Mile Marker Zero is the final band signed for RoSfest 2019. They’re a very talented Progressive Rock group from New Haven, CT USA!
Mile Marker Zero isn’t a band that the average progressive rock fan will be all that much aware of, but they have been around in one guise or another for 15 years by now – or 13 years if you refer to the band’s official biography. They released their self-titled debut album back in 2009, and along with their 2006 EP “The Haunted” they did get quite a bit of attention in those earlier days. Being the first unsigned band to have their music featured in the video game series RockBand among the proud moments from that phase of their career.
In later years the band has released a second EP, “Young Rust” (2014), and in March 2018 the band launched their second album “The Fifth Row“. The quality of the latter was so impressive that we just had to book this band, even if we didn’t really have any free slots left – we’ll get back to how that detail will be sorted when we release the official schedule for RoSfest 2019.
For those not already aware of Mile Marker Zero, progressive metal with clear references to the foundations of the genre established “back in the day” by good old Rush is a fitting and appropriate manner in which to describe what this band is all about. We love it, and we are certain that many others will as well – especially after having seen them perform their material live on the stage of course.
RoSfest 2019 will take place on May 3rd through 5th, 2019 at the Sarasota Opera House, Florida. Scheduled bands to play: Friday- Cryptic Vision and Von Hertzen Brothers. Saturday- Entransient, Mile Marker Zero, Karmamoi, Phideaux and Jethro Tull 50th Anniversary Tour with Martin Barre, Clive Bunker and Jonathan Noyce. Sunday- Edge of Reality, Traverser, Flor De Loto, and Riverside. The complete schedule with times will be posted shortly on the RoSfest website.
We love this 2019 lineup and think that you will too! Hope to see everyone in Sarasota next May!
Platinum seat tickets on sale September 4th, 2018 Gold seat tickets on sale October 5th, 2018 Regular seat tickets on sale December 7th, 2018
HAKEN, one of progressive music’s most exciting bands, recently announced details of their much-anticipated fifth studio album titled ‘Vector’, due for release on October 26th, 2018. The album was produced by the band themselves, and recorded & mixed by Adam ‘Nolly’ Getgood (Periphery, Devin Townsend Project), with the artwork once again being handled by Blacklake.
Following the announcement of North American tour dates this Autumn, the band are pleased to reveal European & Latin American live dates in support of the new album for 2019. The band comments: “We’re thrilled to be bringing our ‘Vector Studies’ tour to Europe. We had immense fun celebrating our 10 year anniversary across Europe in 2017 with incredible turnouts and warm receptions. This time around we will be focusing on performing tracks from our new album ‘Vector’ along with some live favourites of ours. For your health and wellbeing, the good doctor prescribes you some live Haken. ”
The band add on the Latin America shows: “A visit to South America has been long overdue. Many of our dedicated South American fans have made epic trips around the world to experience our shows in Europe and North America and now we’re ecstatic to reveal we will finally be returning the favour! See you in January! As for Mexico City and Cruise To The Edge, well… we cannot wait to return!”
The full list of dates is as follows:
Latin America 2019
26th January – Teatro Teleton, Santiago, Chile
27th January – Groove, Buenos Aires, Argentina
29th January – Caricoa Club, Sao Paolo, Brazil
30th January – Auditorio Centro De La Amistad Peruano China, Lima, Peru
1st February – Lunar, Mexico City, Mexico
Europe 2019
15th February – Academy 3, Manchester, UK
16th February – St Luke’s, Glasgow, UK
17th February – The Fleece, Bristol, UK
19th February – Essigfabrik, Cologne, Germany
20th February – Batschkapp, Frankfurt, Germany
21st February – Übel & Gefährlich, Hamburg, Germany
22nd February – Lille Vega, Copenhagen, Denmark
23rd February – John Dee, Oslo, Norway
24th February – Debaser Strand, Stockholm, Sweden
26th February – Columbia Theater, Berlin, Germany
27th February – Kwadrat, Krakow, Poland
28th February – A38, Budapest, Hungary
2nd March – Szene, Vienna, Austria
3rd March – Futurum, Prague, Czech Republic
4th March – Conne Island, Leipzig, Germany
6th March – Im Wizemann, Stuttgart, Germany
7th March – Backstage Halle, Munich, Germany
8th March – Kiff, Aarau, Switzerland
9th March – Magazzini Generali, Milan, Italy
10th March – Transbordeur, Lyon, France
12th March – Mon Live, Madrid, Spain
13th March – Kafe Antzokia, Bilbao, Spain
14th March – La Maroquinerie, Paris, France
15th March – De Boerderij, Zoetermeer, Netherlands
16th March – Islington Assembly Hall, London, UK
23rd March – Tavastia, Helsinki, Finland
‘Vector’ will be available as Limited edition 2CD Mediabook (including instrumental versions), Gatefold vinyl 2LP + CD, Standard CD Jewelcase & as a digital download. Pre-order now here: https://haken.lnk.to/Vector
Track-listing
1. Clear
2. The Good Doctor
3. Puzzle Box
4. Veil
5. Nil By Mouth
6. Host
7. A Cell Divides
To celebrate the announcement of the new album, the band ran a competition for one lucky fan’s artwork to be etched into the fourth side of the vinyl version of the record. They invited people to submit their own version of the Rorshach test ink-blot which graces the album cover, and the winner was revealed as Shakoor Bukhuth aka SHAUN BEYOND.
