Costa Rican Prog Metal Band Time’s Forgotten to Release New Album ‘SHELTER’ in Early 2022

We are thrilled to announce “Shelter” the upcoming fourth album by Costa Rica’s premier Prog Metal act Time’s Forgotten to be released in early 2022 via label Melodic Revolutions Records.

“This is a concept album and I think it is our best work yet,” says Calvo. “It shows how we’ve matured throughout our 16-year career as a band and we can’t wait for you to listen to it!”. The band also has some very special surprises for this in 2021, so stay tuned!

Tracklist:
1. New Dawn (prologue)
2. City
3. Cycle #248
4. Defiant
5. Accident of Evolution
6. Waking Up (interlude)
7. Ascension
8. Outsider
9. Moments of Clarity
10. The Road Home
11. Sleepless

Produced by Ari Lotringer and Juan Pablo Calvo and arranged by the band.
Mixed and mastered by Calvo at Lúcuma Estudios.

Art direction: Fernando Fonseca.
Photography: Sebastián Blanco. Photo editing: Ari Lotringer

Format: CD & Digital
Catalog Number: MRRCD 22208

Time’s Forgotten is.
Priscilla Ruiz: lead vocals
Jorge Sobrado: drums
Ari Lotringer: lead guitar
Gonzalo Trejos: bass Juan
Pablo Calvo: keyboards, guitars, vocals

Time’s Forgotten Online
Website: www.timesforgotten.band
Facebook: www.facebook.com/timesforgotten 
Instagram: https://www.instagram.com/timesforgottenband/
YouTube: https://www.youtube.com/user/timesforgotten
Bandcamp: http://www.timesforgotten.bandcamp.com
Melodic Revolution: https://mrrmusic.com/times-forgotten/

Melodic Revolution Records Online:
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RoSFest Team Release Statement and Video For New Festival Dates

First, and foremost the RoSFest team would like to thank their supporters for being so patient in awaiting further announcements with regards to new festival dates. As fans and supporters of music and festivals; we tried and consider the impact of our decisions on fans and try to minimize any disruptions to the best of our ability while still maintaining the best overall experience. These considerations are what have guided the RoSFest Team in deciding to move the 2022 festival dates to make sure fans and supporters won’t have to miss out on any great music.

The new RoSFest dates have been chosen as not to conflict with the new dates of the Cruise to the Edge (CTTE). We have decided it was in everyone’s best interest to not share the same dates. The RoSFest Team wants to wish the organizers and CTTE team the best of luck on the new dates for the cruise. To that end, we have moved RoSFest 2022 from May 2022 to April 15-17, 2022.

We continue to work diligently behind the scenes to sign contracts with hotels to secure the best possible rates for your accommodations and organize the best event we can. We hope to make some of those announcements soon and we are sure you can’t wait to find out who will be on the big stage, you won’t be disappointed, so stay tuned.

Thank you for your patience and support, we cannot say that enough, but most of all we look forward to mingling with our friends and meeting our many new supporters.

Lots of ❤ John, Nick, Rebecca, Tony, Lisa & Octavia

Follow RoSFest Online
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Facebook Group: https://www.facebook.com/groups/rosfest
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Spotify: https://open.spotify.com/user/u7yu1z8gmlezulr6p2pymzmyv

Joe Deninzon & Stratospheerius will give away Free Digital Downloads during the preview of the New Music Video on YouTube this Saturday!

Join Joe Deninzon & Stratospheerius on YouTube Saturday, February 27th at 3 PM EST for a chance to win free music downloads. There can only be 20, will you be one of them?

The new video features claymation with live footage from each band member from their own studio. “Cognitive Dissonance” is a collaboration with Patrick Carmichael, who has subbed on drums for the band through the years.  

“Cognitive Dissonance”’s first verse deals with the confusion we go through, when elders and leaders influence us to change our minds with their negative feelings on those we care about. “We are all born innocent, free of prejudice and hatred, but our elders make us carry a heavy burden, which can last our whole lives. Hatred is taught, we are not born with it,” explains Joe. “We all see children that are terrified by friends that are their same ages, because their parents have taught them negative things about other religions, ethnicities, genders, skin colors, political ideologies….” He says prejudicial teachings “can create “cognitive dissonance” in anyone’s mind when they’re told their friends are ‘evil’ because they have different roots.” 

The second verse deals with political and ideological intolerance. “There’s rising extremism, and it’s been this way for decades. People are prisoners of fake news, social media echo chamber bubbles, and politicians who reinforce conspiracy theories and retweet them to their followers. The line ‘No one can touch us now’ refers to people hiding behind their screens, spewing the deep-rooted hatred without fear of physical retaliation. Even though I wrote the song a year ago, I think it eerily speaks to recent events.”

