SPOCK’S BEARD – SNOW LIVE – RADIANT RECORDS

Back in 1995, a totally unknown quartet released their debut album. This was back in the days before the internet existed, and the mainstream hated prog, so it was actually incredibly hard to hear about new bands, especially from America unless they were signed to a label such as Kinesis who was getting publicity. But, pretty soon everyone involved in the underground scene in the UK knew who they were, and we’re talking about them. I remember going to a gig at Shepherd’s Bush, and afterward, everyone just seemed to be talking about this new band, and had anyone actually heard ‘The Light’? Martin Orford was incredibly excited that GEP had secured the European rights and the first time I played that album I was in awe.

From there on Spock’s Beard could do no wrong in my eyes or ears, as anyone reading Feedback at the time will attest to, as I was shouting from the rooftops that this was the best band I had ever heard out of America. I saw them every time they came to London, and each gig was better than the last. Then in 2002, they released ‘Snow’. At the time I was working on a project which involved me spending many hours in a car visiting different supermarkets each Thursday, which gave me the opportunity to blast this out at the correct volume in its entirety, and I was saying that the best band in the world had just released the finest album possible. Then it was announced that Neal Morse had left and that there would be no tour. I was in shock, and went through all the stages of grief (especially denial), as it just made no sense to me whatsoever. I mean, Gabriel went through with the Lamb tour didn’t he? But no, it was all over. The next time I saw Spock’s Beard they had California Guitar Trio as the initial support, followed by Enchant. They had a long time been a favorite band of mine, so I really enjoyed the set, but the same can’t be said to Spock’s Beard, and I left halfway through the gig. I was fortunate enough to catch Neal on the ‘Testimony’ tour, and it was like old times, but I accepted that the finest album released in the past 20 years would never be played at a concert.

Fast forward to Saturday,
July 2nd, 2016, at New Life Fellowship Church in Cross Plains, and the unthinkable happened. The current line-up of Spock’s Beard (Alan Morse, Ryo Okumoto, Dave Meros, Ted Leonard and Jimmy Keegan) was joined by Neal Morse and Nick D’Virgilio for one night only, and they performed ‘Snow’ in its entirety. Being performed in a church (as part of Morsefest) there was only ever going to be a small audience, so it was also recorded and filmed, and what I have here is the 2 DVD/2 CD set. There was no pressure on the band, all they had to do was perform the album note perfect for an audience that knew the words as well as they did, but also it was very much a one-off, never to be repeated. The first thing I did was play the DVDs so that I could then listen to the CDs knowing what was going on. I must state that I felt sorry for Ted Leonard through this whole performance, as although he was always onstage, and made valuable contributions, he was very much the third wheel. Having a second drummer made a lot of sense as it allowed Nick to be at the front when he needed to be, but Ted was raised on a small dais behind Alan and just didn’t look comfortable, which is a real shame as he is one of the best singers around, and I have always enjoyed his work.

But, tonight was all about Neal being back where many SB fans feel he totally belongs, front and center of the Beard, performing his songs. Not only was he the voice, but he also wrote the majority of the songs, and his ability to move between keyboards and guitar gave the band presence and ability they have missed without him there to provide it. Was it a brilliant performance of the album? Pretty much, it has to be said, and with an additional electric guitar from Leonard when the time was right, it added some crunch that would have been missed otherwise.

The DVD filming of the evening is also good, and the interplay between Jimmy and Nick is wonderful to see, especially in the duet on “Falling For Forever”, one of the only two in-‘Snow’ songs from the night (the other of course being “June”). The question and answer section was interesting, especially as Rich Mouser was involved. The “making of” was also really interesting, where they talk about the original recording and what had happened. I hadn’t realized that the combination of Nick being incredibly unwell and the falling of the Twin Towers had a major impact on the album, which was basically re-written due to that.

Anyway, if you have no idea what ‘Snow’ is about then this four-disc set isn’t the place to start, go and get the original instead. If you are already a fan then this is indispensable. ‘Nuff said.

Kev Rowland 10/10

Polish Rock masters RIVERSIDE are releasing their seventh studio album “Wasteland” via InsideOutMusic today.

RIVERSIDE’s Mariusz Duda checked in with the following comment:

”Today sees the release of an album, which for me is the finale of quite a painful journey. After two Lunatic Soul releases, this is the last part of a private trilogy about surviving and trying to find yourself in a new reality. In music, emotions are the most important aspect for me. All the rest is superficial, more or less polished, it attracts or puts off only those who think they are in the know.
Thanks to all of you who have stood by our side, by my side for the past few years. Thanks for taking the journey together and for your understanding. I hope you’ll like ‘Wasteland’.“

“That day is coming
I know that you are calling to me
I don’t want you to make me wait too long
It’s time to get on the road.“

The full statement to be found here: http://bit.ly/2xISJfQ

Check out the three singles launched so far for “Wasteland”:
“Lament”: https://youtu.be/4Wqlts7QWA8
“River Down Below”: https://youtu.be/ZS1crIkpnwc
“Vale Of Tears”: https://youtu.be/001IMO53JwY

