RIVERSIDE are set to begin their worldwide touring campaign for “ID.Entity” this Friday, Feb 17th in Tampa, Fl. The tour takes them across North America thru March. Ticket info: https://riversideband.pl/en/gigs
RIVERSIDE – “ID.Entity” – Live 2023:
RIVERSIDE new studio album “ID.Entity” managed to appear in various international sales charts as follows:RIVERSIDE – “ID.Entity” – Chart Positions: Germany: # 4 Poland: # 2 Switzerland: # 6 The Netherlands: # 9 Finland: # 14 Austria: # 22 Belgium: # 97 France: # 155 UK: # 89 UK / Rock Charts: # 3 USA / Top New Artist Albums: # 7 USA / Current Album Sales: # 61 USA / Hard Music Albums: # 9 USA / Current Rock Albums: # 20
“ID.Entity”, the group’s 8th studio album was recorded and mixed in two studios – The Boogie Town Studio in Otwock with Paweł Marciniak and in Serakos studio in Warsaw with Magda and Robert Srzedniccy -, mastered by Robert Szydło and produced by RIVERSIDE’s Mariusz Duda himself. The “ID.Entity” artwork was created by Polish artist Jarek Kubicki. Order “ID.Entity” in its various formats here: https://riverside.lnk.to/IDEntity
RIVERSIDE – “ID.Entity” (53:11) Tracklist: 1. Friend or Foe? (07:29) 2. Landmine Blast (04:50) 3. Big Tech Brother (07:24) 4. Post-Truth (05:37) 5. The Place Where I Belong (13:16) 6. I’m Done With You (05:52) 7. Self-Aware (8:43)
The bonus material appearing on “ID.Entity” includes the instrumental tracks “Age of Anger” (11:56) and “Together Again” (06:29) as well as “Friend or Foe? (Single Edit)” (05:59) and “Self-Aware (Single Edit)” (05:29).
RIVERSIDE line-up: (From left to right on photo by Radek Zawadzki) Michał Łapaj – keyboards and Hammond Organ Mariusz Duda – vocal, bass Maciej Meller – guitar Piotr Kozieradzki – drums
TRANSATLANTIC – the Prog Supergroup of Neal Morse, Mike Portnoy, Roine Stolt & Pete Trewavas – are set to release the new concert set ‘The Final Flight: Live At L’Olympia’ on Friday, February 17th, 2023. It was recorded and filmed in France on the last stop of a tour to promote the band’s fifth and most audacious album to date, ‘The Absolute Universe’. This was the multinational group’s first outing in eight years.
Watch the live clip for ‘We All Need Some Light’, originally featured on the bands debut album, here:
Watch the band performing ‘Owl Howl’, a highlight from ‘The Absolute Universe’ album, here: https://youtu.be/7kHEtZNPtsQ
Released in February 2021 to unanimous praise, ‘The Absolute Universe’ came in two alternate formats; an abridged 64-minute record known as ‘The Breath Of Life’, and a companion piece entitled ‘Forevermore’ that added a further four songs, clocking in at an hour and a half. Though the foundations of both were shared, each format featured lyrics and music independent of the other.
However, when Transatlantic finally hit the road they opted to perform a third format of the album, a full-bells-and-whistles, 96-minute Blu-ray culmination of both takes known as ‘The Ultimate Edition’ that had been released in 5.1 surround sound. Following that segment of the show Transatlantic took a short intermission and returned to the stage for a rollercoaster trawl through the remainder of their lavish catalogue. From the first note of ‘Overture (The Absolute Universe)’ through to the medley based around the first two Transatlantic albums that closes the evening, the performance comprised 3 hours of music in total.
“Ever since the start of this band we have played for three hours, so that’s something we’re all used to,” states drummer Mike Portnoy, who grins whilst describing his own experience as “butt-numbing”. However, Roine Stolt is ready to admit that this time felt very slightly different.
“It was a great tour,” acknowledges the guitarist and multi-musician, “but when you include our spot at Morsefest [where besides performing ‘The Absolute Universe’ the band also revisited their 2009 album ‘The Whirlwind’ and revised a cover of Procol Harum’s ‘In Held (’Twas) In I’ that had featured on their debut from 2000, ‘SMPTe’] I felt the challenge of learning, or re-learning, three-and-a-half hours of music before leaving Sweden. Now that I am getting slightly older, I was a little worried about playing for that long – it requires a lot of concentration: ‘Is this one in 7/8 or 9/8? Maybe we’ll play it in 13/8 and in a different key?’ But of course, once we got out there onto the stage, those thoughts went straight out of the window.”
