Refestramus New Music Video “Side Hustle” will premier on YouTube Friday, July 12th at 7:00 PM Central Standard Time.
“Side Hustle” is the 6th track from the latest album “Intouríst” the song tells a story of workplace attraction and temptation, blending sensuality and intrigue. An extended metaphor. Since the music is clearly Tull-inspired, I figured I’d do a lyric like Ian Anderson might have done in the late ‘80s. In a bit of a much-needed modernization, though, it is purposefully gender-neutral. – Derek Ferguson
“Side Hustle” exemplifies Refestramus’s ability to create music that is both innovative and deeply resonant. Its critical and fan acclaim underscores its importance in the band’s discography and highlights the band’s continuous evolution in their artistic journey.
The single features: Ian Beabout — Flute, Derek Ferguson – Drums, Nathan James – Lead Vocals, Bass Derek Pavlic – Guitars, Rogelio Souza – Keys Mitch Lawrence – Saxes
Monica Pop returns as the Librarian/Accountant/Muse in the music video.
“Side Hustle” appears on “Intourist” the third album by Refestramus, released May 3rd, 2024, a testament to the band’s innovative spirit and musical craftsmanship. Its release has not only cemented their place in contemporary music but has also set a high bar for their future endeavors. Fans and newcomers alike are drawn to the album’s depth and the journey it offers through its evocative tracks.
Following this year’s Cruise To The Edge, Big Big Train travelled to Sweetwater Studios in Fort Wayne, Indiana to take part in a recording and mixing session run by Sweetwater chief engineer Shawn Dealey. This session gave the band an opportunity to record an alternative version of Last Eleven, the closing song on this year’s acclaimed The Likes Of Us studio album. You can listen to the Sweetwater version of Last Eleven, which has been mixed by Shawn.
Watch the video here:
hawn has previously worked with artists including Steve Hackett, Spock’s Beard, Animals As Leaders, Counting Crows, Jared James Nichols, Bootsy Collins, Beth Hart and many more. You can read more about Shawn here: https://sweetwaterstudios.com/about-us/
Lead vocalist Alberto Bravin comments: “Having rehearsed at Sweetwater before our USA shows and Cruise To The Edge in March, it was wonderful to return there for a recording session. It was interesting to take an alternative approach to Last Eleven, which differs significantly from the version released on The Likes Of Us album. We really enjoyed working with Shawn in Sweetwater’s amazing studios and hope to return there again in the future.”
Drummer Nick D’Virgilio adds: “I really get into how songs make me feel and this version of Last Eleven, with its mellow beginning, has such a great vibe to it. Not that the original has anything wrong with it at all! I just like how the story in the song now comes across. It starts mellow, revs up and gets powerful, then ends mellow again. It also showcases some wonderful vocals.”
Guitarist/keyboardist Rikard Sjöblom says: “We had this idea to take it down in the first verse, which I think turned out really sweet! I ended up doing the intro on acoustic guitar, with Oskar [Holldorff, keyboards] on Fender Rhodes and Clare [Lindley] adding some nice violin lines, which turned Last Eleven into a different song for me. I also played some electric baritone guitar later in the song too, which added some further flavour to the overall sound. I think I like this new version even better than the original!”
Big Big Train headline the final Night Of The Prog festival in Germany on 21st July before making their debut at the renowned Cropredy Festival in the UK on 9th August. The band then undertake their own headline tour in September and October, playing 13 shows across the UK and Europe, before returning to co-headline Cruise To The Edge in April next year.
21st July – Night of the Prog, Loreley, Germany 9th August – Cropredy Festival, Oxfordshire, UK 17th September – Wyvern Theatre, Swindon, UK 18th September – The Riverfront, Newport, UK 19th September – Playhouse Theatre, Whitley Bay, UK 21st September – Queens Hall, Edinburgh, UK 22nd September – Palace Theatre, Newark, UK 24th September – Stables Theatre, Milton Keynes, UK – SOLD OUT 25th September – The Stoller Hall, Manchester, UK – SOLD OUT 27th September – Stadthalle, Weinheim, Germany 28th September – Boerderij, Zoetermeer, Netherlands 29th September – Boerderij, Zoetermeer, Netherlands 1st October – Cosmopolite, Oslo, Norway 2nd October – Viften, Copenhagen, Denmark 5th October – Cadogan Hall, London, UK
Italian prog band Overture is set to release their latest music video, “Coscienza Cibernetica,” along with its accompanying single this Friday, June 21, 2024.
“Coscienza Cibernetica,” is the lead single from their forthcoming second album “A mezz’aria sul tempo” a follow-up to their critically acclaimed self-titled debut. Fans of the band can look forward to this new release, which promises to continue the innovative and captivating style that Overture is known for.
