Earlier this year Dutch neo-proggers Timelock released their brand new album Sygn Yn with considerable commercial success. The album was their first full-length album in 14 years. While the band is preparing for their first live shows in eons and recording the follow-up to Sygn Yn the back catalog will be re-released on CD.
The first rerelease is Louise Brooks. Originally released in 1992 the album is remastered by MHX Music. The album is extended with Touchdown from the SI Compilation Disc Too and two previously unreleased early tracks. The current band line-up has rerecorded The Séance in a new version. The second CD contains the full concert at Planet Pull III in Uden from 1995. (On the digital platforms the CD will be released separately.) The back catalog from the band will be released with a 3 months gap between each release. Each rerelease will also contain at least one new recording by the current lineup. These rerecordings will be released as a compilation album mid-2023.
Louise Brooks [2022 edition] 2CD
Tracklisting: CD1: 1. Love Triangle 2. The Killing 3. Secret Mission 4. Someday 5. Louise Brooks 6. Welcome To Welfare 7. P.I. Exit 8. Genoa 9. Skyline 10. The Seance [bonus tracks] 11. Touchdown 12. The Seance [2022 version] 13. Change 14. Back On My Feet Again
CD2: Live at Planet Pul III 15. Emotional Target [live version] 16. No Man’s Land [live version] 17. PI Exit [live version] 18. Napoleon Bonaparte [live version] 19. Welcome To Welfare [live version] 20. Between Dusk And Dawn [live version] 21. Love Triangle [live version] 22. The Seance [live version]
Release date: 8 September 2022 Further release calendar: The Dawn – December 2022 Circle of Deception – April 2023 Buildings – June 2023 Unlocked (the best of) – September 2023 New album – Autumn 2023
Capturing the angst of the 21st Century with Karen Langley’s sharply observed lyrics, laced with the manically haunting guitars of Rob Williams and Jon Sharp on drums (plus guest musicians), BABAL delivers a thought-provoking, barbed performance that defies categorization.
BABAL reveal a dystopian, offbeat view of life; their cinematic, psych/art-rock approach calls up comparisons with Talking Heads, Zappa, Beefheart, Hendrix, Primus, Bent Knee, and Patti Smith among many.
The band has gathered great responses around the UK and Europe and has also played live soundtracks for Alternative Cinema presentations.
It’s been said
This is a wonderful amalgamation of progressive rock mixed well with Frank Zappa – like experimentation. Progressive Rock Central
Karen, Rob, and Jon have yet again delivered something out of the norm and very special indeed. Kev Rowland – Prog Archives
BABAL offers you more than a record, it’s a journey without any barriers or musical boundaries. Wil – Chronicle
Babal easily switch between dark, light, gray, and dazzling. The band moves seamlessly through improvisation, taut precision, poetic fusion, political satire, eccentricity, and authentic raw power. Anne-Claire -Mazik
If you want a piece of music to play in the background to a dinner party, then you have come to the wrong place. But, if you want to sit down for an hour and be taken on a magic carpet ride through our fragile existence, with humour, sarcasm, and understanding. If you like great guitar, bass and drums all working together, so tight, you will think it is all the same person. If you like colour and light and meaning, then this is a must have…. Chris Gill – Band of Rain
About Who will I be when I leave?
BABAL has many carriages, and there are many stops along the way; sometimes the train is just too crowded and we have to get off and have a station break; a breather, while we wait for the next connection.
We never opt for the straight-through – it always speeds past, sending clouds of dust and screeching metal particles over us as we sit patiently on the bench, anticipating the arrival of the mystery train that will send us happily on our way, toward the next strange town of tunes. What wonderful places we visit, and are still visiting!
“Who Will I Be When I Leave?” takes us to some eccentric station stops on a network of infrequently used branch lines and complex intersections. Take the BABAL ticket once more, and sit back for the Corkscrew Ride…. we can’t guarantee a return trip; just taking the journey is the goal. X Karen Langley 2022
Tracklisting
1. 3 Minutes (7.12) 2. Sitting Pretty (6.54) 3. Corkscrew Rider (8.22) 4. Dead End Friends (4.35) 5. The Wolf Slips Up Quickly (6.17) 6. Made Without Instructions (5.00) 7. Baby Wants Freedom (7.59) 8. Doors (12.10) 9. Who Will I Be When I Leave? (3.52)
Total Playtime: 61’57
Lineup Karen Langley: vocals Rob Williams: Guitars, synth, bass, programming Jon Sharp: Drums Guest artist Paul Smith: Bass on “ Corkscrew Rider” and “Doors”
Microsoft Word – Babal Who Will I Be When I Leave? Press Sheet.docx
Discography
Who Will I Be When I Leave? (2022) CD, Digital & Streaming Corkscrew Rider (Single) (2022) Digital & Streaming Zombie Diary (Single) (2021) Digital & Streaming Spirit In A Meat Suit (2021) CD, Digital & Streaming Dreams For Imaginary Puppet Shows On The Radio (2020) Limited Edition CD, Digital & Streaming Hellish Interlude (2020) Limited Edition USB Frank’s Lament EP (2020) LP, CD, Digital & Streaming The Big Everything EP (2019) CD, Digital & Streaming The Glacier EP (2018) CD, Digital & Streaming The Circle of Confusion of Tongues (2018) LP, CD, Digital & Streaming
About this Song In this part of the rock opera, the wrongful king, the younger twin prince, has been crowned, leaving the rightful heir hopeless, until he meets Wisdom. The message here is when unjust life situations create uncertainties that are of such a scope as to be beyond our control, Wisdom encourages us to be patient and not reactive and comforts us with the knowledge that ill-gotten gain is temporal and truth, eventually, will be known.
