Forever Twelve has just released Eight Billion Heartbeats the band’s 3rd video from the latest release Neighborhood of Spirits as our featured video.
Forever Twelve is a Los Angeles, California-based progressive rock band that was founded in the early 90’s by Kenny Hundt and Steve Barberic. The band has had some personnel changes over the years with each new member helping to shape and redefine the sound of what Forever Twelve is today. The latest addition to the band is drummer Robert Craft, formerly of Mars Hollow, Under the Sun, and others.
Music Produced by Forever Twelve Mixed by Tom Graham and John Baker. Mastered by John Baker. Graphics/Cover Photo/Graphic Design: Lisa LaRue-Baker
Video Concept and Production at 785 Arts, LLC
About The Song “Eight Billion Heartbeats is a song that urges understanding for journeys different than our own. There are no two journeys exactly alike. There are eight billion journeys, and only one planet. How can we possibly make that work? One heartbeat is something we all share, so we start there. One world, one connection inside. Eight Billion Heartbeats.”
Band Members John Baker: Lead Vocals Steve Barberic: Keyboards Tom Graham: Guitar, Keyboards, Bass & Vocals Robert Craft: Drums
About The Band Forever Twelve is a Los Angeles, California-based progressive rock band that was founded in the early 90’s by Kenny Hundt and Steve Barberic. The band has had some personnel changes over the years with each new member helping to shape and redefine the sound of what Forever Twelve is today. The latest addition to the band is drummer Robert Craft, formerly of Mars Hollow, Under the Sun, and others.
Recommended if you like AmuZeum, Mars Hollow, Greta Van Fleet, Heliopolis, Box of Shamans, Maze of Time, and Vienna Circle
Origins is a sixteen track double album which include one hidden bonus track and celebrate’s 25 years and 11 release by LaRue.
The songs on “Origins” were written and recorded over 25 years. Some in a small recording studio in Tahlequah, OK over a year’s time with John “Yakfe” Timothy, and some in Los Angeles working extensively with John Payne as a co-producer, mixing engineer, bassist, and vocalist. Also, certain songs were known as some of the first prog projects done via internet transfer and finalizes with “Sussuration” and “Lemniscate,” completely produced and mixed by LaRue.
According to Lisa, “This album is extremely important – it’s important to me, as it represents 25 years of my life and some of the best work I’ve done with some of the best friends in the world. It’s important because it represents the unity and bringing together of many musicians, big and small, through the universal language, music. Lastly, it’s important to fans, as it represents some of the obscure work of many top-notch artists that they may not have in their collection. Melodic Revolution and Nick Katona have always been known for bringing artists together, so there is no better label to showcase this 25-year effort.”
“Lisa has a unique perspective to her music. Her Prog rock style is highly influenced by her Native American roots. The listener is drawn in by the mystical and avant-garde approach. From my point of view, it has always been a pleasure and great experience working with her music.” – John Payne
“A very atmospheric composition, with a lovely tranquil finale. I hear a lot of my father’s influence in it, a beautiful arrangement.” – Aaron Emerson (son of Keith Emerson) regarding the song “Aspiration”
Origins also features John Payne (Asia, GPS), Michael Sadler (Saga), Mitch Perry (Talas, Aerosmith), Gilli Smyth (Gong), Don Schiff (Rocket Scientist, Kracked Earth), Federico Fantacone (Orchestre Celesti) John Baker (Forever Twelve, Mars Hollow) as well as Steve Adams, Brenda K, Michael Wheeler, Merrill Hale, Svetlan Raket (Par Lindh Project), John “Yafke” Timothy, Michael Alvarez.
Origins is housed in a new style of Digipak called a Digipack Lite™ this is one of the most unique and eco-friendly packages on the market, in fact, the CD tray actually flexes and is more durable than the standard ridged plastic tray as it is made from recycled water bottles.
1) All pre-orders get shipped before the release date.
2) All Pre-orders supporters will receive a personalized thank you postcard.
3) All Pre-orders of Origins also come with 2 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released
All orders include a digital booklet with purchase
LaRue became the first female artist signed to the Sound of America Records label (SOAR) a sub label of Natural Visions, the first all-Native American record label founded by Grammy Winner and Motown producer Tom Bee.
In 2008 LaRue was nominated for a Hollywood Music Award and was also awarded The Oklahoma Music Award for “Native American Artist of the Year.” Her band 2KX was Nominated as Instrumental Band of the Year in 2011 by the Los Angeles Music Awards.
