was in fine health but by the time we were at the mixing stage he was undergoing intense treatment for his cancer which would ultimately prove unsuccessful. As you can imagine, the record was completed under extremely fraught circumstances, very different to the upbeat way it started. Getting it over the line was not an especially joyful process. Decisions needed to be made under a great deal of pressure and, with emotions running high, they weren’t always the right ones. Nonetheless, I’m so happy Daevid got to hear it completed, that he loved it and that we got to put it out into the world.
When, during his final months, Daevid expressed his desire for the band he had assembled to continue without him we felt pretty uncertain about the prospect. Yet here we are after ten years of constant touring, three studio albums (with a fourth on the way) and a double live album later, looking back at the record which launched the current incarnation of this wonderful mythology.
Hearing Frank Byng’s remarkable new mix, thankfully completed without time constraints, has brought an increased sonic clarity which accentuates the eccentric psychedelic majesty of the original release. I was moved to tears hearing it. For me, this is the definitive version of I See You, the record I always hoped it would be.” – Kavus Torabi
For I See You, Allen was joined by his son Orlando Allen on drums, and members of the current lineup: guitarist and frontman Kavus Torabi (formerly of Cardiacs), horn player Ian East, Dave Sturt (the sonic manipulator) on bass, and the Brazilian Fabio Golfetti, weaving his own lysergic patterns on guitar. The result is an impressive, multi-layered and irrepressible world, populated with a series of dazzling musical gems – melodically rich, lyrically engaging and musically refreshed.
“It’s extraordinary that Allen’s work continues to be so… extraordinary” –Record Collector
Gong continues to carry the torch ignited by Daevid Allen with a tour of the UK and North America planned for Summer 2025 – MAY 21 – York, UK – The Crescent 22 – Huddersfield, UK – The Parish 23 – Allendale, UK – Allendale Village Hall 25 – Liverpool, UK – Outer Waves Festival (Invisible Wind Factory)
JUNE 06 – Albuquerque, NM – Sister 07 – Colorado Springs, CO – Lulu’s Downtown 08 – Denver, CO – The Black Buzzard at Oskar Blues 10 – Salt Lake City, UT – The State Room 11 – Boise, ID – Shrine Social Club 13 – Yakima, WA – Bearded Monkey Music 14 – Seattle, WA – Rainier Arts Centre (Cascadence Festival) 15 – Portland, OR – McMenamins White Eagle Saloon 16 – Eugene, OR – WOW Hall 18 – Redding, CA – The Dip 19 – Mill Valley, CA – Sweetwater Music Hall 21 – Studio City, CA – The Baked Potato 22 – Studio City, CA – The Baked Potato 23 – Costa Mesa, CA – The Wayfarer 25 – San Marcos, CA – The Bornemann Theatre 26 – Phoenix, AZ 27 – Tucson, AZ 28 – Flagstaff, AZ – The Orpheum Theatre
AUGUST 29 – Brighton, UK – Brighton Psych Festival 30 – Manchester, UK – Manchester Psych Festival
With members from bands like Krokofant, Red Kite, WIZRD, Grand General and more, Soft Ffog returns with their 2nd album “Focus” on May the 2nd. But those curious to hear what the band has in store for them need wait no longer, because today “Oh Jimi”, has been released as a single, which can be streamed or downloaded from various services at
Oh Jimi starts of with a heavy riff, then transitions into a train ride to Bluesville, the guitar solo part is probably the only place the «Jimi» reference is detectable, the blues’esque solo rounds up with another heavy riff, spaced out with echo laden Rhodes solo glazed in acid.
The song concludes with doom riff that’s falling apart as it goes, just as a reminder that the end is nye. (PS. End og the song, not the world)
Regarding the new album “Focus”, it’s more progrock than ever – The Soft is Ffoggier and the Ffog is softer. Highly influenced by 70s underground heroes like Camel and Focus, sprinkled with that old jazz dust, this new record should satisfy all you 70s nostalgics with a jazz tickle out there!
The combined members of Soft Ffog have probably played with everyone in the Norwegian jazz scene, but here they do their own thing. All songs are composed by Tom Hasslan, and the band is playing his compositions like there’s no tomorrow. But then again, there will probably be a tomorrow, and then you buy the record, and «YoU Will Be happy»!!
