Video info Flor de Loto – El Condor Pasa/ Locomotive (Live at Rosfest 2018) (official video clip)
El Condor Pasa/ Locomotive was recorded during Flor de Loto’s performance at RoSfest 2018 in Gettysburg, PA
Direct by Lucia Florez
Taken from the new album “Eclipse” and the upcoming Blu-ray Disc “Live at Rosfest Vol. 1”
Produced and mixed by Roy Z
Mastered by Maor Appelbaum at Maor Appelbaum Mastering – California – USA
Flor de Loto is:
Alonso Herrera: Vocals and guitar
Alejandro Jarrin: Bass
Sergio Checho Cuadros: Quena
Gabriel Iwasaki: Keyboards
Alvaro Escobar: Drums
01. El Cóndor Pasa/Locomotive
05. Esclavitud de tu ser
08. Almas Perdidas
09. Eterna Proyección
10. Líneas de Nazca
11. Bonus track: El Cóndor pasa/Locomotive (Live at Rosfest 2018)
Produced and Mixed by Roy Z (Bruce Dickinson, Helloween,etc) at Mountain View Studios, Los Ángeles CA
Pre-production by Roy Z
Mastered by Maor Appelbaum
Recorded by Roy Z and Eddie Plegue at Dragón Verde Studios, Perú.
Digital Editing by Caverao
Additional Recording by Kenneth Quiroz at Lunch Box Studios, Perú.
Album Cover and Booklet Artwork by Estefania Fernandez “Fania”
Darrel Treece-Birch has recorded a new collection of music filled with gratitude, reflection, hope, wonder and most notably peace for this holiday season. The First Step…Is To Take One will be released in Digital Format only on December 14, 2018. The painting used for the album artwork was provided by Darrel’s son Luke Treece-Birch; a moment in time captured in acrylics of their home.
In the past few years, Darrel has been a contributor to Melodic Revolution Records (MRR) holiday albums with his 2015 odyssey of nature This Crushed Diamond Shroud and in 2017 the untold story of the wise men who chose To Follow A Star. For 2018 Darrel has written a new piece; For Giving, a simple message which is quite profound that in giving we receive so much more, and to forgive others and oneself is another ‘step’ continuing the message from the 2017 release ‘Healing Touch’. As with the previous holiday song releases Darrel has created a video inspired by the music of For Giving; enveloping us in the spirit of generosity and gratitude; the essence of giving.
These 3 tracks will appear on this new album with an additional six brand new instrumentals from the keyboard maestro himself. Nine songs suffused of contemplation, nine tracks that continue to stir the soul and awaken the dreamer, nine tracks of peace, serenity, and hope magnified by this very special season.
1. This Crushed Diamond Shroud
2. My Soul Sings
3. To Follow A Star
4. His Gentle Voice
5. For Giving
6. Jesus Wept
Tickets On Sale December 10, 2018, at 10 AM Local Time
Citi Presale Begins December 04, 2018 at 10 AM Local Time
Los Angeles – Current Rock & Roll Hall of Fame nominee Todd Rundgren will be embarking on the world’s first hybrid concert/book tour this spring, highlighting both his hits as well as “deep tracks” spanning his 50-year career.
Produced by Live Nation and presented by SiriusXM, the North American leg of the tour starts in Atlanta, GA and hits major markets before wrapping in San Francisco, CA. The North American dates will be preceded by dates in Europe/UK and followed by dates in Japan. The full itinerary is below.
Rundgren’s long-awaited autobiography, The Individualist: digressions, dreams, and dissertations, is being released by Cleopatra Press on December 21, documenting his life through his 50th birthday. The concert set list will mirror that time period, consisting of song selections from the inception of his musical career through 1996, with intros & stories behind the songs and Rundgren’s impressive career.
He will be playing back-to-back shows in the ten North American markets in order to be available for books signings and local TV and radio appearances on the second show day in each city. Tickets go on sale Monday, December 10 at 10 AM Local Time. Two-day ticket packages, along with single-day tickets, will be available in each North American market.