The single explores themes of digital consciousness and the evolving relationship between technology and humanity, marking an intriguing direction for the band. This release is highly anticipated as it sets the stage for their sophomore album.
Be sure to check out the premiere of “Coscienza Cibernetica” music vide and immerse yourself in Overture’s latest musical journey this Friday!
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About “Coscienza Cibernetica” The song captures the essence of our current millennium, portraying a modern individual as a stark reminder of humanity’s gradual slide into dehumanization. In this narrative, the protagonist—central to both the song and the accompanying book—feels “sottomesso” (subjugated) and “prigioniero” (imprisoned) by an “electronic conscience,” symbolizing a life constrained and marginalized by technology.
Through the song’s journey, we explore the deep suffering and isolating nature of this technological solitude. It highlights the façade of “knowledge” that hides behind screens, often presenting a reality that is distorted or non-existent. As the song progresses, it culminates in a powerful cry asserting that humanity is, and will always be, “figlio della terra” (children of the earth). This declaration resonates with the overarching themes of the concept album “A mezz’aria sul tempo,” where the compositions traverse the realms of Head and Heart, Man and Earth, and Nature and Humanity.
We wish you a good journey and happy listening. Thanks, Overture.
Additional Song Credits Recorded at Domo e Nonna Studios – Mores, Via S. Salvatore da Horta n. 6. Recorded by Samuele Desogus and Overture. Mixed mastered and produced by: Samuele Desogus and Overture
Music: Simone Meli and Overture Lyrics: Simone Desogus
In the midst of leg one of their 2024 tour, Jon Anderson and The Band Geeks today premiere the video for the song “Shine On”, the first single from their forthcoming album “TRUE” which will be released on August 23rd. The video was filmed in New Jersey before the start of the tour and directed by Tom Flynn. The song has been performed nightly on the tour and has received universal positive response.
The video can be seen here:
Additionally, the full album is available today for preorder on all DSPs and streaming services. The nine-song album was produced by Jon and Richie Castellano with the centerpiece being the 16-and-a-half-minute track “Once Upon a Dream” which will stand amongst other classic Jon penned epics such as “Close to the Edge”, “Ritual”, “Gates of Delirium”, and “Awaken”.
Jon and The Band Geeks remain on the road through September 27th with recently added shows in Beverly Mass, Montclair NJ, and Staten Island NY. All tour dates are below.
Tour Dates: 6/13/2024 – Chicago, IL – Copernicus 6/15/2024 – St. Louis, MO – Hollywood Casino Amphitheater 6/18/2024 – Greensburg, PA – Palace Theater 6/20/2024 – Hershey, PA – Hershey Theatre 6/22/2024 – Concord, NH – Capitol Center for the Arts 6/25/2024 – Boston, MA – Shubert Theatre 6/27/2024 – Ridgefield, CT – Ridgefield Playhouse 7/21/2024 – Patchogue, NY – Great South Bay Music Festival 7/24/2024 – Nashville, TN – Ryman Auditorium* 7/27/2024 – Peachtree City, GA – Frederick Brown Jr. Amphitheatre 7/30/2024 – Camdenton, MO – Ozarks Amphitheater* 8/2/2024 – Bonner Springs, KS – Azura Amphitheater* 8/4/2024 – La Vista, NE – The Astro Outdoors* 8/7/2024 – Waite Park, MN – The Ledge Amphitheater* 8/10/2024 – Denver, CO – Paramount 8/14/2024 – Phoenix, AZ – Celebrity Theatre 8/16/2024 – Thousand Oaks, CA – Thousand Oaks Performing Arts Center 9/11/2024 – Beverly MA- Cabot Theatre 9/13/2024 – Glenside PA- Keswick Theatre 9/15/2024 – Glenside PA- Keswick Theatre 9/19/2024 – Portchester NY- Capitol Theatre 9/21/2024 – Montclair NJ- Wellmont Theatre 9/27/2024 – Staten Island NY- St George Theatre *w/Special Guests The Return of Emerson, Lake & Palmer
According toKscope: The Radicant’s debut EP, We Ascend, showcases the adept musicianship and expressive voice that Vincent Cavanagh honed over 11 albums with the legendary alt-rock band Anathema. This year, Cavanagh will share his first music under The Radicant moniker with the highly anticipated debut EP We Ascend. The EP’s influences span a wide sonic spectrum, from the propulsive drum and bass rhythms of lead single ‘Zero Blue’ to the cinematic electronica on ‘Stowaway’, the EP’s second single.
The Radicant embodies Vincent Cavanagh’s artistic philosophy. Inspired by a term used in botany and by art curator Nicolas Bourriaud, “radicant” describes organisms that create their roots gradually as they advance, allowing species to mobilize, adapt, and grow on any surface.