Line-up: – Tom “Zappa-finger” Hasslan on the guitars – Axel “Pheel the Collin’s” Skalstad on the buckets – Trond “Geezer Jeezuz” Frønes on the bass – Vegard “Wake(up the)man” Lien Bjerkan on all the keyboards in the world
Focus was recorded by Christian Engfelt at Studio Paradiso. Produced by Tom Hasslan/Soft Ffog and Christian Engfelt, and mastered by Espen Høydalsvik at OSLO:Fuzz. With cover art by Einar Evju, layout and logo by Tom Korsvold, the track listing for the album is as follows:
SOFT FFOG’s genesis in 2016 was somewhat unusual in that it came about as a one-off gig commissioned by the Kongsberg Jazz Festival. Despite the success of this event, the band did not get the momentum it needed to be a proper working entity, and, combined with the busy schedules of the respective musicians, each with their other bands and projects, SOFT FFOG only played gigs every now and then. Playing live, did however, help to define and refine the band’s sound, so much so, infact, that founder Tom Hasslan decided that 2020 was the right time for SOFT FFOG to record their first album. Now, the band is well established, and the band will be seen at different venues in the months following the release of “Focus”.
Experimental Musician Billy Yfantis Presents the Space-Inspired Album New Moon
Inspired by the breathtaking phenomenon of the Moon’s phases, New Moon highlights Yfantis’ lifelong passion for astronomy. The album’s idea is based on the eight principal moon phases—the constant transition from darkness to light and back again—resulting from the ever-changing interaction of the Earth, Moon, and Sun. This cosmic story runs through the album, encouraging listeners to discover the beauty and mystery of the universe.
Each track has been specifically created to reflect a different stage of the Moon, from the calm mystery of the New Moon to the bright peak of the Full Moon and the elegant retreat into Fading Lights. Throughout the album, Yfantis combines layered analog synths, atmospheric drones, and throbbing rhythms to create an atmosphere that reflects the adventurous spirit of his musical inspirations.
Billy Yfantis’ style is a distinct mix of Tangerine Dream’s ethereal, space soundscapes and Vangelis’ dramatic, epic synthesizer soundscapes. His work also pays tribute to Jean-Michel Jarre’s revolutionary compositions, whose adventurous, experimental approach to electronic music paved the way for new audio exploration. New Moon, packed with the raw spirit of krautrock, combines analog warmth with up-to-date digital production to create multilayered deep soundscapes that reflect nostalgia as well as futuristic excitement.
New Moon Tracklist:
1. New Moon 2. Waxing Crescent 3. First Quarter 4. Waxing Gibbous 5. Full Moon 6. Waning Gibbous 7. Last Quarter 8. Waning Crescent 9. First Light 10. Celestial Dust 11. Moon Shadows 12. Fading Lights
Vasileios (Billy) Yfantis holds two master’s degrees in computing science and a Ph.D. in the field of e-government. Billy has been working on music since the late 1990s by experimenting with tape mixing and sound design. Billy is playing digital keyboards but prefers to express his artistic dream through the electronic sounds that come from unusual machines. He has experimented with the recording of vacuum cleaners, electric blenders, and other strange sounds that have resulted in musical releases. Moreover, Billy has authored books on music, business, and science, and from time to time he speaks about electronic governance at scientific conferences all over Europe.
Now available to pre-save on Spotify and pre-order exclusively on Bandcamp
Originally released in 2015, D A R K B L U E now marks its 10th anniversary with a special edition reissue. This deeply conceptual album intricately weaves a surrealist, self-penned narrative of exile, self-isolation, and love. Through its evocative soundscapes and haunting melodies, it guides listeners on an introspective journey into profound and mysterious emotional depths.
The anniversary edition of D A R K B L U E explores new artistic dimensions through a collaboration with Antwerp-based Greek graphic artist Fiobos Gkoubras. In a unique creative process, Fiobos will produce real-time chalk artworks as his immediate emotional response to the music and lyrics—without any prior exposure. These raw, unfiltered visual interpretations will be filmed and released monthly, starting March 20, 2025, leading up to the album’s reissue on Melodic Revolution Records on April 18, 2025.