Citi is the official presale credit card of the Todd Rundgren – The Individualist Tour. As such, Citi cardmembers will have access to purchase presale tickets beginning Tuesday, December 4th at 10 AM local time until Sunday, December 9th at 10 PM local time through Citi’s Private Pass program. For complete presale details, visit www.citiprivatepass.com
TODD RUNDGREN “THE INDIVIDUALIST TOUR”
April 1 – Theater am Mareintor – Duisburg, Germany
April 2 – Laeiszhalle – Hamburg, Germany
April 3 – Paradiso – Amsterdam, Netherlands
April 6 – Eventim Apollo – London, UK
April 10 – Buckhead Theatre – Atlanta, GA
April 11 – Buckhead Theatre – Atlanta, GA
April 13 – State Theatre – Washington, DC
April 14 – State Theatre – Washington, DC
April 16 – Town Hall – New York, NY
April 17 – Town Hall – New York, NY
April 19 – Berklee Performance Center – Boston, MA
April 20 – Berklee Performance Center – Boston, MA
April 23 – Athenaeum Theatre – Chicago, IL
April 24 – Athenaeum Theatre – Chicago, IL
April 27 – Danforth Music Hall – Toronto, ON
April 28 – Danforth Music Hall – Toronto, ON
May 01 – Fillmore – Philadelphia, PA
May 02 – Fillmore – Philadelphia, PA
May 05 – Ohio Theatre at Playhouse Square – Cleveland, OH
May 06 – Ohio Theatre at Playhouse Square – Cleveland, OH
May 09 – The Wiltern – Los Angeles, CA
May 10 – The Wiltern – Los Angeles, CA
May 12 – Palace of Fine Arts – San Francisco, CA
May 13 – Palace of Fine Arts – San Francisco, CA
May 22 – Sumida Triphony Hall – Tokyo, Japan
May 23 – NHK Hall – Osaka, Japan
A Wizard, A True Star. The title of Todd Rundgren’s 1973 solo album aptly sums up the contributions of this multi-faceted artist to state-of-the-art music. As a songwriter, video pioneer, producer, recording artist, computer software developer, conceptualist, and interactive artist (re-designated TR-i), Rundgren has made a lasting impact on both the form and content of popular music.
Born and raised in Philadelphia, Rundgren began playing guitar as a teenager, going on to found and front The Nazz, the quintessential `60’s psychedelic group. In 1969, he left the band to pursue a solo career, recording his debut offering, the legendary Runt. But it was 1972’s seminal Something/Anything?, on which he played all the instruments, sang all the vocal parts, and acted as his own producer, that catapulted Todd into the superstar limelight, prompting the press to unanimously dub him ‘Rock’s New Wunderkind’. It was followed by such landmark LPs as The Hermit of Mink Hollow and the above mentioned A Wizard, A True Star, as well as such hit singles as “I Saw The Light,” “Hello It’s Me,” “Can We Still Be Friends,” and “Bang The Drum.”
In 1974, Todd formed Todd Rundgren’s Utopia (renamed and reconfigured in 1976 as Utopia), an entirely new approach to the concept of interactive musicianship, and embarked on an extensive round of touring and recording. Standout Utopia offerings included Oops! Wrong Planet, Adventures in Utopia, and Oblivion. Along the way, Todd Rundgren’s Utopia combined technical virtuosity and creative passion to create music that initially, for millions, defined the term “progressive rock”, and subsequently, as Utopia, the term “power pop.”
Rundgren’s myriad production projects include albums by Patti Smith, Cheap Trick, Psychedelic Furs, Meat Loaf, XTC, Grand Funk Railroad, and Hall And Oates. Rounding out his reputation as rock’s Renaissance Man, Rundgren composed all the music and lyrics for Joe Papp’s 1989 Off-Broadway production of Joe Orton’s Up Against It (the screenplay commissioned by The Beatles for what was meant to have been their third motion picture). He also has composed the music for the hit film Dumb and Dumber, as well as a number of television series, including Pee Wee’s Playhouse and Crime Story.
In 2012 Rundgren performed his iconic 1973 album A Wizard A True Star in concert in its entirety for the first time ever, and several years later did the same with a double bill: Todd & Healing. He has toured with Ringo Starr as an erstwhile member of the All-Starr Band since 1989 and continues to perform with symphony orchestras both domestically and internationally. His latest studio album, White Knight, was released last May, and this past spring he toured North America with original Utopians Kasim Sulton and Willie Wilcox for the first time in 33 years. His long-awaited autobiography The Individualist will be in stores on December 21. He embarks on the world’s first hybrid concert/book tour this coming April/May, highlighting music across his 50-year career.
Last year on successive weekends he was awarded honorary doctorates from both the Berklee School of Music and DePauw University.
In 1998 Todd debuted his new PatroNet technology which for the first time allowed fans of a musical artist to subscribe directly to the artist’s musical output via the Internet. This caps a long history of groundbreaking early multimedia “firsts”, including:
• 1978: The first interactive television concert, broadcast live over the Warner/QUBE system in Columbus, Ohio (the home audience chose each song in real time during the concert by voting via QUBE’s 2-way operating system).
• 1978: The first live nationally broadcast stereo radio rock concert (by microwave), linking 40 cities around the country.
• 1979: The opening of Utopia Video Studios, a multi-million dollar state-of-the-art facility. The first project produced by Todd there is Gustav Holst’s The Planets, commissioned by RCA Selecta Vision as the first demonstration software for their new videodisc format.
• 1980: Creation of the first color graphics tablet, which was licensed to Apple and commercially released as The Utopia Graphics Tablet.
• 1981: “Time Heals,” the first music video to utilize state-of-the-art compositing of live action and computer graphics (produced and directed by Todd), becomes the eighth video to be played during the launch of MTV on August 1, 1981.
• 1982: The first live national cablecast of a rock concert (on the USA Network), simulcast in stereo to over 120 radio stations.
• 1982: The first two commercially released music videos, one of which was nominated for the first-ever Grammy awarded for “Best Short Form Video” in 1983.