Vincent Cavanagh is currently in the studio working on his debut album as The Radicant, set for release next year.”
Tour features special ‘In Conversation with Bill Bruford’ interviews at select stops
ProgJect–the brainchild of drummer Jonathan Mover–features an all-star band of world-renown players with histories that include Frank Zappa, Joe Satriani, Asia, Alice Cooper, GTR, Steve Vai, Edgar Winter, Spock’s Beard, The Tubes, Zappa Plays Zappa, Marillion and more.
And now, the lineup featuring Mike Keneally, Ryo Okumoto, Alessandro Del Vecchio, Pete Griffin, and Jonathan Mover is announcing a run of tour dates in the US and Canada in June of 2024 where the group will be performing the classics and epics of Genesis, YES, King Crimson and ELP, along with some Gentle Giant, Rush, Pink Floyd, U.K., Jethro Tull, Peter Gabriel, and more.
Prog legend Bill Bruford (Yes, King Crimson, U.K., Genesis) and Anil Prasad (Innerviews) will be opening up the last two shows in NYC and Glenside, PA., presenting “In Conversation with Bill Bruford”, discussing his remarkable life and career, followed by an autograph/photograph session. Guitarist Travis Larson will be opening the rest of the shows.
ProgJect’s two-plus hour show includes: “The Lamb Lies Down On Broadway”, “Firth Of Fifth”, “The Cinema Show”, “Larks Tongues In Aspic, Pts I & II”, “21st Century Schizoid Man”, “Roundabout”, “Siberian Khatru”, “Karn Evil 9: First Impression”, Have A Cigar”, “Money“, “In The Dead Of Night”, “Alaska”, “Closer To The Heart”, “Red Barchetta”, “Solsbury Hill”, “D.I.Y.”, “Aqualung”, “Locomotive Breath”, “Cogs In Cogs”, “Hell’s Bells” and more…
Tour Dates *6/20/24 Chicago, IL – Reggies *6/21/24 Hamilton, ON – Bridgeworks *6/22/24 Quebec, QC – Salle Octave Cremazie *6/24/24 Sydney, NS – Highland Arts Theatre *6/26/24 Montreal, QC – Theatre Fairmount *6/27/24 Portland, ME – Portland House of Music *6/28/24 Arlington, MA – Regent Theatre +6/29/24 NYC, NY – Sony Hall +6/30/24 Glenside, PA – Keswick Theatre * Guest Support – Travis Larson + Guest Support – Bill Bruford
In 2022, the Captain released his fourth album, the absolutely amazing ‘Hidden Gems Chapter 3 – Mysterium Tremendum’ which I gave maximum marks to and declared it to be a “review killer” in that once it hit my player, I was unable to listen to anything else, greatly reducing my output for a time. It has taken longer than expected for Shaun to come back with his next album, because he and his family were the innocent victims of a road traffic accident where someone fleeing police drove into their car. It has taken eighteen very long months for everyone to work through the physical and mental injuries, which also had a huge impact on them in other ways, as Shaun is a working musician as opposed to someone doing this as a hobby. Through these terrible times, the Captain still had the need to create music, albeit in a very slow, labored, and somewhat sedate ‘late-night fashion’. Musically this is a very different release to what we have come to expect from him, far more thoughtful and reflective, with less energy, but more power and emotion. He provides vocals, bouzouki, mandolin and guitar, and here he has been joined by Damian Clark (keyboards, synthesizers, sound design) and Wendy Ross (violins). We find the Captain taking his alternative folk roots, with all songs having his acoustic instrumentation at the base, and then lifting them into something quite different which brings in both progressive and ambient styling. What is so hugely impressive with this release is the sheer presence of the man, he has created a swirling soundscape where he is at the very center, somehow imbuing a sense of being and self into a world here that presence is often fleeting and passing. He is rooted, and the music is at times ethereal and magical, a gossamer web of strands being brought together in an incredible manner. At any time, this would be a remarkable release, but knowing what he was going through makes this truly something incredible and essential. The way he moves his vocals into clear falsetto is like no-one else I know, and there is clear direction and purpose, a single-minded laser vision of taking us on a journey, to where we know not. Since I first came across COTLW and ‘Hidden Gems Chapter 1’ in 2016 I have loved all his works, and is someone unique in the current scene, quite unlike anyone else around, yet at the same time he is wonderfully approachable and everyone I have played his music to wonders where he has been all their lives and why they have not previously come across the artist. In this plastic, disposable, transient and permanently connected artificial world the reason is simple, Captain of the Lost Waves is a man out of time. His music is rich, thoughtful, deliberate and designed to last for eons. Like rich swamp kauri it is full of depth and passion, something which people want to touch and cherish, and hold close to their hearts. A remarkable person has released a remarkable album, and the only reason I give this 10/10 is that mathematically I can’t give it anymore. Incredible. Kev Rowland
Caligula’s Horse are pleased to release a new Digital Deluxe Edition of their latest album Charcoal Grace. The new edition, out today, is available only digitally and includes both the full studio album as well as instrumental versions of each track.