D A R K B L U ETrack-list: 1. Black 04:40 2. Full Body Access 04:15 3. Sand Horizon 04:50 4. Imperial 05:34 5. Crossbreed 03:17 6. Sniper 03:51 7. Epitaph 08:06 8. Happy With The Future 06:12
Total Running Time: 41 Minutes
D A R K B L U ESessions Hamlet on Vocals, Guitars, Keyboards, Bass, Sampling and Programming. Rachel Bauer as a Singer & Narrator. Music, Lyrics: and Concept by Hamlet
Additional Production info; Artwork and Photography by Hamlet, Jess Telmatt and Rachel Bauer Music, Lyrics, and Concept by Hamlet Recorded in 2014 in Leuven, Belgium Sound Production, Engineering, Mixing and Mastering by Hamlet
After each song’s release, the band’s blog will feature weekly updates with additional graphic and poetic reflections, offering a deeper exploration of the album’s themes. This ongoing project delves into the psychological depths of the music and may even evolve into live performances incorporating graphic art.
Graphic Artist Fiobos Gkoubras to Create Real-Time Visual Interpretations for Each Track of Transport Aerian’s D A R K B L U E Anniversary Edition Reissue
About the Videos Graphic artist Fiobos Gkoubras will create visual interpretations of D A R K B L U E upon hearing each song for the first time.
With no prior exposure, Fiobos will capture his immediate emotional response through real-time chalk artworks, translating the music and lyrics into raw, expressive visuals. These live drawing sessions will be filmed and released monthly, accompanied by additional content that delves into the creative process and the unique synergy between sound and visual art.
Be one of the first few to pre-order D A R K B L U EAnniversary Edition on Bandcamp and receive a free digital album of Live in Ghent, this offer is limited.
About Transport Aerian Transport Aerian is a progressive-oriented project led by a producer and multi-instrumentalist Hamlet. It sets no strict genre borders, knows no musical or spiritual limits. At different times, the project had been working with different musicians, always changing and shifting its live and studio experiences depending on what the current creative state demands, performing drastically different kinds of music, yet always staying in the shape of the poetic, sharp-edged artistic kind. The project’s philosophy is closest to those, calling themselves expressionists in poetry and fine arts, therefore, the inner side of the emotional expression is what intends to bring through the project’s music to whoever is willing to hear the word said.
D A R K B L U E by Transport Aerian will likely appeal to fans of bands that blend dark, atmospheric, and avant-garde elements with progressive rock and alternative influences. Listeners who enjoy the Riverside, Tool, Gazpacho, King Crimson, Hawkwind, The Residents and, Captain Beefheart may find Dark Blue intriguing.
Following unwavering support after a life-changing event in May 2022, the Captain felt it was time to give back—offering fans and devoted supporters a fresh listening experience with brand-new tracks.
Starting in May 2024, a series of monthly releases began with Circles, A New Day, and Rainy Day Confession, followed by Ashes to Ashes (a reimagining of David Bowie’s classic), Limbo Dance, and No Protocol.
On March 21, 2025, the full Rainy Day Confessions album will be released digitally, featuring nine tracks plus three bonus songs: Beggars in the Shadows, Muhammad Ali in His Heyday, and a heartfelt reimagining of Angel by Sarah McLachlan.
This stripped-back, primarily acoustic album—crafted during the quiet, reflective evenings of an English winter—will be available on a “pay as you feel” basis, serving as a companion piece to the Captain’s most recent release, Beautiful Ugly.
Track list 1. Rainy Day Confession 04:48 2. Ashes To Ashes 04:52 3. Circles 03:47 4. Limbo Dance 03:43 5. No Protocol 04:10 6. Beggers in the Shadows 04:14 7. Angel 05:06 8. Muhammad Ali In His Heyday 03:48 9. A New Day 05:16
Rainy Day Confession Sessions Captain on Vocals and Bouzouki Carl Stipetic on Piano, Keys, Bass Wendy Ross on Violin
Additional Information
Produced by Captain Of The Lost Waves (Shaun T Hunter) Mastered by Mark Tucker [email protected]
All Music and Lyrics composed by Captain apart from tracks 2,7
Track 2 Music and Lyrics composed by David Bowie Track 7 Music and Lyrics composed by Sarah McLachlan
The final single, Beggars in the Shadows, from the new album Rainy Day Confessions, was released on Wednesday, March 19, 2025.