Starting with the album release date, RIVERSIDE will be performing special acoustic in-store sets across Poland. Check out an excerpt of an acoustic rendition of the single track “Vale Of Tears” and look up all exact dates and times of the performances here:

https://www.facebook.com/Riversidepl/videos/2282359931992330/

 

The track-listing for RIVERSIDE “Wasteland” album reads as follows:

RIVERSIDE – “Wasteland”:
1. The Day After
2. Acid Rain
3. Vale Of Tears
4. Guardian Angel
5. Lament
6. The Struggle For Survival
7. River Down Below
8. Wasteland
9. The Night Before

Next to the standard edition of “Wasteland“ as Jewelcase CD, CD Digipak, and Digital Album, the release will also be available as limited edition Mediabook CD (with extended booklet, a bonus track radio edit version and a set of 3 stickers) and as Gatefold 2LP (on 180gr. vinyl with the album on CD as bonus and an Etching of the D-Side).

The various editions and limitations of the vinyl release are as follows:
Black 2LP+CD: Unlimited
Clear 2LP+CD: 100x copies / IOM Webshop Europe
Silver 2LP+CD: 100x copies / IOM Webshop Europe
Golden 2LP+CD: 100x copies / Laser’s Edge – IOM Webshop USA
Lilac 2LP+CD: 200x copies / JPC Germany
Dark Green 2LP+CD: 300x copies / Burning Shed UK
White 2LP+CD: 300x copies / CM Distro Europe

Pre-order “Wasteland“ in your format of choice of choice from here:
www.insideoutmusicshop.com
Or from other locations here: https://Riverside.lnk.to/Wasteland

 

RIVERSIDE will be embarking on the “Wasteland 2018 Tour” in October/November to support the release of their upcoming album. Here are the dates:

RIVERSIDE – “Wasteland 2018 Tour”:
12.10.2018 Gdansk (Poland) – B90
13.10.2018 Poznan (Poland) – Tama
14.10.2018 Wroclaw (Poland) – A2
16.10.2018 Katowice (Poland) – Miasto Ogrodów
17.10.2018 Lódz (Poland) – Magnetofon
18.10.2018 Torun (Poland) – Od Nowa
20.10.2018 Kraków (Poland) – Studio
21.10.2018 Warszawa (Poland) – Hala Kolo
30.10.2018 Berlin (Germany) – Kesselhaus
31.10.2018 Schorndorf (Germany) – Manufaktur
03.11.2018 Lisbon (Portugal) – LAV
04.11.2018 Madrid (Spain) – MON LIVE
05.11.2018 Barcelona (Spain) – Salamandra 1
06.11.2018 Lyon (France) – CCO
07.11.2018 Paris (France) – La Machine
09.11.2018 Manchester (UK) – Academy 2
10.11.2018 London (UK) – The Electric Ballroom
11.11.2018 Sint-Niklaas (Belgium) – Casino
12.11.2018 Utrecht (The Netherlands) – TivoliVredenburg
14.11.2018 Hamburg (Germany) – Markthalle
15.11.2018 Oberhausen (Germany) – Turbinenhalle 2
16.11.2018 Pratteln (Switzerland) – Z7
17.11.2018 Neunkirchen (Germany) – Gloomaar Festival
Tickets: https://riversideband.pl/en/gigs

RIVERSIDE – Festivals 2019:
Feb 4-9, 2019 Tampa to Key West & Cozumel – Cruise To The Edge
More dates to follow soon…

RIVERSIDE online:
http://www.riversideband.pl
http://www.facebook.com/Riversidepl
https://www.instagram.com/riversideband.pl

INSIDEOUT MUSIC online:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
www.facebook.com/InsideOutMusic
www.twitter.com/InsideOutUSA
www.insideoutmusicshop.com

INSIDEOUTMUSIC Spotify Playlist:
http://spotify.com/progrockessentials

2019 ProgPower USA Tickets go on Sale in November


Design by our Art Director, Wayne Joyner

Wednesday, Sept. 4, 2019 – Day 1:
Pretty Maids (Denmark) *US EXCLUSIVE*
Insomnium (Finland)
Secret Sphere (Italy) *US EXCLUSIVE*
Iron Mask (Multi-national) *US EXCLUSIVE*

Thursday, Sept. 5, 2019 – Day 2:
Evergrey (Sweden)
GALNERYUS (Japan) *US EXCLUSIVE*
MaYaN (Multi-national)
Tomorrow’s Eve (German) *US EXCLUSIVE*

Tickets for Days 1 & 2 will go on sale Sat., Nov. 3 at 10 am ET via Ticketmaster. Only 900 tickets will be made available to the general public, as VIP and Gold Badges are SOLD-OUT. Warning! Tickets have sold-out anywhere between 8 to 72 hours over recent years. Price TBA soon.

