SHINEBACK // DIAL // BAD ELEPHANT MUSIC // ALBUM REVIEW

Is it really five years since Simon Godfrey (Tinyfish, Valdez) presented us with the debut Shineback album? Unlike the debut this isn’t a concept, but is very much a progression in terms of ideas and approach. “We humans do a marvellous job of failing to communicate with one another, often when it matters most”, says Simon. “All the songs on ‘Dial’ carry that as an underlying theme. Musically, very much like the debut album and last year’s ‘Minotaur’ EP, the new record seeks to hop the fences between genres, just to enjoy the process of getting dirty while in the hunt for buried sonic treasures”. Alongside Simon’s regular writing partner (and label mate) Robert Ramsay, guests returning from ‘Rise Up Forgotten…’ include Matt Stevens (The Fierce & The Dead), Dec Burke (Frost*, AudioPlastik, Darwin’s Radio), Hywel Bennett (Dec Burke Band) and Henry Rogers (Touchstone, Mostly Autumn). New collaborators Tom Slatter, Daniel Zambas (We Are Kin), Karl Eisenhart (Pinnacle) and Simon’s bandmates in Valdez Joe Cardillo and Tom Hyatt are also involved. There are quite a few people taking part, but normally this is just for one song (not all on the same one), so while there are five guest guitarists adding to proceedings, Matt and Karl combine on “Kill Devil Hills”, while Tom Slatter is just on “Here I Am” and Hywel is on the title track, while Dec allows himself some real attack on “Consider Her Ways” so it isn’t really a guitar fest.

What really makes this work is the deftness and lightness of approach, with Simon using plenty of keyboards to create an environment for his vocals and ideas to really shine. There are times when the music is very much in a light, high register with virtually no bottom end, but this contrasts against a rocky approach, with the feeling that we are back in the early Eighties and synth-based power pop is the order of the day. Just listen to “Consider Her Ways” and I can guarantee that you will soon be singing along with the chorus and petitioning Chief Elephant to get this released as a single. This is an album which is just plain fun to listen to, and Simon firmly nails his prog credentials to the wall by closing the album with one song that is more than twenty-six minutes long, and one that goes past thirteen. In many ways it is a very modern album, also looking back into the Eighties and Nineties, bringing together multiple commercial styles with pop and prog to create something that is a load of fun, and never takes itself too seriously. The delicate emotional piano of the title song counterpoints what has gone before, and if ever an album deserves multiple plays it is this one as every time I have listened to it I have gained something else. When the debut album was released, BEM was very much in its infancy, but now is easily one of the most important prog labels around, so let’s hope that this release gains the kudos and publicity it deserves, as this is a delight.

8/10 by Kev Rowland

King Crimson 2019 Tour – Celebrating 50 Years

As part of a series of events and releases for their 50th anniversary, King Crimson’s 2019 tour will include special concerts across three continents, including both festivals and headline shows.

Since the band’s return to live performance in 2014, with critically acclaimed sell-out shows all over the world including two defining shows at the Roman amphitheatre in Pompeii, previously home to Pink Floyd, the audience has been reinvented, as much as the band itself:

“In Pompeii, a large percentage of the audience was young couples; KC moved into the mainstream in Italy. I walked onstage knowing that this band’s position in the world has changed level.” Robert Fripp

With its fiftieth anniversary, it seems that the wider world is finally ready to embrace King Crimson. A process that began with Kanye West’s sampling of “21st Century Schizoid Man” for his 2010 hit “Power”, now sees their song “Starless” as the soundtrack to the opening scenes of Nicholas Cage’s new 2018 film “Mandy”.

The band’s packed three-hour shows regularly include material from twelve of their thirteen studio albums, including many of the songs from their seminal 1969 album “In The Court of the Crimson King”, described by Pete Townshend, as an “uncanny masterpiece”. The new 8-piece line-up plays many historic pieces which Crimson have never played live, as well as new arrangements of Crimson classics – “the music is new whenever it was written”. There are also new instrumentals and songs, as well as the compositions by the three drummers, Pat Mastelotto, Gavin Harrison and Jeremy Stacey, which are a regular highlight. A unique show, where eight of the best musicians in the world play music without distraction or adornment.