• 1992: The first commercially available music downloads via CompuServe.
• 1993: The release of No World Order, the world’s first interactive record album on CD-i.
• 1994: The release of The Individualist, the world’s first full-length Enhanced CD.
• 1994: The world’s first interactive concert tour.
• 1998: Launches PatroNet, the world’s first direct artist subscription service — predicts that someday “music will be sold by the pound”.
• 2016: The production of the world’s first full-length concert shot with multiple Virtual Reality 360º cameras.
Hailing from the Southeast of the United Kingdom, melodic yet progressive rock act The Room is thrilled to announce their signing to White Star Records, the label owned and operated by Chris Hillman and John Mitchell. This announcement comes shortly after White Star Records added London prog rock outfit Quantum Pig to their growing roster of artists. Both bands now join a label that currently houses the likes of Voices From The Fuselage, Kepler Ten and The Paradox Twin.
Chris Hillman details the journey leading toward this signing event:
“I’d been aware of The Room for some time and became very impressed with their musicianship, however, the thing that really won me over was this huge step up in their melodic, anthemic quality. It feels like The Room is growing and developing with every album, and I find many of their melodies going around in my head after listening – real “earworms” that I think will resonate with a large audience. Get ready for some quality prog with sticky, memorable moments!”
Along with their signing announcement, The Room has simultaneously unveiled early details of a new studio album. Their upcoming third full-length is titled ‘Caught By The Machine’ and will be released on 22nd February 2019. Ahead of this release, the sextet is giving fans and newcomers a taste of things to come with their first video single for the track ‘Broken’.
Binding a broad range of musical influences into a distinct and nostalgic sound, smart songwriting and captivating melodies form the foundation of The Room’s musical core. ‘Broken’ proves no exception, but don’t let it’s bright, foot-tapping, major-key guitar riffing fool you – there’s more to the single than meets the eye…
“I had to think long and hard about how ‘Broken’ was to be approached,” explains vocalist Martin Wilson. “I’d always wanted to play with the idea that most problems people have been brought on by themselves; Wrong life decisions, bad investments, excessive drink, and drugs abuse, mistreatment of others and so on. Often, I have found that people in these positions are the first to complain, but the last to admit fault.”
“With ‘Broken’, the instrumental backdrop is uplifting, with this jaunty feel to it, but I wanted to find something different – a juxtaposition if you like – to the lyrics, adding a little more intrigue to the song. So we’ve got this upbeat instrumental backing, while the lyrics offer a slightly darker picture. Spiraling out of control because of one’s own actions, how life can crash over negativity you’ve brought on yourself and so on…and yet you still complain and pass blame.”
The Room unashamedly admits that they wrote “Broken” as something of a challenge to themselves. All too aware of the modern specifics of genre definition, the band hoped to be able to break prog traditions, writing a three-minute, mainstream song that would merge the great melodies and broad choruses of prog, whilst remaining radio-friendly and accessible.
Despite the strong narrative of ‘Broken’, The Room recognized the bounce and drive of the single and wanted to bring this to life even more with a quirky, fun music video, shot at the 2018 Cambridge Rock Festival by MHG Music Videos.
Overture release there 2nd live video from there performance at Mores Lux et Ombra is the first track of Overture homonymous debut album. Among the tunes, Lux et Ombra is the most symphonic song. The lyrics, in Italian and tells the eternal clash between good and evil. This live version was performed on 25 august 2018 in Mores
Video shot by Daniele Diana
Video Editing by Samuele Desogus
Luigi Ventroni – Lead Voice
Simone Desogus – Drums, Percussion, Back Vocals
Simone Meli – Keyboards, Back Vocals
Samuele Desogus – Classical Guitar, Electric Guitar, Acoustic Guitar
Stefano Sanna – Bass, Fretless, Synth Bass, Contrabass
Fiorella Piras – Flute, Back Vocals
1. Intro 00:58
2. Lux et Ombra 08:50
3. Il Mendicante 08:10
4. A Deer In the River 09:14
5. Crop Circles 13:28
6. Ephesia’s Chime 09:05
The album contains an introduction and five unreleased tracks that summarize the style of the components. Entirely self-produced and edited by the members of the group, in fact, all the phases of composition, recording, mixing and mastering were treated in by the band itself.
The graphics of the disk is instead of Mauro Mondiello.
On the record, five stories are told based on imagination and fantasy, which musically describe five fantastic worlds in which to transport the listener.
They range from the most acoustic sounds of “Il mendicante” up to the more artificial and futuristic “crop circles”.
Various instruments are used: in addition to drums, bass, electric and acoustic guitars, keyboards, voices, and flute, are also used strings (violin and double bass), percussions of all types and sounds of various objects and devices ( registered and processed).
The only guest on the album is Sara Cuzzupoli, who played the violin in “Il mendicante” and sung in the choirs of “Lux et Ombra”.
The album is inspired by the progressive masterpieces of the 70s, but also incorporates influences of neo-prog and many other genres, due to the varied and heterogeneous background of the musicians involved.
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