Since their inception in 2007, Haken have shown over four previous studio albums, one EP and a live release that they never stand still, merely satisfied to rely on past triumphs. Rather, Haken always look for ways to challenge themselves as musicians and artists, and also to keep the listeners on their collective toes. “We don’t like to make simple music,” laughs vocalist Ross Jennings. “We always aim to defy expectations, and I believe we’ve surpassed what we aimed to achieve with our new album.”
Their fifth studio record sees the band going in a heavier direction with the music. “We’ve always had a heavy influence”, explains guitarist Charlie Griffiths, “but it was obvious from the riffs that were naturally coming out of us early in the writing process that this would be a more metal album. These are some of the most riff driven songs we’ve ever written.” As is usual, Haken produced the album themselves, but for the first time they have enlisted Adam ‘Nolly’ Getgood during the recording and mixing stages. Formerly bassist with Periphery, in the last couple of years he has built a reputation as a fine producer. “We produced the album ourselves, as we always do,” insists Jennings. “But we’re fans of what Adam has done with Periphery, Sikth and Devin Townsend. He has a great reputation for the heavier end of our genre”.
But if this album is musically heavy, then there’s an underlying theme running through the seven songs which is certainly esoteric and fascinating. “The scene is set with the track The Good Doctor, which was a really fun song. Musically it feels like a logical step from ‘Affinity’, but lyrically it’s a bit more theatrical and about as ‘rock opera’ as Haken has ever got”, explains Griffiths. “It’s about a Doctor with an intriguing, perhaps sinister interest in a particular patient. From there the story enters the point-of-view of the patient – who appears to be catatonic, but his mind is sparking with what could be memories, or delusions brought on by the treatment he’s receiving – we leave this up to the listeners to decide. Although we don’t want to give too much away, people who are familiar with our back catalogue will have fun discovering further clues we’ve planted throughout the album. And that’s the challenge for the fans – to find out for themselves their own meaning for ‘Vector’ as an album”.
The band also recently announced North American co-headline dates alongside Norway’s LEPROUS, and label-mates BENT KNEE, in what is an all InsideOutMusic bill. These will be the first live shows in support of Vector, and you can find the full list of dates below:
Haken & Leprous with Bent Knee:
October 30th – The Crofoot Ballroom, Pontiac, MI
October 31st– Opera House, Toronto, ON
November 1st – Astral, Montreal, QC
November 2nd– Underground Arts, Philadelphia, PA
November 3rd – Highline Ballroom, New York, NY
November 4th – The Sinclair, Boston, MA
November 6th – Soundstage, Baltimore, MD
November 7th – Cat’s Cradle, Carrboro, NC
November 8th – The Orpheum, Tampa, FL
November – 9th Revolution, Fort Lauderdale, FL
November 10th – The Plaza Live, Orlando, FL
November 11th – Variety Playhouse, Atlanta, GA
November 13th – Gas Monkey, Dallas, TX
November 14th – Barracuda, Austin, TX
November 16th – Crescent Ballroom, Phoenix, AZ
November 17th – Glasshouse, Pomona, CA
November 18th – August Hall, San Francisco, CA
November 19th – Hawthorne Theatre, Portland, OR
November 20th – The Crocodile, Seattle, WA
November 21st – Rickshaw Theater, Vancouver, BC
November 23rd – Metro Music Hall, Salt Lake City, UT
November 24th – Bluebird Theater, Denver, CO
November 25th – Granada Theater, Lawrence, KS
November 26th – Delmar Hall, St Louis, MO
November 27th – Exit/In, Nashville, TN
November 29th – Rex Theater, Pittsburgh, PA
November 30th – Beachland Ballroom, Cleveland, OH
December 1st – Bottom Lounge, Chicago, IL
HAKEN, one of progressive music’s most exciting bands, have announced details of their much-anticipated fifth studio album titled ‘Vector’, due for release on the October 26th, 2018. The album was produced by the band themselves, and recorded & mixed by Adam ‘Nolly’ Getgood (Periphery, Devin Townsend Project), with the artwork once again being handled by Blacklake.