King Crimson will be playing three shows at the Albert Hall in London in June 2019!
18 June – http://axs.com/uk/events/365703/an-evening-with-king-crimson-tickets?skin=aegpresentsuk
19 June – http://axs.com/uk/events/365704/an-evening-with-king-crimson-tickets?skin=aegpresentsuk
20 June – http://axs.com/uk/events/365705/an-evening-with-king-crimson-tickets?skin=aegpresentsuk

“MELTDOWN” – A BluRay filmed at the band’s five sell-out shows in Mexico City in 2017, was released in October 2018.

“COSMIKC F*KC” – an in-depth documentary of King Crimson will appear in 2019.

“Jimi Hendrix saw them at the Marquee in 1969 and declared them to be the best band in the world. In many ways, almost half a century later, they still are.” – ERIC THIESSEN, All About Jazz.

“Fripp and his band offered an impeccable performance in two stages. No melodies, no flapping, only musicians at the top of their art.” – IAN BUSSIÈRES La Presse, Quebec

“The band finally reaps all that it has sown in its many transformations…the king is not dead, far from it, and they still rejoice.” – REJEAN BEAUCAGE, Voir.ca

“Crimson has never sounded more complete, or more joyous, on stage than it does now.” – JORDAN ZIVITZ, Montreal Gazette

“The uniqueness of seeing each of these seasoned musicians working is near indescribable and has to be experienced live to fully embrace their vision – think of eight master painters working in their own style, but on a common canvas, and you begin to get the idea of things.” – WE HEART MUSIC, Minneapolis

“On our final evening at the festival, we were witness to the concert that inevitably proved to be its highlight…The blend of mood, melody, ambiance and atmosphere dazzled the audience, which responded with frequent standing ovations.” – LEE ZIMMERMAN, Goldmine Magazine

For more information: www.dgmlive.com
paintings by Francesca Sundsten
photographs by Dean Stocking and David Singleton

ROBERT FRIPP, though best known for his work in King Crimson, has contributed to numerous albums by players as diverse as Brian Eno, David Bowie, Peter Gabriel, Blondie, Talking Heads, Daryl Hall, The Roches, Peter Hammill, Keith Tippett, David Sylvian, The Orb, and The Grid. His 1979 solo album, “Exposure” was described as “the Sergeant Pepper of avant punk.” He has appeared twice in Rolling Stone magazine’s 100 Greatest Guitarist Of All Time poll, although Fripp claims these are likely to have been mistakes by the typesetter.

TONY LEVIN has been a member of King Crimson since 1981. Internationally renowned and constantly in-demand for his distinctive bass work, he also tours with Peter Gabriel with whom he has worked since 1977. He has appeared on albums by Paul Simon, John Lennon, David Bowie and countless others and recently formed his own band, Stick Men alongside Crimson drummer, Pat Mastelotto.

JAKKO JAKSZYK was a member of Level 42, before working with Mel Collins as part of ex-KC alumni group, 21st Century Schizoid Band between 2002 – 2004. His solo album, “The Bruised Romantic Glee Club” (2006) was his first recorded collaboration with Fripp, followed by “A Scarcity of Miracles” in 2011. An acclaimed producer in his own right, Jakszyk has recently mixed Jethro Tull’s Ian Anderson’s UK Top 20 album, “Homo Erraticus.”
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MEL COLLINS was previously a member of King Crimson 1970 – 1972 appearing on “In The Wake Of Poseidon” (1970), “Lizard” (1970), “Islands” (1971), “Earthbound” (1972) as well as a guest appearance on “Red” (1974), the final King Crimson album of the 1970s. He subsequently worked with The Rolling Stones, Pink Floyd’s Roger Waters, Dire Straits, Eric Clapton and many others, before returning to King Crimson in 2014.

GAVIN HARRISON joined King Crimson in 2007, playing a series of dates in the USA the following year. A respected author and tutor, he has also recorded three albums with The Pineapple Thief, though Harrison is probably best-known for his work with Porcupine Tree. Modern Drummer magazine placed him in their Top 50 Drummers Of All Time.

