A new force of progressive metal has emerged – Whom Gods Destroy, a formidable new group formed by keyboardist Derek Sherinian, guitarist Ron ‘Bumblefoot’ Thal, and vocalist Dino Jelusick. Along with the potent rhythm section of bassist Yas Nomura and drummer Bruno Valverde, Whom Gods Destroy have recently signed a worldwide deal with InsideOutMusic.
Sherinian and Bumblefoot have built upon the creative link they developed as two of the key elements of supergroup Sons of Apollo and now set their sights on a new path with Whom Gods Destroy, who are getting ready to present the musical odyssey that is their debut opus, ‘Insanium’, to be released in March 2024.
Bumblefoot explains how Whom Gods Destroy got started: “Derek & I began writing new music in 2020. Soon after, Dino joined, followed by Yas and Bruno. We’d share ideas, and each record parts, building and rebuilding songs, and by June ’23 the album was finished. The songs all went through a lot of changes, developing…you can definitely hear what each person brings to the music – when it adds up, it’s a mix of melody and intense heavy prog.”
Working with powerhouse vocalist Dino Jelusick, as well as Yas Nomura and Bruno Valverde, they knew they were building something special, says Bumblefoot. “These guys are all just mind-blowing…! I’ve known Dino for a few years, we did a collab song a few years ago…his voice is just magic. He’s one of the greatest singers out there. Bruno & Yas are downright frightening, there’s no limit to what they can do, WTF…! And all great guys to hang with.”
Sherinian agrees, “All three of these musicians are super talented with great energy. I think Dino is the real deal. Ron and I knew that we could do something great with him.”
Jelusick expresses his excitement as well, “What I love about this band is that it doesn’t have any limits. It came together back in 2020 when we started talking about it. Yas and I started working separately not knowing we were both asked to do this. Bruno was the last piece of this puzzle and I’m glad the recommendation came from me. Love this line-up. Derek and Ron are wizards.”
While a first single by Whom Gods Destroy will be launched alongside its promotional performance video clip in January, you can already check out various teaser clips and introductory snippets on the band’s social media outlets. So, make sure to follow the band online and stay tuned for a lot more activity as well as further updates on Whom Gods Destroy and “Insanium” coming soon…
WHOM GODS DESTROY line-up: (From left to right on photo Greg Vorobiov) Bruno Valverde – Drums Yas Nomura – Bass Dino Jelusick – Vocals Derek Sherinian – Keyboards Ron “Bumblefoot” Thal – Guitars
We are happy to announce that on December 13th Captain of the Lost Waves will release his sixth official music video from his exceptionally well-received album Hidden Gems Chapter 3 – Mysterium Tremendum, the new video is an alternative acoustic space synth version of the single ‘Noise and Amusements’ which has been remixed and remastered for this release.
In related news, a New Album Crowded Funding Project has been launched to help pay for the completion of the stunning new album “Beautiful Ugly”.
The captain makes his return nearly 18 months after a life-changing road traffic accident where both he and his family were caught up in a police car chase resulting in being hit by the stolen vehicle.
During the challenges of such a stark rehabilitation, music was miraculously still being created, albeit in a very slow, labored, and somewhat sedate ‘late-night fashion’. Strong painkillers/opioids became ‘married’ to those rare and fleeting moments of energetic impulses that screamed out to be expressed – hence a reflective, healing, contemplative album emerged.
The 9-track album Beautiful Ugly will be released on the bespoke American label Melodic Revolution Records in Sept 2024. It was made with just 3 players, The Captain on Voice/Bouzouki/Guitar, Damian Clark on Keys/Synths, and Wendy Ross on Violin.
Being a writer who follows such persistent whispers, prods, and an almost otherworldly invitation with deep reverence to the process, The Captain felt compelled to bring this album into existence despite the circumstances that prevailed.
A crowdfunding campaign has inevitably begun considering all that has preceded it. All monies pay for production, recording, design, engineering, and mastering. promotion costs etc. If you would like to help in any way or be involved, please go to https://www.ko-fi.com/captainofthelostwaves/shop
You can be an essential part of the crowdfunding journey and any donation, however big or small, is welcome. The single £3, price of a coffee is often as vital to the overall picture as those larger gifts.
About Captain Of The Lost Waves The Captain is a troubadour, storyteller, and free-thinking renegade. His musical offerings are inspired by the great songwriters and philosophers of yesteryear. This is visceral music for the mind and body, full of dreamy verses, life-affirming choruses, and sheer audacity. Where melodic invention meets alternative folk, progressive, world, and ambient sounds. He is not just the figurehead of his musical vessel, he’s ringmaster, bard, master of ceremonies, and sage. There’s far more to him and his absurdly engaging world than any of your ten–a–penny musical stars. Seen through showers of glitter, kaleidoscopic lens flares, and the rainbows of a million puddles. The Captain tells sonic stories to connect with everyone past, present, and future.