Lisa has also appeared on recordings by others, including Head Transfer Process (Stargazer), Esquire with Nikki Squire (“Stay Low”), Don Schiff, Ryo Okumoto, Oliver Wakeman, Steve Gresswell, Quester and Beyond the Labyrinth.
Origins is a double album celebrating 25 years and 11 release by LaRue, featuring some of the best musicians in the business; John Payne (Asia, GPS), Michael Sadler (Saga), Mitch Perry (Talas, Aerosmith), Gilli Smyth (Gong), Don Schiff (Rocket Scientist, Kracked Earth), Federico Fantacone (Orchestre Celesti) John Baker (Forever Twelve, Mars Hollow) as well as Steve Adams, Brenda K, Michael Wheeler, Merrill Hale, Svetlan Raket (Par Lindh Project), John “Yafke” Timothy, Michael Alvarez.
A Statement from Lisa
“I look forward to being part of the Melodic Revolution family, and hope to collaborate with other MR artists, and interact with the fans. Great prog has come from the vaults of Melodic Revolution, and I hope I can contribute to that.”
Finally the third and final list in the Album Of Year 2017 series has come to its completion. This was probably the absolute toughest list to compile. Due to the very tough nature of this list, I decided to sit on it a month before release it here at Power Of Prog . Another reason these sorts of lists are becoming tougher with every passing year is due to the immense volume of music out there. There seems to be too much music out there with the advancement of technology through social media. Therefore due to all these factors it is become more challenging to compile these lists. Thank you all who joined in for the Top 10 Album Of Year 2017 Melodic Hard Rock/ Melodic Metal/ AORlist and Top 10 Progressive Metal Album Of Year 2017.
There are many things going on with Forever Twelve’s Home. First of all this is their debut album for Melodic Revolution Records. The second being many many influences within the band’s dynamic happening here. Third of all this proves once again that the staff of Melodic Revolution Records continues to think outside the ‘proverbial box’ to grow their ever growing roster. According to Forever Twelve’s Official Facebook Page :
What others have said: …elements of jazz, folk, rock, fusion, neo-prog, classical and pop all used to serve a musical purpose, express a certain mood or idea …should especially appeal to fans of Marillion, Clepsydra, or Flamborough Head …These original songs show influences by Genesis, Yes, Camel, and Rush, among others
I say there is much more going on in all three areas of how the band sound, what fans would listen to this band and the influences of the band. Forever Twelve are a return to progressive rock in its purist form. This band takes it back where people trashed the three minute single for a song that was the length of a entire 22 1/2 minutes on vinyl. A time when people preferred the 4-8 panel gatefold and appreciated all the art in its purist form. It takes us back to the time when keyboards began to be celebrated instead of tolerated. It takes us back to the time when Billy Ritchie of 1-2-3/Clouds fame, basically gave birth to the progressive rock genre and influenced a few guys, one would be a guy named Keith Emerson, another would be Robert Fripp and another few guys by the name of Jon Anderson and Rick Wakeman.Yes literally that Rick Wakeman and Jon Anderson.
.When I listen to Forever Twelve’s Home I am reminded of the early period of progressive rock that allowed people both an escape through the melodious labyrinth’s of multiple time signatures and chord progressions and unique rhythmic changes and further intellectual nurturing through its dreamscapes due to its lyrical content and concepts. Forever Twelve also seem to embrace this earlier period of progressive rock along with the later periods of Supertramp and neo progressive periods of the 1980’s.
Forever Twelve’s dedication to the craft is very reminiscent to 1-2-3/Clouds, Yes, Caravan. Eloy, Genesis, Lindisfarne,Fairport Convention, Strawbs and Eclection on the earlier end. On the more current and modern end elements of Marillion, Flower Kings, Transatlantic, Spock’s Beard, Enchant and The Samurai Of Prog come to mind. The band has a very uncanny ability to take all those earlier influences and bands and create their own distinct sound without it appearing to be dated, imitated or duplicated. They also do this without watering anything down as well.
Throughout the duration of the seven songs on Forever Twelve’s Home the band certainly manages to stay true to the very core values that have come to define progressive rock as a genre to some and a lifestyle to others. Throughout the remainder of this review I will be pointing out the various influences that shine through from every song that makes up Forever Twelve’s Home.
The Seven Seas opens up from the first note with the fullness of the band. You have a very deep rhythm section serving as the anchor. Meanwhile in harmony to the deep rhythm section you have the fullness of the stringed section serving as a rudder in which to steer the track in its various time signatures and chord progressions. The band manages to balance all of this where it is not overwhelming as to invite the listener in with ease. Along with such beautiful harmonic balance between the instruments, you have the angelic voice of John Baker. The vocal reminds me of all the best parts of Jon Anderson of Yes meets Rodger Hodgson of Supertramp going on within John Baker.