PAT MASTELOTTO joined King Crimson in 1994 after working with Robert Fripp and David Sylvian. A member of the hugely successful American 1980s group and MTV favourites, Mr. Mister, he is at home in both experimental music working with KTU as well as pop and rock appearing on albums by The Rembrandts, Hall And Oates and XTC.

JEREMY STACEY is a British drummer. His early work included the 1990s band, The Lemon Trees (with twin brother Paul Stacey on guitars, Guy Chambers and others) and Denzil. He has also played with Sheryl Crow, the Finn Brothers, Nick Harper, Noel Gallagher, and many more. On March 7, 2016, it was announced that he would be taking the place of Bill Rieflin as the centre drummer on the 2016 King Crimson European tour, a position he retained even after Rieflin’s return to the band.

BILL RIEFLIN is a multi-instrumentalist but is primarily known for his drumming with Ministry and industrial rock outfit KMFDM. From 2003 until their dissolution in 2011 he played drums with REM. He recorded with Robert Fripp on “Birth Of A Giant” and “The Repercussions Of Angelic Behaviour” (both 1999) and most recently in the ambient super-group, Slow Music in 2006 and 2014.

Fernando Perdomo // While My Guitar Gently Weeps // Featured Video

Fernando Perdomo just released his new music video for “While My Guitar Gently Weeps” at Abbey Road Studios featuring Diane Birch Shawn Lee and Jason and Daphna Rowe…

While My Guitar Gently Weeps was recorded and filmed at Abbey Road Studio 2 in the UK on (07-25-18) the song comes from Perdomas latest release Zebra Crossing.

Video information and credits
On July 25th, 1968, The Beatles started recording “While My Guitar Gently Weeps” in Abbey Road Studio 2 during the sessions for the legendary “White Album”.

50 years later to the day. The song was recorded again in the same studio with a group of British and American musicians.

Video Directed, Shot and Edited by Cyndi Trissel
Additional footage by Sharon Rudolph

“While My Guitar Gently Weeps”
Written by George Harrison
Produced by Fernando Perdomo
Engineered by Gordon Davidson and Fernando Perdomo
Mixed and Mastered by Zach Ziskin

Fernando Perdomo – Lead Guitar, Vocals
Diane Birch – Vocals
Shawn Lee – Acoustic Guitar, Vocals
Jason Rowe – Vocals
Daphna Rowe – Vocals
Paul Stacey – Bass
Dave Bainbridge – Piano
Andy Mapp – Drums
Overdubs
Dave Kerzner – Organ and Mellotron
Mark Murdock – Percussion
Kaitlin Wolfberg – Violin
Ruti Celli – Cello

Tracks:
1. I’M HERE
2. SOMETIMES I FEEL NOTHING AT ALL
3. FIND LOVE (HOLD ON)
4. WE WERE RAISED WITH HEADPHONES ON
5. SOMEHOW
6. NOT MEANT TO BE
7. SMILE
8. SUNDAYS
9. CROWN OF STARS
10. HOME
11.ZEBRA CROSSING
12.WHILE MY GUITAR GENTLY WEEPS

To Purchase:
Bandcamp: https://fernandoperdomo.bandcamp.com/album/zebra-crossing
Amazon CD: http://geni.us/ZebraCrossing

Follow Fernando Perdomo
Producer/Singer Songwriter/Multi-Instrumentalist
http://www.fernandoperdomo.com
https://www.facebook.com/Fernandoperdomomusic/

Roine Stolt’s The Flower King – Manifesto of an Alchemist out now; launch stream of “High Road”

Roine Stolt, known as the guitarist, singer, writer and at times band leader of the groups The Flower Kings, Transatlantic, Agents of Mercy, Kaipa DC, as well as from his work with prog icon Jon Anderson and the new super-group The Sea Within, has released ‘Manifest of an Alchemist’, his brand new studio album. Under the moniker ROINE STOLT’S THE FLOWER KING, this album offers 10 songs and almost 70 minutes of playing time celebrating the style Roine is most revered for: progressive rock, richly orchestrated with all the trademark elements from four decades of the genre.