Captain Of The Lost Waves Discography Not Your Average Love Song – Single (2023) Digital & Streaming Hidden Gems Chapter 3 (2022) CD, Digital & Streaming Hidden Gems Chapter 2 (2019) CD, Digital & Streaming Synthesis (2028) LP, CD, Digital & Streaming Hidden Gems Chapter 1 (2017) CD, Digital & Streaming
Solo Releases as Shaun T. Hunter Still Talking Scribble (2010) CD, Digital & Streaming Thinnest Hopes Magnified (2009) CD, Digital & Streaming The Great Departure (2007) CD, Digital & Streaming Flying Not Falling (2004) CD, Digital & Streaming
Following last Friday’s announcement of the new studio album ‘The Likes Of Us’ by the award-winning progressive rock band Big Big Train to be released on March 1st, 2024, the band are delighted to announce four shows in the USA in March 2024. These shows are in addition to the band’s previously announced co-headlining appearances next year on board Cruise To The Edge in March and at the final Night Of The Prog in Germany in July as well as their debut at Cropredy festival in the UK in August.
The band will perform for the first time ever in the United States as follows: Friday, March 1st, 2024 – Sweetwater Performance Theatre, Fort Wayne, Indiana Saturday, March 2nd, 2024 – Rivoli Theater at The Williams Center, Rutherford, New Jersey Sunday, March 3rd, 2024 – Rivoli Theater at The Williams Center, Rutherford, New Jersey Tuesday, March 5th, 2024 – Regent Theatre, Arlington (Boston), Massachusetts Ticket links for these shows are at www.bigbigtrain.com/live. The band’s two performances at the Rivoli Theater will feature substantially different set lists. Tickets for all shows will go on sale at 10am Eastern US time on Friday, December 15th.
“We could not be more pleased to be bringing Big Big Train to the USA for the first time,” comments lead vocalist Alberto Bravin. “We know that over the years a number of fans have travelled huge distances from North America to see the band play live in the UK and Europe. It’s wonderful that we can now re-pay that commitment so that they will be able to have the opportunity to see us in the States.”
“I’ve wanted Big Big Train to play in North America for many years,” drummer Nick D’Virgilio adds. “We’ve been thwarted a couple of times previously, so this is long overdue. We can’t wait to perform for our North American fans who have been so patient waiting for the band to cross the Atlantic. As we have only have a small time window that works for all of us, this is a very short run of dates, but if the shows go well then we will aim to return soon!”
For these four shows the band’s line-up will consist of Alberto Bravin (lead vocals), Nick D’Virgilio (drums), Oskar Holldorff (keyboards), Clare Lindley (violin), Rikard Sjöblom (guitars/keyboards) and Gregory Spawton (bass) as well as an additional multi-instrumentalist who will play trumpet, guitar and keyboards.
“In an ideal world Big Big Train would include a full brass section at every show, but financial realities just don’t allow us that luxury currently,” explains Gregory Spawton. “Going forwards we want Big Big Train to play as many shows as possible – meaning that we will be performing some shows with and some without the brass section. We’re keen to retain a brass element in all shows however and therefore Dave Foster has very graciously agreed to sit out our North America shows so that we can bring in a trumpet player, whose name we will be announcing soon.”
“Playing with a trumpet player is going to give these US shows a different flavour,” Rikard Sjöblom says. “We’ve got a great set list planned and I’m excited about being able to show what Big Big Train can do as a seven piece live band before we re-unite with a full brass section for the two shows on board Cruise To The Edge.”
Watch the video for “Oblivion,” the first single from ‘The Likes of Us’ here:
‘The Likes Of Us’ will be released as a Limited CD & Blu-ray Mediabook edition that contains the album as 5.1 Surround Sound, 24-bit high-resolution stereo, and for the first time in Dolby Atmos, mixed by The Pineapple Thief’s Bruce Soord, while the stereo mixes were undertaken by the band’s regular engineer Rob Aubrey together with Alberto Bravin. The album will also be available as a Gatefold 180g 2LP (available in black, sky blue, olive green and orange formats), Standard CD Jewelcase and Digital Album. The stunning artwork was created by the band’s longstanding collaborator Sarah Louise Ewing, with layouts by Steve Vantsis. Pre-order ‘The Likes of Us’ here: https://bigbigtrain.lnk.to/TheLikesOfUs
Ten years in the making, the day is finally here. the long-awaited new album from Moon Safari, Himlabacken Vol. 2. is officially out. Their 5th studio album is being heralded as one of the best in the group’s already outstanding discography.