“There are so many layers and motifs within the composition of Charcoal Grace, and we’re excited to share this deluxe instrumental version of the album with you to hear even more depths and emotional moments you may not have discovered yet. Also none of those pesky distracting vocals, am I right?”
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Caligula’s Horse is also pleased to announce their Charcoal Grace tab book with guitar jam tracks and exclusive merch via Sheet Happens on June 6th.
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In addition to this announcement, Caligula’s Horse will embark on their final AU and NZ run in June/July:
Australia
14th June – Adelaide - Unibar
15th June – Perth – Magnet house
22nd June – Canberra – The Baso
New Zealand
4th July – New Zealand – Wellington – MEOW
5th July – New Zealand – Auckland – Whammy Bar
6th July – New Zealand – Christchurch (Rock Monsters Festival)
Tickets: https://ffm.live/ch-aus-nz24
Charcoal Grace is the 6th studio album of the band, and it combines raw rock power with immense emotional depth. Charcoal Grace is borne of the static hopelessness that the pandemic forced upon the band and, indeed, much of the world, these past few years. It is an album reckoning with the experiences and outcomes of this time geared, ultimately, towards catharsis – moving towards a more hopeful future.
“Caligula’s Horse expand upon their palette and vision with an admirable confidence and clarity of purpose” – Prog Magazine
“Whether you’re a returning follower or a newcomer, you’ll surely find Charcoal Grace to be a deeply impressive and thoughtful journey from one of today’s greatest genre torchbearers.” – Metal Injection
‘Wherever You May Go’ is the second video out of ‘Eternal Snapshots’. This version of the song is shortened to make it more “video friendly and more to the point maybe. The reason for that is the tempo of today, where many of us wants a “quick fix” generally speaking. If you’re looking for positivity, a nice flow and many major chords, look no further. Here’s ‘Wherever You May Go’. The video was made by Dario and Gabriel Mekler.
The idea of forming a new band started sometime in 2008, says Hasse: “I had a handful of new songs, and more were coming regularly.” The idea started to take shape and in 2009 Hasse Fröberg & Musical Companion (in short: HFMC) started to play and prepare for what later became their debut album “FuturePast” (2010).
Hasse is well known for his contribution for more than two decades as singer/guitarist in The Flower Kings, as well as his work with the Swedish hard rock band Spellbound during the eighties.
The band members have played together with names like Glenn Hughes, Michael Schenker, Jeff Scott Soto, Joe Lynn Turner amongst others… HFMC has a warm and unique sound of their own with influences from progressive rock, classic rock and even a hint of pop.
2024 marks the forty-year anniversary since Hasse released his first full length album. What can be better to celebrate forty years as a recording artist than to release a new one?
The new HFMC record ‘Eternal Snapshots‘ is the band’s sixth studio album. It’s a concept album that deals with questions such as how do we become who we are. Is everything predetermined? Is destiny involved in our lives? The title ‘Eternal Snapshots’ reflects over the fact that new fate of lives is being born every second and here we get to follow two of them.Online:
I am excited to announce a brand-new series of monthly music releases, beginning with the track “Circles” on Thursday, May 30th. This series will feature a new song at the end of each month until December. By the end of this journey, all seven tracks will be compiled into a physical CD titled Rainy Day Confessions, which will also include at least three bonus tracks.
About “Rainy Day Confessions”
“Rainy Day Confessions” is an album deeply rooted in gratitude for the incredible support I’ve received. This primarily acoustic project was created during the late English winter evenings, reflecting a raw and stripped-back sound. It’s my heartfelt thank you to all the fans who have been the cornerstone of my journey, especially since the life-altering accident in May 2022. Your unwavering kindness and compassion have been a beacon, helping me navigate through tough times.
Release and Availability
Monthly Singles: Each new song will be available exclusively on my Ko-fi page (link below) for a week, offered on a “pay as you feel” basis as a token of my appreciation. Following this exclusive period, the tracks will be released on all major streaming platforms as well as Bandcamp.
Full Album in December: The complete album, including the seven monthly tracks and a minimum of three bonus tracks, will also be available on a “pay as you feel” basis in December.
This series is my way of giving back to my devoted fans, allowing you to partake in this new musical journey with me. Thank you for your continued support and for being an integral part of my journey as a fiercely independent artist. Your generosity truly takes some beating, and I am forever grateful.
The first release, “Circles,” will be available May 30th, 2024 exclusively on Ko-fi
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