To celebrate he is pleased to launch a stream of the new track ‘High Road’, which you can listen to here:

Roine comments: “Today marks the day, “Manifesto Of An Alchemist” is released worldwide and I’m glad to be able to celebrate this and The Flower Kings’ music with our fans in Guadalajara, Mexico. It is a truly special ‘release day’ for me and I hope you will all enjoy this album as it offers an extensive prog rock journey that I consider a wonderful contrast to the haste and hectic pace of this age. So, enjoy the 12 minutes of ‘High Road’ on this day, get the album and see you on our European tour with Spock’s Beard kicking off November 30!”

Manifesto of an Alchemist has been receiving great reviews, find a selection below:

“immediate and energetic, gaining in grit” – Prog Magazine

“Stolt’s virtuous musicianship and songwriting abilities shine throughout this masterpiece.” – Daily Sport

“The Flower King at his very best.” – The Prog Report

Watch Stolt discuss how the album together in this recently launched interview video here: https://youtu.be/K2bxqEAx3PI

A lyric video for the track ‘Lost America’ was released recently. Watch it now here: https://youtu.be/y919myxnMAc

‘Manifesto Of An Alchemist’ is a celebration of all the styles that have been part of the colourful, daring and dynamic songwriting and arrangements that Roine masters like no other, yet also offers a more immediate, more hands on approach. “Like that first TFK album, I’m the main lead vocalist here again – it works as these lyrics are important to me and resonate with my view of the world. A lot of the guitar work is actually my spontaneous ‘demo’ guitars” and that goes for much of the synth work, too. I didn’t want to ‘process’ ideas too much as there is much power in the initial creation – I wanted to keep it that way.”

The album features a host of other musicians, including long-time collaborators Jones Reingold, Hans Froberg & Michael Stolt, as well as fellow The Sea Within member Marco Minnemann, Max Lorentz, Zach Kamins, Rob Townsend & Nad Sylvan.

‘Manifesto Of An Alchemist’ features stunning artwork from Shaun Beyond (https://www.instagram.com/shaunbeyond/), and will arrive as a limited edition CD digipak, Gatefold 180g 2LP + CD & as digital download.

Order limited colored vinyl at the InsideOutMusic store:
https://roinestoltstheflowerking.lnk.to/Manifesto/Insideoutshop

Order the album at Roine Stolt’s store: https://www.roinestolt.com

Also available here: www.insideoutmusicshop.com

You can find the full track-listing below:
1.Rainsong
2.Lost America
3.Ze Pawns
4.High Road
5.Rio Grande
6.Next To A Hurricane
7.The Alchemist
8.Baby Angels
9.Six Thirty Wake-Up
10.The Spell Of Money
As previously announced, Roine will take The Flower Kings catalogue on tour later this year, as well as playing tracks from this new album. He comments: “I am excited that the album will be released in November this year and at the same time will be in South America playing The Flower Kings music with a band that also includes Hasse Froberg & Jonas Reingold and also introduces two younger friends; Zach Kamins on keyboards and Mirko DiMaio on drums – both fabulous musicians. We will also bring this to Europe where we join forces with legends Spocks Beard.”

InsideOutMusic 25th Anniversary European Tour feat. Spock’s Beard & Roine Stolt’s The Flower King
30th November – Cosmopolite, Oslo, Norway
1st December – Kulturhuset Studion, Stockholm, Sweden
2nd December – KB, Malmo, Sweden
4th December – Zeche, Bochum, Germany
5th December – Z7, Pratteln, Switzerland
6th December – La Machine, Paris, France
7th December – De Boerderij, Zoetermeer, Netherlands
8th December – Hedon, Zwolle, Netherlands
9th December – Islington Assembly Hall, London, UK
10th December – Academy Club, Manchester, UK


CANADA – North America   2019

28th February – Club Soda, Montreal, Canada
1st March – Salle Jean – Paul Tardif, Quebec City, Canada