There also seems to be subtle elements of jazz in the tradition of the late Alan Holdsworth going on underneath the fullness of the arrangement. Although more of a neo progressive style, I would be remiss in saying that this contains some heavy prog elements in melody with the neo progressive nature.This track is also as much guitar driven as it is keyboards in the stringed section. The deep bass/drum rhythm section in harmony with the deep keyboard portions provide a very heavy prog melody throughout the track.
Home begins with a drum along with the bass serving more and a percussive instrument within the rhythmic section. From there the guitar shines through to allow the fullness of the bands instrumental to breathe. After all this beautiful open melody the track drops and breaks and allows for the warmth in the vocals to enter with the instrumental to achieve a full harmony. Also after the break and vocal the track takes a more atmospheric nature with the steady flow on keyboards while the rhythm section serves as a backbone to the vocals. The track also includes intricate time signatures and chord progressions more in the tradition of Knight Area meets Cairo. This track has some more emphasis on vocal harmonies as well that add more depth to the song in general.
Daisy Chain is the band’s first single off Home. This track maintains the jazz style integrity that seems to be a unsung hero to the album. While the deep rhythm sections and atmospheric elements with the keyboards serve as ground zero for the album, the jazz elements really trigger the time signatures as much as the progressive elements. The band have a very keen sense on when to employ a jazz based time signature and a progressive time signature. Daisy Chain is a prime example of this.The song takes a break midway through with a semi solo that allows the various instruments to execute more intricate chord progressions. This track is also very loaded with classic progressive rock elements much like ELP meets Yes. The band really draw from many parts of the progressive rock spectrum and this song is a perfect example of it.
Kansas By The Sea is one of the more experimental and atmospheric songs the band has offered up on Home. It opens with a beautiful effect of a ocean wave washing up against the shoreline. This happens in melody and harmony with a piano. The ocean effect with the piano give the track a conceptual feel about it. This is a track that could open up introductions to newer fans going forward. The guitar and bass lines also give the appearance of two different instrumental characters within the song. Lyrically this is both a retrospective track and one of optimism equally. The song also has a very robust chorus working for it among its experimental nature. This song has periodic breaks to set up the next part of the desired story of the band. Towards the end the song takes on a very heavy prog King Crimson style in the tradition of 21st Century Schizoid Man.
Karmageddon starts out with various effects of the city before going into a very guitar and bass driven chord progression. This is the heaviest song on Home. The bass and guitar really send the mind and emotions of the listener on a immediate roller coaster ride. It soon drops a bit and a very balanced vocal comes into play. From there the track takes on a more methodical purpose. Every riff, every portion of the instrumental has a definite purpose and does not serve as just any old filler for the song. The drums really send this song into rhythmic areas that are very unorthodox. The band shows its full time signature and chord progression prowess on this song. All of this really makes the song a very unique offering to the album. The keyboards are more in the Hammond Organ tradition.
Acoustic Rose is just that a rose. It opens up with a beautiful acoustic guitar and keyboard atmosphere that allows the listener to settle in and start to really digest the entire album. This is just as strong with the lyrical and vocal harmonies as it is with the instrumental melodies. The deep rhythm section lays back a bit for the more guitar and keyboard driven atmospheres to shine through. The vocal harmonies have a very folk Crosby,Stills, Nash & Young vibe working about them as well. This seamlessly transitions into the next song Fate Is In Our Hands.
Fate Is In Our Hands is the seventh and final song on Home. This transitions seamlessly off the prior song Acoustic Rose. This opens up like a old school gritty blues based guitar chord progression. The added crackle of vinyleffect is very rare in the era of digital media. The listener can easily notice that the band is paying homage to the essential roots that made progressive rock not only a genre but a lifestyle. This has both a heavy Pink Floyd meets King Crimson atmosphere. The band does a great job playing a summary of elements on here that really tie all the album together as a cohesive unit. This one is also heavy King Crimson induced throughout the entire track.
After listen to this I come to the conclusion that Melodic Revolution Records has another great signing on its hands. I would encourage the band to tour with this. I believe a live experience of these songs and this album in particular would be a real treat to fans both old and new to Forever Twelve. This is a band that could easily qualify for a Cal Prog, ROSFest even Prog/Power USA & Prog/Power Europe. I give Forever Twelve’s Home a 5/5 .
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