The Law of Ages highlights the subtle and powerful range of vocalist Beau West and the classical influence of Shane Atkinson’s compositional prowess. Introspective and powerful, with notes as varied as Coldplay, The Scorpions, Kansas, and Queen, this single is a good power ballad suitable for modern, classic, acoustic, and progressive rock programs.
The Uncrowned King – Act 2 will be released on October 14th.
About Evership Rock band Evership is the conceptualization of composer, multi-instrumentalist, and producer/engineer Shane Atkinson, along with lead vocalist Beau West. Few recent acts have made a bigger splash than Evership in the world of modern art/progressive or symphonic rock. Their impactful 2016 self-titled album catapulted them to the forefront of the rock world. This led to main-stage performances at the largest of US Art/Prog rock festivals RoSFest and ProgStock and over 50 glowing national and international reviews and interviews. Each successive album has been honored in the yearly “Best of’s” by critical reviewers. The response to The Uncrowned King – Act 1 was astounding. Highland (Issue #108) hails Evership as “firmly establishing themselves in the Progressive American Landscape” and UK’s ProgRadar sites “Evership is the new face of American Prog”.
Features performances by James Williamson, Ian Paice, Mark Stein, Nik Turner, Shuggie Otis & More Los Angeles, CA – Fans of dark and ghoulish rock & roll are all cordially invited to attend what is sure to be the biggest party of this year’s Halloween season, Monster’s Ball, the new album from the one and only God Of Hellfire and theatrical rock visionary, Arthur Brown! For his latest macabre-themed masterpiece, Brown is joined by a murderer’s row of talented co-conspirators including the album’s producers Alan Davey, who also co-wrote several of the songs, and Fernando Perdomo, all of whom have helped Brown craft one of the most energetic and thrilling albums of his long and distinguished career. From The Stooges’ guitarist James Williamson, who brings the heat on a new version of Brown’s iconic 1968 hit “Fire” to the killer collaboration with Vanilla Fudge’s Mark Stein on “Zombie Yelp,” Monster’s Ball promises to be one hell of a good time!
Today, Brown is proud to share another song from the album, the psychedelic opener to the album “Lucifer Sam,” penned by none other than Syd Barrett and featuring ripping performances by Gong guitarist Steve Hillage and Deep Purple drummer Ian Paice. Brown had this to say about the song, “As a prelude to the album launch on October 21st here’s a mysterious track by the enigmatic Syd Barrett. Fernando Perdomo’s bold production, the song’s adventurous structure, and the input of Steve Hillage and Ian Paice make this a delight of spooky fun. Shadows flickered and felines howled as I sang this portrait – Happy Halloween!”
Track List: 1. Lucifer Sam feat. Ian Paice & Steve Hillage 2. Screamin’ Ball (At Dracula’s Hall) feat. Alan Davey 3. I Feel Free feat. James Williamson & Rat Scabies 4. Bucket O’ Blood feat. Nik Turner 5. Zombie Yelp feat. Roye Albrighton & Mark Stein 6. Whistlin’ Past The Graveyard feat. The Sinclairs 7. Fire feat. James Williamson, Brian Auger & Carmine Appice 8. The Monster Hop feat. Shuggie Otis 9. Curse Of The Hearse 10. Mad Witch 11. The Vampire feat. The Coffin Daggers 12. Late Last Night feat. Steve Hillage, Roye Albrighton, Gilli Smyth & Joel Vandroogenbroeck BONUS TRACK [CD ONLY] 13. Karn Evil #9 feat. Jordan Rudess
The official video for the single ‘One Last Spin’, was written and performed by Amanda Lehmann. Video courtesy of COPEScotland. Written to compliment the documentary ‘One Last Spin’ and raise awareness about the harms of gambling. Amanda Lehmann is an international solo recording artist, performer, composer, singer, and guitarist, also known for her collaborations with former Genesis guitarist: Steve Hackett.
“I was not fully aware of the extent of gambling addiction before, and now I find myself noticing stuff all over the place luring people in, it’s very scary. With this song, I have tried to capture the vicious circles of gambling leading to feelings of desperation and isolation in the face of continual temptation from gambling companies. Now with the accompanying video by COPEScotland, the message has an additional powerful visual aspect.” Amanda Lehmann. “COPEScotland recognizes the value of what the Community Interest Company “Machine Zone” set out to do: raising awareness of the harms caused by gambling with the Documentary ‘One Last Spin’. COPEScotland was delighted at the support offered by Amanda to create a song to support the documentary. We wanted to support this further by creating a music video to accompany the track. Together we can be the change” COPEScotland
Watch the featured video here.
Music, lyrics, guitar, vocals: Amanda Lehmann Keyboards and programming: Nick Magnus Video: COPEScotland
Song: One Last Spin Artist: Amanda Lehmann Video: COPEScotland Including visuals from Amanda’s Memory Lane and Watcher videos by Crooked Hand Productions Licensed to YouTube by PRS (Performing Rights Society)
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