With a chuckle, vocalist and keyboard wizard Neal Morse reveals that as the tour found its feet Transatlantic threw an additional curveball. “We started playing songs slightly differently to the way you’ve heard them on ‘The Ultimate Edition”, he grins. “So what you get with this live album is similar, but essentially it’s a fourth version [of the record]. When you play live, from night to night it helps to keep things fresh by jamming a bit and changing things up as you go. There are a few examples of that, for instance, the beginning of the last section that starts with ‘Belong’ is quite different than the record – partly because we couldn’t remember it! So we made up a new structure.”
“We’re always as well prepared as we can be but in a way Transatlantic is kind of a show band” points out bassist Pete Trewavas. “Playing alongside Mike who is a powerhouse on the drums, there is this raw power. If he wants to raise the energy that’s what we do. We’re all taking solos here and there, though we get the songs across we’re all showing off as much as we can”.
Filmed by Paul Green (who also shot their ‘Whirld Tour 2010: Live in London release), and mixed by longtime collaborator Rich Mouser, this set will be available as a Special Edition 3CD+Blu-ray Digipak (incl. 5.1 surround sound) & as a Gatefold 180g 4LP release. Both feature artwork by Thomas Ewerhard & photos by Nidhal Marzouk.
1. The Absolute Universe Intro 2. Overture 3. Reaching For The Sky 4. Higher Than The Morning 5. The Darkness In The Light 6. Take Now My Soul 7. Bully 8. Rainbow Sky 9. Looking For The Light 10. The World We Used To Know 11. MP Intro 12. The Sun Comes Up Today 13. Love Made A Way (Prelude) 14. Owl Howl 15. Solitude 16. Belong 17. Lonesome Rebel 18. Can You Feel It 19. Looking For The Light (Reprise) 20. The Greatest Story Never Ends 21. Love Made A Way 22. The Whirlwind Suite 23. NM & RS Intro 24. We All Need Some Light 25. The Final Medley
Line-Up (on this recording): Neal Morse – Keyboards, Acoustic Guitar & Vocals Mike Portnoy – Drums & Vocals Roine Stolt – Guitar & Vocals Pete Trewavas – Bass & Vocals
With:
Ted Leonard – Guitar, Keyboards, Percussion & Vocals
Big Big Train are delighted to announce 15 further shows in the Netherlands, Germany, Sweden, Norway, Denmark, Switzerland and the UK to take place in August and September 2023.
These additional dates form part of the band’s The Journey Continues tour and are in addition to the band’s previously announced headlining appearance at the 2 Days + 1 Festival in Italy on 2nd September 2023. At these performances the band will be promoting the forthcoming Ingenious Devicesalbum, which will be released on 30th June 2023.
For these shows Big Big Train will consist of lead vocalist Alberto Bravin, drummer Nick D’Virgilio, guitarist/keyboardist Rikard Sjöblom, bassist Gregory Spawton, violinist Clare Lindley, keyboardist Oskar Holldorff and guitarist Maria Barbieri. Barbieri is deputising for Dave Foster, who has prior commitments in September with the Steve Rothery Band. The Big Big Train brass ensemble, led by trombonist Dave Desmond, will perform at all shows.
Alberto Bravin says: “After the shows we played in the UK and the Netherlands back in September, I cannot wait to get back on stage again with Big Big Train later this year. I remain truly grateful to the fans for welcoming me so warmly at last year’s shows and am excited about BBT touring more extensively.”
Rikard Sjöblom adds: “I have been campaigning for a long time for Big Big Train to come to Sweden, so I am really pleased that we’re bringing the band for the first time not only to my home country for two shows but also to play two other dates in Denmark and Norway. I hope the Scandinavian prog fans will come out in force to see us live!”
Nick D’Virgilio says: “As we’re doing two nights at the beautiful Cadogan Hall in London, these will be very special shows with about 45 minutes of material being played at one show which will not be performed at the other.”