Watch the video here!
he Captain made his return in March 2024 nearly two years after a life changing road traffic accident where both he and his family were caught up in a police car chase resulting in being hit by the stolen vehicle. During the challenges of such a stark rehabilitation, music was miraculously still being created, albeit in a very slow, laboured and somewhat sedate ‘late night fashion’. Where strong painkillers/opioids became ‘married’ to those rare and fleeting moments of energetic impulses that screamed out to be expressed – hence a reflective, healing, contemplative album emerged.
The Captain has been described as an ethereal troubadour, a profound storyteller, music philosopher, poet, bard and eccentric free thinking renegade. His musical offerings are inspired by the great songwriters and philosophers of yesteryear.
All is in reverence of the song here, the art is always greater than the artist. Whilst the live performance and repertoire is designed to instigate and infiltrate the unknown depths of the listener, raising more questions than answers, both artistically and philosophically. Fronting his compositions with a haunting, range shifting vocal capable of high tremulous falsettos and deep baritone timbres, all expressed primarily on the Bouzouki though flanked by much use of the mandolin, guitar and ukulele.
This is visceral music for the mind and body, full of dreamy verses, life affirming choruses and sheer audacity. Where melodic artistic invention meets in a melting pot of alternative folk, progressive, classical world, baroque chamber orchestral pop and ambient soundscapes.
Previously signed to Voiceprint under his natural guise Shaun T Hunter and Quiet Rebellion, he released three critically acclaimed albums, two of which were Borders Book Store’s album of the month. Off the back of this he carried out a residency at the famous 12 Bar Club, London. He was also voted Acoustic Roots’ performer of the year at the Leeds Independent Music Awards in 2005. He was also voted outstanding songwriter of the year from the Yorkshire Gig Guide Awards 2017.
Making music is a communion to the Captain, and much of his work has taken place in a music therapy guise. Playing in secure units, prisons, mental health units and hospitals. The connection is always about the most authentic exchanges between an artist and his audience, based on a shared humanity.
The Captain was chosen by English Folk Expo as just one of 12 English artists to represent team England in the inaugural Global Music Match 2020, an exercise where 96 artists from 14 countries were featured worldwide.
‘Sometimes something comes along that is so completely extraordinary that you just go yep, the Captain is a superstar, truly cinemascopic and epic’ Tom Robinson, BBC6 Music
‘The Captain is a man born out of his time. Had this music been released in the mid to late 70s he would have rightfully taken his place among those we now regard as Rock Gods. This is highly innovative yet accessible music, hugely quirky, with moments of sing along amid the extremely fine instrumentation and arrangement’.
FATEA review of Mysterium Tremendum
‘This artist is a one-off, but maybe consider as a prototype for his idiosyncrasy Zappa, Beefheart or the sensational Alex Harvey Band. A unique showman with a unique artistic vision.’ *****COLIN BAILEY RnR Magazine
UK was one of the last Great British progressive rock bands to emerge from the 1970s, featuring an all-star lineup of legendary musicians: keyboardist and violinist Eddie Jobson (Roxy Music, Frank Zappa), bassist and vocalist John Wetton (King Crimson, Asia), and drummer Terry Bozzio (Frank Zappa, Missing Persons). Their second studio album, Danger Money, was released in 1979 and quickly made an impact, reaching the Billboard Top 50 album chart. Over the years, it has become widely regarded as one of the definitive progressive rock albums of all time, showcasing virtuosic musicianship, intricate compositions, and a bold, cinematic sound.
Now, Danger Money returns in a fully remastered and repackaged special limited-edition release, offering fans an enhanced listening experience with pristine audio quality and updated artwork. This definitive edition celebrates the enduring legacy of UK, a band that pushed the boundaries of progressive rock and left an indelible mark on the genre. Whether revisiting the album or discovering it for the first time, this release is a must-have for collectors and prog-rock enthusiasts alike.
Track List:
1 Danger Money 2 Rendezvous 3 The Only Thing She Needs 4 Caesar’s Palace Blues 5 Nothing to Lose 6 Carrying No Cross
Eddie Jobson – keyboards, electric violin John Wetton – bass, lead and backing vocals Terry Bozzio – drums, percussion
All tracks are written by Eddie Jobson and John Wetton
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