“A veritable pomp-rock-meets-melodic masterclass.” – Classic Rock
“Moon Safari have exceeded any and all expectations with Himlabacken Vol.2.” – The Prog Report
“With ‘Himlabacken Vol. 2’, Moon Safari have delivered the most wonderfully uplifting collection of songs I have heard this year.” – Progradar
“Arguably their best release yet” – Sonic Perspectives
“An absolute stone-cold masterpiece, 10/10!” – The Prog Corner
The band share this message about the album’s release: “It’s been a decade! A decade of real highs and lows. There was a 50/50 chance that this album wouldn’t exist, and a 50/50 chance that Moon Safari wouldn’t persist. Yet here we are, with an album that satisfies almost all of our musical dreams. And hopefully yours too.
What eventually tipped the scales was love, pure and simple. The love we put into the music and didn’t want to abandon. The love between the members (that we sometimes have to remind ourselves about). And, above all, the love you’ve showed us over the last 10 years.
You’re the reason we kept going. This album is now yours! HAPPY RELEASE DAY!
CHEERS / MOON SAFARI”
Track Listing: 1. 198X (Heaven Hill) (3:55) 2. Between the Devil and Me (10:38) 3. Emma, Come On (3:19) 4. A Lifetime to Learn How to Love (8:28) 5. Beyond the Blue (2:12) 6. Blood Moon (5:44) 7. Teen Angel Meets the Apocalypse (21:03) 8. Forever, For You (10:08) 9. Epilog (3:22)
Moon Safari is: Petter Sandström – Lead and Backing vocals, Acoustic Guitar Simon Åkesson – Lead and Backing Vocals, Piano, Organ, moog. Pontus Åkesson – Lead and Backing Vocals, Electric and Acoustic Guitar Sebastian Åkesson – Backing Vocals, assorted keys, percussion. Mikael Israelsson – Backing Vocals, Drums, percussion, keyboards, piano Johan Westerlund – Lead and Backing Vocals, Bass Guitar
Special guest performance by Jamison Smeltz – saxophone on “Forever, For You”
I have been involved in developing a few mission statements over the years, and it is not something I really enjoy doing as there is always the risk of overstating/understating the intent, and then the business not living up to it anyway. Not every business does this of course, and even fewer bands, but you can read United Progressive Fraternity’s on their website, “To produce great music, as a collective concept, whilst conveying a message of peace, hope and global awareness”. There is a lot more than that of course, but this is the core. Hence we now have the second part of ‘Secondary Overload’, following on from 2019’s ‘Loss’. The core of the band are the duo of Mark Trueack (vocals) and Steve Unruh (vocals, guitars, sitar guitar, bass, bass pedals, thumb piano, violin, flute, wind chimes, tambourine, percussion, narration, harmony vocals), but then there are a whole host of guests involved including the likes of Charlie Cawood, JPL, Ryo Okomuto and Steve Hackett but if you are that interested you will need to look them up yourselves as there are about 40! Also, if the nealy two hours of music is not enough then if you purchase it from Bandcamp you get an additional album, ‘The Secret Life of Light’, featuring an additional nine songs (68 minutes) by UPF’s “Romantechs” (Christophe Labled, Mark Trueack, Steve Unruh) which takes us up to a running time of three hours!
This is progressive rock, with loads of different elements and influences as one would expect from the involvement of so many musicians. It can be somewhat overpowering at times, with so many threads and layers that they can blend into each other, yet what makes this work is at the heart of this are some really strong melodies and songs and one can never deny the power of the lyrics and words. This is all about communication and something which brings this really home are the tracks which are just speeches from the likes of Sir David Attenborough and Chief Oren Lyons – that they have been brought in without any trickery really makes them stand out and brings the message strongly home that we are damaging our planet, but we can still reverse what we have done so far, hence “Hope”. This is not an album which can be drifted into, there needs to be a deliberate decision to sit and really listen to it, played on headphones when one has the time to concentrate and not be disturbed. Given the amount of work which has gone into this, the amount of people involved, and the small matter of a global pandemic it is no surprise this album too much longer to appear than was expected, and while there are elements quite reminiscent at times of The Flower Kings this is very much an album which stands on its own. There is a lot to take in here, both lyrically and musical volume, but it is definitely worth the effort.
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