“It’s easy to write about our high ideals and our wishes for world peace, but when you have a gun pointed to your head or your business is burning down, it’s a rude awakening about how nasty the world really is. The big collective guitar/electric violin solo at the end represents two sides screaming at each other, full of hatred, fading out screaming, never reaching an understanding or resolving anything.” 

Multi-instrumentalist Randy McStine, who has subbed in Stratospheerius on guitar, bass, and drums, has played on a few of the band’s songs: “Soul Food” and “Impostor.” His voice blends with Joe’s, that “we thought it’d be cool to have him sing lead on the second version of ‘Cognitive Dissonance.’”

Joe has been called The Jimi Hendrix of the electric violin. Stratospheerius has showcased their “frenzied mélange of progressive rock, jazz fusion and funkabilly” throughout the world. Stratospheerius was a winner of the John Lennon International Songwriting Competition the Musicians Atlas Independent Music Awards. They have been featured in Progression, Relix, Downbeat, and Jazziz, among other publications. Their last album on Melodic Revolution Records, “Guilty of Innocence,” has been widely acclaimed by critics and fans. Joe has played violin in orchestras for Bruce Springsteen, the Who, Sheryl Crow, 50 Cent, and Renaissance.

Stratospheerius is:
Joe Deninzon – lead vocals/electric violin
Jason Gianni – drums
Michelangelo Quirinale – guitar
Paul Ranieri – bass

with special guest Randy McStine on vocals

Music and lyrics by Joe Deninzon 
Engineered by Rave Tesar 
Mixed and Mastered by Rich Mouser
©2020 Fiddlefunk Music. All rights reserved.  

Image & Claymation Patrick Carmichael 
Single layout Nick Katona @ Revolution Studios

Joe Deninzon & Stratospheerius Online
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Leon Alvarado‎ Re-visits “2014 Music From An Expanded Universe” with New Music Video for Blood Like Red

Blood Like Red is the 3rd track from the 2014 Music From An Expanded Universe album. The video features Leon Alvarado on Keyboards and Drums. Trey Gunn (King Crimson, The Security Project) on Warr Guitar and Bass and Jerry Marotta (Peter Gabriel, Hall & Oates) on Taos Drums percussion. Produced by Leon Alvarado, Engineered by Leon Alvarado, Trey Gunn and
Mastered by Andy Jackson 

For years I had wanted to add visuals to what it is one of my favorite pieces from my music.
Leon Alvarado

Leon Alvarado is Texas-based prog drummer, keyboardist, composer, and illustrator, Alvarado has recorded with many talented musicians including Bill Bruford (Gong, Yes, Genesis, Earthworks), John Goodsall (Brand X, Fire Merchants), Trey Gunn (King Crimson), Jerry Marotta (Peter Gabriel, Hall & Oates, Paul McCartney), Billy Sherwood (Yes, Asia), Rick Wakeman and Tony Levin.

On the graphics front I have done album covers and touring materials for bands such as Brand X, Genesis, Phil Collins, Jethro Tull, Jeff Beck, Peter Gabriel, Roger Waters, The Australian Pink Floyd Show, and King’s X.

A Critics Point of View

This is not one of those balls-to-walls prog-rock affairs. For instance on “Blood Like Red,” the artists execute a slowly moving and budding rock pulse, steered by Gunn’s prominent bass lines, in support of the leader’s polytonal voicings, sounding somewhere in between a mellotron and synth strings type soundscape. Moreover, Alvarado layers a tabla vibe to incorporate a world music background into the mix, followed by Gunn’s stinging and crunchy Warr guitar notes. 
All About Jazz

“Blood Like Red” starts and ends with atmospheric wind effects with the middle brimming with Alvarado’s spacier synth exploits and Gunn’s textural Warr guitar crunch. It is here the band really gets into a full but subtle groove.
Jon Neudorf – Sea of Tranquility

Leon Alvarado Online

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US Prog Metal Act Port Mahadia Release Free EP

Port Mahadia has assembled a new four-track EP in the wake of the Coronavirus (COVID-19) epidemic. The band understands that we are all living in strange and challenging times and nearly everyone on earth is in lockdown and self-isolation until COVID-19 is no longer a threat.

Time & Space is a gift from the band and is meant to bring some joy during these trying times. Members of Port Mahadia have been working on a 3rd release but are unsure when the album will be released and hope you will enjoy this EP until then.

Time & Space Tracklisting
1) Times Companion from the debut album Echoes In Time 
2) I Walk Beside You from 2nd album Quantum Space 
3) Requiem Of The Mind from the debut album Echoes In Time 
4) Working Man from 2nd album Quantum Space 

Port Mahadia Online
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