Gregory Spawton concludes: “As 2023 begins, I’m very confident about Big Train’s future. Apart from playing live this year, we will also be recording a new studio album for release in 2024 and are looking forward to taking BBT across the Atlantic for Cruise To The Edge in March next year.”
Tickets for all shows go on sale at 10am UK time on Friday 10th February.
Support at all shows except Wednesday 13th September comes from rising Norwegian stars Dim Gray, who feature Oskar Holldorff. There will be no support at the Wednesday 13th September show.
The debut album from new progressive rock outfit eMolecule (former Sound of Contact members Simon Collins and Kelly Nordstrom) The Architect is out today!
To celebrate the release of the album, the band have shared the video for the title track and album’s 4th single.
You can check out the video/single for “The Architect” here:
The band remarks: “The Architect” reveals the sinister inner dialogue within the subject of our story. Conflict and anguish stemming from adolescence grind together like gears in his mind as he becomes the embodiment of Avarice.”
“We have long and eagerly awaited the day our debut album The Architectwould be available to the public! Making this concept album has been a vehicle for exploring darkness, redemption and spiritual evolution through music.”
A powerful Prog-Rock album that offers something different from the norm.” Eclipsed
“Cinematic and theatrical, The Architect unspools like a soundtrack for our times.” The Prog Report
“A unique and addictive listening experience.” Sonic Perspectives
TRACKLISTING: 1. eMolecule 10:43 2. The Architect 6:05 3. Prison Planet 4:58 4. Mastermind 8:39 5. Dosed 5:07 6. The Turn 5:56 7. Awaken 5:09 8. Beyond Belief 4:47 9. The Universal 6:03 10. My You 5:27 11. Moment of Truth 6:56
The two long-time collaborators met in Vancouver, British Columbia, Canada in 2005 and have been working together ever since. Originally brought together to work on Simon’s solo career, the spark of creativity between Simon and Kelly was undeniable. They soon began writing original material together, much of which would end up on Dimensionaut.
With a successful progressive rock album under their belts, Simon and Kelly were determined to continue the work they started with Sound of Contact. During the UK production of Simon’s 4th solo album “Becoming Human”, Kelly recorded a demo of the song “eMolecule” in a flurry of inspiration. With this new offering, Simon and Kelly decided their way forward was as a duo and they would pool their best material under the name eMolecule.
In the summer of 2020, Emolecule decided it was time to begin work on their debut album and that it was to be a concept album. Meeting in person at Simon’s studio in Ireland, the duo spent a solid month writing the concept and music start to finish. Over the following months, they completed writing, producing and performing ‘The Architect’ both remotely and together in Ireland.
The Architect features intense, heavy guitar and drum performances as well as deep, atmospheric and emotionally driven arrangements. From start to finish, Emolecule’s first offering captivates the listener with infectious vocals, dynamic guitars and ultra-modern production from the epic opening track ‘eMolecule” to the powerful climax of the closing track “Moment of Truth”. This band and album are set to take the listener to another dimension.
**LIMITED EDITION POSTCARDS AVAILABLE WITH PRE-ORDERS WHILE STOCKS LAST!**
• A DELUXE LIMITED EDITION BOXED SET OF THE CLASSIC ALBUM BY THE ALAN PARSONS PROJECT.
• THREE CDs AND ONE BLU-RAY DISC (REGION FREE), REMASTERED AND REMIXED FROM THE ORIGINAL MASTER TAPES BY ALAN PARSONS.
• FEATURING AN ADDITIONAL 42 BONUS TRACKS DRAWN FROM ERIC WOOLFSON’S SONGWRITING DIARIES, STUDIO SESSION OUT-TAKES AND A STUNNING NEW 5.1 SURROUND SOUND FROM THE ORIGINAL MULTI-TRACK MASTER TAPES BY ALAN PARSONS AND FOUR PROMOTIONAL VIDEOS.
• INCLUDES A LAVISHLY ILLUSTRATED BOOK WITH NEW ESSAY AND A REPLICA POSTER.
First released in November 1980, “The Turn Of A Friendly Card” was the fifth album by The Alan Parsons Project, the brainchild of composer, musician and manager Eric Woolfson and celebrated producer and engineer Alan Parsons.