The band comments: “On the back of celebrating the 10 year anniversary of our conception, all of us here in the Haken camp are extremely excited to begin this new chapter of our career and share ‘Vector’ with the world.”
HAKEN are:
Ross Jennings
Richard Henshall
Charlie Griffiths
Diego Tejeida
Conner Green
Ray Hearne
The album will be available as Limited edition 2CD Digipak (including instrumental versions), Gatefold vinyl 2LP + CD, & as a digital download. You can find the track-listing below:
1. Clear
2. The Good Doctor
3. Puzzle Box
4. Veil
5. Nil By Mouth
6. Host
7. A Cell Divides
To celebrate the announcement of the new album, the band are opening up a unique opportunity for one fan’s artwork to be used as the etching on the fourth side of the vinyl LP version of the record. Haken is inviting fans to submit their own version of the Rorschach test ink-blot image which graces the album’s cover, and one winner’s art will be picked by the band to be etched into every vinyl copy of Vector.
Submissions are open now, closing on the 10th August, and can be sent to drrex@hakenmusic.com
Since their inception in 2007, Haken has shown over four previous studio albums, one EP and a live release that they never stand still, merely satisfied to rely on past triumphs. Rather, Haken always looks for ways to challenge themselves as musicians and artists, and also to keep the listeners on their collective toes. “We don’t like to make simple music,” laughs vocalist Ross Jennings. “We always aim to defy expectations, and I believe we’ve surpassed what we aimed to achieve with our new album.”
Their fifth studio record sees the band going in a heavier direction with the music. “We’ve always had a heavy influence”, explains guitarist Charlie Griffiths, “but it was obvious from the riffs that were naturally coming out of us early in the writing process that this would be a more metal album. These are some of the most riff-driven songs we’ve ever written.” As is usual, Haken produced the album themselves, but for the first time, they have enlisted Adam ‘Nolly’ Getgood during the recording and mixing stages. Formerly bassist with Periphery, in the last couple of years he has built a reputation as a fine producer. “We produced the album ourselves, as we always do,” insists Jennings. “But we’re fans of what Adam has done with Periphery, Sikth and Devin Townsend. He has a great reputation for the heavier end of our genre”.
But if this album is musically heavy, then there’s an underlying theme running through the seven songs which are certainly esoteric and fascinating. “The scene is set with the track The Good Doctor, which was a really fun song. Musically it feels like a logical step from ‘Affinity’, but lyrically it’s a bit more theatrical and about as ‘rock opera’ as Haken has ever got”, explains Griffiths. “It’s about a Doctor with an intriguing, perhaps sinister interest in a particular patient. From there the story enters the point-of-view of the patient – who appears to be catatonic, but his mind is sparking with what could be memories, or delusions brought on by the treatment he’s receiving – we leave this up to the listeners to decide. Although we don’t want to give too much away, people who are familiar with our back catalog will have fun discovering further clues we’ve planted throughout the album. And that’s the challenge for the fans – to find out for themselves their own meaning for ‘Vector’ as an album”.