Friday, Sept. 6, 2019 – Day 3:
Seventh Wonder (Sweden)
ORDEN OGAN (Germany)
Psychotic Waltz OFFICIAL (USA)
Barren Earth (Finland)
Subsignal (Germany)
Wind Rose (Italy)

Saturday, Sept. 7, 2019 – Day 4:
Demons & Wizards (Multi-national)
Threshold (UK)
Poets of the Fall (Finland)
Caligula’s Horse (Australia)
Jag Panzer (USA)
Sorcerer (Sweden)

Tickets for Days 3 & 4 will go on sale Sat., Oct. 6 at 10 am ET via Ticketmaster. Only 900 tickets will be made available to the general public, as VIP and Gold Badges are SOLD-OUT. Warning! Tickets have sold-out anywhere between 8 to 72 hours over recent years. Price TBA soon.

Tickets for Days 1 & 2 will go on sale Saturday, Nov. 3, 2018, at 10 am ET.
Video Link: https://vimeo.com/287907488

 

King Crimson Guitar Legend Trey Gunn Presents “Intro to Modes” 8-Week Music Course – October 15 to December 8, 2018

Work directly with Trey Gunn on a weekly basis in this group course.

King Crimson guitar legend Trey Gunn is presenting “Intro to Modes”; an 8-week music course that runs from October 15 to December 8, 2018.

For all instrumentalists and singers.

In this course we will break down one of the basic building blocks of music – the modes – into digestible parts, both sonically and theoretically, so they can be used with ease.

www.originalvoice.coach/modes-course/

This course will:
Help you to immediately find your ground in a piece of music
Give you flexibility when improvising
Give you greater color choices when developing your own compositions
Help you grasp command of the core material of music
Give you a long-term pathway to hear deeper into the relationships of the notes

This course is designed to work for all players:
Beginning players – We’ll start with the basics.
Intermediate players – Hone the fundamentals in your hearing for improved playing and writing
Advanced players – Find the gaps in your melodic hearing. Apply practices to close the gaps and take your playing further

Learn to play confidently while capturing the unique quality of each mode in your improvisations and compositions. This ease only comes from the deep exploration based on how you hear, in your own particular way. This course breaks down that exploration into its core essence, step-by-step.

– – –

When most musicians play by thinking in modes, or scales, they tend towards using all the tones equally and without their full meaning. This results in bland musical lines. Lines that come across like white light where, instead, there could be gorgeous color.

How a painter uses color is a useful analogy for working with the modes. Any musical idea can be tinted with one of the modes. The idea remains essentially the same; but the color of the music changes based on which mode you are using.

This course is designed to establish these “modal” differences in your ear so you can use them as you need to, much as a painter pulls from his or her palette of colors.

– – –

Learning about modes isn’t about the information. The information is easy. Learning this material, the way I think we should, is about getting to know each tone intimately within its context – the mode’s center of gravity, or tonal center.

This course will use a progression of practices to develop our sense of each note and how that note fits into its mode.

This is an oversimplification; but based on many years of practice, study and playing I have honed an approach to go directly into the sounds.

First, we learn the sounds. The information can come afterward, simply to help us organize.

– – –

This will be a type of correspondence course with info/practices being presented each week and all of us digesting it together via a Google Group. There is no real-time participation, so any time-zone or personal schedule will fit with our work together.

The course will adapt to the people participating and how things develop as we go along. But the general curriculum will be based on the following progression:

Week 1
General Concepts of Modes
Language And Method For The Course
Root, Fifth, Octave (+ listening/singing)

Week 2
Thirds (+ listening puzzles)

Week 3
Sevenths (+ extra singing)

Week 4
Sixths (+ playing)

Week 5
Seconds (+ composition)

Week 6
Fourths (+ audiation/memorization)

Week 7
Full Modes (+ pentatonics/hexatonics)

Week 8
Locrian/Pathway to Exotics (+wrap-up)

Cost: $299.00
50% discount for Early Registration before October 1, 2018

For more information: www.originalvoice.coach/modes-course

STORYUM RELEASE SECOND VIDEO OFF THE ALBUM ‘WE ARE THE FIRE’STORYUM

STORYUM, symphonic-electro band from Slovakia, have released the music video for the second single, “All In”, taken from their forthcoming album, “We Are The Fire”, out on October 12 via Musicarchy Media.

“All In”, filmed in Slovakia, was directed and edited by Elena Mazzei, who already worked on former Skylark singer Kiara Laetitia‘s video “Luv Calamity”.

The new album “We Are The Fire”, is the second full-length for the band and features 10 brand new songs.

Tracklisting:
1. We Are The Fire
2. Half Moon
3. When The Storm Comes
4. All In
5. Higher
6. Take A Rest
7. Play With Me
8. Mother
9. Do You Know Me
10. Own Ghost

STORYUM have been formed in 2006 by JJ (guitars), who was later joined by childhood friend, Ness, on drums, Tie on bass and Raw on vocals. STORYUM succeeded in combing powerful metal riffs with disco-electro parts, symphonic moments and pop choruses – the result is a unique STORYUM sound. In 2011, the band released debut album “Insomnia” via Ravenheart Music.