Inspired by the period in which both Eric Woolfson and Alan Parsons had resided in Monte Carlo, this legendary album was recorded in Paris. The album sessions featured the contribution of musicians such as Ian Bairnson (guitars), David Paton (bass), Stuart Elliott (drums) with Eric Woolfson playing keyboards and providing lead vocals, along with Elmer Gantry, Chris Rainbow and Lenny Zakatek. “The Turn Of A Friendly Card” would become one of the biggest selling albums for The Alan Parsons Project, attaining gold status in many European countries and the USA. The album featured such classic compositions as “Games People Play,” “Time,” “The Gold Bug” and “The Turn Of A Friendly” suite which dominated the album’s second side.
This new deluxe edition comprises 3CDs and a Blu-Ray disc (Region Free) with an additional 42 tracks drawn from Eric Woolfson’s song-writing diaries, studio session out-takes and a stunning new 5.1 surround sound mix by Alan Parsons and a high resolution remastered original stereo mix, along with the promotional videos of “Games People Play,” “The Gold Bug” and “The Turn Of A Friendly Card” plus a promotional television advertisement. This stunning set also features a lavish illustrated book with a new essay with photos, memorabilia and features recollections from Alan Parsons and Sally Woolfson. It also includes a reproduction poster.
DISC ONE
THE TURN OF A FRIENDLY CARD’ REMASTERED
1 MAY BE A PRICE TO PAY
2 GAMES PEOPLE PLAY
3 TIME
4 I DON’T WANNA GO HOME
5 THE GOLD BUG
6 THE TURN OF A FRIENDLY CARD (PART ONE)
7 SNAKE EYES
8 THE ACE OF SWORDS
9 NOTHING LEFT TO LOSE
10 THE TURN OF A FRIENDLY CARD (PART TWO)
BONUS TRACKS
11 MAY BE A PRICE TO PAY (INTRO DEMO)
12 NOTHING LEFT TO LOSE (BASIC BACKING TRACK)
13 NOTHING LEFT TO LOSE (CHRIS RAINBOW OVERDUB VOCAL COMPILATION)
14 TIME (EARLY STUDIO ATTEMPT)
15 GAMES PEOPLE PLAY (ROUGH MIX)
16 THE GOLD BUG (DEMO)
DISC TWO
ERIC WOOLFSON’S SONGWRITING DIARIES
1 MAY BE A PRICE TO PAY
2 GAMES PEOPLE PLAY
3 TIME
4 I DON’T WANNA GO HOME
5 THE TURN OF A FRIENDLY CARD
6 SNAKE EYES
7 NOTHING LEFT TO LOSE
8 TOFC / SNAKE EYES / I DON’T WANNA GO HOME
9 LA LA LA LAH
10 NEXT YEAR
11 SOMEONE ELSE
12 TAKING IT ALL AWAY
13 TO THOSE OF YOU OUT THERE
DISC THREE
RECORDING SESSIONS BONUS TRACKS
1 MAY BE A PRICE TO PAY (EARLY VERSION – ERIC GUIDE VOCAL AND UNUSED GUITAR SOLO)
2 GAMES PEOPLE PLAY (EARLY VERSION – ERIC GUIDE VOCAL)
3 TIME (ORCHESTRA AND CHRIS RAINBOW BACKING VOCALS)
4 THE GOLD BUG (EARLY REFERENCE VERSION)
5 THE GOLD BUG (CHRIS RAINBOW BACKING VOCALS)
6 THE GOLD BUG (CLAVINET WITH NO DELAY)
7 THE TURN OF A FRIENDLY CARD – Part One (EARLY BACKING TRACK)
8 SNAKE EYES (EARLY VERSION – ERIC GUIDE VOCAL)
9 THE ACE OF SWORDS (EARLY VERSION WITH SYNTH ORCHESTRATION)
10 THE TURN OF A FRIENDLY CARD – Part Two (ERIC GUIDE VOCAL AND EXTENDED GUITAR SOLO)
SINGLE EDITS
11 GAMES PEOPLE PLAY (SINGLE EDIT)
12 THE TURN OF A FRIENDLY CARD (SINGLE EDIT)
13 SNAKE EYES (SINGLE EDIT)
DISC FOUR – BLU RAY
5.1 SURROUND SOUND MIX (2019) AND HIGH- RESOLUTION ORIGINAL STEREO MIX BY ALAN PARSONS
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