The band recently announced North American co-headline dates alongside Norway’s LEPROUS, and label-mates BENT KNEE, in what is an all InsideOutMusic bill. These will be the first live shows in support of Vector, and you can find the full list of dates below:
Haken & Leprous with Bent Knee:
October 30th – The Crofoot Ballroom, Pontiac, MI
October 31st– Opera House, Toronto, ON
November 1st – Astral, Montreal, QC
November 2nd– Underground Arts, Philadelphia, PA
November 3rd – Highline Ballroom, New York, NY
November 4th – The Sinclair, Boston, MA
November 6th – Soundstage, Baltimore, MD
November 7th – Cat’s Cradle, Carrboro, NC
November 8th – The Orpheum, Tampa, FL
November – 9th Revolution, Fort Lauderdale, FL
November 10th – The Plaza Live, Orlando, FL
November 11th – Variety Playhouse, Atlanta, GA
November 13th – Gas Monkey, Dallas, TX
November 14th – Barracuda, Austin, TX
November 16th – Crescent Ballroom, Phoenix, AZ
November 17th – Glasshouse, Pomona, CA
November 18th – August Hall, San Francisco, CA
November 19th – Hawthorne Theatre, Portland, OR
November 20th – The Crocodile, Seattle, WA
November 21st – Rickshaw Theater, Vancouver, BC
November 23rd – Metro Music Hall, Salt Lake City, UT
November 24th – Bluebird Theater, Denver, CO
November 25th – Granada Theater, Lawrence, KS
November 26th – Delmar Hall, St Louis, MO
November 27th – Exit/In, Nashville, TN
November 29th – Rex Theater, Pittsburgh, PA
November 30th – Beachland Ballroom, Cleveland, OH
December 1st – Bottom Lounge, Chicago, IL
US band, Edge of Reality, has been an ongoing venture for many years, initially instigated by Joey Frevola (Kyros) back when he was still in high school. He revived the band in 2014 and the same year they released their debut album, “Elephant in My Pajamas” by some critics described as a meeting of minds between Snarky Puppy and Haken. Some line-up alterations later and a second album, “Vicious Circle” was released. Following this, the band has released a couple of singles, self-released just like their albums, and a third studio album is planned for a 2018 release. Current band members are Brandon Center (drums), Jesse Brock (vocals), Jesse Peck (guitars), Joey Frevola (guitars) and Nick Mills (bass).
The band describes their music as being eclectic art metal, and that is, in fact, a useful indication about what to expect from this band. Like so many younger prog bands these days, they do like to have a go with both harder riffs and majestic riff and keyboard arrangements, but they are just as fond of shifting towards a more atmospheric laden, neo-progressive sound as well as quirkier details closer to the likes of Bent Knee. Complete with the occasional detours into jazzier landscapes.
We do like to sign and support our homegrown bands at RoSfest, documenting to our fellow Americans as well as to our faithful visitors that Made in America is still a mark of quality. Edge of Reality is a fine addition to the roster of homegrown progressive rock bands and we expect them to stimulate your musical palate once they hit the stage. RoSfest 2019 will take place on May 3rd through May 5th, 2019 at the Sarasota Opera House, Florida.
The final line-up and schedule for the festival are still TBA. Confirmed bands to appear so far are Riverside, Karmamoi, and Traverser.
Boston’s Bent Knee play a homecoming show this evening, Thursday, July 19, at The Sinclair. It wraps up a successful tour that found the band traversing the US with tour partners Gatherers throughout June and July.
Bent Knee also just released the full length ‘Live at the Record Co.’ video, featuring a live performance of 2017’s InsideOut-released ‘Land Animal’ album in full and in sequence. Watch it here:
Look for the band to join label mates Haken and Leprous on an extensive US tour in the fall. Dates directly below:
October 30th – The Crofoot Ballroom, Pontiac, MI
October 31st – Opera House, Toronto, ON
November 1st – Astral, Montreal, QC
November 2nd – Underground Arts, Philadelphia, PA
November 3rd – Highline Ballroom, New York, NY
November 4th – The Sinclair, Boston, MA
November 6th – Soundstage, Baltimore, MD
November 7th – Cat’s Cradle, Carrboro, NC
November 8th – The Orpheum, Tampa, FL
November9th – Revolution, Fort Lauderdale, FL
November 10th – The Plaza Live, Orlando, FL
November 11th – Variety Playhouse, Atlanta, GA
November 13th – Gas Monkey, Dallas, TX
November 14th – Barracuda, Austin, TX
November 16th – Crescent Ballroom, Phoenix, AZ
November 17th – Glasshouse, Pomona, CA
November 18th – August Hall, San Francisco, CA
November 19th – Hawthorne Theatre, Portland, OR
November 20th – The Crocodile, Seattle, WA
November 21st – Rickshaw Theater, Vancouver, BC
November 23rd – Metro Music Hall, Salt Lake City, UT
November 24th – Bluebird Theater, Denver, CO
November 25th – Granada Theater, Lawrence, KS
November 26th – Delmar Hall, St Louis, MO
November 27th – Exit/In, Nashville, TN
November 29th – Rex Theater, Pittsburgh, PA
November 30th – Beachland Ballroom, Cleveland, OH
December 1st – Bottom Lounge, Chicago, IL
Bent Knee recently released a concert film of the band’s first full-scale contemporary-classical composition, titled ‘Paper Earth’, here: https://youtu.be/LGNZePMJ8XM
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